Queen & Country (2014) Poster

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7/10
A sweet and ultimately satisfying post-war drama, it avoids the clichés that plague some war films to deliver a solid experience.
Rabsi7 January 2015
The post-war period often seems like a bit of a black hole for films. Aside from the films made at the time which dealt with the issues the population faced, most notably Italian Neorealism, contemporary films prefer to explore the actual conflict themselves. More drama is to be found there. But while World War II was 'the' war, the conflict never really stopped, and Britain still had mandatory military service at the age of 18, with deployment to Korea for their civil war a real proposition. This is what John Boorman focuses on for what is probably his final film, and a sequel to his most famous work, the 1987 mildly autobiographical piece Hope And Glory.

We are told the story of Bill, a young boy in the first film. He has grown up into quite the strapping young fellow, and he received his notice for mandatory army service. There he quickly befriends Percy, and a bond forms. But this bond is hardly the centre of the film. It stretches far beyond that, as Bill deals with the army, love and his family. This is all well paced handled by Boorman, who is probably best known, aside from Hope And Glory, for directing Deliverance.

The acting is quite spotty on a case by case basis, Callum Turner does very well as the protagonist Bill Rohan, but you can't help but think he was constantly being overshadowed by a couple of doses of overacting. Being manic or excitable is all well and good, but there occasions where people were channelling their inner Joker or Harley Quinn. On the subject of acting, David Thewlis (of Harry Potter fame) is present and he is phenomenal, one of my favourite acting performances of the year.

Furthermore, the script isn't perfect either. There were too many logical inconsistencies, especially early on, where background character information is introduced in very lazy ways, usually dialogue. It's frustrating to see two characters talking to each other about things they clearly already know, and that it's only for the audience's benefit.

What is best about the film is that it tells the story of war really well. This was something a film like Fury really fell short at, relying on clichés to tell a heroic story. Even though there are very few scenes of combat, Queen And Country definitely gets right what Fury got wrong, showing the horrors of war, what it does to people and how anyone can be a victim or a casualty. That goes a long way in my book.

Read more at rabsi1.weebly.com/film/
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6/10
Disappointing sequel...
lachouettebenevent12 January 2015
Warning: Spoilers
Queen and Country is set after the end of 2nd World War and in the time of compulsory military service. In short, not a lot happens....disappointingly so, especially if you enjoyed John Boorman's autobiographical account of his London childhood during the war. Having moved to Pharoah's Island on the Thames near Shepperton, the film leaps forward to the mid 1950's with Bill Rohan leaving his idyllic family home to being called up for military service. Bookish and sensitive, he is an engaging young man and is beautifully played by Callum Turner. Ever on the fringe of being sent to Korea, Rohan is expected to train new recruits how to type. He falls in love, is thwarted in love, proves to be a loyal friend to the bizarrely-accented Percy (Texas-born actor Caleb Landry Jones - that explains that then!) then finally falls in love with the right girl and presumably goes on to become a famous film director......
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7/10
Grown up Sequel to 'Hope and Glory'.
t-dooley-69-38691627 August 2015
Writer and director John Boorman introduced us to some of these characters back in 1987 with the marvellous war time tale – 'Hope and Glory'. Bill is now ten years old and has been sent off to do his National Service – only we are now involved in the Korean War (which still limps on to this day – peace never having been formally agreed). He and his mate Percy though end up stuck in base camp teaching the typing pool.

Life in the camp is far from fun and games and the strict Regimental Sergeant Major and Sergeant Major make their life a bit of a hell – so they create diversions, shenanigans and go chasing the girls near the base by way of diversion. However, as with all diversions – whether on camp or elsewhere – there will be consequences.

Now this is a very well made film, period detail is great etc. The make up is all good and the acting is generally very good. Caleb Landry Jones as Percy Hapgood though struck me as miscast – his accent is unplacable (perhaps as he is American?); he does the emotion well but seems a bit unhinged – which may indeed have been the point. David Thewlis is probably the most stand out performance as the irritatingly unlikeable Bradley – and shows how broad his acting abilities are. Overall though a very good film and if you were a fan of the original, then you will probably want to see – but the jokes are much thinner on the ground here, but it still has a vibrancy that evokes the time and the passion in an endearing way.
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6/10
Not very good
jbar192 September 2015
Hope and Glory was delicious, sweet, sad and charming. This sequel, well, seems like a sequel in name only.

Some characters from the previous movie show up, but only in very, very minor and brief, non consequential roles.

The main story is a little boring and uneventful, like a bland episode of MASH. Pity, I really wanted to like this movie. There just isn't a lot of meat on the table.

Tasmin Egarton was GORGEOUS as was Vanessa Kirby. Callum Turner and Caleb Landry Jones did a very good job with what they had, there just wasn't much of a story.

The movie didn't just end as much as run out of script... I was actually surprised when the end credits appeared.

Sad. I wanted more.
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6/10
David Thewlis Filmography Project
gink1027 September 2019
Warning: Spoilers
#24 Queen and Country

Sergeant Major Bradley = The Deranged Character

Pros: I want to clarify that I saw this film without having seen its first part Hope and Glory, I think that if you have not seen the first part will not affect that you look at this. In this sequel to the 1987 film, we meet the torturer Sergeant Bradley who is in charge of having under his control a young army of English soldiers during the Korean War in 1952. More than anything there are three things I want to distinguish from this sequel: 1) All the moments in the military camp are nice and fluid (being honest I was looking forward to seeing more events in there) 2) Richard E. Grant always makes great supporting characters in every film that appears and he is a reason for me to keep watching it. 3) Sergeant Bradley is the most distinctive character in the entire film and brings great dynamism to the story.

Cons: What I liked the least was precisely the opposite. When Bill returns home the film feels completely disinterested to my liking, the love story (?) between Bill and Ophelia doesn't stand out at all, it doesn't add anything motivating to the film, to be frank about having to watch the ending of David's poor character in bed really makes me feel sorry for myself. I find the treatment given to the character unfair, but what are we going to do?
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7/10
Goodbye, you insane man
davidmvining13 June 2023
John Boorman's final film is the sequel to his earlier film, Hope and Glory, the last of his films that received serious critical and awards consideration, and the only other film of his that's explicitly autobiographical. I'd say that all of his films are somewhat autobiographical at a certain level, he's just that kind of artist, but this is supposed to be a recreation of a certain aspect of his life. I thought on both of these films that they would be marked departures from the thematic focuses of the movies around them, but I was wrong on both counts. Queen and Country is a capstone of the man's career, boiling all of his ideas into one film like he knew this was his last. Since we're nine years on and there's no indication of any efforts to put another film together, it seems like Boorman decided to make this his one last statement, and it's a nicely packaged one.

Bill Rohan (Callum Turner) has grown up into a young man and must report for his military service of two years. Along with his friend, Percy (Caleb Landry Jones), they report and go through six weeks of basic training. They do not get sent to Korea, though, being promoted to teach typing. Under the exacting and cruel auspices of Sergeant Major Bradley (David Thewlis), a closed-minded, by the books NCO that uses the smallest of infractions, like an undone button on a uniform, to report his inferior officers to his superior officer, Bill and Percy chafe and hope for a break from their unfair prison of military life. They commiserate with Private Redmond (Pat Shortt) about their situation, but there's little they can do against Bradley since he's so by the book.

The film continues Bill's sexual awakening by giving him an opportunity to meet girls at a more appropriate age. The first are a pair of girls that he meets with Percy, mostly Sophie (Aimee-Ffion Edwards), a nurse in the local military hospital, but Bill gets caught up with the sight of a mysterious and elegant woman (Tamsin Egerton) with an obvious air of sadness about her. She refuses to give him her name, letting him call her Ophelia. At the same time, Bill's older sister Dawn (Vanessa Kirby) returns from Canada after having married her Canadian flyer beau from the previous film. It should be noted that the image used on all of the posters for the film shows the moment when Dawn comes home and has a playful moment with Bill on their island home called The Sphinx. It makes them look like lovers in the posters, but they're not. It's such a weird thing to focus on, probably trying to take advantage of the fact that Kirby is a slightly bigger star than Egerton. Anyway, Dawn and Percy get along together while Ophelia comes by the house to visit with Bill and his family.

Where the thematic focuses of Boorman's career peek through is around the class differences in English society (represented by Ophelia's true identity), something he touched on a lot through his career in different ways (the Eternals ruling the world in Zardoz or the prince and his relationships with the poor people around him in Leo the Last as examples), the brutality of power in the modern world (like in Point Blank and Where the Heart Is), and the thin veneer of civilization falling away to reveal the brutal nature of man (like in Deliverance or Excalibur). None of these ideas is front and center and the reason for the film, it's more purely autobiographical than thematic, but they are all present in different amounts, which I find interesting.

That last idea, the thin veneer of civilization falling away to reveal the heart of darkness in men is tied to a subplot about Percy, wanting to get back at his superior officers for their succession of little tyrannies against him, steals a prized clock from the officers' mess, a clock given to a commander of the regiment a hundred years ago by Queen Victoria. The loss of that clock turns the officers completely against the men, tearing apart the camp in search of it. It also extends to the treatment of Bradley, with the young men finding a way to hoist him by his own petard, which breaks him (touching on some PTSD he was dealing with after his service in WWII), leaving a power vacuum in the office for a short time, essentially a state of nature that Redmond ends up reveling in while Bill tries to reestablish order by giving orders to Redmond, that Redmond refuses. It's a small moment, but it obviously points to something that Boorman had been touching on since Catch Us If You Can.

The heart of the film is Bill's awakening into a changing world. It's not a coincidence that Boorman chose to tell this story of his around the death of King George VI and the coronation of Queen Elizabeth II, including a nice scene on his little island home with his family, including his father Clive (David Hayman, the only returning cast member with a bad black wig to hide his age), where they gather around the new television to watch the coronation, and a light debate comes as they all keep their eyes glued to the screen about the use of monarchy and tradition in the modern world. Bill himself comes softly on the side of the idea that the monarchy is an institution past its time, but it's more introspective, the kind of thing an older man facing his sunset years might say instead of one of youth, a young man filled with opinions he knows are right. I seriously doubt the real Boorman was this circumspect. I mean...I've seen Zardoz.

This really is the work of an older man looking back at his life and reflecting. There's a certain melancholy quality, even when focusing on more manic episodes like the stealing of the clock, that give the film this overall warm aura. The emotional journey that Bill takes through his burgeoning adulthood, seeing first romances rise and fall, friendships strained and strengthened, and the country around him changing, ends up being a nice testament not only to Boorman's youth but also to his entire career. It's definitely not his best work, but it's also definitely not his worst. It's nice.
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4/10
Lacking the glory
Prismark1024 September 2018
This is a semi autobiographical sequel to Hope & Glory from writer/director John Boorman, dealing with his National Service years of the early 1950s.

Boorman like many others of his generation does not have any warm nostalgic memories of National Service. I always noticed it is only some right wing politicians and police chiefs that want to see National Service return. A supposed lazy fix to soaring crime rates, ignoring the fact the violent crime increased after World War 2 because of all those ex soldiers who had military training and use of firearms.

Bill Rohan the small 9 year old boy from Hope & Glory is now 18 years old and is doing his National Service. He is hoping to avoid seeing combat in Korea. Bill strikes up a friendship with the amoral Percy. Together they look to go out with girls and trying to survive two years of National Service.

Bill and Percy land on their feet teaching new recruits how to type. The fly in the ointment is by the book Sergeant Major Bradley, who is making everyone's life a misery looking for petty breach of the rulebook

Bill also strikes a relationship with a trouble attractive lady, Ophelia, however trouble arises over a missing clock that tests the friendship between Bill and Percy.

I have seen this film before. It was called Biloxi Blues, Neil Simon's semi autobiographical account of his time in basic training during the second world war. The movie has very little that was new here. Caleb Landry Jones has a mixed up English accent. David Heyman who reprises his role from Hope & Glory has been given a dreadful wig.

The problem is it lacks playfulness and fun coming across as anecdotal.
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9/10
A dignified and poignant sequel to "Hope and Glory"
JeromeDavidS27 October 2014
Warning: Spoilers
Watching "Queen and Country" was for me the equivalent of watching a proper and deserved sequel to "Aliens" (1986), written and directed nearly 30 years later by its creator, James Cameron. And even with a completely different cast, you realize that the beloved main characters from the original classic are essentially the same. Only 10 years more mature.

When John Boorman directed "Hope and Glory" (released just a year after "Aliens"), I, at age 16, decided it was and would always be one of my favorite movies. And when in 2014 I knew that, 27 years later, he would release a sequel, I WAS IN HEAVEN. And after watching twice - at the 2014 edition of the Mostra International de Cinema de São Paulo - I can say with relief that all the effort Mr. Boorman had to complete this film was not in vain, quite the contrary. And he has said - at age 81 - that this was his last film. A pity. Because the Rowan family deserves at least a trilogy.

Main points of my review:

  • Callum Turner convinces both as the adult version of the main character from the first film, Bill Rowan (the Director in its infancy) and also of his original actor, Sebastian Rice-Edwards, one of those rare cases of a gifted actor who had a role only in life, and made ​​him so special. Turner may not have been a great boat handler as convincing as Edwards (heh), but otherwise, he is Billy Rowan. And not an impersonator.


  • IMHO, Caleb Landry Jones (Percy, Billy's best friend in the Army) was one of the best young actors in the amazing cast of "X-Men First Class" (hence my disappointment to learn that his character was killed in "X- Men, Days of Future Past"). In this movie, he alternates between "too much" and "awesome much" (as the Heath Ledger's Joker. Yes I caught thinking myself several times how he would make a great Joker). Maybe he was driven to exaggeration by the director, maybe the actual friend was "just like that". BTW, I'd love to see him in a Terry Gilliam film since Terry understands "crazy" (in a good way). Interestingly, he's a Texan actor playing British characters very well.


  • Tamsin Egerton is really the face of royalty and tragic beauty. She also played Guienevere in a TV series ("Camelot"). When her eyes smile, momentarily leaving behind the perennial state of sadness, you're also quite fond of her. At 26, she has the world ahead to conquer for sure.


  • With the exception of David Hayman who repeats the role of Billy's father, the rest of the protagonist's family has renewed the cast. The mother and older sister were replaced by another actresses (again, the actors may change but they are essentially the same characters). My biggest disappointment was with Billy's grandfather. Ian Bannen (who died in 1999) was a FORCE OF NATURE, stealing nearly every scene in which he appeared. But in the second session, I began to be content with what I had, maybe the director has opted for someone more like his original grandfather. However, the film does not explain the disappearance of the sister of Billy, Sue (or I wasn't paying enough attention).


  • The military characters are all treated with respect and consideration (for a change, they are not stereotypes, but actual human beings).


  • Fortunately, the film picks up, with decency and tenderness, forbidden romance between Billy's mother and Mac (the father's best friend), one of the best things from the first movie. Also, fortunately, it shows something that was only suggested in "Hope and Glory": the love of cinema, from the characters mentioning classic movies and directors and the connection of filmmaking with the idyllic river. And fortunately again, the river also reappears: after all, is special as the other members of the Rowan family.


  • Music: as in "The Private Life of Sherlock Holmes" by Billy Wilder, the theme song evokes the tragic main lady. Here, the theme of Ophelia. On the Wilder's film, Gabrielle. And I only realized, of course, the second time I watched.


  • Editing: the film manages to give us time jumps at the right pace, you realize the plot moving and the characters maturing. And does not care to leave it all explained to the viewer (like the scene in the hospital where - SPOILERS - Billy sees his first great passion for the last time).


Despite wishing for a sequel - mostly to keep track of what happened (SPOILERS again) between Percy and Dawn - "Queen and Country" is a worthy ending for all these wonderful, old and new, characters.

Thank you, Mr. Boorman.
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3/10
Very Disappointing
connor-1321 March 2015
I am a huge fan of Hope and Glory and had high hopes for Queen and Country. The entire experience of the new film was very flat. It was like taking a cross country trip focused on making exactly the same distance every day and staying in safe hotels. Nothing stood out, except possibly some bad (over?) acting. Most of the cast was adequate, but Caleb Landry Jones and Aimee-Ffion Edwards mostly just over-acted, as did almost everyone playing someone in a position of authority in the military. Of course, dealing with a plot that made little sense probably did not help. The best part of the film takes place on the water where Callum Turner does a nice job of making us believe it was his natural habitat mostly by becoming more confident instead of the fish-out-of-water he usually is (that is about as deep as this moving gets). Unfortunately, there were also some lame scenes of filming on the water that also added nothing. The only good news for my wife and me is that one of our tickets was free, so we only wasted half as much money.
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10/10
Brilliant movie and so funny!!
joanne-rollason18 August 2018
Absolutely loved this film! Was really funny too. There was some serious scenes but also a bit if humour here and there. Great acting from all cast. Must watch.
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2/10
Dreadful
bmakins13 June 2015
Oh Dear, this is a stinker! Only 2 couples in at the Curzon, Victoria last night. The rest of the world must have known something we didn't. The other couple lasted 30 minutes.......we gave it another 15 or so before deciding it was beyond redemption and that we had better things to do with the next hour. We presume it ran on to an empty house. Dreadful, clunky script and dialogue, cut-out cartoon characters playing simple stereotype roles, wooden, stilted acting, very weird accents (Caleb Landry Jones apparently occupying a class and region of his own devising). Sometimes I thought we had stumbled into an episode of Porridge or maybe Dad's Army. Caleb seemed to be channeling Oliver Reed at his overacting worst, combined with Norman Wisdom or maybe Lee Evans. Sorry, but this was shameful and shouldn't have been allowed to escape onto the screen. Was this a case of Emperor's New Clothes? Was no one prepared to stand up to Boorman at any stage and say "enough"? Was this posted in as a contractual obligation? Yes, I respect the career, but this was a sad sign off and not worthy. This is one that the cast, pretty much without exception, will wish they could deny being involved with and will look at from behind their hands when its inevitable Christmas TV showing comes round in a year or 2. 1 star if I'm generous.
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5/10
Not up to the expectations set by HOPE & GLORY
gradyharp1 January 2016
Writer/director John Boorman set a high standard for his war memoirs with his beautifully scripted and acted HOPE & GLORY in 1987. That original bears little resemblance to this off center amateurish sequel QUEEN & COUNTRY. We wonder where the wonder went.

In the hilarious highlight of HOPE AND GLORY 9-year-old Bill Rohan rejoices in the destruction of his school by an errant Luftwaffe bomb. QUEEN & COUNTRY picks up the story nearly a decade later as Bill - Boorman's alter-ego - (Callum Turner) begins basic training in the early Fifties, during the Korean War. Bill is joined by a trouble-making army mate, Percy (Caleb Landry Jones). They never get near Korea, but engage in a constant battle of wits with the Catch-22-worthy, Sgt. Major Bradley (David Thewlis). Richard E. Grant is their superior, the very, very, infinitely put-upon, aptly-named Major Cross. The boys begin noticing girls (Aimee-Ffion Edwards, Vanessa Kirby – Bill's sister - and Tamsin Egerton) but that does little to help this thin plot.

Boorman is responsible for it all and though it has a few nice moments, it is a cake that falls.
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pleasant
Kirpianuscus22 August 2023
Not knowing Hope and Glory, I saw this fim as correct and pleasant chain of british humor, some crumbs of Catch 22, gentle romance and maturisation, eulogy of friendship and eccentricity and nice portrait of a period.

Not impressive, it is a seductive define of the events defining the life in army of Bil Rohan, his first ove, his absolutey special friend, a cock and Robert E. Grant in a admirabe form.

And, for many motives, it is enough for offer a good enterntainment, few touching moments and image of freedom in profound sense.

And, sure, consequences of the terribilism of youth.

So, pleasant works as fair definition about this profound nice film.
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