Abhinav Sundar Nayak, the director of the dark comedy crime thriller Mukundan Unni Associates, has announced his second film with Ashiq Usman Productions, the banner behind the blockbuster Anjaam Pathiraa. The film, which is yet to be titled, will be a Malayalam film.
The director revealed that the film is in the scripting stage and will go on floors next year. He said that the film will be a different genre from his debut film and will have a strong social message. He also thanked the audience for the positive response to Mukundan Unni Associates, which completed one year of its release recently.
Mukundan Unni Associates
Mukundan Unni Associates, which starred Vineeth Sreenivasan, Suraj Venjaramoodu, Aarsha Chandini Baiju and Tanvi Ram, was a critically acclaimed film that explored the life of a corrupt lawyer who makes money by faking accident claims. The film was praised for its witty dialogues, engaging screenplay and stellar performances.
The director revealed that the film is in the scripting stage and will go on floors next year. He said that the film will be a different genre from his debut film and will have a strong social message. He also thanked the audience for the positive response to Mukundan Unni Associates, which completed one year of its release recently.
Mukundan Unni Associates
Mukundan Unni Associates, which starred Vineeth Sreenivasan, Suraj Venjaramoodu, Aarsha Chandini Baiju and Tanvi Ram, was a critically acclaimed film that explored the life of a corrupt lawyer who makes money by faking accident claims. The film was praised for its witty dialogues, engaging screenplay and stellar performances.
- 11/11/2023
- by CineArticles Editorial Team
- https://thecinemanews.online/wp-content/uploads/2023/07/IMG_4649
MollywoodThe seeds to redefine codes of morality in Malayalam cinema were sowed in some of the more recent films, where protagonists in shades of grey manage to go scot-free or just suffer unconventional punishments.*Spoilers ahead Traditionally, the protagonists of most Indian films come in different shades of white. They tend to be morally upright, the films almost always on the ‘right’ side of morality. The established template is “the good people live happily ever after”, the corollary being that the ‘bad people’ will meet a bad end — if they do not die by the end of the film, they will at least suffer. For decades, storytellers in India have stuck to this template and fed it to the conscience of the viewing public. This has resulted in countless films where the hero is the ‘good guy’, who does everything by the rules and lives happily in the end. The...
- 3/1/2023
- by LakshmiP
- The News Minute
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