Directed by
| Gonzalo López-Gallego | ||
Writing Credits
| Eddie Borey | ... | (written by) & |
| Chris Borey | ... | (written by) |
Cast (in credits order)
| Sharlto Copley | ... | John / Jonah | |
| Thomas Kretschmann | ... | Lukas | |
| Josie Ho | ... | Brown Eyes | |
| Joseph Morgan | ... | Nathan | |
| Erin Richards | ... | Sharon | |
| Max Wrottesley | ... | Michael | |
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Márta Szabó | ... | Crone |
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Balázs Szitás | ... | Sickly Man |
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Zsuzsa Szabados | ... | Grandma (as Zsuzsanna Szabados) |
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Tofi Seffer | ... | Boy |
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Éva Botos | ... | Mother |
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Kati Dombi | ... | Moaner Woman |
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Araceli Sanz | ... | Voice of Grandma (voice) |
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Pedro De Santiago | ... | Voice of Boy (voice) |
| Rest of cast listed alphabetically: | |||
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M. Frakes | ... | U.S. Marine Driver (uncredited) |
Produced by
| Conroy Chi-Chung Chan | ... | executive producer |
| Davy Duhamel | ... | associate producer |
| Gábor Ferenczy | ... | executive producer |
| György Gattyán | ... | executive producer |
| Aaron L. Ginsburg | ... | producer |
| Alan Glazer | ... | executive producer |
| William Green | ... | producer |
| Péter Bruno György | ... | line producer |
| Andy Horwitz | ... | associate producer |
| Curt Kanemoto | ... | associate producer |
| Dylan Hale Lewis | ... | executive producer |
| Andrew Ooi | ... | executive producer |
| Jon Shestack | ... | executive producer |
| András Somkuti | ... | executive producer |
| Jeremy Stein | ... | co-producer |
| Csapó Tamás | ... | co-producer |
| Attila Tõzsér | ... | co-producer |
| Daniele Sebastian Wiedenhaupt | ... | associate producer (as Dan Wiedenhaupt) |
| Michael B. Wunderman | ... | producer |
Music by
| Juan Navazo | ... | (original score) |
Cinematography by
| José David Montero | ||
Editing by
| Gonzalo López-Gallego | ||
Production Design by
| Attila Digi Kövári | ||
Art Direction by
| Biljana Jovanovic | ||
Set Decoration by
| Zoltán Schöffer | ||
Costume Design by
| Andrea Flesch | ||
Makeup Department
| Márta Antal | ... | prosthetic makeup artist |
| Kevin Carter | ... | special effects contact lenses |
| Rita Fekete | ... | makeup designer |
| Judit Hornyák | ... | additional prosthetic makeup artist |
| Rita Horváth | ... | prosthetic makeup designer |
| Nóra Kapás | ... | prosthetics makeup artist |
| Lidia Pryor | ... | assistant makeup artist |
| Gabriella Vincze | ... | key hair stylist |
Production Management
| Erika Köcsky | ... | post-production supervisor |
| Szabolcs Lang | ... | production manager |
| Matthew Rodrigues | ... | post-production supervisor |
| Vágó Tamás | ... | unit manager |
Second Unit Director or Assistant Director
| Sára Gergely | ... | second assistant director (as Sara Gergely) |
| Csilla György | ... | first assistant director |
| Norbert Vilonya | ... | third assistant director |
Art Department
| Péter Bánó | ... | construction coordinator (as Bánó Péter) |
| Krisztián Gaál | ... | set dresser |
| Edvin Killinger | ... | greensman |
| Hedvig Kiraly | ... | assistant art director |
| Jaroslaw Kozak | ... | standby construction |
| Carlos Salgado | ... | storyboard artist |
| Mátyás Szakonyi | ... | greensman |
| Tibor Szakáts | ... | set dresser assistant |
| József Szmetana | ... | standby props |
| Talmaier Vera | ... | set decorator assistant (as Vera Ronai) |
Sound Department
| Antonio Camarasa | ... | foley artist |
| Gábor Császár | ... | assistant re-recording mixer |
| Szabolcs Gáspár | ... | boom operator |
| János Köporosy | ... | recording sound engineer |
| Hanno Ruesch | ... | dubbing mixer |
| Pál Szûrös | ... | boom operator |
| Attila Tõzsér | ... | re-recording mixer |
| Daniel Urdiales | ... | sound design by |
| Jon Vogl | ... | adr mixer |
Special Effects by
| György Albitz | ... | stand-by special effects technician |
| Balázs Hoffmann | ... | stand-by special effects technician |
| Sebastian Csaba Kiss | ... | stand-by special effects technician |
| Endre Korda | ... | special effects supervisor |
| Iván Steiner | ... | armourer / chief pyrotechnican |
Stunts
| Sandor Bertalan | ... | stunts |
| Zoltán Gulyás Kiss | ... | stunt coordinator |
| Gergö Hajdú | ... | stunts (as Gergõ Hajdú) |
| György Kökényesi | ... | stunts |
| Péter Sokorai | ... | lead stunt double |
Camera and Electrical Department
| Gábor Balda | ... | best boy grip |
| Fernando Beltrán | ... | gaffer |
| Fanni Benke | ... | assistant camera |
| Attila Bilik | ... | gaffer |
| Jeremy Braben | ... | aerial director of photography |
| Ádám Bürös | ... | electrician |
| Sándor Csoma | ... | camera operator: behind the scenes |
| Márk Czirják | ... | best boy |
| Juan de Andrés | ... | camera operator |
| Péter Faludi | ... | second assistant camera: "b" camera |
| Zsolt Farkas | ... | electrician |
| Krisztián Galanics | ... | video assistant |
| István Gottmann | ... | focus puller: "a" camera |
| Zsolt Hoffer | ... | electrician |
| Tamás Jánossa | ... | first assistant camera "b" |
| Róbert Jász | ... | grip |
| Vilmos Keszler | ... | grip |
| Dylan Hale Lewis | ... | still photographer |
| Szilárd Makkos | ... | focus puller: "b" camera |
| Tamás Matolcsy | ... | grip |
| 'Kis Gromek' László Molnár | ... | electrician |
| Csaba Nemesházi | ... | second assistant camera: "b" camera |
| Attila Pfeffer | ... | camera operator / steadicam operator |
| Viktor Racsek | ... | electrician |
| Gábor Schmidt | ... | grip (as Gabor Schmidt) |
| Attila Szûcs | ... | key grip |
| Kata Vermes | ... | still photographer |
| Ádám Wallner | ... | second assistant camera: "a" camera |
Casting Department
| Sofie Golding-Spittle | ... | casting associate |
| Jeremy Zimmermann | ... | casting |
Costume and Wardrobe Department
| Izabell Janositz | ... | costume supervisor |
| Éva Kuzma | ... | key costumer |
| Natasa Petrik | ... | key costumer |
| Judit Sinkovics | ... | costumer |
| Krisztina Weizer | ... | costumer |
Editorial Department
| Janó Fekete | ... | digital intermediate colorist |
| Mátyás Fekete | ... | assistant editor (as Matyas Fekete) |
| Pedro Lozano | ... | post-production coordinator |
| Natalia López Quesada | ... | assistant editor |
| Péter Molnár | ... | dcp mastering / on-line editor |
| László Rumbold | ... | assistant editor |
Location Management
| Balint Regius | ... | location scout |
| Judit Ritteródesz | ... | location manager |
Music Department
| Nick Hanson | ... | music supervisor (uncredited) |
Script and Continuity Department
| Carol A. Compton | ... | script clearance |
| Orsolya Vercz | ... | script supervisor |
Transportation Department
| Péter Bánó | ... | picture car coordinator (as Bánó Péter) |
| Ágoston Félegyházy Megyesy | ... | transportation co-captain |
| Norbert Hevesi | ... | production driver |
| Gergely Kereskai | ... | transportation captain |
| Veronika Szücs | ... | transportation captain |
Additional Crew
| Stephanie Ahlen | ... | operations manager: aerial unit |
| Károly Ari | ... | film scan |
| Patrick Blood | ... | legal counsel |
| Jerome Butler | ... | dialect coach: Mr. Copley |
| Alana Crow | ... | business and legal affairs |
| Edit Hornicsek | ... | production secretary |
| Sara Janasz | ... | completion guarantor: Film Finances |
| Anna Jancsó | ... | production assistant |
| János Papp | ... | health & safety advisor |
| David Albert Pierce | ... | finance counsel |
| János Prihoda | ... | immigration coordinator (as Janos Prihoda) |
| Christina Steils | ... | operations manager: Helicopter Film Services |
| Veronika Szücs | ... | set production assistant |
| Zsuzsa Varadi | ... | production coordinator |
Thanks
| Catalina Cabrera | ... | thanks |
| Attila Török | ... | thanks |
