Tracks the history of Black cinema, focused mainly on the '70s, with archival and new interviews with many of the key players from the era.Tracks the history of Black cinema, focused mainly on the '70s, with archival and new interviews with many of the key players from the era.Tracks the history of Black cinema, focused mainly on the '70s, with archival and new interviews with many of the key players from the era.
- Awards
- 4 nominations
- Narrator
- (voice)
- Self
- (as Louise Archambault Greaves)
- Self
- (as Jim Signorelli)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- Quotes
Harry Belafonte: Not one picture that I turned down did I regret not doing. I didn't resent any of them. I'm glad others got an opportunity and went off and did it, but my initial... First and foremost, I'm an artist. I'm an actor. And I came out of a school with Marlon Brando, Walter Matthau, Rod Steiger, Tony Curtis, with a director that gave us no quarter. I'm not gonna do anything other than what I think is worthy of being done. And fortunately for me, I was a runaway success in the world at large because I had a globe so passionately approving of my presence in their midst that nobody could dismiss the fact that that thing on the horizon called Belafonte could really not be fucked with. Because anytime anybody came up and gave me an ultimatum, I said, "Fuck you. I'm going to Paris. I'll probably live there if I like, but I... I have a destination that answers your denial of what I could be."
- ConnectionsFeatures A Fool and His Money (1912)
Couple of comments: this is the directing debut of longtime writer, producer and film critic (including at one point for the New York Times) Eric Mitchell. Here he fondly looks back to the golden years of black film making, which he identifies as 1968 to 1978. And "film making" is to be understood in a broad sense: not just actors, but also producers and directors and anyone else involved directly and indirectly. Everyone knows of the phenom that was "Shaft" but as Mitchell demonstrates, there were so many other noteworthy black films in that era, many of which were made outside of the Hollywood studio system and hence never seen by most of us, including many of the so-called blaxploitation movies ("blaxploitation is the commoditization of blackness", observes one of the talking heads). The works of Gordon Banks and Melvin Van Peebles get extensive attention, and along the way we get dozens and dozens of movie clips, one better/more intriguing than the other. It leads one (or at least me) to want to see these movies. It was amazing for me how quickly these 2 hrs. And 15 min came and went, and a genuine pleasure to watch this from start to finish. Last but not least, in the movie's opening credits, the title is showing as "Is That Black Enough For You?!? How One Decade Forever Changed the Movies (And Me)".
"Is That Black Enough For You?!?" premiered in early October at the new York Film Festival to immediate critical acclaim, and it is currently rated 100% Certified Fresh on Rotten Tomatoes, and for good reason. If you have any interest in a slice of movie history which most of us know very little about, I'd readily suggest you check this out, and draw your own conclusion.
- paul-allaer
- Nov 15, 2022
- Permalink
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- هل يكفيكم هذا السواد؟!؟
- Production companies
- See more company credits at IMDbPro
- Runtime2 hours 15 minutes
- Color
- Sound mix