“Do you know the difference between looking at someone and staring at them?” Claire (Eve Harlow) asks the question rhetorically, because it’s obvious to her — and to us — that the guy who’s been gawking at her from the candy aisle of her convenience store doesn’t have the slightest clue. Chris (Jesse Camacho), it’s easy to extrapolate, is so used to being stared at that he’s likely forgotten how people prefer to be seen.
The trembling heart of Jesse Klein’s smart, sensitive and instantly engaging second feature (2010’s “Shadowboxing” was his first), Chris only wishes that he could be as invisible as he feels. Living with his mom in a dreary Montreal suburb, the unambiguously overweight twenty-something is hard not to notice but easy to ignore, and so many of his interactions turn sour that he would rather retreat into himself than try opening up.
The trembling heart of Jesse Klein’s smart, sensitive and instantly engaging second feature (2010’s “Shadowboxing” was his first), Chris only wishes that he could be as invisible as he feels. Living with his mom in a dreary Montreal suburb, the unambiguously overweight twenty-something is hard not to notice but easy to ignore, and so many of his interactions turn sour that he would rather retreat into himself than try opening up.
- 7/7/2016
- by David Ehrlich
- Indiewire
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