Um homem que está enfrentando sua morte iminente tenta fazer as pazes e estabelecer uma conexão humana com as pessoas de sua vida com as quais criou distância após uma tragédia.Um homem que está enfrentando sua morte iminente tenta fazer as pazes e estabelecer uma conexão humana com as pessoas de sua vida com as quais criou distância após uma tragédia.Um homem que está enfrentando sua morte iminente tenta fazer as pazes e estabelecer uma conexão humana com as pessoas de sua vida com as quais criou distância após uma tragédia.
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I have to admit, I had no clue who Trevor St. John was before deciding to watch this film, so I came in with zero expectations. Now I'm watching something featuring a guy who not only stars in it but also directed and co-wrote the whole thing. Let's get into it.
The plot revolves around Tyler Hamilton, a photographer facing terminal illness, who's been carrying the weight of grief from a loss for over a decade. As he tries to wrap things up before he passes, he reaches out to his sister and daughter through phone calls, leading to some pretty haunting and emotional moments. It's worth noting that St. John made this film on a shoestring budget, shooting all the scenes in his home state of Washington.
Someone described this as an "emotionally charged drama" that delves into the healing power of reconciliation and the deep effects of neglected relationships. But I have to ask the writer-did we really see that in this film? Not really. There was a lot of dialogue and attempts to create some kind of resolution, but in the end, it felt like just a bunch of hot air. I get the creative vision and the emotions they aimed to convey, but it didn't come through-what should have been a big moment turned out to be just a little "puff" at the end!
So, with the lackluster acting and the screenplay not hitting the mark, I can only sum it up with: HALF-WAY!
P. S. I see that this guy has lots of fans out here giving him good scores. I do not watch TV over 30 years,so I guess that is the place they know him from.
The plot revolves around Tyler Hamilton, a photographer facing terminal illness, who's been carrying the weight of grief from a loss for over a decade. As he tries to wrap things up before he passes, he reaches out to his sister and daughter through phone calls, leading to some pretty haunting and emotional moments. It's worth noting that St. John made this film on a shoestring budget, shooting all the scenes in his home state of Washington.
Someone described this as an "emotionally charged drama" that delves into the healing power of reconciliation and the deep effects of neglected relationships. But I have to ask the writer-did we really see that in this film? Not really. There was a lot of dialogue and attempts to create some kind of resolution, but in the end, it felt like just a bunch of hot air. I get the creative vision and the emotions they aimed to convey, but it didn't come through-what should have been a big moment turned out to be just a little "puff" at the end!
So, with the lackluster acting and the screenplay not hitting the mark, I can only sum it up with: HALF-WAY!
P. S. I see that this guy has lots of fans out here giving him good scores. I do not watch TV over 30 years,so I guess that is the place they know him from.
This is one man's journey into and out of his own hell. That may sound dramatic, and the film is, but it's also subtle, endlessly creative within its parameters, and rather funny at times. Yes, funny. It doesn't attack you in any way, but lets you lean in. Lets you participate. Because that's what any great performance does and Trevor St. John delivers. The film will also get you thinking about the relationships in your own life, conversations that need to be had, demons that need to be exorcized. Maybe you'll pickup the phone afterward, probably not. But at least you get to watch someone do the heavy lifting for you. Bravo.
I was moved by the powerful film "A Good Enough Day" as it exposed the depth of love, loss and the travails that can come our way. Trevor St. John captures the quiet loneliness and and depression that all of can feel in our lives. The simplicity and universal message of the story adds to the connection we feel with the character. It is beautifully filmed as he struggles with the loss in his life and his attempts to reach out to others and seek solace in his life. I have viewed the film several times and am always drawn into the struggles that the character, Tyler Hamilton, is experiencing. Very touching--highly recommended.
A Good Enough Day written, directed and started by Travis St. John will resonate and stay with you long after you've experienced it. There's a wonderful subtle depth dichotomy of the lead actor Travis St. John that brings to Tyler Hamilton in his relationship with himself and love ones on his last days of his life. One of the things the movie asks from his audience is try to understand and accept your own complexities and nuances in order to live a life worth living. Not only the story is allowing you to be in a powerful communion with every character that we hear and see. At the same time you find yourself pulsating back and forth for permission of being accepted and maybe heal from where you are. Silence is accurate after watching it for it's working on you.
Beautifully shot and directed, and the written in a way where although we as an audience know what is coming (or not), the journey is so interesting for this character along the way. It was interesting way to film emotional phone calls and only see Tyler absorbing and reacting to them while mostly just listening. Trevor St. John allows us to feel through him, instead of watching a performance that tells us how to feel. I felt sad, nervous, disappointed, resigned, hopeful... watching Tyler go through his day. The movie left me thinking about my own life- my own regrets and my connections to the people that matter to me.
Você sabia?
- CuriosidadesDirected and co-written by lead actor Trevor St. John.
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Detalhes
- Tempo de duração1 hora 23 minutos
- Cor
- Proporção
- 16 : 9
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