Austin, TX – The SXSW Conference and Festivals wrapped on March 19th, after 10 days of magic and Austin wackiness, showcasing film, TV, interactive, conferences, interviews and music. The Film & TV Fest named “Raging Grace” as the top Narrative Feature and “Grown” as top TV Pilot.
“Raging Grace” was written and directed by Paris Zarcilla, telling the story of a Filipina house cleaner and her young daughter, with the jury noting its “heady blend of horror, history, and midnight humor announcing the arrival of an exciting new filmmaking talent.” The TV Pilot “Grown” focuses on a teenage boy attempting to move forward after losing his father, and the jury said it was “a coming-of-age story told with heart and visually realized with polish and verve.”
The following is the list of top honorees …
Grand Jury Prize - Narrative Feature
Raging Grace
Photo credit: SXSW.com
Winner: “Raging Grace,” directed by Paris Zarcilla...
“Raging Grace” was written and directed by Paris Zarcilla, telling the story of a Filipina house cleaner and her young daughter, with the jury noting its “heady blend of horror, history, and midnight humor announcing the arrival of an exciting new filmmaking talent.” The TV Pilot “Grown” focuses on a teenage boy attempting to move forward after losing his father, and the jury said it was “a coming-of-age story told with heart and visually realized with polish and verve.”
The following is the list of top honorees …
Grand Jury Prize - Narrative Feature
Raging Grace
Photo credit: SXSW.com
Winner: “Raging Grace,” directed by Paris Zarcilla...
- 3/20/2023
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
This year’s South by Southwest Film & TV Festival has officially unveiled the 2023 winners list.
With buzzy titles such as “Bottoms,” “Beef,” “Swarm,” and “Air” debuting at the festival, the 2023 conference in Austin, Texas proved to be a memorable time. “What an extraordinary week of film and TV premieres here at SXSW, and there is more to come through Saturday,” Claudette Godfrey, VP, Flm & TV, said. “Our theaters have been brimming with enthusiastic audiences celebrating the exceptional and diverse work in our lineup, and we’re so excited to celebrate this year’s jury and special award winners!”
The Narrative Feature Competition, presented by Panavision, bestowed the top honor to “Raging Grace,” written and directed by Paris Zarcilla.
“‘Raging Grace”s heady blend of horror, history, and midnight humor announces the arrival of an exciting new filmmaking talent in writer-director Paris Zarcilla,” the official statement reads. “The story of a...
With buzzy titles such as “Bottoms,” “Beef,” “Swarm,” and “Air” debuting at the festival, the 2023 conference in Austin, Texas proved to be a memorable time. “What an extraordinary week of film and TV premieres here at SXSW, and there is more to come through Saturday,” Claudette Godfrey, VP, Flm & TV, said. “Our theaters have been brimming with enthusiastic audiences celebrating the exceptional and diverse work in our lineup, and we’re so excited to celebrate this year’s jury and special award winners!”
The Narrative Feature Competition, presented by Panavision, bestowed the top honor to “Raging Grace,” written and directed by Paris Zarcilla.
“‘Raging Grace”s heady blend of horror, history, and midnight humor announces the arrival of an exciting new filmmaking talent in writer-director Paris Zarcilla,” the official statement reads. “The story of a...
- 3/15/2023
- by Samantha Bergeson
- Indiewire
Two days after ”Everything Everywhere All at Once“ won seven Oscars, including best picture, the SXSW Film Festival, where Daniel Kwan and Daniel Scheinert’s movie launched last year, has announced its own awards. To be clear, “Eeaao” was a studio-backed opening night premiere (not one of the smaller movies launched in competition at the indie-focused fest), but you can still feel the excitement in Austin around the landmark Oscar win. After all, SXSW was the first festival to take Daniels seriously, awarding them top prize for their Battles music video (“My Machines”) in 2012.
Will any of the movies or directors screening here this year go on to change film history?
With five days still to go at SXSW, the juries convened to present the winners.
Narrative feature honors went to writer-director Paris Zarcilla’s “Raging Grace.” On the surface, the tense story of an undocumented Filipina house cleaner and...
Will any of the movies or directors screening here this year go on to change film history?
With five days still to go at SXSW, the juries convened to present the winners.
Narrative feature honors went to writer-director Paris Zarcilla’s “Raging Grace.” On the surface, the tense story of an undocumented Filipina house cleaner and...
- 3/15/2023
- by Peter Debruge
- Variety Film + TV
“Like an Abel Ferrara Jr., [Calvin Lee] Reeder meshes thought and design with genre storylines, like a Euro-filmmaker making ’70s drive-in films,” wrote Mike Plante in his 2007 25 New Face profile of the Portland, Ore.-born filmmaker. Sixteen-years later, the alt-horror auteur is still moving between the border spaces of various horror and science-fiction sub-genres, with his newest work — the SXSW-premiering independent TV pilot Harbor Island — being one of the most existentially offbeat yet. The festival’s program book provides the narrative gist but not the work’s extremely odd affect, which is something like watching Rupert Pupkin act in […]
The post “I Like the Idea of Comedy in an Uninhabitable Place”: Director Calvin Lee Reeder on His SXSW-Premiering TV Pilot, Harbor Island first appeared on Filmmaker Magazine.
The post “I Like the Idea of Comedy in an Uninhabitable Place”: Director Calvin Lee Reeder on His SXSW-Premiering TV Pilot, Harbor Island first appeared on Filmmaker Magazine.
- 3/12/2023
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
“Like an Abel Ferrara Jr., [Calvin Lee] Reeder meshes thought and design with genre storylines, like a Euro-filmmaker making ’70s drive-in films,” wrote Mike Plante in his 2007 25 New Face profile of the Portland, Ore.-born filmmaker. Sixteen-years later, the alt-horror auteur is still moving between the border spaces of various horror and science-fiction sub-genres, with his newest work — the SXSW-premiering independent TV pilot Harbor Island — being one of the most existentially offbeat yet. The festival’s program book provides the narrative gist but not the work’s extremely odd affect, which is something like watching Rupert Pupkin act in […]
The post “I Like the Idea of Comedy in an Uninhabitable Place”: Director Calvin Lee Reeder on His SXSW-Premiering TV Pilot, Harbor Island first appeared on Filmmaker Magazine.
The post “I Like the Idea of Comedy in an Uninhabitable Place”: Director Calvin Lee Reeder on His SXSW-Premiering TV Pilot, Harbor Island first appeared on Filmmaker Magazine.
- 3/12/2023
- by Scott Macaulay
- Filmmaker Magazine - Blog
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