Un introvertido estudiante de primer año hace amigos con dos estudiantes establecidos que le dan la bienvenida al mundo real.Un introvertido estudiante de primer año hace amigos con dos estudiantes establecidos que le dan la bienvenida al mundo real.Un introvertido estudiante de primer año hace amigos con dos estudiantes establecidos que le dan la bienvenida al mundo real.
- Premios
- 20 premios y 51 nominaciones en total
- Mean Freshman Girl
- (as Emily Callaway)
- Twin Girl
- (as Justine Schaefer)
Resumen
Reseñas destacadas
It's going to get many comparisons to a John Hughes film, and rightfully so this movie is heart felt and just amazing.
I will definitely being seeing this film again.
'The Perks of Being a Wallflower' may not break new ground and it may be clichéd, which may be reasons enough for people to hate it, but considering the main target audience and being based around coming-of-age, teenage angst and high school life these were inevitable. Nonetheless, 'The Perks of Being a Wallflower' did a great job making an emotionally varied film that will resonate with most people of all ages and gender.
It is much more than just another high school/teenage angst film, and is a believable depiction of coming-of-age, friendship and hidden torment that makes one nostalgic and remember the fun and difficulties of school life. It's not flawless, some scenes and transitions like the blackouts end rather abruptly, it occasionally descends into schmaltz like with the past flashbacks and the Charlie and Mary Elizabeth relationship while charming is rushed and makes Mary Elizabeth less likable compared to the rest of the film.
However, 'The Perks of Being a Wallflower' is beautifully shot and clearly loves the scenery. The music is suitably melancholic and the choice of songs infectious and nostalgia-inducing especially David Bowie and an excerpt of 'The Rocky Horror Picture Show' in one of 'The Perks of Being a Wallflower's' most entertaining scenes, that made me love that film all over again and captured the immense fun, wildness and danger of seeing it in theatres with an audience.
Chbosky adapts his book admirably, not everything is included which is not unexpected due to it being an adaptation and not every detail can translate to a just over an hour and a half film. The spirit however is there, there are funny moments, thoughtful moments, insightful moments, inspirational moments and poignant moments balanced beautifully. For a film director debut, he also does a more than competent job, actually very impressive and puts directors who did it for years to wildly variable success to shame.
When it comes to the story, it is not perfect in execution but made me care for the characters and their situations and made me laugh, smile, cry and inspired in equal measure. The daring ending is shocking and brought tears to my eyes and credit is due tackling such mature themes with sensitivity and never preaching. The characters are compelling.
Logan Lerman has never been better and being a fellow shy introvert in school it was easy for me to relate to him, while Emma Watson (even with the variable accent) gives one of her better non-Hermione Granger performances and overall. Mae Whitman shows strong comedic chops and Ezra Miller is a real standout on a flamboyant and hilarious role.
Not that the adults are less good. A long way from that, even with less screen time. Paul Rudd is particularly great as the teacher that inspires Charlie the most, again having had an inspirational teacher in school and an even more inspirational head of department at music college that also resonated with me. Joan Cusack only appears at the end but she is very good at being sympathetic yet firm. Again Melanie Lynskey has very short screen time, but she also excels at making us hate her for being the catalyst for Charlie's torment. Kate Walsh and Dylan McDermott have very little to do but fare well too.
Overall, an excellent film that blossoms beautifully despite its faults. 9/10 Bethany Cox
The popularity of the novel would typically make the film version a disappointment for its fans. Not so this time. Mr. Chbosky remains true to the spirit despite the need to edit for the sake of continuity and brevity. The key characters spring to life thanks to the efforts of four strong performances from young actors: Logan Lerman (Percy Jackson, The Three Muskateers) plays Charlie, Emma Watson (Harry Potter films) is Sam, Ezra Miller (We Need to Talk About Kevin, City Island) is Patrick, and Mae Whitman (Arrested Development) is Mary Elizabeth.
If you have read the book, you know the story ... you know the characters ... you know the themes. If you haven't read the book, I will spoil nothing. The brilliance is recognized only as you get to know these characters and slowly uncover their stories. What we discover is that, regardless of our age, we recognize these characters from our high school days. We know the introverted, observant Charlie who so desperately needs a support system. We surely recognize the attention-starved, lacking in self-esteem Sam who is the epitome of "We accept the love we think we deserve". And we all knew a Patrick ... the flamboyant one who sheaths his pain with an over-the-top act of public confidence. What Chbosky does is shine the spotlight on these characters to ensure that we really SEE them this time.
The themes reminded me a bit of a darker John Hughes film (that's a compliment). There were also pieces of two other really good films: Stand By Me and Almost Famous. The formative years of a writer determine the depths to which his or her work will reach later in life. Admittedly, the film is substantially autobiographical, so when Mr. Chbosky says it's a personal story, we begin to understand the foundation of his remarkable writing style.
"Welcome to the island of misfit toys." When this line is spoken, we realize that most every high school kid has thought the same thing at some point. These are painful and difficult times and as Mr. Chbosky stated, we should encourage kids to fight through this stage and get on to the next ... then able to find their true self. Clearly, the film made a strong impact on me. My favorite reaction to a movie is profound thought, and this one caused this in waves. The decision to release as PG-13 was wise. There is no excess of profanity or nudity to divert attention from what really matters ... the characters. I can think of no finer compliment to a writer and filmmaker than to cite them as the cause of my internal discussions related to their film. My hope is that you have the same reaction. (http://moviereviewsfromthedark.wordpress.com/)
Charlie is palpably just another teenage protagonist, but he is not one of those who tries to prove everyone who mistreated him wrong. His goal is to get away from being anti-social and be like anyone else in high school. We may have heard a story like this before, but what makes this one extraordinary is when it mostly depicts the darkest aspects of their lives. Expressing the most heartbreaking truths about these teenagers. Knowing their problems easily makes it reasonable for us to care about them. The romance is rather credibly lovely than a mainstream claptrap. In the joyous moments, it's pretty delightful and plays a quite nostalgic soundtrack.
The film gives the actors some nuance. This is probably a good thing for Logan Lerman. He usually plays the simple charming guy in movies. Since he's good at those, he adds some credibility to Charlie. Emma Watson is likable enough as Sam. The best among the three is Ezra Miller. One might hams it up for Patrick, but Miller gave the character a genuinely wonderful personality.
The director and author, Stephen Chbosky, didn't try anything else than to bring his book to life. He tells it straightforward on screen with plenty of strong, effective emotions. The cinematography is bright and beautiful enough. The tunnel scene has the best shots. While the soundtrack is too conspicuous, the music score is noticeably melancholic.
The Perks of Being a Wallflower is best if you can actually relate to the lead character or have experienced the struggles of being an adolescent. When it's not depressing, the film goes to those blissful moments that make us remember the good times in high school. Overall, it's a great film. It's a film adaptation that replaces the cliché mainstream swagger with some painful realities and simply let the audience understand the whole point of it. In the end, it's quite a remarkable film.
¿Sabías que...?
- CuriosidadesStephen Chbosky wrote the book that the movie is based on. He also wrote the screenplay and directed the movie.
- PifiasMr. Anderson claims that it was Charles Dickens who left a character literally hanging by his fingers in a serialized story, thus contributing to the term "cliffhanger." In fact, the author was Thomas Hardy, in his 1873 serial novel A Pair of Blue Eyes.
- Citas
[last lines]
Charlie: [voice-over] I don't know if I will have the time to write any more letters because I might be too busy trying to participate. So if this does end up being the last letter, I just want you to know that I was in a bad place before I started high school, and you helped me. Even if you didn't know what I was talking about or know someone who's gone through it, you made me not feel alone. Because I know there are people who say all these things don't happen. And there are people who forget what it's like to be 16 when they turn 17. I know these will all be stories someday. And our pictures will become old photographs. We'll all become somebody's mom or dad. But right now these moments are not stories. This is happening. I am here and I am looking at her. And she is so beautiful. I can see it. This one moment when you know you're not a sad story. You are alive, and you stand up and see the lights on the buildings and everything that makes you wonder. And you're listening to that song and that drive with the people you love most in this world. And in this moment I swear, we are infinite.
- ConexionesFeatured in Chelsea Lately: Episodio #6.135 (2012)
- Banda sonoraCould It Be Another Change
Written by Sean Kelly
Performed by The Samples
Courtesy of W.A.R.? - What Are Records? Ltd.
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Els avantatges de ser un marginat
- Localizaciones del rodaje
- Fort Pitt Tunnel, Pittsburgh, Pensilvania, Estados Unidos(Tunnel scenes in the back of the pickup truck)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 13.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 17.742.948 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 228.359 US$
- 23 sept 2012
- Recaudación en todo el mundo
- 33.384.127 US$
- Duración1 hora 43 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1