A Wall Street investment banker who has been set up as the linchpin of his company's mob-backed Ponzi scheme is relocated with his family to Aunt Madea's southern home.A Wall Street investment banker who has been set up as the linchpin of his company's mob-backed Ponzi scheme is relocated with his family to Aunt Madea's southern home.A Wall Street investment banker who has been set up as the linchpin of his company's mob-backed Ponzi scheme is relocated with his family to Aunt Madea's southern home.
- Awards
- 1 win & 5 nominations total
Featured reviews
I'm not going to regurgitate the premise of this movie as many others have.
I will say that if you don't like TP and/or Medea, why the heck did you watch this movie.
It was a typical Madea movie. Silly, OTT, nonsensical etc. But to fans of Perry, it was just plain mindless funny.
We're you expecting fine theater based on classic literature?
It's beginning to be obvious, based on all the reviews of all his movies that there's a significant amount of bigotry coming from TP's community. What a shame.
After reading the other user reviews here on IMDb, I had low expectations walking into the theater today.... Did we watch the same movie?!
The movie starts out slow and beats a few jokes to death with excessive sarcasm and a convoluted concocted storyline. Definitely a film directed towards a non-white audience; it busted on all the white stereotypes, particularly the 'greedy wall street banker' and 'obliviously ignorant racist' ones. In a theater of 75 people, I was the only white person - awesome! I have no problem laughing at myself and knew it was going to be a fun movie with an interactive audience - and I was not disappointed :-)
With the previous Madea movies, the story tends to be more of a romance/drama, with Madea thrown in for some comic relief and wisdom. I was pleased to see that this was intended to be a straight-up comedy. Some parts of the movie flow more smoothly than others, the jokes are nothing new, and the story line is nothing ground-breaking, but it succeeds in pulling off a lot of slapstick humor... ultimately a raucous comedy that the crowd was hooting, hollering and giving hearty laughter. Like most things in NYC, the people are half the fun - being the only whitey in the room made it all the more authentic :-)
If you're looking for a thought-provoking, nuanced, 'fresh' movie, this isn't it. If you're looking for some good laughs and 2 hours of entertainment, come and see it!
Stay for the outtakes at the end credits - they are some of the funniest scenes :-)
The movie starts out slow and beats a few jokes to death with excessive sarcasm and a convoluted concocted storyline. Definitely a film directed towards a non-white audience; it busted on all the white stereotypes, particularly the 'greedy wall street banker' and 'obliviously ignorant racist' ones. In a theater of 75 people, I was the only white person - awesome! I have no problem laughing at myself and knew it was going to be a fun movie with an interactive audience - and I was not disappointed :-)
With the previous Madea movies, the story tends to be more of a romance/drama, with Madea thrown in for some comic relief and wisdom. I was pleased to see that this was intended to be a straight-up comedy. Some parts of the movie flow more smoothly than others, the jokes are nothing new, and the story line is nothing ground-breaking, but it succeeds in pulling off a lot of slapstick humor... ultimately a raucous comedy that the crowd was hooting, hollering and giving hearty laughter. Like most things in NYC, the people are half the fun - being the only whitey in the room made it all the more authentic :-)
If you're looking for a thought-provoking, nuanced, 'fresh' movie, this isn't it. If you're looking for some good laughs and 2 hours of entertainment, come and see it!
Stay for the outtakes at the end credits - they are some of the funniest scenes :-)
I went to see Medea with one of my friends, when we arrived the theater was empty expect for couple people.
Madea's Witness Protection story centers around Eugene's family who ratted on their company to SCC. Eugene then has to go into witness protection which is offered by Madea, because Madea lives in hood and is very protective. Eugene then has to get back all money non profit organizations lost while investing in his companies ponzi scheme.
Some of jokes in the film were hilarious like when the old man in film was being a pervert. Also when old woman says she heard "negro spirituals" coming from house. My friend was laughing like hell throughout movie because he was high out of his mind but for many that scene was uncomfortable. Therefore if your gonna watch this get in bubbly mood, or smoke some herbs.
Madea's Witness Protection story centers around Eugene's family who ratted on their company to SCC. Eugene then has to go into witness protection which is offered by Madea, because Madea lives in hood and is very protective. Eugene then has to get back all money non profit organizations lost while investing in his companies ponzi scheme.
Some of jokes in the film were hilarious like when the old man in film was being a pervert. Also when old woman says she heard "negro spirituals" coming from house. My friend was laughing like hell throughout movie because he was high out of his mind but for many that scene was uncomfortable. Therefore if your gonna watch this get in bubbly mood, or smoke some herbs.
I'm a fan of Tyler Perry however I believe that he misses the opportunity to make a good movie great. In "Diary of a Mad Black Woman" and "Family Reunion" (both good movies - I'd give them a 7 out of 10) there was an interesting sub-plot combined with humor. There was just enough drama to keep them interesting and enough humor to make them very funny. I really enjoyed Madea's character.
Since then, the focus is mostly on ridiculous humor. This includes "Witness Protection". It appears that Tyler Perry can no longer decide who he wants the character of Madea to be.Is she a woman that has made mistakes in her past, realizes it, and helps others? Well, not exactly. Instead, I'm left feeling that the character would still be pole dancing if she wasn't so fat. Additionally, the character references smoking pot as though it's acceptable and just what she, and others do. I'm disappointed in Tyler Perry.
This is an OK movie with a solid foundation on which to build. Unfortunately, the construction is weak.
Since then, the focus is mostly on ridiculous humor. This includes "Witness Protection". It appears that Tyler Perry can no longer decide who he wants the character of Madea to be.Is she a woman that has made mistakes in her past, realizes it, and helps others? Well, not exactly. Instead, I'm left feeling that the character would still be pole dancing if she wasn't so fat. Additionally, the character references smoking pot as though it's acceptable and just what she, and others do. I'm disappointed in Tyler Perry.
This is an OK movie with a solid foundation on which to build. Unfortunately, the construction is weak.
Tyler Perry took the film industry by storm when he introduced Madea in his first film Diary of a Man Black Woman. The stories were always filled with comedy, but surrounded by an emotional story that made them so much more. Over time, the idea stayed intact, but Madea has stepped more into the forefront and they have been losing their serious side. With the latest Madea's Witness Protection it seemed to be another with more comedy than drama, but with an all-new twist taking this story outside the norm with the introduction of a white family into Madea's world.
Madea's Witness Protection follows an investment banker who is caught up in a Ponzi scheme to take the fall for the Wall Street firm he works for. In exchange for a lighter sentence he decides to work with the District Attorney's office and is put into witness protection in the home of Madea, the District Attorneys aunt. This is probably one of the weakest of all the Perry movies to date. While it's not horrible, it has almost completely lost all of the dramatic aspect that made these movies so effective. There are a few aspects for this family to grow, but it's played up more on the comedy side instead of the usually powerful drama. The cast is fine with the direction of the film, but really the only truly funny moments are that of Madea and Joe both played by Perry himself. They are the kind of characters that if you like them are really funny if you don't then the entire film falls flat. The story is fine even though the reasoning for them being there is a bit far-fetched, but if you can let that go the movie is pretty fun.
In the bigger picture you are either a Perry fan or not. If you like his films then you will enjoy this one despite the lack of the drama; if you don't then you will most likely not see it anyway. The Madea character is one that has become one of those characters that fans love and others are annoyed by. No matter what you feel of the character or these films you cannot deny Perry's ability as a filmmaker and his creativity on bringing her back to the big screen. This is probably not her last appearance, but let's hope he heads back to his roots to find the passion and drama to team up with the comedy to deliver another powerful movie like the one that started it all.
Madea's Witness Protection follows an investment banker who is caught up in a Ponzi scheme to take the fall for the Wall Street firm he works for. In exchange for a lighter sentence he decides to work with the District Attorney's office and is put into witness protection in the home of Madea, the District Attorneys aunt. This is probably one of the weakest of all the Perry movies to date. While it's not horrible, it has almost completely lost all of the dramatic aspect that made these movies so effective. There are a few aspects for this family to grow, but it's played up more on the comedy side instead of the usually powerful drama. The cast is fine with the direction of the film, but really the only truly funny moments are that of Madea and Joe both played by Perry himself. They are the kind of characters that if you like them are really funny if you don't then the entire film falls flat. The story is fine even though the reasoning for them being there is a bit far-fetched, but if you can let that go the movie is pretty fun.
In the bigger picture you are either a Perry fan or not. If you like his films then you will enjoy this one despite the lack of the drama; if you don't then you will most likely not see it anyway. The Madea character is one that has become one of those characters that fans love and others are annoyed by. No matter what you feel of the character or these films you cannot deny Perry's ability as a filmmaker and his creativity on bringing her back to the big screen. This is probably not her last appearance, but let's hope he heads back to his roots to find the passion and drama to team up with the comedy to deliver another powerful movie like the one that started it all.
Storyline
Did you know
- TriviaIn New York, when Madea gets out the cab to go into the bank, she asks George why he's speaking in a French accent when he's only speaking to her. She then says she can also speak French, citing mispronounced lyrics to Lady Marmalade ("Giuchie, Giuchie, ya ya dada...Mocha Chocalata ya ya"). Earlier in the film, Barbara flirts with Joe, saying, "Hello, Joe, wanna give it a go?" This is also a lyric to Lady Marmalade.
- GoofsThe blue-screens are visible through Madea's glasses throughout the movie, more prominent during the hotel trip and the conversation with her becoming Precious Jackson before that.
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #20.170 (2012)
- SoundtracksKidnapped Girl
Written by Chris Budd, Steven Budd, James Hackett, Chris LePan, and Tavis Maplesden
Performed by The Dailys
Published by Bearsuit Publishing
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Tyler Perry's Madea's Witness Protection
- Filming locations
- 1197 Avon Avenue SW, Atlanta, Georgia, USA(Madea's House)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $65,653,242
- Opening weekend US & Canada
- $25,390,575
- Jul 1, 2012
- Gross worldwide
- $66,899,242
- Runtime1 hour 54 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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Top Gap
By what name was Madea's Witness Protection (2012) officially released in India in English?
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