At this time, there are already 530 reviews for "Now You See It", so I'll try to be brief. The film is about a group of four magicians and mentalists who have been given a brilliant plan by an unseen genius. Again and again, the quartet perform seemingly impossible stunts and always seem many steps ahead of the police. And, in the process, they do HUGE magic tricks that are pretty much impossible. The presentation is VERY smooth and very slick and the overall production looks great. It has great music and effects. But, on the negative side none of this really makes a lot of sense and there is no way you can enjoy it if you think. This is especially true at the end (where there is a profession of love that comes from absolutely no where!!)--which is a gigantic cliché and made no sense whatsoever. The bottom line is that if you turn off you brain and enjoy it on a very superficial level, you'll enjoy it. If you try to make sense of it all, your head will explode. 'Nuff said.
615 Reviews
Watchable but lacks depth & substance
pinkled57 June 2013
This is one of those movies that is somewhat entertaining upon first viewing but is easily forgettable and has nothing of substance to make a second viewing possible to enjoy. The plot is convoluted as we don't know what the main characters are doing or why. In fact, everything we know about the 4 magicians is revealed in the first 10 minutes of the movie and after that there is ZERO character development! The entire movie appears to have been made solely for the sake of the ending and yet it was so cliché that I was actually a little angry about the way they did it. It's unfortunate that in the filmmaker's attempts to be clever they neglected the most fundamental elements of storytelling: plot and character.
Like a magic show without magic, you may find yourself somewhat entertained but inevitably wind up disappointed in the end because they left out the most important part of the show.
Like a magic show without magic, you may find yourself somewhat entertained but inevitably wind up disappointed in the end because they left out the most important part of the show.
trying desperately hard to be more intelligent than it is
HelenMary6 July 2013
Overall a showman of a film. Flashy, loud with bells and whistles and big personalities, an exciting premise... illusionists rob banks using (supposed) magic but the four horsemen are just puppets in a game, but the hype is more than the substance of the film itself.
You'd expect suspense, twists, intelligent plot misdirection and all sorts of thrilling viewing? No. This film tries to be a lot more intelligent than it actually is. Like Atlas (Eisenberg) says, "Always be the most intelligent person in the room" or something similar, this film thinks it is being intelligent but actually it's not challenging enough. It gives too much away, isn't as unpredictable as it should be (really, you couldn't see that ending coming?) and just isn't as clever as it promises. The tricks I really wanted explaining weren't... the ones that were more obvious, were explained. The ending actually isn't a denouement, as it's been laying clues all along - and anyone who's seen a lot of films can see the "twists" coming a mile away. I focus on the twists and reveal because as a heist movie, the end is the big reveal. But, unlike Oceans Eleven, for example, it has more or less handed it to you on a plate already.
The actors were good. Morgan Freeman and Woody Harrelson stealing the show, of course, with Dave Franco doing a bang up job with some incredible physical acting, stunts and so forth. I'm afraid Jesse Eisenberg didn't convince in his character and was annoying after a while, Franco rather underutilised really. Isla Fisher was good but clearly the "glamour" rather than a serious character, which was a shame as she was good.
This was supposed to be a big blockbuster film, big back drops, epic stunts and huge crowd scenes, but it failed to deliver. As heist/magic genre films go it's not that great, and The Prestige was far more cerebral and gripping. Entertaining to a point but I got a bit bored, and some of the scenes were too long - chases etc. If you are a fan of heist films or magic you'll enjoy it, or are a fan of particular actors, or will just enjoy it for what it is and don't want to be challenged intellectually, it's a great film. I think Hollywood endings are just too commonplace. 6/10 for me.
You'd expect suspense, twists, intelligent plot misdirection and all sorts of thrilling viewing? No. This film tries to be a lot more intelligent than it actually is. Like Atlas (Eisenberg) says, "Always be the most intelligent person in the room" or something similar, this film thinks it is being intelligent but actually it's not challenging enough. It gives too much away, isn't as unpredictable as it should be (really, you couldn't see that ending coming?) and just isn't as clever as it promises. The tricks I really wanted explaining weren't... the ones that were more obvious, were explained. The ending actually isn't a denouement, as it's been laying clues all along - and anyone who's seen a lot of films can see the "twists" coming a mile away. I focus on the twists and reveal because as a heist movie, the end is the big reveal. But, unlike Oceans Eleven, for example, it has more or less handed it to you on a plate already.
The actors were good. Morgan Freeman and Woody Harrelson stealing the show, of course, with Dave Franco doing a bang up job with some incredible physical acting, stunts and so forth. I'm afraid Jesse Eisenberg didn't convince in his character and was annoying after a while, Franco rather underutilised really. Isla Fisher was good but clearly the "glamour" rather than a serious character, which was a shame as she was good.
This was supposed to be a big blockbuster film, big back drops, epic stunts and huge crowd scenes, but it failed to deliver. As heist/magic genre films go it's not that great, and The Prestige was far more cerebral and gripping. Entertaining to a point but I got a bit bored, and some of the scenes were too long - chases etc. If you are a fan of heist films or magic you'll enjoy it, or are a fan of particular actors, or will just enjoy it for what it is and don't want to be challenged intellectually, it's a great film. I think Hollywood endings are just too commonplace. 6/10 for me.
Promising idea sunk in key areas
Wizard-813 September 2013
"Now You See Me" came out of nowhere and became the sleeper hit of 2013, getting good word of mouth during its theatrical run. Having seen the movie for myself, I am kind of puzzled by its popularity. Certainly, the movie is far from the worst movies I have ever seen - it's colorful, and doesn't have a dead spot despite running almost two hours long.
But there were some things about the movie that annoyed me enough to prevent me from liking it. The biggest problem is with the characters. Except for Freeman's character, there is not one likable character in the movie. The law enforcement agents investigating the magicians are loud and obnoxious, and the four magicians come across as extremely smug. (Also, there is no attempt to give the magicians real and separate personalities - they all act alike.)
The characters were the main reason why I didn't like this movie, but there were other problems as well. One other major annoyance is the depiction of the magic acts. They have been jazzed up with CGI and other special effects so they don't feel like REAL magic acts - they come across as artificial. Also, as the movie progresses, the various feats the magicians pull off slowly become more unbelievable (and not fully explained) that eventually I wanted to cry out loud, "Oh, COME ON!" Less slight of hand and a more realistic approach would have been a much better approach.
(Note to Michael Caine fans: His role is really just an extended cameo appearance.)
But there were some things about the movie that annoyed me enough to prevent me from liking it. The biggest problem is with the characters. Except for Freeman's character, there is not one likable character in the movie. The law enforcement agents investigating the magicians are loud and obnoxious, and the four magicians come across as extremely smug. (Also, there is no attempt to give the magicians real and separate personalities - they all act alike.)
The characters were the main reason why I didn't like this movie, but there were other problems as well. One other major annoyance is the depiction of the magic acts. They have been jazzed up with CGI and other special effects so they don't feel like REAL magic acts - they come across as artificial. Also, as the movie progresses, the various feats the magicians pull off slowly become more unbelievable (and not fully explained) that eventually I wanted to cry out loud, "Oh, COME ON!" Less slight of hand and a more realistic approach would have been a much better approach.
(Note to Michael Caine fans: His role is really just an extended cameo appearance.)
Great Movie
jmroto-2188722 May 2022
This movie was really fun to watch
Nice to see a clean move that is ver entertaining
Woody Harrelson was excellent as is Morgan Freeman
Mark Buffalo is just a terrible actor especially in a crime setting like this. He lowered my overall score
Enjoy.
Woody Harrelson was excellent as is Morgan Freeman
Mark Buffalo is just a terrible actor especially in a crime setting like this. He lowered my overall score
Enjoy.
Like a Vegas Show, Entertaining but Lacking of Much Else
griffolyon1231 May 2013
Imagine Now You See Me as Ocean's Eleven meets The Prestige and you sort of get what director Louis Leterrier was going for with this film. Is Now You See Me as successful as the aforementioned films? Not necessarily, but it's a fun movie that deconstructs the acts of modern magicians.
The story follows four Vegas magicians, known as the Four Horsemen, who rob a bank in the middle of one of their shows. What follows is a cat-and-mouse thriller where the FBI chases after these magicians, always one step behind, trying to figure out how they did it.
Where Now You See Me works best is when Leterrier creates cinematic sequences showing us how these magicians used real-life magic tricks to befuddle and dupe both their victims and the FBI. As well, if you want a film with twists and turns, this one will not disappoint. While most of the major twists can be found out before revealed, there is still a joy in watching those twists unfold, thanks to Leterrier's Sherlock Holmes' style of visual deduction. However, the script often falters in one of the most crucial areas, that of character.
Leterrier and company are constantly trying to balance the breakneck pace with the large cast of characters, and it just leaves the characters hanging out to dry. Character development is sorely lacking in Now You See Me, to where I never really cared about any of the characters. Part of this is because the film is constantly shifting points of view. The first thirty minutes follow our Robin Hood-like magicians, and then it switches to the FBI agents tracking them down, but then the film has the magicians constantly one step in front of the FBI to the point that it makes the FBI often come across as buffoons, and I find it hard to care for characters who are so easily fooled. Ultimately, I feel that had the film focused entirely on one set of characters, like the magicians or the FBI, the film would have been stronger and been easier to find a focal point, but as it is the film's core is often muddled.
While Now You See Me may not be a grand slam, it's still entertaining, thanks to the thrills and visual style of the film. Bottom line, if you're a fan of the heist genre, you'll like this movie. For me though, it just lacks a further script rewrite to have become one of the best examples of the genre.
I give Now You See Me an 8 out of 10!
The story follows four Vegas magicians, known as the Four Horsemen, who rob a bank in the middle of one of their shows. What follows is a cat-and-mouse thriller where the FBI chases after these magicians, always one step behind, trying to figure out how they did it.
Where Now You See Me works best is when Leterrier creates cinematic sequences showing us how these magicians used real-life magic tricks to befuddle and dupe both their victims and the FBI. As well, if you want a film with twists and turns, this one will not disappoint. While most of the major twists can be found out before revealed, there is still a joy in watching those twists unfold, thanks to Leterrier's Sherlock Holmes' style of visual deduction. However, the script often falters in one of the most crucial areas, that of character.
Leterrier and company are constantly trying to balance the breakneck pace with the large cast of characters, and it just leaves the characters hanging out to dry. Character development is sorely lacking in Now You See Me, to where I never really cared about any of the characters. Part of this is because the film is constantly shifting points of view. The first thirty minutes follow our Robin Hood-like magicians, and then it switches to the FBI agents tracking them down, but then the film has the magicians constantly one step in front of the FBI to the point that it makes the FBI often come across as buffoons, and I find it hard to care for characters who are so easily fooled. Ultimately, I feel that had the film focused entirely on one set of characters, like the magicians or the FBI, the film would have been stronger and been easier to find a focal point, but as it is the film's core is often muddled.
While Now You See Me may not be a grand slam, it's still entertaining, thanks to the thrills and visual style of the film. Bottom line, if you're a fan of the heist genre, you'll like this movie. For me though, it just lacks a further script rewrite to have become one of the best examples of the genre.
I give Now You See Me an 8 out of 10!
A fun ride, but something's missing
julianblunt31 May 2013
This is an interesting concept, surely not a genre played out much in Hollywood. The cast is jam packed with all stars giving great (but not their best) performances. The missing piece of the puzzle? Character development.
That's not to say that there is any lack of interesting characters, each of the four horsemen bring a very unique style to the movie (besides Henley, she's rather weak as a character), and the sheer amount of Talent present in each scene guarantees that you'll be entertained.
10/10? Hardly. But definitely a solid 8 for me. Entertaining, fun, and definitely a concept worth exploring on the big screen. Just remember, the closer you look, the less you'll actually see.
That's not to say that there is any lack of interesting characters, each of the four horsemen bring a very unique style to the movie (besides Henley, she's rather weak as a character), and the sheer amount of Talent present in each scene guarantees that you'll be entertained.
10/10? Hardly. But definitely a solid 8 for me. Entertaining, fun, and definitely a concept worth exploring on the big screen. Just remember, the closer you look, the less you'll actually see.
Wow.
wms-9274128 November 2022
There are a lot of reviews already for this movie, so it is unlikely anyone will read mine. But I feel like I have to weigh in on this movie.
This is the most fun I've had watching a flick in a very, very long time. This movie is a riot! It isn't quite as clever as it thinks it is. Most of the surprises weren't terribly surprising; off the top of my head I can identify at least three that I saw coming. But I don't care.
It was fun! It was funny and engaging and I found myself simultaneously rooting for both sides. There is no shortage of action, the dialogue is peppy, and - unlike almost everything else I've watched lately - it's never boring.
Do yourself a favor and don't analyze. Just sit back and enjoy the ride. Movies don't have to be life-altering.
This is the most fun I've had watching a flick in a very, very long time. This movie is a riot! It isn't quite as clever as it thinks it is. Most of the surprises weren't terribly surprising; off the top of my head I can identify at least three that I saw coming. But I don't care.
It was fun! It was funny and engaging and I found myself simultaneously rooting for both sides. There is no shortage of action, the dialogue is peppy, and - unlike almost everything else I've watched lately - it's never boring.
Do yourself a favor and don't analyze. Just sit back and enjoy the ride. Movies don't have to be life-altering.
The real magic is that they trick you to believe this is a good movie
andr8727 August 2013
And I will not back up with this statement. It is a good movie, because it's not a boring movie, but it is that kind of movie that you watch once and walk away and forget all about it.
First off, let me tell you why movies involving magic tricks don't work. Because magic is for live audience and everything made on camera loses the main purpose of magic. In order to enjoy it, we have to subscribe to things that defy plausibility, we are obliged to take unrealistic facts for granted. But let's say we're OK with that. The Illusionist or The Prestige worked that way.
The real problem here is that the storyline is cynical and walks on a path of plain 'by the book' twist after twist after twist scenario, even though they lack of substance, motivation, trying to create an undeserved WOW effect. Plus, they forced in a classical fling to satisfy all viewers. There are major unrealistic events, but I guess the movie is not for us who try to find logic, but for those who just want to be entertained and see sparkles.
First off, let me tell you why movies involving magic tricks don't work. Because magic is for live audience and everything made on camera loses the main purpose of magic. In order to enjoy it, we have to subscribe to things that defy plausibility, we are obliged to take unrealistic facts for granted. But let's say we're OK with that. The Illusionist or The Prestige worked that way.
The real problem here is that the storyline is cynical and walks on a path of plain 'by the book' twist after twist after twist scenario, even though they lack of substance, motivation, trying to create an undeserved WOW effect. Plus, they forced in a classical fling to satisfy all viewers. There are major unrealistic events, but I guess the movie is not for us who try to find logic, but for those who just want to be entertained and see sparkles.
Magic &Tricks
arsenalfcclubwearegunners22 November 2022
I really enjoyed this movie . One point that i really like is that you always have to expect the unexpected because around every twist there is another turn. The plot, the characters, the visual effects are all displayed and carried out perfectly. I am still in admiration of how wonderful this movie is (even though i have watched it many times previously) it still makes me so happy each and every time.
I think each actor was completely, perfectly suited to their role while also having great chemistry together. The 4 horsemen are all portrayed brilliantly and I don't think they could have gotten a better cast!
I will say this is a ''blink and you'll miss it'' type of movie as earlier on it will reference things that you won't quiet understand until later on so be prepared to pay attention. With a shocking end and the perfect cliff hanger leading onto the next movie I guarantee that you'll love this one. Would definitely recommend to watch this movie.
I think each actor was completely, perfectly suited to their role while also having great chemistry together. The 4 horsemen are all portrayed brilliantly and I don't think they could have gotten a better cast!
I will say this is a ''blink and you'll miss it'' type of movie as earlier on it will reference things that you won't quiet understand until later on so be prepared to pay attention. With a shocking end and the perfect cliff hanger leading onto the next movie I guarantee that you'll love this one. Would definitely recommend to watch this movie.
Missing the Magic
Mandais5 September 2013
Now You See Me is the sort of movie that relies entirely on spectacle and style without much of anything underneath the surface. The plot centers around a band of Robin Hood-esque illusionists with an affinity for robbing banks and the team of FBI agents tasked with bringing them down.
We are first introduced to our protagonists, a group eventually called The Four Horsemen, through a look at each of their individual acts. The movie fails, however, to develop any of them beyond these lifeless, cardboard cut-outs. The same is true for the rest of the cast as well. There's a pair of bumbling FBI agents, a washed up magician aiding the feds, and the Horsemen's benefactor who are never given enough depth to make for really compelling characters.
This movie does contain some relatively cool tricks, but some are a bit too grand to be believable. One in particular involving Isla Fisher floating above a crowd in a giant bubble is a tad ridiculous. All that being said, it's entertaining enough to pull you along for the ride and it can be a pretty darn fun ride at times as long as you don't look too closely.
We are first introduced to our protagonists, a group eventually called The Four Horsemen, through a look at each of their individual acts. The movie fails, however, to develop any of them beyond these lifeless, cardboard cut-outs. The same is true for the rest of the cast as well. There's a pair of bumbling FBI agents, a washed up magician aiding the feds, and the Horsemen's benefactor who are never given enough depth to make for really compelling characters.
This movie does contain some relatively cool tricks, but some are a bit too grand to be believable. One in particular involving Isla Fisher floating above a crowd in a giant bubble is a tad ridiculous. All that being said, it's entertaining enough to pull you along for the ride and it can be a pretty darn fun ride at times as long as you don't look too closely.
Amusing and frivolous, but NOT a very clever story, although it really wants to be...
imseeg29 November 2020
Amusing heist movie about several heists performed by magicians.
The good: the actors are great, because they simply are: Michael Caine, Morgan Freeman, Jesse Eisenberg, Woody Harrelson, these guys are always worth watching.
The not so good: this story is intended to be really clever, but anyone who has ever seen Ocean's Eleven wont be impressed by this supposedly clever magic trick story.
BUT, while watching it is defiinitely entertaining, but dont expect originality.
The good: the actors are great, because they simply are: Michael Caine, Morgan Freeman, Jesse Eisenberg, Woody Harrelson, these guys are always worth watching.
The not so good: this story is intended to be really clever, but anyone who has ever seen Ocean's Eleven wont be impressed by this supposedly clever magic trick story.
BUT, while watching it is defiinitely entertaining, but dont expect originality.
more fun lose some strength at the end.
miguelneto-7493623 October 2016
Now You See Me is a very entertaining movie, the cast is excellent, Jesse Eisenberg is very well, Mark Ruffalo for me is the best actor of the film, Woody Harrelson, Isla Fisher, Dave Franco, Melanie Laurent, Morgam Freeman, Michael Caine and etc., everyone is well, the direction of the film is good, most have some problems, I found the badly explained film, and the Plot Twist the film is somewhat predictable, has great moments in the film, the visual effects are good, the script even a little poorly explained, can sustain the film, the soundtrack is cool, plus the film loses some strength in the end, get well, more will lose some quality in the course of the movie, Now You See Me is a movie cool and fun, is a good pass time. Note 7.1
Las Vegas Turnabout
blanche-29 June 2014
"Now You See Me" (2013) is a tremendously fun film starring Jesse Eisenberg, Mark Ruffalo, Woody Harrelson, Isla Fisher, Dave Franco, Morgan Freeman, and Michael Caine.
Four magicians (Eisenberg, Harrelson, Fisher, and Franco) are invited to an address. Inside, they encounter a few tricks. A year later, these four have become The Four Horsemen and are doing a show in Las Vegas. They end the first performance that we see with a bank robbery that doesn't look like an illusion.
The FBI gets right on it and sends in an agent, Dylan Rhodes (Ruffalo) and Interpol sends one as well, Melanie Laurent (Alma Dray). Rhodes is arrogant and thinks figuring out how these four did it is going to be easy, but it isn't, even with the help of a big-time illusionist exposer (Freeman). Of course, that robbery isn't going to be their last as the agents become more and more frustrated.
Be ready for the twists and turns, distractions, and sleight of hand. Nothing is as it seems.
Highly entertaining film, with good performances from the young cast, working alongside two major pros, Caine and Freeman. I know the film is preposterous but so are a lot of plots. When a film is well done, I say just relax and go along with it. I'm always amazed at how people review a film like this as if it's Citizen Kane. My advice: If you want reality, don't watch movies.
Four magicians (Eisenberg, Harrelson, Fisher, and Franco) are invited to an address. Inside, they encounter a few tricks. A year later, these four have become The Four Horsemen and are doing a show in Las Vegas. They end the first performance that we see with a bank robbery that doesn't look like an illusion.
The FBI gets right on it and sends in an agent, Dylan Rhodes (Ruffalo) and Interpol sends one as well, Melanie Laurent (Alma Dray). Rhodes is arrogant and thinks figuring out how these four did it is going to be easy, but it isn't, even with the help of a big-time illusionist exposer (Freeman). Of course, that robbery isn't going to be their last as the agents become more and more frustrated.
Be ready for the twists and turns, distractions, and sleight of hand. Nothing is as it seems.
Highly entertaining film, with good performances from the young cast, working alongside two major pros, Caine and Freeman. I know the film is preposterous but so are a lot of plots. When a film is well done, I say just relax and go along with it. I'm always amazed at how people review a film like this as if it's Citizen Kane. My advice: If you want reality, don't watch movies.
Unpredictable
hanalisss28 July 2023
Thrilling and mesmerizing heist film that keeps you guessing with its mind-bending illusions and clever twists.
First and foremost, the ensemble cast, including Jesse Eisenberg, Woody Harrelson, Isla Fisher, and Dave Franco, delivers charismatic and dynamic performances. Their chemistry on screen brings the group of illusionists known as "The Four Horsemen" to life, making them a group you can't help but root for.
The film's premise of illusionists using their skills to pull off elaborate heists is a refreshing and unique concept in the realm of heist films. The magic acts themselves are brilliantly choreographed and add an element of spectacle that sets the film apart.
The narrative is filled with unexpected turns and keeps you engaged as you try to unravel the mysteries behind each illusion and heist. The blend of magic and heist elements creates a compelling and thrilling story that keeps you on the edge of your seat.
Mark Ruffalo's performance as the determined FBI agent, Dylan Rhodes, is a standout. His cat-and-mouse game with "The Four Horsemen" adds an exciting dynamic to the film, blurring the lines between antagonist and protagonist.
The film's visuals are stylish and add to the overall sense of wonder and mystery. The scenes of magic performances and heists are visually stunning, making the film a treat for the eyes.
The film's score, composed by Brian Tyler, complements the fast-paced and exhilarating sequences, adding an extra layer of excitement to the storytelling.
In conclusion, Now You See Me is an entertaining and suspenseful ride that combines the thrill of a heist film with the wonder of magic. With its charismatic cast, clever plot twists, and visually dazzling performances, it's a movie that keeps you entertained and guessing until the final act.
If you're looking for a film that will keep you on your toes and leave you in awe of the art of illusion, Now You See Me is a must-watch. It's a cinematic magic trick that delights and surprises, making you believe in the impossible.
First and foremost, the ensemble cast, including Jesse Eisenberg, Woody Harrelson, Isla Fisher, and Dave Franco, delivers charismatic and dynamic performances. Their chemistry on screen brings the group of illusionists known as "The Four Horsemen" to life, making them a group you can't help but root for.
The film's premise of illusionists using their skills to pull off elaborate heists is a refreshing and unique concept in the realm of heist films. The magic acts themselves are brilliantly choreographed and add an element of spectacle that sets the film apart.
The narrative is filled with unexpected turns and keeps you engaged as you try to unravel the mysteries behind each illusion and heist. The blend of magic and heist elements creates a compelling and thrilling story that keeps you on the edge of your seat.
Mark Ruffalo's performance as the determined FBI agent, Dylan Rhodes, is a standout. His cat-and-mouse game with "The Four Horsemen" adds an exciting dynamic to the film, blurring the lines between antagonist and protagonist.
The film's visuals are stylish and add to the overall sense of wonder and mystery. The scenes of magic performances and heists are visually stunning, making the film a treat for the eyes.
The film's score, composed by Brian Tyler, complements the fast-paced and exhilarating sequences, adding an extra layer of excitement to the storytelling.
In conclusion, Now You See Me is an entertaining and suspenseful ride that combines the thrill of a heist film with the wonder of magic. With its charismatic cast, clever plot twists, and visually dazzling performances, it's a movie that keeps you entertained and guessing until the final act.
If you're looking for a film that will keep you on your toes and leave you in awe of the art of illusion, Now You See Me is a must-watch. It's a cinematic magic trick that delights and surprises, making you believe in the impossible.
Unique, Keeps You on the Edge of Your Seat with All its Twists and Turns
rannynm3 June 2013
I absolutely love this film. "Now You See Me" is like nothing I've ever seen before. "Now You See Me" tells the story of a group of magicians called The Four Horsemen who use their skills to pull off some of the greatest international robberies of their generation. Featuring Daniel Atlas (Jesse Eisenberg), Merritt McKenny (Woody Harrelson), Henley Reeves (Isla Fisher) and Jack Wilder (Dave Franco), the Four Horsemen make a dream team of street magicians. Since they have made their stunts public, allowing the world to "witness" the robberies, authorities are in hot pursuit of the four, now wanted criminals. Detective Rhodes (Mark Ruffalo) is accompanied in his search for the illusive magicians by Thaddeus Bradley (Morgan Freeman) and French detective Alma Dray (Melanie Laurent). Will the Four Horsemen be able to pull of their final act without being caught, or will it be curtains for the criminal performers?
The plot is so original and full of fresh ideas and witty comedy. I love how fast paced this film is, I swear there isn't a dull moment from beginning to end. The plot itself has so many twists and turns it should be a pretzel, but it keeps the audience guessing the whole time and hits you with major shock factor. The acting in this film is incredible. It features a group of incredible actors - Morgan Freeman, Jesse Eisenberg, Dave Franco, Woody Harrelson and many others. I love how each character has a unique quirk and personality that you can really see, but they all work together so well. The cinematography and special effects in this film are phenomenal. It is bursting with rich colors and textures, drawing you into the magic and making the illusions appear so real. The soundtrack is also amazing. It is suits each scene very well, while keeping a consistent theme and feel throughout the movie. "Now You See Me" is definitely not one to miss.
It's hard for me to pick a favorite character because I love all of the Horsemen, but when it comes down to it I have to say I like the characters Daniel Atlas and Jack Wilder. Daniel, played by Jesse Eisenberg, often tries to assert himself as the head of the Four Horsemen. He is controlling, very specific and difficult to deal with, but he is also the funniest character which is attributed to all of his demanding qualities. I love every film Jesse Eisenberg is in and I think he is perfect for the role of Daniel Atlas. I also like Jack Wilder, played by Dave Franco, because he is the craftiest of the magicians. He isn't the "card trick" or "read your mind" type, he's just a good old fashioned pick-pocket for whom no door is ever locked.. He is sort of the "muscle" to the operation because he is able to help the horsemen get out of tight situations and he is also very funny.
My favorite scene is when the Four Horsemen have to escape from the FBI after their second robbery. Jack Wilder has to stay behind to burn secret files. When he has an unexpected run-in with Detective Rhodes, an action filled fight sequence and high speed chase follow. This scene is filled with suspense, action and incredible stunts and it shows that the Horsemen are always two steps ahead.
I recommend this film for ages 12+ because of violence and mild mature language. Overall I give "Now You See Me" 5 out of 5 stars.
See Raven's video review on kidsfirst.org
The plot is so original and full of fresh ideas and witty comedy. I love how fast paced this film is, I swear there isn't a dull moment from beginning to end. The plot itself has so many twists and turns it should be a pretzel, but it keeps the audience guessing the whole time and hits you with major shock factor. The acting in this film is incredible. It features a group of incredible actors - Morgan Freeman, Jesse Eisenberg, Dave Franco, Woody Harrelson and many others. I love how each character has a unique quirk and personality that you can really see, but they all work together so well. The cinematography and special effects in this film are phenomenal. It is bursting with rich colors and textures, drawing you into the magic and making the illusions appear so real. The soundtrack is also amazing. It is suits each scene very well, while keeping a consistent theme and feel throughout the movie. "Now You See Me" is definitely not one to miss.
It's hard for me to pick a favorite character because I love all of the Horsemen, but when it comes down to it I have to say I like the characters Daniel Atlas and Jack Wilder. Daniel, played by Jesse Eisenberg, often tries to assert himself as the head of the Four Horsemen. He is controlling, very specific and difficult to deal with, but he is also the funniest character which is attributed to all of his demanding qualities. I love every film Jesse Eisenberg is in and I think he is perfect for the role of Daniel Atlas. I also like Jack Wilder, played by Dave Franco, because he is the craftiest of the magicians. He isn't the "card trick" or "read your mind" type, he's just a good old fashioned pick-pocket for whom no door is ever locked.. He is sort of the "muscle" to the operation because he is able to help the horsemen get out of tight situations and he is also very funny.
My favorite scene is when the Four Horsemen have to escape from the FBI after their second robbery. Jack Wilder has to stay behind to burn secret files. When he has an unexpected run-in with Detective Rhodes, an action filled fight sequence and high speed chase follow. This scene is filled with suspense, action and incredible stunts and it shows that the Horsemen are always two steps ahead.
I recommend this film for ages 12+ because of violence and mild mature language. Overall I give "Now You See Me" 5 out of 5 stars.
See Raven's video review on kidsfirst.org
Just made no sense
tracyandchristian1221 September 2013
I wanted this movie to be fun and witty, with some twists and turns that resulted in a decent Friday night experience. However, this movie "makes less sense than Cloud Atlas" (actual quote by the boyfriend). The writers/directors tried desperately to make more twists and turns than is possible in any realm of reality or fiction, there was little to no character development, and I was disappointed. You can tell that they spent a TON of money getting wonderful actors, awesome lighting and special effects, but it was wasted because even though we are pretty smart people, very little about the magic tricks and especially the ending made any sense whatsoever. I gave this movie 6/10 for its visual effects and camera work, but the story sucks. There's a line "always be the smartest guy in the room," and it feels like the writer was obsessed with being smarter than his own audience, which is insulting and lame.
A bit of summer magic
JohnDeSando31 May 2013
"First rule of magic: always be the smartest person in the room." J. Daniel Atlas (Jesse Eisenberg)
In the case of the magical little entertainment called Now You See Me, you don't have to be the smartest person in the audience to be charmed by the illogical "magic" of the tricks or the script. In a takeoff of traditional heist films and homage to recent films like The Incredible Burt Wonderstone and The Prestige, with a smattering of smart, sometimes humorous chatter, this film moves at rapid pace (French director Louis Leterrier knows how from his Transporter films) with a lack of seriousness about the tricks, which are mostly explained as the film moves on.
Those revelations will bother purists who don't want to know the secrets or critics who demand a reasonable arc for the story. Like the magic itself, the film eventually captures the imagination enough to suspend disbelief and just go with the fun.
The "four horsemen" (Atlas, played by Eisenberg; Merritt by Woody Harrelson; Henley by Isla Fisher; and Jack by Dave Franco) create three successive magic shows, one in Las Vegas, a second in New Orleans, and the third in New York. The stakes rise incrementally as they appear to be playing Robin Hood to their large, American-Idol type audiences by showering them with money from their magical heists. The FBI with Agent Dylan (Mark Ruffalo) is in hot but bungling pursuit.
As in most thrillers, there are minor twists, and the final one that stretches credulity, or that some will see coming, along with a hopper full of smaller ones even naïve I could see from far off. Besides, like the Oceans films' heists, it's not about the heist or the magic. It's about the slick magicians, their easy banter, and comeuppance for the real baddies.
Outrageous set pieces like the car race will disconcert those looking for a tightly-told narrative. The magic is as always questionable because film deals in magic with practically every frame. However, the cast is delightfully comic, the direction speedy and tricky, and the entire film wants you in on the magic. For a summer film, that's a magic formula.
In the case of the magical little entertainment called Now You See Me, you don't have to be the smartest person in the audience to be charmed by the illogical "magic" of the tricks or the script. In a takeoff of traditional heist films and homage to recent films like The Incredible Burt Wonderstone and The Prestige, with a smattering of smart, sometimes humorous chatter, this film moves at rapid pace (French director Louis Leterrier knows how from his Transporter films) with a lack of seriousness about the tricks, which are mostly explained as the film moves on.
Those revelations will bother purists who don't want to know the secrets or critics who demand a reasonable arc for the story. Like the magic itself, the film eventually captures the imagination enough to suspend disbelief and just go with the fun.
The "four horsemen" (Atlas, played by Eisenberg; Merritt by Woody Harrelson; Henley by Isla Fisher; and Jack by Dave Franco) create three successive magic shows, one in Las Vegas, a second in New Orleans, and the third in New York. The stakes rise incrementally as they appear to be playing Robin Hood to their large, American-Idol type audiences by showering them with money from their magical heists. The FBI with Agent Dylan (Mark Ruffalo) is in hot but bungling pursuit.
As in most thrillers, there are minor twists, and the final one that stretches credulity, or that some will see coming, along with a hopper full of smaller ones even naïve I could see from far off. Besides, like the Oceans films' heists, it's not about the heist or the magic. It's about the slick magicians, their easy banter, and comeuppance for the real baddies.
Outrageous set pieces like the car race will disconcert those looking for a tightly-told narrative. The magic is as always questionable because film deals in magic with practically every frame. However, the cast is delightfully comic, the direction speedy and tricky, and the entire film wants you in on the magic. For a summer film, that's a magic formula.
Unbelievable (not in a good way) and tedious
viethj10 November 2013
I call this genre of movies "Keep track of a lot of junk and try to figure out what's really going on, but we'll make sure you're wrong," a.k.a. "puzzle movie." Too much work. Can't be bothered. I want to be entertained, not put to work. I gave it a 6/10 for some entertaining bits, and because I did like the characters, but the overall storyline was very annoying and *tedious*. A movie should be enjoyed, not tedious. And I think the reason it was hard to figure out what was really going on was because the explanations for so many things were just not plausible or believable. Also, I would have liked for the story to give more time to the skeptical side of magic and skepticism in general. The story alludes to the reality that magic is just distraction and illusion, but it doesn't tie that deception into life in general—that we should be more skeptical in all areas of life, for example.
Smooth,cool and fun
coastdaze4 June 2013
Loved this movie. Gotta say the "cool" factor got to me in every crucial aspect of this flick. It is difficult to be "cool" without being corny or coming off silly. Even Woody H. is getting to be enjoyable to me and he's never been one of my fav actors. The storyline is simple and it moves fast with no time to get bored. Each character is acted out really slick, not superficially deep (although I would have enjoyed more character development) and kept my attention.
The two heavies, M. Freeman & M. Caine, were very good, of course, and give the movie two solid performances that complement very well the other cast members. Mark Ruffalo was spot on - gosh he's good, why hasn't he made more movies I wonder? (Love him as the Hulk).
Jesse Eisenberg is so dang believable that he better do something else quick or he's going to be forever etched in my mind as an illusionist! His character's glances and demeanor are great with, to me, an underlying sense of he can't believe how good he & the other 3 are at what they do. I loved that about each character - they weren't arrogant to the point of unbelievability or boredom. It's like they all were on a ride they could hardly believe. LOL, I kept looking at Isla Fisher and thinking, "Is that Amy Adams?" But I knew it couldn't be. And Dave Franco - the look-alike baby Franco brother did a good job with his smaller part.
I know I've said it already, but this movie is cool. It had me believing that the tricks could be done. One of the best movies for what it is - entertainment, plain and simple. My friend and I left saying, "good movie, I liked that." Definitely a big screen movie.
Oh, and guess what? They guessed the card I & my friend picked! How'd they do that??
The two heavies, M. Freeman & M. Caine, were very good, of course, and give the movie two solid performances that complement very well the other cast members. Mark Ruffalo was spot on - gosh he's good, why hasn't he made more movies I wonder? (Love him as the Hulk).
Jesse Eisenberg is so dang believable that he better do something else quick or he's going to be forever etched in my mind as an illusionist! His character's glances and demeanor are great with, to me, an underlying sense of he can't believe how good he & the other 3 are at what they do. I loved that about each character - they weren't arrogant to the point of unbelievability or boredom. It's like they all were on a ride they could hardly believe. LOL, I kept looking at Isla Fisher and thinking, "Is that Amy Adams?" But I knew it couldn't be. And Dave Franco - the look-alike baby Franco brother did a good job with his smaller part.
I know I've said it already, but this movie is cool. It had me believing that the tricks could be done. One of the best movies for what it is - entertainment, plain and simple. My friend and I left saying, "good movie, I liked that." Definitely a big screen movie.
Oh, and guess what? They guessed the card I & my friend picked! How'd they do that??
Entertaining spectacle
cardsrock17 April 2021
I had a fun time with this film. It's honestly worth watching just for the big reveal, as with all magic shows. The reveal is shocking, but does make you question some of the logistics involved the more you think about it. Oh well. Now You See Me is still highly enjoyable with plenty of tricks up its sleeves.
Mindblowing
Greyrat210 September 2021
Caper film that is a little too dependent on surprises
rparham31 May 2013
Now You See Me is a film that is all about obfuscation. Focusing on four magicians that perform feats of wonder first separately and later together, from the first frame on, the film engages in cinematic sleight of hand. However, that formula backfires on the film: by constantly trying to engage in trickery, the audience finds itself always on the lookout for it, and by the time it starts winding down, most of the potential surprises are rendered moot by the fact that we were looking for and expecting said surprises. Thus, while Now You See Me is fun and engaging at times, as a twist-filled surprise machine, it falls flat on it's face.
As the film opens, we are introduced to four illusionists: fast talking street-level card sharp Daniel Atlas (Jesse Eisenberg), "mentalist" and small-time con man Merrit McKinney (Woody Harrelson), spoon-bending junior magician Jack Wilder (Dave Franco) and show-stopping high-thrills Henley Reeves (Isla Fisher). All of them are given a special card with an address and time on it, and when they all show up at the prescribed time and place, a small apartment in New York, they discover what appears to be a quite elaborate set of plans. Flash forward one year later, and the four magicians are performing as a single act under the moniker The Four Horsemen and are being bankrolled by millionaire Arthur Tressler (Michael Caine) During their debut performance in Las Vegas, they close their act with a rather spectacular accomplishment: they transport a French audience member to his bank in France and proceed to steal several billion dollars from it and magically transport it back to the Las Vegas auditorium where they pour it onto the audience.
Unsurprisingly, this gets the attention of the FBI, and agent Dylan Rhodes (Mark Ruffalo) is assigned to the case. He teams up with Interpol agent Alma Dray (Melanie Laurent) and interrogates the Four Horsemen, but with nothing to pin on them, is forced to let them walk. Rhodes seeks the counsel of former magician Thaddeus Bradley (Morgan Freeman) who now spends his time debunking magicians, revealing what is "behind the curtain". With Bradley's help, Rhodes is able to unravel what happened at the first performance, but the Four Horsemen are already moving on to New Orleans for their next show and Rhodes and Dray are trying to stay one step ahead of them.
Now You See Me is a film that is intended to keep us on our toes, to leave the audience guessing and wondering what the next revelation is going to be. Sometimes these kind of films can work well, engaging in misdirection and providing red herrings and dead ends for us to believe in before showing us what is really going on. Where Now You See Me missteps is that, from very early in the proceedings, the film telegraphs its intentions so loudly that most of the enjoyment of being caught up in twists is lost. That the twists are such a central part of the film is obvious from the start and makes them less engaging than if they evolved more naturally out of the narrative. Now You See Me is designed and built almost exclusively to keep us guessing but by focusing almost exclusively on that, it overreaches.
Now You See Me isn't helped by the fact that the main characters are, save for some quickly introduced character moments and a few exchanges of witty dialogue, almost completely ciphers. Atlas, McKinnney, Wilder and Reeves are barely developed at all, and frankly, excepting for the moments they are performing their stage acts, are not even afforded that much screen time. The screenplay does play a bit with the intentions of the characters, but it is obvious that we are supposed to be rooting for them at times, and it makes it difficult to work up much enthusiasm for them when we barely know them. More screen time is afforded to Rhodes and Dray, and the two develop a romantic chemistry that is palpable at times, but, much like the other characters, they are largely pawns of the screenplay, but they are at least given more to work with than the magicians.
Director Louis Leterrier films Now You See Me in Michael Bay mode: the camera rarely stops moving for more than a few seconds. During the magic acts, especially the first one in Vegas, this does bring a degree of style to the proceedings but at times the over reliance on an endlessly moving camera can prove distracting. However, Leterrier does keep the pace brisk and the energy level high. Now You See Me certainly can't be called boring.
If Now You See Me succeeds anywhere, it is in the casting. Leterrier has pulled together a strong set of performers and, especially regarding the Four Horsemen, what is sometimes lacking in the screenplay is made up for by likable actors. Eisenberg makes Atlas a fast talking smart alec with a nice streak of charisma, Harrelson gives some fun wisecracks and Fisher is, once again, a strong sensual presence with a degree of toughness. Morgan Freeman can't help but class up anything he appears in and his turn here is no different, his Bradley is nice mix of arrogance and charm. Ruffalo is also at his dependable best, a man fighting to stay with his fugitives while barely managing to stay on top of their capers.
It may sound like I am down on Now You See Me, but that isn't completely true. By the time the film was over, I found myself pleasantly engaged and entertained at times, but so much is wrapped up in the film's obvious Rube Goldberg plotting that you can't but help feel disappointed when the film doesn't really deviate from where you expect. Now You See Me is like sneaking a peek at your Christmas gifts: knowing what is coming isn't as much fun as not knowing.
As the film opens, we are introduced to four illusionists: fast talking street-level card sharp Daniel Atlas (Jesse Eisenberg), "mentalist" and small-time con man Merrit McKinney (Woody Harrelson), spoon-bending junior magician Jack Wilder (Dave Franco) and show-stopping high-thrills Henley Reeves (Isla Fisher). All of them are given a special card with an address and time on it, and when they all show up at the prescribed time and place, a small apartment in New York, they discover what appears to be a quite elaborate set of plans. Flash forward one year later, and the four magicians are performing as a single act under the moniker The Four Horsemen and are being bankrolled by millionaire Arthur Tressler (Michael Caine) During their debut performance in Las Vegas, they close their act with a rather spectacular accomplishment: they transport a French audience member to his bank in France and proceed to steal several billion dollars from it and magically transport it back to the Las Vegas auditorium where they pour it onto the audience.
Unsurprisingly, this gets the attention of the FBI, and agent Dylan Rhodes (Mark Ruffalo) is assigned to the case. He teams up with Interpol agent Alma Dray (Melanie Laurent) and interrogates the Four Horsemen, but with nothing to pin on them, is forced to let them walk. Rhodes seeks the counsel of former magician Thaddeus Bradley (Morgan Freeman) who now spends his time debunking magicians, revealing what is "behind the curtain". With Bradley's help, Rhodes is able to unravel what happened at the first performance, but the Four Horsemen are already moving on to New Orleans for their next show and Rhodes and Dray are trying to stay one step ahead of them.
Now You See Me is a film that is intended to keep us on our toes, to leave the audience guessing and wondering what the next revelation is going to be. Sometimes these kind of films can work well, engaging in misdirection and providing red herrings and dead ends for us to believe in before showing us what is really going on. Where Now You See Me missteps is that, from very early in the proceedings, the film telegraphs its intentions so loudly that most of the enjoyment of being caught up in twists is lost. That the twists are such a central part of the film is obvious from the start and makes them less engaging than if they evolved more naturally out of the narrative. Now You See Me is designed and built almost exclusively to keep us guessing but by focusing almost exclusively on that, it overreaches.
Now You See Me isn't helped by the fact that the main characters are, save for some quickly introduced character moments and a few exchanges of witty dialogue, almost completely ciphers. Atlas, McKinnney, Wilder and Reeves are barely developed at all, and frankly, excepting for the moments they are performing their stage acts, are not even afforded that much screen time. The screenplay does play a bit with the intentions of the characters, but it is obvious that we are supposed to be rooting for them at times, and it makes it difficult to work up much enthusiasm for them when we barely know them. More screen time is afforded to Rhodes and Dray, and the two develop a romantic chemistry that is palpable at times, but, much like the other characters, they are largely pawns of the screenplay, but they are at least given more to work with than the magicians.
Director Louis Leterrier films Now You See Me in Michael Bay mode: the camera rarely stops moving for more than a few seconds. During the magic acts, especially the first one in Vegas, this does bring a degree of style to the proceedings but at times the over reliance on an endlessly moving camera can prove distracting. However, Leterrier does keep the pace brisk and the energy level high. Now You See Me certainly can't be called boring.
If Now You See Me succeeds anywhere, it is in the casting. Leterrier has pulled together a strong set of performers and, especially regarding the Four Horsemen, what is sometimes lacking in the screenplay is made up for by likable actors. Eisenberg makes Atlas a fast talking smart alec with a nice streak of charisma, Harrelson gives some fun wisecracks and Fisher is, once again, a strong sensual presence with a degree of toughness. Morgan Freeman can't help but class up anything he appears in and his turn here is no different, his Bradley is nice mix of arrogance and charm. Ruffalo is also at his dependable best, a man fighting to stay with his fugitives while barely managing to stay on top of their capers.
It may sound like I am down on Now You See Me, but that isn't completely true. By the time the film was over, I found myself pleasantly engaged and entertained at times, but so much is wrapped up in the film's obvious Rube Goldberg plotting that you can't but help feel disappointed when the film doesn't really deviate from where you expect. Now You See Me is like sneaking a peek at your Christmas gifts: knowing what is coming isn't as much fun as not knowing.
massively insulting to the intelligence of audiences everywhere
nekromaiden25 August 2013
by far one of the worst films I have seen in some time, it takes massive leaps that require the watcher to suspend their disbelief to the point that you actually have to dumb yourself down to believe the plot. The CGI prestige was laughable and all in all the film was disrespectful to magicians, illusionists and hypnotists by depicting each of the horsemen as a smug, know it all dick. The plot barely carried itself and the acting became poorer as the story went along. I would only suggest watching this film if you fancy feeling like you have smashed yourself in the forehead with a hammer and then had Satan jack off into your mind.
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