Watched a Marathi movie for the first time! And it is a good experience. The characters portrayed and the history behind all of them was very good to watch and receive. Everyone who watched the movie knew the story so there was no scope to mistell it and the director did well. Unlike some other film industry directors there was not much of flaunting of stardom. At parts there should have been more lighting in the film due to poor lighting we couldn't get the real essence of the scene. Anyway, overall a good watch. The emotions at the second half are well placed. Action scenes are realisitic and there is love everywhere.
15 Reviews
Most accurate and captivating
vikydattu1 October 2023
I felt, This movie is most accurate version of the Veer Tanaji Malusare.
The intricate details, especially, the last war scene are quite good. Unlike the Hindi movie Tanhaji, which has bad graphics and overly exaggerated story line with lots of fictional elements, this movie on the other hand is more realistic .
This is the story we have been reading from history book.
Since, Ajay Purkar had already played in the masterpiece Pawankhind, and it was a bit odd to accept him as Tanaji for like first 10-20 minutes.
First half is a bit stretch. The editing could have been a bit crisp.
9/10 from me.
The intricate details, especially, the last war scene are quite good. Unlike the Hindi movie Tanhaji, which has bad graphics and overly exaggerated story line with lots of fictional elements, this movie on the other hand is more realistic .
This is the story we have been reading from history book.
Since, Ajay Purkar had already played in the masterpiece Pawankhind, and it was a bit odd to accept him as Tanaji for like first 10-20 minutes.
First half is a bit stretch. The editing could have been a bit crisp.
9/10 from me.
Right History showcase
Arjun_24 September 2023
Firstly, the way they showcased a movie was excellent. The movie's topic, based on the life of Subhedar Tanhaji Malusare, was an excellent idea with an important responsibility. The movie explains events from the past, leading up to the last fight at Sinhagad. Many aspects may have been unknown to common people like us. Overall, the experience was good. The cast was excellent, but one error was the portrayal of Bahirjee Naik, which was not up to par. They need to reconsider that casting choice. We can't compare it with the Hindi Tanhaji because the story in Subhedar's movie was different from Hindi Tanhaji, although Subhedar's movie was 90% accurate, except for the last scene where Chatrapati Shivaji Maharaj meets Subhedar Tanhaji Malusare. So the entire experience was good and it's an must watch movie.
A Captivating Tribute to Maratha Valor - A Must-Watch Masterpiece!
ganeshthorat-1814830 August 2023
"Subhedar" is a cinematic gem that masterfully weaves the tale of Maratha king Shivaji Maharaj and his unwavering friendship with his commander. With a captivating storyline that holds your attention from start to finish, this movie stands tall as a testament to Maratha history and heroism.
The musical score deserves a special mention, as it complements the narrative beautifully, evoking a range of emotions that enhance the overall impact of the film. The costumes and production design add authenticity, making the historical setting come alive.
"Subhedar" is not just a movie; it's a celebration of courage, friendship, and the indomitable spirit of the Maratha warriors. It reminds us of the sacrifices made and the values upheld by our forefathers, leaving an indelible mark on our hearts and minds.
The musical score deserves a special mention, as it complements the narrative beautifully, evoking a range of emotions that enhance the overall impact of the film. The costumes and production design add authenticity, making the historical setting come alive.
"Subhedar" is not just a movie; it's a celebration of courage, friendship, and the indomitable spirit of the Maratha warriors. It reminds us of the sacrifices made and the values upheld by our forefathers, leaving an indelible mark on our hearts and minds.
great film 🎥
dashrathbshinde27 August 2023
Experience with goosebumps!
SUBHEDAR - the movie - as expected very well made! Go for it!!!
But go expecting lots of creative liberties, a little cinematic exaggeration, ample amount of CGI, just so that you can overlook these things and instead notice the positives... If you manage to do the above, you will feel the goosebumps. You will feel your grip tightening. You will feel your chest thumping. You will notice that you are suddenly sitting in an upright posture with the head held high... towards the end... And then, it may just happen, that a thought may cross your mind, or you may overhear few people talk amongst themselves after the end of the movie - "how great these people were, and look at our generation and what it is doing now ...what they created, and what we are destroying now ...what they won, and what we are losing now ...what challenges they surmounted, and what we are digging ourselves into." You may feel disgusted, angry, and possibly a bit of shame too. Heard someone say (these people were loud!), "I wonder what would have happened if there was media back then, creating confusion and miscommunication, fanning hatred - all to ensure that there are interesting & engaging news items..." Ok.. this was too much of a digression... But this really did happen!
Great production value. Though a few elements felt like sets, I was surprised to find myself being fine with them. Awesome action choreography. Effective background score & beautiful cinematography. You can notice that the makers have given it their all for this movie. And with this kind of devotion, minor flaws can and should be forgiven.. Looking forward to more in the upcoming series.
When it comes to the recent films made on some historical subjects, I feel that this movie has calibrated it well - how much to focus on sets, actors, their clothes and jewellery, songs and dances, etc. This one seems to have stayed away from the temptation of doing too much in that space, and has instead managed to not let these things overpower or hijack the story, the film and the overall experience it may have intended.
SUBHEDAR - the movie - as expected very well made! Go for it!!!
But go expecting lots of creative liberties, a little cinematic exaggeration, ample amount of CGI, just so that you can overlook these things and instead notice the positives... If you manage to do the above, you will feel the goosebumps. You will feel your grip tightening. You will feel your chest thumping. You will notice that you are suddenly sitting in an upright posture with the head held high... towards the end... And then, it may just happen, that a thought may cross your mind, or you may overhear few people talk amongst themselves after the end of the movie - "how great these people were, and look at our generation and what it is doing now ...what they created, and what we are destroying now ...what they won, and what we are losing now ...what challenges they surmounted, and what we are digging ourselves into." You may feel disgusted, angry, and possibly a bit of shame too. Heard someone say (these people were loud!), "I wonder what would have happened if there was media back then, creating confusion and miscommunication, fanning hatred - all to ensure that there are interesting & engaging news items..." Ok.. this was too much of a digression... But this really did happen!
Great production value. Though a few elements felt like sets, I was surprised to find myself being fine with them. Awesome action choreography. Effective background score & beautiful cinematography. You can notice that the makers have given it their all for this movie. And with this kind of devotion, minor flaws can and should be forgiven.. Looking forward to more in the upcoming series.
When it comes to the recent films made on some historical subjects, I feel that this movie has calibrated it well - how much to focus on sets, actors, their clothes and jewellery, songs and dances, etc. This one seems to have stayed away from the temptation of doing too much in that space, and has instead managed to not let these things overpower or hijack the story, the film and the overall experience it may have intended.
Subhedar thanaji malusare
pranalikshirsagar10 September 2023
This is truly a great movie about subhedar thanaji malusare it's a great movie it's VFX CGI is better than Bollywood and the actress also worked so good I liked all scenes but the entry of Shivaji Maharaj the entry of jija Mata and the entry of subhedar thanaji malusare was so great it gave me goosebumps so many scenes in this movie gave me goosebumps. Please watch this movie it's truly a excellent movie the films makers had made more movies like this about chattrapati Shivaji Maharaj they are also good.movies quality is also good the fighting scenes was very nice actress did well it gave me goosebumps truly good movie.
Must watch if you follow this movie series
mjprivate-9620426 August 2023
I have read reviews from other media sources. Guys don't go expecting action in every movie you watch. You have a lot of series, movies in crime and sex genre. This is about building Swarajya and how people got together and their perspective. Tanhaji Rao was one of them who was supported by these amazing people and his presence and loss both impacted Swarajya a lot. Let it be old school movie with emotional depth, which we do not see now a days.
If you have watched other movies from this series, then you will understand the links. People calling it soapy or too emotional should know that it was like that during Swarajya. People used to trust each other and call Aai, Mama etc to elders, it is supposed to be about love for Chhatrapati Shivaji Maharaj and Jijai and about sacrifice for Swarajya.
One part of movie at the very beginning with Jijau's entry gave me goosebumps, I was so taken into her aura and Mrinali has done an excellent job. The female leads are absolutely beautiful and powerful.
If you have watched other movies from this series, then you will understand the links. People calling it soapy or too emotional should know that it was like that during Swarajya. People used to trust each other and call Aai, Mama etc to elders, it is supposed to be about love for Chhatrapati Shivaji Maharaj and Jijai and about sacrifice for Swarajya.
One part of movie at the very beginning with Jijau's entry gave me goosebumps, I was so taken into her aura and Mrinali has done an excellent job. The female leads are absolutely beautiful and powerful.
Excellent Movie - Spellbound and Gripping
mayureshbookings26 August 2023
Excellent Movie - Spellbound and Gripping.
The movie, history and attention to detail is very appreciating given the fact Tanhaji in Hindi was too glamours with limited thought to factual history, this movie breaks the barrier. Sply the Tanhaji's make up here is more realistic to that of Ajay Devgan looking more like a bollywood hero.
The difference is of dedication and soulful connect with the audiance is prime objective with this movie versus to that of hindi movie. Hindi movie should learn to make movies more realistic and authentic.
The music is awesome ...specially the last song of Ale Marathe a vibrant rap song keeps ppl charged.
The movie, history and attention to detail is very appreciating given the fact Tanhaji in Hindi was too glamours with limited thought to factual history, this movie breaks the barrier. Sply the Tanhaji's make up here is more realistic to that of Ajay Devgan looking more like a bollywood hero.
The difference is of dedication and soulful connect with the audiance is prime objective with this movie versus to that of hindi movie. Hindi movie should learn to make movies more realistic and authentic.
The music is awesome ...specially the last song of Ale Marathe a vibrant rap song keeps ppl charged.
Loud & Soapy, But Still A More Accurate & Emotionally Absorbing Version Of Tanaji Malusare's Bravery Tale
SAMTHEBESTEST25 August 2023
Warning: Spoilers
Subhedar (2023):
Movie Review -
Dipal Lanjekar's Subhedar, starring Ajay Purkar, Chinmay Mandlekar, Mrinal Kulkarni, and Abhijeet Shwetchandra, marks the 5th film in his 8-chapter series on Chhatrapati Shivaji Maharaj and his brave maawlas. The tale of Tanaji Malusare is too great to fit into a feature film that hasn't been made on a huge budget. I don't know why, somehow, I get emotional while watching films made on Shivaji Maharaj or his maawlas. That's the least I owe to the greatest king! But then, I think, his life and tales deserve extraordinary movies on colossal budgets-something Hollywood did with their biblicals, "The Ten Commandments" (1956) and "Ben-Hur" (1959). This needs to be a part of our culture, not just one-week wonder money-spinner movies. Lanjekar doesn't seem to understand that, even though he's fully committed to Chhatrapati's life and the movies about it. Sadly, we have only one Rajamouli in India who can think larger-than-life with his stories and convince producers to provide humongous budgets. Soon after a sensational "Lokmanya" (2015), Om Raut debuted with a bang in Bollywood with "Tanhaji: The Unsung Warrior" (2020) and delivered a cinematic spectacle on a moderate budget. He proved that filmmaking is not only about budget but also about vision, which one has to have in himself. If the director can't have this vision within himself, how can he present something to the audience and expect them to enjoy it? Digpal Lanjekar is far behind in that sense, and I wish he makes a big jump soon so that I can finally get those UNFORGETTABLE movies on Maharaj.
Subhedar is Digpal's idea of a daily soap, served as a feature film. The first hour and the next half hour of the film take you home from the theatre to watch all those soaps you see on Star Pravah, Colors Marathi, Zee Marathi and Sun Marathi. Then, the film came to its senses in the last 30-35 minutes, when it finally felt like Tanaji Malusare's film. Om Raut misplaces history to exaggerate the mass appeal and heroic segments, but I'm glad that Digpal didn't do it. I have read Tanaji's chapter in the 4th standard, and Raut's Tanhaji was far different. Right from Ajay Devgn's look to Rayba's wedding to Tanaji winning the fort in the climax, this was not the history I read. I don't want to get into historical accuracy and details because they are entitled to vary and aren't available with 100% authenticity. I have read a brief in my school books, and I'd like to see it that way. Digpal stuck to the same history book as mine, except for the "Ghorpad" myth. But what a terrible prelude portion he made! God, I wanted to go home, but then I thought, even Raut's Tanhaji sealed its victory in the final hour. The 4th standard book taught me that Tanaji died fighting the war, and when the Marathas were feeling hopeless, Suryaji cut the ropes of the fort and encouraged them to fight and win the fort for their martyr leader. Thank you, Digpal, for showing history in the right light. Subhedar may be loud, overdramatic, too aggressive, and soapy, but it is more accurate and emotionally powerful than Raut's Tanhaji.
As we all know, the story of Subhedar revolves around Chhatrapati Shivaji Maharaj's (Chinmay Mandlekar) close friend and loyal warrior, Subhedar Tanaji Malusare (Ajay Purkar). The film does not cover the pact of Purandar, despite it being one of the most important events around Kondhana. After escaping from Agra, Raja Shivaji wants to regain those 11 lost forts, and Kondhana is the most vital and powerful fort among them. Aurangzeb sends one of his mightiest soldiers, Udaybhan (Digvijay Rohidas), to keep the fort. Now, who is going to win it against Udaybhan? Jijau (Mrinal Kulkarni) is desperate and most eager to get Kondhana back, so Shivaji decides to go on an expedition himself. Tanaji visits Raigad to deliver an invitation for his son Rayba's wedding but insists on leading the Kondhana expedition after learning that Raje himself is going on the mission. "Aadhi lagin Kondhanycha, mag Raybach," he quotes one of the most memorable lines in the history of Marathas and takes on Udaybhan to win the fort back to Swarajya.
Subhedar has a problematic screenplay, and it's unbeatable in pre-interval time. It's so soapy that it was eligible enough to win any pan masala award for the best serial in 2024. Thank God, things came back to normal in the last half hour, and I had a blast and also went through an emotional patch before getting off my seat. The dialogues, background score, expressions, execution-everything went wrong in the beginning, and it remained so for almost 2 hours. First of all, why do you have to make 2.5-hour movies nowadays? Cut those unnecessary songs, and you are at least 20 minutes safer than before. Cut short your extended introduction of the character and the storyline because every Maharashtrian knows them very well, and you are 20 more minutes shorter than before. 100-120 minutes of cooking, and you have a sure-shot digestible dish on the table. Why can't they just understand this basic formula at once? Even in the climax, you have to add some illogical histrionic scenes just to elevate the character graph and provide mass appeal, but don't they know that these gimmicks are two decades old? Had Digpal made these films in 2003 instead of 2023, then, I'm sure, I would have been the first one to call them "Marathi ki Gadar". It's a funny coincidence that I don't have to mention Gadar 2, which was made around the same time as Subhedar. If that one is making a lot of money despite being an outdated film, then what's wrong with Marathi movies? You tell me.
Talking about performance, Ajay Purkar as Tanaji Malusare is satisfactory. His look, that beard and moustache, his accent, that hardcore voice, and those extra-loud screams have put him in a safe zone. Chinmay Mandlekar and Mrinal Kulkarni have been doing the same roles since the last 4 movies of this series, so what is different about them this time, or what different words can I say? Yes, their makeup and technical glitches did annoy me here and there, but otherwise they are fine. Digvijay Rohidas has made a good villain who also wins your respect with one of his dialogues on the greatness of Chhatrapati Shivaji. The physics could have been bulkier, though. Suryaji, played by Abhijeet Shwetchandra, defines brotherhood and bravery at the same time. The supporting cast, including Smita Shewale, Sameer Dharmadhikari, Nupur Daithankar, Alka Kubal, Srikant Prabhakar, Uma Sardeshmukh, Shivani Rangole, Arnav Pendharkar, Sunil Jadhav, Sanket Oak, Mrunamayee Deshpande, Aastad Kale, and others, is decent at best.
Subhedar is a poor film in technical aspects. The extra loudness in the background damages the viewing experience; the sound design is also weak; and the camerawork doesn't consist of any creativity. Every entry has to have a background score, seriously? What era are we living in? And why is that melodramatic tune playing in every emotional scene? God knows how, but Digpal played a smart trick with lofty emotional reactions in the final segment to leave us all in tears. Those legendary Tukaram's lines, "Aamhi Jato aamchya," have added extra emotions in the final scene. This is where Digpal excels as a good director, but sadly, it has to come after two hours of boredom. Can I forget that? No. But can I forgive that? Yes, I think I can. Subhedar is like an ODI match where the team is losing for 40 overs but turns the tables in the last 10 overs. Yes, it is pulpy and dragging in the first two hours, but what a dramatic turnaround we see in the last 30 minutes! The only problem I have with Lanjekar is that he continuously fails to understand the real potential of these tales. Believe me, we can make 10 Bahubalis from the history books on Chhatrapati Shivaji Maharaj; all we need is one Rajamouli. Marathi cinema hasn't reached that level yet, so it's unfair to blame anyone. Let's just enjoy what we have on the table right now. Subhedar will have no issues with daily soap lovers or mass audiences, so I don't know what more is needed to recommend it. I would have gone with 5/10*, but the unbelievable bravery tale of Tanaji deserves something more.
RATING - 6/10*
Dipal Lanjekar's Subhedar, starring Ajay Purkar, Chinmay Mandlekar, Mrinal Kulkarni, and Abhijeet Shwetchandra, marks the 5th film in his 8-chapter series on Chhatrapati Shivaji Maharaj and his brave maawlas. The tale of Tanaji Malusare is too great to fit into a feature film that hasn't been made on a huge budget. I don't know why, somehow, I get emotional while watching films made on Shivaji Maharaj or his maawlas. That's the least I owe to the greatest king! But then, I think, his life and tales deserve extraordinary movies on colossal budgets-something Hollywood did with their biblicals, "The Ten Commandments" (1956) and "Ben-Hur" (1959). This needs to be a part of our culture, not just one-week wonder money-spinner movies. Lanjekar doesn't seem to understand that, even though he's fully committed to Chhatrapati's life and the movies about it. Sadly, we have only one Rajamouli in India who can think larger-than-life with his stories and convince producers to provide humongous budgets. Soon after a sensational "Lokmanya" (2015), Om Raut debuted with a bang in Bollywood with "Tanhaji: The Unsung Warrior" (2020) and delivered a cinematic spectacle on a moderate budget. He proved that filmmaking is not only about budget but also about vision, which one has to have in himself. If the director can't have this vision within himself, how can he present something to the audience and expect them to enjoy it? Digpal Lanjekar is far behind in that sense, and I wish he makes a big jump soon so that I can finally get those UNFORGETTABLE movies on Maharaj.
Subhedar is Digpal's idea of a daily soap, served as a feature film. The first hour and the next half hour of the film take you home from the theatre to watch all those soaps you see on Star Pravah, Colors Marathi, Zee Marathi and Sun Marathi. Then, the film came to its senses in the last 30-35 minutes, when it finally felt like Tanaji Malusare's film. Om Raut misplaces history to exaggerate the mass appeal and heroic segments, but I'm glad that Digpal didn't do it. I have read Tanaji's chapter in the 4th standard, and Raut's Tanhaji was far different. Right from Ajay Devgn's look to Rayba's wedding to Tanaji winning the fort in the climax, this was not the history I read. I don't want to get into historical accuracy and details because they are entitled to vary and aren't available with 100% authenticity. I have read a brief in my school books, and I'd like to see it that way. Digpal stuck to the same history book as mine, except for the "Ghorpad" myth. But what a terrible prelude portion he made! God, I wanted to go home, but then I thought, even Raut's Tanhaji sealed its victory in the final hour. The 4th standard book taught me that Tanaji died fighting the war, and when the Marathas were feeling hopeless, Suryaji cut the ropes of the fort and encouraged them to fight and win the fort for their martyr leader. Thank you, Digpal, for showing history in the right light. Subhedar may be loud, overdramatic, too aggressive, and soapy, but it is more accurate and emotionally powerful than Raut's Tanhaji.
As we all know, the story of Subhedar revolves around Chhatrapati Shivaji Maharaj's (Chinmay Mandlekar) close friend and loyal warrior, Subhedar Tanaji Malusare (Ajay Purkar). The film does not cover the pact of Purandar, despite it being one of the most important events around Kondhana. After escaping from Agra, Raja Shivaji wants to regain those 11 lost forts, and Kondhana is the most vital and powerful fort among them. Aurangzeb sends one of his mightiest soldiers, Udaybhan (Digvijay Rohidas), to keep the fort. Now, who is going to win it against Udaybhan? Jijau (Mrinal Kulkarni) is desperate and most eager to get Kondhana back, so Shivaji decides to go on an expedition himself. Tanaji visits Raigad to deliver an invitation for his son Rayba's wedding but insists on leading the Kondhana expedition after learning that Raje himself is going on the mission. "Aadhi lagin Kondhanycha, mag Raybach," he quotes one of the most memorable lines in the history of Marathas and takes on Udaybhan to win the fort back to Swarajya.
Subhedar has a problematic screenplay, and it's unbeatable in pre-interval time. It's so soapy that it was eligible enough to win any pan masala award for the best serial in 2024. Thank God, things came back to normal in the last half hour, and I had a blast and also went through an emotional patch before getting off my seat. The dialogues, background score, expressions, execution-everything went wrong in the beginning, and it remained so for almost 2 hours. First of all, why do you have to make 2.5-hour movies nowadays? Cut those unnecessary songs, and you are at least 20 minutes safer than before. Cut short your extended introduction of the character and the storyline because every Maharashtrian knows them very well, and you are 20 more minutes shorter than before. 100-120 minutes of cooking, and you have a sure-shot digestible dish on the table. Why can't they just understand this basic formula at once? Even in the climax, you have to add some illogical histrionic scenes just to elevate the character graph and provide mass appeal, but don't they know that these gimmicks are two decades old? Had Digpal made these films in 2003 instead of 2023, then, I'm sure, I would have been the first one to call them "Marathi ki Gadar". It's a funny coincidence that I don't have to mention Gadar 2, which was made around the same time as Subhedar. If that one is making a lot of money despite being an outdated film, then what's wrong with Marathi movies? You tell me.
Talking about performance, Ajay Purkar as Tanaji Malusare is satisfactory. His look, that beard and moustache, his accent, that hardcore voice, and those extra-loud screams have put him in a safe zone. Chinmay Mandlekar and Mrinal Kulkarni have been doing the same roles since the last 4 movies of this series, so what is different about them this time, or what different words can I say? Yes, their makeup and technical glitches did annoy me here and there, but otherwise they are fine. Digvijay Rohidas has made a good villain who also wins your respect with one of his dialogues on the greatness of Chhatrapati Shivaji. The physics could have been bulkier, though. Suryaji, played by Abhijeet Shwetchandra, defines brotherhood and bravery at the same time. The supporting cast, including Smita Shewale, Sameer Dharmadhikari, Nupur Daithankar, Alka Kubal, Srikant Prabhakar, Uma Sardeshmukh, Shivani Rangole, Arnav Pendharkar, Sunil Jadhav, Sanket Oak, Mrunamayee Deshpande, Aastad Kale, and others, is decent at best.
Subhedar is a poor film in technical aspects. The extra loudness in the background damages the viewing experience; the sound design is also weak; and the camerawork doesn't consist of any creativity. Every entry has to have a background score, seriously? What era are we living in? And why is that melodramatic tune playing in every emotional scene? God knows how, but Digpal played a smart trick with lofty emotional reactions in the final segment to leave us all in tears. Those legendary Tukaram's lines, "Aamhi Jato aamchya," have added extra emotions in the final scene. This is where Digpal excels as a good director, but sadly, it has to come after two hours of boredom. Can I forget that? No. But can I forgive that? Yes, I think I can. Subhedar is like an ODI match where the team is losing for 40 overs but turns the tables in the last 10 overs. Yes, it is pulpy and dragging in the first two hours, but what a dramatic turnaround we see in the last 30 minutes! The only problem I have with Lanjekar is that he continuously fails to understand the real potential of these tales. Believe me, we can make 10 Bahubalis from the history books on Chhatrapati Shivaji Maharaj; all we need is one Rajamouli. Marathi cinema hasn't reached that level yet, so it's unfair to blame anyone. Let's just enjoy what we have on the table right now. Subhedar will have no issues with daily soap lovers or mass audiences, so I don't know what more is needed to recommend it. I would have gone with 5/10*, but the unbelievable bravery tale of Tanaji deserves something more.
RATING - 6/10*
#Masterpiece
bhuvadpratik26 August 2023
Just saw the Marathi film #Subhedar
It's brilliant and extremely well directed and brilliantly performed by all the cast. It's an emotional action packed ride into the life of Subhedar Tanhaji Malusare and his friendship with Chatrapati Shivaji Maharaj 🙏
And Back in 2020 we all appreciated 'Tanhaji' movie and now Marathi movie Subhedar has come with the same story but with a better execution and more of a information so we have to appreciate like we did in the days.
#subhedar movie shoot on live location in kondhana fort.
#chatrapatiShivajiMaharaj #ChinmayMandlekar #DigpalLanjekar #Subhedar.
And Back in 2020 we all appreciated 'Tanhaji' movie and now Marathi movie Subhedar has come with the same story but with a better execution and more of a information so we have to appreciate like we did in the days.
#subhedar movie shoot on live location in kondhana fort.
#chatrapatiShivajiMaharaj #ChinmayMandlekar #DigpalLanjekar #Subhedar.
#Blockbuster A Must Watch Amazing Indian Historical Movie
anshul_1231 September 2023
The Target Audience is the youth of India!
Inspiring... Marathi but has English Subtitles..
Subhedar Movie is about the life of Warrior Tanhaji Malusare, Shelar Mama And Suryaji unlike Tanhaji which was only about The Battle of Kondhana(Sinhagad).
It has 99% Accurate History. Scenes are realistic and VFX is minm. Actors did a great job, every scene is heart-touching. Wow Music. Experience History in front of eyes.
The movie focuses on Self Rule, Justice to Woman, Duty and Sacrifice of Warrior, Maratha Warfare
Unbelievable and Nex Level. Relive History.
Experience it in theaters don't miss the chance
Subhedar Movie is about the life of Warrior Tanhaji Malusare unlike Tanhaji which was only about The Battle of Kondhana(Sinhagad).
Jai Hind Jai Bhavani Jai Jijau Jai Shivray Jai Sambhuraje.
Inspiring... Marathi but has English Subtitles..
Subhedar Movie is about the life of Warrior Tanhaji Malusare, Shelar Mama And Suryaji unlike Tanhaji which was only about The Battle of Kondhana(Sinhagad).
It has 99% Accurate History. Scenes are realistic and VFX is minm. Actors did a great job, every scene is heart-touching. Wow Music. Experience History in front of eyes.
The movie focuses on Self Rule, Justice to Woman, Duty and Sacrifice of Warrior, Maratha Warfare
Unbelievable and Nex Level. Relive History.
Experience it in theaters don't miss the chance
Subhedar Movie is about the life of Warrior Tanhaji Malusare unlike Tanhaji which was only about The Battle of Kondhana(Sinhagad).
Jai Hind Jai Bhavani Jai Jijau Jai Shivray Jai Sambhuraje.
Subhdear marathi movie
pareshdange27 August 2023
A great marathi movie of all time i say it gives you goosebumps as well as make you emotional at same time. This movie is actually a patriotic movie that we all as Indians must see in theatres as tributes to the great warriors of our indian soil Marathas.
This movie is completely different and too good and with full of research from tanhaji of ajay devgan and om raut i can confidently say that ( subhdear movie >>>>>>> tanhaji movie).
Directing by digpal is great,acting by all the crue is too good, music is too good detailed study has been carried out is completely seeing by watching this film, cinematography and animation,art directing all are very good and i don't have any words to describe this movie so please go and watch this as it may be a life changing movie in your life and this movie will be remember for forever in marathi cinema history.
This movie is completely different and too good and with full of research from tanhaji of ajay devgan and om raut i can confidently say that ( subhdear movie >>>>>>> tanhaji movie).
Directing by digpal is great,acting by all the crue is too good, music is too good detailed study has been carried out is completely seeing by watching this film, cinematography and animation,art directing all are very good and i don't have any words to describe this movie so please go and watch this as it may be a life changing movie in your life and this movie will be remember for forever in marathi cinema history.
cinematic masterpiece with Extraordinary historic details
jagdish-0203028 August 2023
The historic true movie is a masterpiece that captures the essence of history with a gripping storyline and an impeccable start cast. The movie takes you on a journey through time, showcasing the struggles and triumphs of a bygone era.
The storyline is captivating, with every scene leaving you at the edge of your seat. The plot is well thought out and executed flawlessly, making for an unforgettable cinematic experience. The movie is based on true events, which makes it all the more compelling.
The start cast is impressive, with each actor bringing their A-game to the table. The performances are outstanding, with every actor breathing life into their respective characters. The chemistry between the actors is palpable, making for a seamless viewing experience.
The attention to detail in the movie is commendable. From the costumes to the set design, everything is meticulously crafted to transport you back in time. The cinematography is stunning, capturing the beauty and brutality of the era.
Overall, the historic true movie is a must-watch for anyone who loves great storytelling and exceptional acting. It is a cinematic masterpiece that will leave you awestruck.
The storyline is captivating, with every scene leaving you at the edge of your seat. The plot is well thought out and executed flawlessly, making for an unforgettable cinematic experience. The movie is based on true events, which makes it all the more compelling.
The start cast is impressive, with each actor bringing their A-game to the table. The performances are outstanding, with every actor breathing life into their respective characters. The chemistry between the actors is palpable, making for a seamless viewing experience.
The attention to detail in the movie is commendable. From the costumes to the set design, everything is meticulously crafted to transport you back in time. The cinematography is stunning, capturing the beauty and brutality of the era.
Overall, the historic true movie is a must-watch for anyone who loves great storytelling and exceptional acting. It is a cinematic masterpiece that will leave you awestruck.
Experience with proud histroy
computerscience-6896927 August 2023
He is the only king who respect every religion, women, every person from rich to poor. He gave basic rights to common people for what they deserved. He is the father of Indian navy. One of Indian history's enlightened and bravest rulers is the legendary Shivaji Maharaj. He was the one who laid the foundation of the Maratha Empire and welded the Marathas into a nation by infusing the new spirit of dignity and unity into the 96 clans of Marathas. The great Shivaji was born in the year 1630 AD. Everyone must watch in theatre. Subhedar movies like
showing things as they really are. #clearfort #savefort.
An authentic and heartfelt tribute to Maratha history and the legendary battle of Kondhana (Now Sinhagadh).
abhijeet-toradmal28 August 2023
"Subhedar," the recently released Marathi movie, offers a heartfelt and authentic tribute to Maratha history, placing a central focus on the legendary battle of Kondhana. In comparison to "Tanhaji," the earlier Hindi film, "Subhedar" presents several distinctive aspects that set it apart.
While "Tanhaji" boasted a significantly larger budget, affording grand visual effects, a star-studded cast including Ajay Devgn and Kajol, and creative liberties to enhance its appeal, "Subhedar" takes a different artistic approach. Despite its modest budget, "Subhedar" employs its resources wisely, channeling them to create a more emotionally resonant narrative. The film's emotional depth is palpable and effectively captures the essence of the unwavering commitment of Maratha Warriors towards achieving Swarajya under the leadership of Chatrapati Shivaji Maharaj.
In terms of historical authenticity, "Subhedar" shines brilliantly. The film serves as a testament to Director Digpal Lanjekar's unwavering dedication to presenting history as accurately as possible. The dialogues, screenplay, and narration in "Subhedar" harmoniously blend to bring to life the significant events revolving around the Kondhana battle. The movie meticulously revolves around the documented reality of Tanhaji and the battle, often drawing inspiration from historical records and local folklores of the Sinhagadh area. By purposefully omitting characters like 'chultya' and 'Kamal,' for which there is no definitive historical source, the film maintains its steadfast focus on historical accuracy.
One of the striking deviations lies in the portrayal of Udaybhan Singh Rathore, the central antagonist of the Kondhana battle. In "Tanhaji," Saif Ali Khan's portrayal was found wanting in the nuanced depth that a multifaceted character like Udaybhan rightfully demanded. In contrast, "Subhedar" introduces Digvijay Rohidas in his debut role, delivering an emotionally resonant performance that masterfully captures Udaybhan's internal struggle as a Hindu warrior fighting under Mughal leadership against his own people.
Transitioning to the roles of the protagonists, "Tanhaji" featured Ajay Devgn, whose charismatic performance and adept action skills contributed to the mass appeal of the film. On the contrary, Ajay Purkar's portrayal in "Subhedar" remains staunchly true to the historical accounts, bearing a striking resemblance to the real-life hero Narveer Subhedar Tanhaji Malusure. "Subhedar" successfully brings to life certain scenes that mirror paintings and carvings found in historical museums and monuments near Sinhagadh, thereby further reinforcing its dedication to authenticity.
Just as Chatrapati Shivaji Maharaj's words " GADH aala pan majha SINHA gela!" held profound meaning, "Tanhaji" was indeed appealing and charismatic but lacked the authentic touch.
"Subhedar" emerges as an authentic tribute to Maratha history and the resolute pursuit of Swarajya. While it may lack the opulent visual effects and star-studded glamour of "Tanhaji," "Subhedar" compensates with its emotionally charged storytelling and unwavering historical integrity. While "Tanhaji" offered a lavish cinematic experience that resonated with the masses, "Subhedar" is a cinematic jewel for those who relish a genuine portrayal of history. Director Digpal Lanjekar's steadfast commitment to capturing the very essence of Maratha history, coupled with the commendable performances of the cast, render "Subhedar" a worthy and commendable addition to his series of films dedicated to the life and accomplishments of Chatrapati Shivaji Maharaj, including 'Farzand,' 'Fatteshikast,' 'Pawankhind,' and 'Sher Shivraj.'
Proud Maharashtrians, particularly those with a deep interest in their historical heritage, will find "Subhedar" to be a touching and gratifying cinematic journey. As 'Narveer Subhedar Tanhaji Malusure' vowed while setting out to conquer Kondhana, "Aadhi lagin kondhanyache, mag majhya Raybache" ("First, let's conquer Kondhana, then attend my son Raiba's wedding"). Similarly, "Subhedar" conquers the audience's hearts with its authentic portrayal above all else.
While "Tanhaji" boasted a significantly larger budget, affording grand visual effects, a star-studded cast including Ajay Devgn and Kajol, and creative liberties to enhance its appeal, "Subhedar" takes a different artistic approach. Despite its modest budget, "Subhedar" employs its resources wisely, channeling them to create a more emotionally resonant narrative. The film's emotional depth is palpable and effectively captures the essence of the unwavering commitment of Maratha Warriors towards achieving Swarajya under the leadership of Chatrapati Shivaji Maharaj.
In terms of historical authenticity, "Subhedar" shines brilliantly. The film serves as a testament to Director Digpal Lanjekar's unwavering dedication to presenting history as accurately as possible. The dialogues, screenplay, and narration in "Subhedar" harmoniously blend to bring to life the significant events revolving around the Kondhana battle. The movie meticulously revolves around the documented reality of Tanhaji and the battle, often drawing inspiration from historical records and local folklores of the Sinhagadh area. By purposefully omitting characters like 'chultya' and 'Kamal,' for which there is no definitive historical source, the film maintains its steadfast focus on historical accuracy.
One of the striking deviations lies in the portrayal of Udaybhan Singh Rathore, the central antagonist of the Kondhana battle. In "Tanhaji," Saif Ali Khan's portrayal was found wanting in the nuanced depth that a multifaceted character like Udaybhan rightfully demanded. In contrast, "Subhedar" introduces Digvijay Rohidas in his debut role, delivering an emotionally resonant performance that masterfully captures Udaybhan's internal struggle as a Hindu warrior fighting under Mughal leadership against his own people.
Transitioning to the roles of the protagonists, "Tanhaji" featured Ajay Devgn, whose charismatic performance and adept action skills contributed to the mass appeal of the film. On the contrary, Ajay Purkar's portrayal in "Subhedar" remains staunchly true to the historical accounts, bearing a striking resemblance to the real-life hero Narveer Subhedar Tanhaji Malusure. "Subhedar" successfully brings to life certain scenes that mirror paintings and carvings found in historical museums and monuments near Sinhagadh, thereby further reinforcing its dedication to authenticity.
Just as Chatrapati Shivaji Maharaj's words " GADH aala pan majha SINHA gela!" held profound meaning, "Tanhaji" was indeed appealing and charismatic but lacked the authentic touch.
"Subhedar" emerges as an authentic tribute to Maratha history and the resolute pursuit of Swarajya. While it may lack the opulent visual effects and star-studded glamour of "Tanhaji," "Subhedar" compensates with its emotionally charged storytelling and unwavering historical integrity. While "Tanhaji" offered a lavish cinematic experience that resonated with the masses, "Subhedar" is a cinematic jewel for those who relish a genuine portrayal of history. Director Digpal Lanjekar's steadfast commitment to capturing the very essence of Maratha history, coupled with the commendable performances of the cast, render "Subhedar" a worthy and commendable addition to his series of films dedicated to the life and accomplishments of Chatrapati Shivaji Maharaj, including 'Farzand,' 'Fatteshikast,' 'Pawankhind,' and 'Sher Shivraj.'
Proud Maharashtrians, particularly those with a deep interest in their historical heritage, will find "Subhedar" to be a touching and gratifying cinematic journey. As 'Narveer Subhedar Tanhaji Malusure' vowed while setting out to conquer Kondhana, "Aadhi lagin kondhanyache, mag majhya Raybache" ("First, let's conquer Kondhana, then attend my son Raiba's wedding"). Similarly, "Subhedar" conquers the audience's hearts with its authentic portrayal above all else.
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