Joe Hunting, director of the HBO film “We Met In Virtual Reality,” is starting a production company called Painted Clouds, focusing exclusively on virtual reality filmmaking. The company aims to create original films and series using real time VR, including the popular platform VRChat.
For Painted Clouds, productions will make use of virtual cinema cameras which Hunting helped design; they will utilize full body and facial tracking technology to capture the environments and characters that make up VRChat.
“I’m thrilled to be moving forward in my aspirations to create progressive, diverse and emotive films using VR with Painted Clouds,” Hunting said. “I formed Painted Clouds with a passion to build a collaborative studio dedicated to real-time VR film production. Filmmaking inside VR feels like home to me, and I intend to build a talented crew of like-minded artists to continue fostering this playful cinematic form.”
Hunting’s “We Met In Virtual Reality,...
For Painted Clouds, productions will make use of virtual cinema cameras which Hunting helped design; they will utilize full body and facial tracking technology to capture the environments and characters that make up VRChat.
“I’m thrilled to be moving forward in my aspirations to create progressive, diverse and emotive films using VR with Painted Clouds,” Hunting said. “I formed Painted Clouds with a passion to build a collaborative studio dedicated to real-time VR film production. Filmmaking inside VR feels like home to me, and I intend to build a talented crew of like-minded artists to continue fostering this playful cinematic form.”
Hunting’s “We Met In Virtual Reality,...
- 10/26/2023
- by Jaden Thompson
- Variety Film + TV
After parting ways with its parent company First Look Media in December, the non-profit documentary production studio Field of Vision is at Sundance with four docus and actively seeking new donors and supporters.
Founded in 2015 by former Hot Docs programming director Charlotte Cook, “CitizenFour” Oscar winner Laura Poitras and SXSW prize winner A.J. Schnack (“We Always Talk to Strangers”), the company now run by Cook has become a force to be reckoned with in recent years. The filmmaker-driven visual journalism documentary company’s credits include the Oscar-winning film “American Factory” as well Academy Award nominated features including “Ascension,” “Strong Island,” and “Hale County This Morning, This Evening.”
Overall, Field of Vision has supported or produced more than 260 features, shorts, and series mainly via grant money provided by First Look Media, the company run by eBay founder Pierre Olmidyar. Over the last several years, the company has begun commercially investing in docus,...
Founded in 2015 by former Hot Docs programming director Charlotte Cook, “CitizenFour” Oscar winner Laura Poitras and SXSW prize winner A.J. Schnack (“We Always Talk to Strangers”), the company now run by Cook has become a force to be reckoned with in recent years. The filmmaker-driven visual journalism documentary company’s credits include the Oscar-winning film “American Factory” as well Academy Award nominated features including “Ascension,” “Strong Island,” and “Hale County This Morning, This Evening.”
Overall, Field of Vision has supported or produced more than 260 features, shorts, and series mainly via grant money provided by First Look Media, the company run by eBay founder Pierre Olmidyar. Over the last several years, the company has begun commercially investing in docus,...
- 1/25/2023
- by Addie Morfoot
- Variety Film + TV
This week, Mark Zuckerberg introduced us to his vision of the Metaverse and the world averted its eyes. “Meta spent 10 billion on developing whatever the hell it’s doing with the metaverse last year, and all it’s got to show for it is a baby doll-faced Zuckerberg hovering in front of a miniature Eiffel Tower,” wrote PC Gamer. “If the future involves avatars that look like the Facebook CEO’s own,” Kotaku concluded, “then we are all screwed.”
The Internet is always a tough crowd, but in this case it’s right. The Meta CEO released a digital selfie from Horizon Worlds, his company’s metaverse social platform, to announce its launch in Spain and France and the results were painful. A few days later, he acknowledged that the graphics looked “pretty basic” and promised an update soon, but the damage was done: The billionaire’s robotic avatar against...
The Internet is always a tough crowd, but in this case it’s right. The Meta CEO released a digital selfie from Horizon Worlds, his company’s metaverse social platform, to announce its launch in Spain and France and the results were painful. A few days later, he acknowledged that the graphics looked “pretty basic” and promised an update soon, but the damage was done: The billionaire’s robotic avatar against...
- 8/20/2022
- by Eric Kohn
- Indiewire
Filmmaker James Morosini’s new film “I Love My Dad” has an amazing premise: a father creates a fake online profile and finds himself catfishing his son to try and get back into his life. And it’s made only more amazing by the fact that this really happened to Morosini courtesy of his real-life father.
Morosini admits as much upfront at the top of his movie, but in speaking with TheWrap, the actor and director let on that while the specific details might not all be the same, there’s a lot about “I Love My Dad” that is scarily true to his own life.
“It definitely went further than I wish it had,” Morosini said. “Emotionally, the whole movie is very true. This feeling of wanting to get closer to somebody and not being able to. It’s a movie, so you’re trying to make it as...
Morosini admits as much upfront at the top of his movie, but in speaking with TheWrap, the actor and director let on that while the specific details might not all be the same, there’s a lot about “I Love My Dad” that is scarily true to his own life.
“It definitely went further than I wish it had,” Morosini said. “Emotionally, the whole movie is very true. This feeling of wanting to get closer to somebody and not being able to. It’s a movie, so you’re trying to make it as...
- 8/5/2022
- by Brian Welk
- The Wrap
Virtual reality is as good a place as any to meet people, especially during a pandemic. In documentary helmer Joe Hunting’s nonjudgmental plunge into the fast-evolving metaverse — set entirely in the realm of VRChat, where thousands of players reinvent themselves behind the avatars of their choice — we meet couples who fell in love online, hard-of-hearing outsiders who find a new way to connect with others and lonely souls who say their online friends saved their lives. While the real world was losing its collective mind (Hunting started “filming” in December 2020), these folks were giving lap dances and house parties in cyberspace.
At times, “We Met in Virtual Reality” — which world premiered at the (virtual) Sundance Film Festival last January, and now finds its way into (virtual) release via HBO Max — feels like a feature-length infomercial for this relatively new means of no-contact connection. Except that VR has been around for years and years,...
At times, “We Met in Virtual Reality” — which world premiered at the (virtual) Sundance Film Festival last January, and now finds its way into (virtual) release via HBO Max — feels like a feature-length infomercial for this relatively new means of no-contact connection. Except that VR has been around for years and years,...
- 7/30/2022
- by Peter Debruge
- Variety Film + TV
In the opening minutes of “We Met in Virtual Reality,” a bunch of avatars resembling animals and anime characters enter an open world based on “Jurassic Park,” hop into vehicles, and speed around the landscape with glee as a handheld camera tracks their moves. Later, that same camera visits house parties, dance classes, and a marriage ceremony.
Anyone who hasn’t strapped on a VR headset might think they were watching a low-budget animated movie with glitchy effects, but “We Met in Virtual Reality” is actually a groundbreaking documentary shot exclusively in VRchat, the popular VR social platform. The feature-length debut of UK-based filmmaker Joe Hunting stems from his experiences roaming VRchat over the course of three years, during which time he befriended many of the communities within. Hunting, who supports himself in part by working as a VR event photographer, has provided the most robust opportunity to experience the...
Anyone who hasn’t strapped on a VR headset might think they were watching a low-budget animated movie with glitchy effects, but “We Met in Virtual Reality” is actually a groundbreaking documentary shot exclusively in VRchat, the popular VR social platform. The feature-length debut of UK-based filmmaker Joe Hunting stems from his experiences roaming VRchat over the course of three years, during which time he befriended many of the communities within. Hunting, who supports himself in part by working as a VR event photographer, has provided the most robust opportunity to experience the...
- 7/29/2022
- by Eric Kohn
- Indiewire
When you see “We Met in Virtual Reality” director Joe Hunting’s avatar in the virtual reality platform VRChat, he’s holding a little camera that lets other avatars around him know he’s filming. And it’s a good thing, because he filmed a lot.
“We Met in Virtual Reality,” an Xtr film that debuts via HBO Documentary Films on Wednesday night, is a cinema vérité documentary feature shot entirely in VR. It’s a film that explores the lives and relationships of a handful of people who spend much of their time within the world and many communities of VRChat.
And just when you think Hunting is about to pull back the curtain and finally introduce us to the avatar’s real-life counterparts, he never does. Because no matter how many of the film’s subjects resemble anime teens with wild pink hair and dragon tails, blocky and colorful robots,...
“We Met in Virtual Reality,” an Xtr film that debuts via HBO Documentary Films on Wednesday night, is a cinema vérité documentary feature shot entirely in VR. It’s a film that explores the lives and relationships of a handful of people who spend much of their time within the world and many communities of VRChat.
And just when you think Hunting is about to pull back the curtain and finally introduce us to the avatar’s real-life counterparts, he never does. Because no matter how many of the film’s subjects resemble anime teens with wild pink hair and dragon tails, blocky and colorful robots,...
- 7/27/2022
- by Brian Welk
- The Wrap
True/False Festival Returns In-Person With Annual Parade and Spirited Response to Docus About Russia
True/False, the preeminent non-fiction festival, returned as an in-person event Thursday, drawing documentary notables and fans of their work to a Missouri college town for the first lineup under the artistic direction of Chloe Trayner.
There were 31 features and 19 short non-fiction films at the fest, which had more of an international tilt than usual and concludes March 6. Eight features, including “Fire of Love,” “I Didn’t See You There” and “The Territory,” had previously debuted virtually at Sundance in January, but screened for the first time for public audiences at True/False.
Their respective directors — Sara Dosa (“Fire of Love”), Reid Davenport (“I Didn’t See You There”) Alex Pritz (“The Territory”) – were among the filmmakers making the trek to Columbia for the 19th edition of True/False. Fellow Sundance 2022 doc directors including Isabel Castro (“Mija”) and Joe Hunting (“We Met in Virtual Reality”) also attended.
“Sundance was amazing, but True...
There were 31 features and 19 short non-fiction films at the fest, which had more of an international tilt than usual and concludes March 6. Eight features, including “Fire of Love,” “I Didn’t See You There” and “The Territory,” had previously debuted virtually at Sundance in January, but screened for the first time for public audiences at True/False.
Their respective directors — Sara Dosa (“Fire of Love”), Reid Davenport (“I Didn’t See You There”) Alex Pritz (“The Territory”) – were among the filmmakers making the trek to Columbia for the 19th edition of True/False. Fellow Sundance 2022 doc directors including Isabel Castro (“Mija”) and Joe Hunting (“We Met in Virtual Reality”) also attended.
“Sundance was amazing, but True...
- 3/6/2022
- by Addie Morfoot
- Variety Film + TV
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