Füge eine Handlung in deiner Sprache hinzuIt's the closing night at the last drive-in theatre in America, and manager, Cecil Kaufman's planned to show 4 movies; films so rare, they've never been exhibited publicly on American soil, ... Alles lesenIt's the closing night at the last drive-in theatre in America, and manager, Cecil Kaufman's planned to show 4 movies; films so rare, they've never been exhibited publicly on American soil, until tonight.It's the closing night at the last drive-in theatre in America, and manager, Cecil Kaufman's planned to show 4 movies; films so rare, they've never been exhibited publicly on American soil, until tonight.
- Auszeichnungen
- 1 wins total
- Nurse Unger
- (as Olivia Dudley)
- …
Empfohlene Bewertungen
Chillerama is one great big homage to the drive-in films that were once one of the biggest ways to view a film. Now, we have midnight showings and regular movie theaters. Though the number of American drive-in theaters have decimated to almost the point of utter extinction, Chillerama proves that if this was the seventies, it would've been the main attraction.
This is an anthology film in the vein of things like Creepshow and Tales from the Crypt. It plays like true anthology goodness; several short stories and then a wrap-around story to conclude the spectacle, where all the characters come together, also making the narrative come full circle. I have rated all the segments on their own since they serve as their own mini-movie. I believe that it's impossible to give one final rating to an anthology film without rating each individual vignette and then finding the average of the numbers. Thankfully, every one of Chillerama's stories is of passable quality.
Since each short is directed by a different person and focuses on a different period of horror, it gives sort of an ambiguous presence off. We get the homage to the time period, and the director's way of establishing it showcasing his style and his way of storytelling. Our first short just happens to be the best one. The Adam Rifkin directed "Wadzilla" is a crafty, creative, and endearing short mimicking the goofiness and the cheesiness of monster movies that dominated the fifties. The story focuses on a man, played by Rifkin as well, who has been giving a pill because of low sperm count. After taking this pill multiple times, he realizes his sperm have enlarged, and after one "escapes" from his body, it runs dangerously downtown, destroying everything in its path. Its jokes at films like The Blob are noticeable, and the idea itself is so unique and witty I can't help but have an undying fondness for such a short.
The next short, while the weakest, still has plenty of flair and wit. It's "I Was a Teenage Werebear," a short that is supposed to lampoon Rebel Without a Cause, Grease, and The Twilight Saga. Funny thing is I didn't think of any of those films when watching the short. I feel this is more a homage to beach movies and quirky musicals of the sixties and seventies. You know? Where characters randomly broke out in song and danced the night away. Beach Blanket Bingo comes to mind. As well as The Lost Boys, for its use of an unlikely clan and The Rocky Horror Picture Show for its bizarre costumes. I didn't find the story all that exciting, as much as I did the little dance numbers and the overall vibe it shot through my screen. A fun little short, that's too out there to be ordinary.
After that, we have "The Diary of Anne Frankenstein" directed by Adam Green, another director I'm well acquainted with. Green directed both Hatchet and its sequel, as well as the chilling, no pun intended, claustrophobic horror flick Frozen. Green furthers his style of flashback filmmaking with this short about Hitler (Moore) who breaks into Anne Frank's attic and recovers her book about how there was a strange monster created in her family. Hitler plans to revive this monster in order to win World War II. The film is subtitled because of its German origin, and is shot in black and white. The short is supposed to remind us of strange, foreign black and white films that were popular in the twenties and thirties. This is another change of pitch for Green, and hopefully will continue his line of films that throw us back to a simpler, more involved time.
I forgot to mention that the shorts we are watching are being played in a drive-in theater in the film. There are a number of characters we become more familiar with between intermissions of the shorts. They all join together to fight a massive zombie outbreak in the closing short "Zom B Movie." The short is similar to the outbreak in Troma's film Poultrygeist: Night of the Chicken Dead, and mirroring the style of zombie films like Dawn of the Dead. This is beautifully directed by Joe Lynch, the same person who directed the great sequel to Wrong Turn.
If you've never heard of the company Troma then this film is worthless to you. You have to have a certain love for low-budget, throwback style filmmaking to develop the love for Chillerama like I did. I was rarely so involved in a horror film until I saw this and now I fear that I'll be expecting this quality next time I see an anthology film. Green, Lynch, Rifkin, and Sullivan have all proved themselves worthy of making a good horror-movie script and an uncanny talent of handling a camera. Maybe if we have a Thrillerama at one point we'll get more out of these four capable men.
Starring: Richard Riehle, Adam Rifkin, Ray Wise, Miles Dougal, Sean Paul Lockhart, Ron Jeremy, Joel David Moore, Kane Hodder, and Kristina Klebe. "Wadzilla" directed by Adam Rifkin. "I Was a Teenage Werebear" directed by Tim Sullivan. "The Diary of Anne Frankenstein" directed by Adam Green. And "Zom B Movie" directed by Joe Lynch.
This is definitely not my kind of Horror/Comedy. A good Horror/Comedy in my opinion, first of all should be a decent watchable film. Just because you are doing the potentially fun and pretty crazy combination of comedy and horror (for some people not the most obvious combination of atmospheres) doesn't mean you can get away with everything. Just because you are making a parody of something, does not mean you can throw all seriousness overboard. In all reality, you are combining two genres in their own rights, something that the makers of Chillerama do a magnificent job at misunderstanding. You're combining Horror and Comedy, two potentially great genres, maybe even the greatest ones for a lot of film fans out there. But just because you are combining a genre that takes itself pretty seriously with a genre where apparently everything goes, does not mean you can get away with doing everything in a bad way. Campy does not equal bad. And parody does not equal being ridiculous. Good comedy is a serious business.
The 'cringe' is so strong here as to make the film totally unwatchable. You literally want to look away at how campy and unfunny everything is. You start questioning your own sense of humor, looking at how much fun the makers apparently had creating 'Chillerama', while you find yourself unable to produce even a single smile.
The segments in this anthology were just the worst combinations of bad taste, far-fetched plot, generally unlikable characters, cringy acting and unfunny jokes. Some of those elements can work well when done right, sometimes even combinations of them. But you have to see this film if you want to find out how they can NOT work in the most spectacular way.
Generally I think a Horror/Comedy works great if they manage to keep the fun, enticing subjects of a horror film and the exciting, spooky atmosphere, and combine it with genuinely funny jokes. Jokes that seem to be up for grabs when looking at horror, because let's face it, in general it's a pretty crazy genre with lots of clichés and elements that are easy to poke fun at, while still doing it in a way that respects the genre and the characters. Bus as with everything that seems easy and up for grabs, it generally isn't...
Also, a good Horror/Comedy should be more exhilarating than the average non-horror comedy film (because hey, there's monsters, suspense, murder, spooky locations and what not), while having such a great atmosphere that they can measure themselves with, even be an homage to the great films of the Horror genre. Besides not being very funny, this film lacks any kind of horror atmosphere that makes you love Horror. The Horror atmosphere is totally lacking. Yeah, it's superficially there because there's blood and screaming, but literally everything is done so badly that... it just doesn't work on any level. Instead, it manages to make you hate both Comedy AND Horror at the same time.
That's just my opinion, my attempt at putting into words what makes this Horror/Comedy genre work, potentially. All I'm sure of is that whatever the X-factor is, it is NOT to be found here, but there are plenty of genuine masterpieces in the genre to be found elsewhere.
If I may recommend some Horror/Comedy films that DO work: * Shaun of the Dead * Killer Clowns From Outer Space * Zombieland * Young Frankenstein * Dracula, Dead and Loving It * Return of the Living Dead * Fido * Once Bitten * The Little Shop of Horrors * Mad Monster Party * Nightmare Before Christmas * Corpse Bride * Rocky Horror Picture Show, which I guess you could call a Horror/Comedy crossover.
... and let's not forget films like Ghostbusters and Beetlejuice!
The movie isn't very serious, so keep that in mind. However, the stories are actually quite good, some more than others, and they do entertain you well enough. The themes of the stories and the way they are executes are so off the charts, so horribly stupid that it actually works out in a weird way. Trust me on this one.
The first segment, "Wadzilla", needs little introduction; the name says it all. But alas, it is about a man whose sperm turns out to be a killer load (pardon the pun). The effects in this segment are horribly funny, but still, they are so far out there that it works. It is hilarious. And the story isn't too bad.
Segment two, "I Was a Teenage Werebear" is about a young man who is bitten by another young man (who turns out to be a werebear). Now, these werebears aren't your average lycanthrope, mind you, and the segment is heavy set with a gay theme, which may not sit well with all people. However, I took it for what it was, a movie meant to entertain you, nothing more, nothing less. Given, this segment was (for me, at least) the least interesting of all parts.
The third segment, "The Diary of Anne Frankenstein" is a humorous take on Shelley's "Frankenstein", mixed up with some weird Hitler part. The good part about this is that the Germans actually do speak German, except for Joel David Moore (playing Hitler), who is just speaking some odd gibberish. The story in this segment is far from being scary or horror in nature, it is more of a sarcastic comedy. It isn't bad, mind you, it wasn't just really great for the nature of the "Chillerama" movie.
And finally, the last part, well that was the best part. Now, I will not spoil anything here and go into detail, but for me this was the best part of the movie. Especially because I like zombies. And it also has a great deal of sick, twisted comedy to it.
"Chillerama" has some pretty good actors and actresses to its cast list, and there are also some fairly established names to the list; such as Ray Wise (playing Dr. Weems in "Wadzilla"), Kane Hodder (playing Meshugannah in "The Diary of Anne Frankenstein"), Joel David Moore (playing Hitler in "The Diary of Anne Frankenstein"), Eric Roberts (playing the general in "Wadzilla") and Richard Riehle (playing Cecil Kaufman).
I found "Chillerama" to be funny and a decent enough watch, however, I do doubt that I will find myself watching this movie a second time around, though. The movie is well worth checking out for the hilarious stories, and also for a brief moment back to the good old days with drive-in cinemas and bad movies on the screens.
A word of warning though, there is a fair amount of obscenity in the movie, so some viewers might take heed and not watch it, as they may be offended.
WUSSTEST DU SCHON:
- WissenswertesMost of the lines Joel Moore utters as Hitler are gibberish, with a few exceptions. When the subtitles read "Why is everyone so mean to me?," he declares in German, "I'm such a shitty actor." Instead of singing the titular line "I Don't Want to Rule the World," he keeps singing "I have worms in my penis."
- PatzerIn the "teenage wearbear" segment there is a reference to President Kennedy indicating that the scene is set in the early 60s; however, the van driven by the main character is a dodge tradesman 200 which was introduced in 1971.
- Zitate
Adolf Hitler: Here. Write depressing stuff in this as if the little girl wrote it. We'll sell it after the war and make millions.
- Crazy CreditsAt the end of the credits for "I was a teenage were-bear" it says "T-girls need love too!"
- Alternative VersionenEarly screenings of "The Diary of Anne Frankenstein" included Hitler's song "I Don't Want to Rule the World." The scene was noticeably cut out and relegated to the 'Chillerama' end credits because it followed the musical segment "I Was a Teenage Werebear," and the filmmakers decided its inclusion at that point in the movie would be musical overkill.
- VerbindungenFeatured in Full Moon Fever: Behind the scenes of I was a Teenage Werebear (2011)
Top-Auswahl
- How long is Chillerama?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Chillerama: The Ultimate Midnight Movie!
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit2 Stunden
- Farbe
- Seitenverhältnis
- 1.78 : 1
Zu dieser Seite beitragen
