When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's mightiest heroes to stop the villainous Ultro... Read allWhen Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's mightiest heroes to stop the villainous Ultron from enacting his terrible plan.When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's mightiest heroes to stop the villainous Ultron from enacting his terrible plan.
- Awards
- 8 wins & 52 nominations total
- Erik Selvig
- (as Stellan Skårsgard)
Summary
Featured reviews
It all works so well and is grounded enough to carry the story and the audience through an unbelievable ride. In fact, it doesn't just fit, it's an exciting symphony and that dichotomy and difference in characters and how they interact are what makes this movie truly great. It's why Avengers stands so tall above any other franchise at the moment. Things like Transformers, Fast/Furious, and even Star Wars or Star Trek all operate with monotone restrictions. Avengers covers all angles and even multiple genres all by itself. It delivers depth of character with its fun and amazing action sequences. There's a reason why these movies make as much money as they do. They deliver a lot of everything and do so at a high quality.
Right from the beginning of the movie, where we get the all in one tracking shot, through the epic final globe smashing conclusion, everything is on go and everything delivers superb intensity and spectacle. This is going to be many many people's favorite film of 2015.
That being said, my initial thoughts on Age of Ultron (AoU) are quite negative. To me, its essentially a carbon copy of IM3. There are problems which strike you repeatedly as you progress throughout the film. The 2 biggest complaints I have with AoU is 1) the tone (comedy) 2) the script/writing.
So starting with the tone. I like to laugh as I'm sure most people do, but there is a time and place to exhibit your comedy writing skills in an action film. In AoU, its a constant, recurring and predictable theme. It's not limited to one character either, everyone is popping one liner jokes as if its the Expendables and yes, most are not funny. The timing of these moments of levity are horrible too, desensitising the viewer to any impending fear of death in battle. If the characters seem so relaxed in not worrying about possibly dying, then what suspense is needed to be held by the audience? This plagued IM3 in a bad way and its arguably worse here. The comic book films which achieved great success in this regard were XMen DOFP, The Avengers 1, Cap 2 even Dark Knight Rises! Can you imagine at the climax of Xmen DOFP if old Magneto and Storm and Bishop start pulling one liner jokes as the army of sentinels came charging at them? It would kill any tension! 2) The script. I won't say too much since this is a spoiler free review, but it really feels rushed and unorganised. I watched Fast 7 around 2 weeks before AoU and I got similar vibes. Again, its not the fact that the film is 2.5 hours long or has too many characters, that isn't am excuse since The Dark Knight and Xmen DOFP shows how to navigate these theatrical obstacles. There are a few completely unnecessary subplots in AoU and useless characters which do not impact the story overall. The villain himself, Ultron is another massive let-down in Marvels already growing catalogue of mishandled villains.
So as a summary, if you want mindless action and cool CGI, which this film does offer in the form of some spectacular visual fight scenes then you will like AoU. If you are after a darker, grounded and more moving story like the trailers promised, you will be severely disappointed. Final score 6/10 and I am being kind since Cap is my fav Avenger and they finally gave him some good screen time.
Instead of the robot dominated dystopian future that we saw in the comics, what we do get is more "the next few days of Ultron". No matter, it is an exciting few days with director Joss Whedon balancing the intercharacter dynamics with awesome action pieces from claustrophobic close combat, to a freeway chase, to the much advertised no holds barred beat down between the Hulk and iron man's new "hulk buster" Armour. All this is supplemented with beautiful special effects from Industrial Lights and Magic ILM. Flawless work befitting the movie's massive Budget.
In The villain, Ultron, the Writers have crafted a memorable though under utilised bad guy. Ultron could have been the vehicle to explore deeper themes, themes that were merely hinted at but never fleshed out. Instead, His cynical yet refined snarling courtesy of James Spader reminds me of the those magnificently passionate Super villains that were so common in Saturday morning cartoons of old.
And that is exactly what this is. AGE OF ULTRON can be described as a true live action cartoon. The dialogue is light hearted, the story is straightforward, the tone is fun and the action is immense. And this is not exactly a good thing. Intense scenes are interrupted and spoilt with poorly placed humour and once again the story does not seem to take itself seriously.
Fights are over-choreographed, more like some fancy ballet than an all out battle. The fact that it cuts to graceful slow motion once in a while only emphasises the dance like nature of the fights.
And yet the movie felt like pieces of it were cut out. The narrative does not flow as smoothly as the first with inexplicable scenes like Thor suddenly going off on his hallucination trip. Much of the premise and the characters development up to this point very much depends on the viewer watching prior marvel movies.
It is here that Marvel studio's continuity heavy Creative direction rears its ugly head. To know what is going on in this movie, one would have to watch the previous movies. Captain America the winter soldier, iron man 3, the first avengers movie. But perhaps that's the point? Force people to go buy the Blu rays or the video to rewatch and get up to speed. In the end, the real big winner is distributor Disney. Ka-Ching $$.
I like a good comedy. In in a big action blockbuster, I like to believe that the stakes are real, that the dangers faced by our heroes are real, that they are really fighting for the fate of the world. Instead, we get this cartoony violence, with equally cartoony superficial story, where heroes joke around with quick lighthearted quips in the middle of a fight scene where people could die. This kills tension. And if it weren't for the magnificent effects, action and direction, AGE OF ULTRON would have scored a bit lower.
"Avengers: Age of Ultron" was definitely built on the bullet point takeaways of "The Avengers," which are: Make time and space for wit, banter and humor for the sake of humor to prevent the film from taking itself too seriously; give each character a story arch and independent moments; choreography clever action sequences with well-timed glory shots. These components are in full force in "Ultron" and make enjoying the blockbuster as easy as shoving a lollipop in your mouth.
Yet "Ultron" is infinitely more complex than its predecessor. The number of heroes featured barely fits into a single action figure play case, meaning more subplots and back story, in addition to creating an arch of the creation and life of Ultron itself. With a plot that takes the Avengers from the eastern European country of "Sokovia" to New York to the African nation of "Wakanda" to Seoul, South Korea to Sokovia again, much of "Age of Ultron" is a non-stop blur.
The film opens with the Avengers leading an assault on a secret HYDRA facility where they have located the staff that Loki used to lead the Chitauri invasion in "The Avengers." When they secure it and bring it back to New York, Tony Stark (Robert Downey Jr.) and Bruce Banner (Mark Ruffalo) discover that its power source contains a blueprint for artificial intelligence, which would allow Stark to proceed with his Ultron project, an initiative to create peace-keeping robots that could defend the world in place of the Avengers should another alien invasion occur. When Ultron (voiced by James Spader) becomes conscious, however, he interprets his peace-keeping instructions as an imperative to wipe out humankind.
Added to the mix are the Maximoff twins, Pietro (Aaron Taylor-Johnson) and Wanda (Elizabeth Olsen) – also known as Quicksilver and Scarlet Witch – who decide to serve Ultron, with the latter using her powers to give each of the Avengers dangerous visions that could tear them apart.
The fight scenes and action sequences are in such abundance in "Ultron" that it's impossible to remember them all, and the ones that are most distinct, such as Iron Man chasing down and taming a rampant Hulk using his Hulkbuster armor, are ancillary to the narrative of finding what Ultron is up to and stopping it. In other words – it's all for show. The creativity of the fight choreography also gets lost in the whirlwind of action. Captain America (Chris Evans) probably does 12 different awesome things with his shield, but they happen so fast you'll be hard pressed to recall any one of them in detail. Really clever sequences are only as fun as the build-up and payoff and those pieces are given no time to breathe.
Whedon does allow for pauses in the chaos, such as the swanky Avengers Tower party featuring the film's best scene, when each Avenger tries his hand at lifting Thor's hammer, or a quiet retreat to an unexpected safe house in the countryside, but it's simply a trade- off: instead of busy action sequences, we get character relationship dynamics and back story.
"Ultron" is inundating, to be frank, but for the everything-but-the-sink mentality, it's carried by its sense of humor and a cast whose members have each proved themselves time and again to be magnetic both on their own and as part of this team. Some of the novelty has worn off, but seeing all these characters together remains a treat that even the most convoluted of stories cannot entirely dismantle. Marvel Studios truly proves with "Ultron" the credibility that it has built with fans, to the point that even when it gets a little ambitious and mettles a bit more (you can easily see Whedon at odds with them in this final cut), its reputation remains intact and the fans placated.
As "Phase III" begins, adding even more characters to Marvel's cinematic universe (and even sliding Spider-Man into the mix) en route to the two-part "Avengers: Infinity War" slated for 2018 and 2019, it will be interesting to see if Marvel Studios barrels along into more unwieldy but delicious chaos, or reins it in a touch. Either way, should be fun.
~Steven C
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Did you know
- TriviaScarlett Johansson was pregnant during filming, so many of her scenes were scheduled early in filming before she began to show. To help hide her pregnancy later in filming, three stunt doubles were hired. This caused a lot of confusion amongst the other actors since, according to them, all of the stunt women looked very similar to Johansson. Chris Evans stated that it got to the point where he would say hello and start a conversation with one of them only to realize midway that the person he was talking to wasn't Johansson. Ultimately, some scenes used CGI to hide Johansson's belly.
- GoofsAs Sokovia is rising to over 18,000 feet, the temperature would have been dropping about 5.4 degrees (F) per thousand feet. The temperature would have dropped below zero, yet no one's breath is seen and no one is acting cold.
- Quotes
Steve Rogers: But if you put the hammer in an elevator?
Tony Stark: It'll still go up.
Steve Rogers: Elevator's not worthy.
- Crazy creditsSPOILER: There is a scene in the closing credits: Thanos puts on his Infinity Gauntlet, declaring he'll hunt for the Infinity Stones himself.
- ConnectionsEdited into The History of the Hands (2016)
- SoundtracksThemes from Marvel's The Avengers
Composed by Alan Silvestri
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Avengers: Era de Ultrón
- Filming locations
- Chittagong, Bangladesh(Shipyard scene)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $250,000,000 (estimated)
- Gross US & Canada
- $459,005,868
- Opening weekend US & Canada
- $191,271,109
- May 3, 2015
- Gross worldwide
- $1,405,018,048
- Runtime2 hours 21 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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