Directed by
| Gabriel Nesci | ||
Writing Credits (in alphabetical order)
| Gabriel Nesci | ... | (written by) |
Cast (in credits order)
Produced by
| Alejandro Cacetta | ... | producer |
| Diego Corsini | ... | associate producer / producer |
| Federico Durán | ... | co-producer |
| Juan Pablo Galli | ... | producer |
| Ignacio Rey | ... | executive producer / producer |
| Gonzalo Rodríguez | ... | associate producer |
| Gastón Rothschild | ... | executive producer / producer |
| Yanina Schiavone | ... | assistant producer |
| Guillermo Szelske | ... | associate producer |
| Juan Vera | ... | producer |
Music by
| Guillermo Guareschi | ||
| Julio Cesar Sierra | ... | co-composer |
Cinematography by
| Rodrigo Pulpeiro | ... | (as Rolo Pulpeiro) |
Editing by
| Alberto Ponce | ||
Casting By
| Narvaez Erik Aguilar | ... | (casting associate) |
Art Direction by
| Patricia Pernia | ||
Makeup Department
| Cristóbal Renteria | ... | hair stylist / makeup artist |
Production Management
| Gustavo Arnaudin | ... | post-production supervisor (as Gustavo Arnaudín) |
| Marcelo Martín | ... | production director / production manager |
| Alejo Saravia | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Mariano Nesci | ... | third assistant director |
| Esteban Rey Cazes | ... | second assistant director |
| Natalia Urruty | ... | assistant director |
Art Department
| Virginia Giménez | ... | assistant art director |
Sound Department
| Pablo Bustamante | ... | sound |
| Jorge Gutiérrez Jiménez | ... | score re-recording mixer |
| Omar Jadur | ... | sound |
| Francisco Pellerano | ... | boom operator |
Visual Effects by
| Nacho Arevalo | ... | visual effects artist |
| Lucas Carracedo | ... | visual effects artist |
| Matías Derkacz | ... | compositor |
| Lucas di Rago | ... | digital compositor |
| Gonzalo Gutierrez 'G.G.' | ... | visual effects supervisor |
| Cecilia Menchaca | ... | visual effects coordinator |
| Agustina Penco | ... | administration: visual effects |
| Juan Pablo Pires | ... | visual effects producer |
| Georgina Pretto | ... | film recording |
| Daniel Pérez | ... | visual effects artist |
| Nicolas Valese | ... | visual effects artist |
| Cecilia Weinbender | ... | visual effects artist |
Camera and Electrical Department
| Tomás Acevedo | ... | focus puller |
| Sergio Piñeiro | ... | gaffer |
| Sergio Piñeyro | ... | gaffer |
| Rodrigo Pulpeiro | ... | camera operator (as Rolo Pulpeiro) |
| Juan Manuel Tizón | ... | electrician |
| Jorge Coki Tristán | ... | key grip |
| Darío Trivino | ... | additional steadicam operator |
| Gustavo Triviño | ... | steadicam operator |
Casting Department
| Luciano Leyrado | ... | casting |
Costume and Wardrobe Department
| Pilar Gonzalez | ... | wardrobe assistant |
| Roberta Pesci | ... | wardrobe |
Editorial Department
| Beto Acevedo | ... | film lab supervisor |
| Josefina Castillo Carrillo | ... | post-production coordinator |
| Juan Godoy | ... | mastering |
Location Management
| Danisa Munguía | ... | location manager |
| Valeria Perez Delgado | ... | location assistant |
Music Department
| Gustavo Pomeranec | ... | music producer |
| Julio Cesar Sierra | ... | composer: incidental music |
Script and Continuity Department
| Lorena Lisotti | ... | script supervisor |
Additional Crew
| Ezequiel Diez | ... | production assistant / production runner |
| Mauro Guevara | ... | production assistant |
| Edgardo Sanucci | ... | legal consultant |
| Alejo Saravia | ... | post production coordinator |
Thanks
| Juan Alberto Badía | ... | the director wishes to thank |
