A scientist's drive for artificial intelligence takes on dangerous implications when his own consciousness is uploaded into one such program.A scientist's drive for artificial intelligence takes on dangerous implications when his own consciousness is uploaded into one such program.A scientist's drive for artificial intelligence takes on dangerous implications when his own consciousness is uploaded into one such program.
- Awards
- 3 wins & 5 nominations
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaContinuing his outspoken advocacy for the use of film stock over digital formats, cinematographer Wally Pfister not only chose to shoot the film in the anamorphic format on 35mm film instead of on a digital camera, but also finished the film photochemically, refusing to use a digital intermediate.
- GoofsWill Caster is killed by the highly toxic radio-active element, Polonium (the same one used to murder Alexander Litvinenko in true-life in 2006). Despite its toxicity (scientists estimate that 1 gram could kill 50 million people), his wife and friends are allowed to remain with him in close proximity until his death. Whilst intact skin is actually a barrier to the passage of alpha radiation particles to a nearby person (so we could let them off this goof), we later see Caster's cremated ashes being tossed into the breeze above a river for all to breath in. These are hardly actions that any homeland security or radiation expert would conceivably have allowed to happen.
- Quotes
Will Caster: For 130,000 years, our capacity to reason has remained unchanged. The combined intellect of the neuroscientists, mathematicians and... hackers... in this auditoirum pales in comparison to the most basic A.I. Once online, a sentient machine will quickly overcome the limits of biology. And in a short time, its analytic power will become greater than the collective intelligence of every person born in the history of the world. So imagine such an entity with a full range of human emotion. Even self-awareness. Some scientists refer to this as "the Singularity." I call it "Transcendence."
- ConnectionsFeatured in Half in the Bag: Transcendence and the Amazing Spider-Man 2 (2014)
- SoundtracksGenesis
Written by Jorma Kaukonen
Performed by Jorma Kaukonen
Courtesy of RCA Records
By Arrangement with Sony Music Licensing
Now that I've just seen it, I can understand why they named it as they did; this wasn't just some usual commercially catchy phrase to sell a film, but after all is said and done (and viewed) that SPECIFICALLY was actually the primary theme of the film. It will be a little difficult to 'talk' about this aspect of it without entering Spoiler territory, which I do not wish to do.
There are deeper themes running through this film than one may think at first. Without being specific, the final few scenes reveal that 'Transcendence' is indeed what is going on here. So, first and foremost, PLEASE do not be put off by those who say that this is just a shallow Sci Fi film about a machine taking over; if you like serious Science fiction that is done very well, then you should like this film.
One caution though... My impression is that this movie is the moral antithesis of a film like, say, 'CHILDREN OF MEN', which I also just watched recently before this one. That film too is very beautifully shot and technically well done; AND, it also would be considered very serious, adult Science Fiction. But, I personally ***ENJOYED*** this one quite a bit more; the themes and mood of it resonated a LOT more with me personally than the other film. I just mention these particular films as a comparison of two well done, modern Sci Fi films, but with almost TOTALLY opposite philosophies behind them. Whereas 'CoM' is what I would call much more gritty and 'Realistic' and even quite Nihilistic in it's tone, where basically just about bloody EVERYONE dies, Mankind is shown to be nasty, selfish, and brutal, and with the supposed exception of it's last minute ending, completely without any hope at all. This film though, in my lowly and wretched opinion, is MUCH more subtle and enlightened in the themes that it is emphasizing, and it may not be until the very end when you fully realize what the point actually is (I'll give you a hint... It has to do with one of the last things Rebecca Hall says) Don't get me wrong, BOTH films are very well done, but I just wanted to show the extreme contrast in tone, so that it might help you to choose whether you would want to watch this one.
Also, quite frankly, it is just a great film. It's a lot of fun, there is excellent suspense where you do NOT know what is going to happen next or whether what is going on is truly Good or Evil...
So, as I mention in a lot of my reviews: If you are a bit on the cynical side and are the kind of person who likes their entertainment, whatever the Genre, to be of the more brutally 'Realistic' type, and you don't care for more imaginative or Idealistic films, then this one may not do much for you. BUT... IF you do appreciate films where the underlying themes may cause you to question your own attitudes towards Hope and Faith (and I DON'T mean anything Religious at all - Just Faith or Hope in things or people in general) THEN you might, as I did, really find this film quite refreshing and entertaining.
- lathe-of-heaven
- Aug 19, 2014
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Trí Tuệ Siêu Việt
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $100,000,000 (estimated)
- Gross US & Canada
- $23,022,309
- Opening weekend US & Canada
- $10,886,386
- Apr 20, 2014
- Gross worldwide
- $103,039,258
- Runtime1 hour 59 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1