Directed by
| Anthony DiBlasi | ||
Writing Credits
| Bruce Wood | ... | (story and characters) |
| Bruce Wood | ... | (screenplay) & |
| Scott Poiley | ... | (screenplay) |
Cast (in credits order)
Produced by
| Michael Finn | ... | coordinating producer |
| Cleave Frink Jr. | ... | associate producer |
| Melissa Gruver | ... | line producer |
| Mark Mullen | ... | associate producer |
| Scott Poiley | ... | producer |
| Bruce Wood | ... | producer |
Music by
| Dani Donadi | ||
Cinematography by
| Jose Zambrano Cassella | ||
Editing by
| Kristian Otero | ||
Casting By
| Andy Henry | ||
| Mark Mullen | ||
Production Design by
| Nicole Balzarini | ||
Art Direction by
| Kyle Michael Wilson | ||
Set Decoration by
| Keiko Kasai | ||
Costume Design by
| Beverly Safier | ||
Makeup Department
| Deborah Brozovich | ... | hair department head |
| Kim Carlisle | ... | assistant hair stylist |
| Amanda Coleman | ... | assistant makeup artist |
| Rick Gonzales | ... | assistant special effects makeup |
| Lee Grimes | ... | makeup department head / special makeup effects artist |
| Leighann Kurtiak | ... | assistant hair stylist |
| Kim Pineda | ... | key makeup artist |
Production Management
| Cleave Frink | ... | production supervisor |
Second Unit Director or Assistant Director
| Levon Mergian | ... | second assistant director |
| Heath Reece | ... | first assistant director |
Art Department
| Genevieve Abate | ... | artist painter |
| Tyler Albers | ... | art department production assistant |
| Adam Henrickson | ... | props manufacturer |
| Becca Kenyon | ... | art department production assistant |
| Suzanne Milano | ... | art department coordinator |
| Michael Nassau | ... | art department production assistant |
| Donald Phillips | ... | art department production assistant |
| Andy J. Sipe | ... | assistant property master |
| Joseph E. Stone | ... | property master |
| Bruce Timmons | ... | construction supervisor |
Sound Department
| Daniel Bersch | ... | re-recording assistant / sound editor |
| Tom Carrigan III | ... | dialogue editor / re-recording mixer |
| Ben Conley | ... | foley editor |
| Adam DeCoster | ... | foley artist (as Adam De Coster) |
| Joy Elett | ... | re-recording assistant / sound editor |
| Brent Findley | ... | adr mixer |
| Steven Iba | ... | adr mixer |
| Andrew Morgado | ... | foley mixer |
| Michael Orlowski | ... | re-recording mixer / supervising sound editor |
| Lee Riley | ... | re-recording mixer / sound designer |
| John Statzell | ... | boom operator |
| Kelly Vockel-Gaya | ... | assistant sound editor (as Kelly Vockel) |
| Pete Wesenberg | ... | sound mixer |
Visual Effects by
| Cory Berendzen | ... | support colorist |
| Diego Torroija | ... | visual effects supervisor |
| Michael A. Young | ... | visual effects coordinator |
Stunts
| Brad Baldino | ... | stunt fabricator |
| Tim Bell | ... | stunt safety |
| Chris Morena | ... | stunt driver |
| Eric Salas | ... | stunt fabricator |
| William Scharpf | ... | stunt coordinator (as Bill Scharpf) |
| Glenn R. Wilder | ... | stunt coordinator |
Camera and Electrical Department
| Wesley Alley | ... | electrician |
| Zack Austin | ... | jib operator |
| Robbie Corcoran | ... | second assistant camera |
| Shiloh Eck | ... | key grip |
| Keith Gaynor | ... | grip |
| Andrew Hernandez | ... | camera production assistant |
| Andy S. Montejo | ... | steadicam operator |
| Chris Murray | ... | best boy grip |
| Steven Shea | ... | still photographer |
| Mike Smallwood | ... | gaffer |
| Phil Stevenson | ... | crane operator |
| Dan Stilling | ... | Steadicam operator: vehicle sequences (as Daniel Stilling) |
| Benji Stinson | ... | camera production assistant (as Ben Stinson) |
| Kraig Swisher | ... | first assistant camera |
| Arthur Yambor | ... | best boy electric |
| Jose Zambrano Cassella | ... | camera operator |
Costume and Wardrobe Department
| Angela Bush | ... | set costumer |
| Jose-Armando Pompa | ... | wardrobe supervisor |
Editorial Department
| Ryan Fields | ... | assistant editor |
| Jorge Luis German | ... | assistant editor |
| Donovan Kosters | ... | dcp mastering |
| Michael Lafuente | ... | digital intermediate technical director |
| Beau Leon | ... | colorist |
| Michael Orlowski | ... | post production supervisor |
| Kristofer Otero | ... | digital intermediate assistant |
| Luis Otero | ... | supervising dit (as Luis M. Otero) |
| Benji Stinson | ... | digital intermediate assistant (as Ben Stinson) |
Location Management
| Randy Molnar | ... | location manager |
Music Department
| Robb Branche | ... | music technical assistant |
| Nina Cash | ... | orchestrator |
| Mike Davis | ... | score supervisor |
| Dani Donadi | ... | music producer |
| Florida Film Orchestra | ... | orchestra |
| Julia Gessinger | ... | concertmaster / music preparation |
| Kyle Heverly | ... | assistant music mixer |
| Douglas H. Pritchard | ... | musician: principal viola / orchestrator / score coordinator |
Script and Continuity Department
| Brittney Cook | ... | script supervisor |
Transportation Department
| Bobby Monahan | ... | transportation coordinator |
Additional Crew
| Kat Chester | ... | production assistant |
| Nina Elder | ... | production assistant / stand-in |
| Joan Egan Foglia | ... | production accountant (as Joan Egan) / production accountant |
| Ciara Nicole Holland | ... | production assistant |
| Alexandra Kenyon | ... | production coordinator (as Allie Kenyon) |
| Michael Lurie | ... | international distribution |
| Scott Martin | ... | worldwide distribution |
| Ryan Monahan | ... | production assistant |
| Michael E. Morales | ... | legal counsel |
| Ayla Parsons | ... | production assistant |
| Maria B. Ramos | ... | office production assistant |
| John Scott II | ... | key production assistant |
| Michael Thomas Slifkin | ... | worldwide distribution |
| Alex Sushil | ... | production assistant |
Thanks
| Mary Lankford Poiley | ... | the producers wish to thank |
| Shawn Poiley | ... | special thanks |
