"Rapporto di un regista su alcune giovani attrici" an art film that is among many things right auteur cinema and ... generally. From the title, a hypothetical viewer who wants to try their hand in the vision of this product, there may be deceived because you may see a Docufiction (a film genre that includes reconstructions performed by actors) but that is not so, we in effect an art film and typically introspective, a committed film but not demanding, very smooth and deep and quite interesting analysis and why not ... appetizing. The story told well has something instructive, and is treated with judgment and realism, and that makes us understand clearly how it is structured (in an often unhealthy) the film world, where everyone would be willing to make any order to part (the women in the first place and whose film refers exclusively) and will not be hard to notice, greed, huge ego, envy, opportunism, careerism, greed, deceit ... and much more. On this, however accentuerò me later. The plot is told through the perspective of a director, and it is the same as the film director as an actor shows how clearly described the whole. I take this opportunity to compliment, I really liked his performance, he moves with ease and aplomb and no exaggeration to say that more than interpret his character, as himself, also double work directing / acting is never easy and Fratter cleverly managed to do both things However in this film plays Antonio Speller that after the betrayal by his wife with his actress (again as in some previous works of Fratter homosexuality which, although not too great is present), cinematically speaking with him falls in crisis and the same is initially unable to find their proper place in his inner world, all to express. His reaction will not take long to come and how we see the evolution of the plot, its purpose is to stop turning art films and grapple with genre movies (his old love) to be exact the trash. And here we have a paradox. The cinematography of Roger Fratter has always been characterized by the fact that for many years has always treated genre films (Abraxas or Mimesis is a concrete example) and it is from this "Rapporto di un regista su alcune giovani attrici" that the director experiences this special kind of cinema, with Cymbaline the film earlier this should not be considered fully auteur films, introspective doubt but I consider it mostly a rite of initiation and therefore absolutely not comparable to this. The paradox lies in the fact that the protagonist of the film is the opposite and as rightly happens novelty often generates insecurities and willingly, and in fact does not know which genre films represent, if a porn if an erotic, if one Spaghetti western .... on the latter there is usually a tasty return, which undoubtedly the director's fans like me will not have difficulties to flush, I refer to an old short film "Come out bitch ... arrived Sartana" unfortunately still unpublished. The three female members of the nature of the film represent the apotheosis of the whole context and are "analyzed" in my opinion perfectly and concrete and highlight and profoundly affecting the life of the protagonist director. Three very different women, but on a 'one thing identical: Surfacing, excel and break into the film world We Paola (a good Inga Sempel, my favorite of the trio), his former lover and editor of a magazine that seeks in him an exclusive interview, Tosca a screenwriter very ambitious (a veteran and beautiful Roberta Spartà) who wants to filmmaker a project of his and Mara (an interesting and tasty Jill Campbell), a precocious girl uninhibited and ready to give the body to anyone just to have a part in the film. None of them nourishes deep feelings for the protagonist, the whole is dictated by many other interests many easy to guess ... .there would be a fourth woman, who probably would be the right one, but you absolutely do not want to reveal and that still a concern or its own interpretation inevitably rise up in the soul of the viewer. As always, the director not only delight us with beautiful women and very competent shots, but also music and settings choices that are scrupulously and excelled in every respect. really he impressed me this film, as happened with Cymbaline not being used to this new way of making the director's film I had underestimated, a good movie of all points of view. According to the director is not a biopic but only has autobiographical elements that actually happened. Maybe it's not precisely a biopic but surely "Rapporto di un regista su alcune giovani attrici" is a priori his most personal film work.
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