- Runtime
- 2h 43m(163 min)
- Sound mix
- Color
- Aspect ratio
- 1.43 : 1(IMAX with Laser: some scenes)
- 1.90 : 1(IMAX Digital: some scenes)
- 2.39 : 1
- Camera
- Arriflex 235, Panavision C-, E- and G-Series Lenses
- Arriflex 435 ES, Panavision C-, E- and G-Series Lenses
- Arriflex 765, Zeiss 765 Lenses(some shots)
- IMAX MKIV, Hasselblad Lenses(some scenes)
- IMAX MSM 9802, Hasselblad Lenses(some scenes)
- Panavision 65 HR Camera, Panavision Sphero 65 Lenses(some shots)
- Panavision Panaflex Millennium XL2, Panavision G-Series Lenses
- Panavision Panaflex System 65 Studio, Panavision Sphero 65 Lenses(some shots)
- Laboratory
- Cinelab, London, UK(film processing)
- Company 3, London, UK(dailies)
- EFILM Digital Laboratories, Hollywood (CA), USA(digital intermediate)
- FotoKem Laboratory, Burbank (CA), USA(prints)
- On Set Tech LTD(digital imaging)
- Negative Format
- 35 mm(Kodak Vision3 50D 5203, Vision3 250D 5207, Vision3 500T 5219)
- 65 mm(also horizontal, Kodak Vision3 250D 5207, Vision3 500T 5219)
- Cinematographic Process
- Arri 765(source format, some shots)
- Digital Intermediate(4K, master format)
- Dolby Vision
- IMAX(source format, some scenes)
- Panavision(anamorphic, source format)
- Panavision Super 70(source format, some shots)
- Printed Film Format
- D-Cinema
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