Directed by
| Craig Newland | ||
Writing Credits (in alphabetical order)
| Andrew Gunn | ... | (written by) |
| Andrew Gunn | ||
| Craig Newland | ... | (written by) |
| Craig Newland | ||
Cast (in credits order)
Produced by
| Lesa Davis | ... | line producer |
| Craig Newland | ... | producer |
Music by
| Tom McLeod | ||
Cinematography by
| D.J. Stipsen | ||
Editing by
| Jonathan Woodford-Robinson | ||
Production Design by
| Matthew G.P. Mills | ||
Art Direction by
| James Goldenthal | ||
Costume Design by
| Louise George | ||
Makeup Department
| Julie Clark | ... | makeup artist |
| John Howard | ... | makeup artist |
| Holly Johnson | ... | assistant makeup artist |
| Brighde Riddell | ... | assistant makeup artist |
| Celeste Strewe | ... | makeup artist / makeup department head |
| Matilda Stävenborg | ... | additional makeup artist (uncredited) |
Production Management
| Chansina Chin | ... | production manager |
| Danyelle Wilson | ... | assistant unit manager |
Second Unit Director or Assistant Director
| Edd Bennetto | ... | first assistant director |
| David William Henderson | ... | third assistant director |
| Sajo Mathew Sam | ... | third assistant director |
| Stefan Miess | ... | third assistant director |
Art Department
| Peta Douglas | ... | assistant art director |
| Decclan Evans | ... | art assist |
| Alex Gilbert | ... | art assistant |
| Jamie Goodwin | ... | art assist |
| Jamie Johnston | ... | art assist |
| Kathryn Lees | ... | art assist |
| Jane Lehtinen | ... | art assistant |
| Karelia Malin | ... | set dresser |
| Ben Moxham | ... | art assist (as Benjamin Moxham) |
| James Orton | ... | art assist |
| Jesse Stayte | ... | set dresser |
| Sanjay Unka | ... | art assist |
Sound Department
| Tim Chaproniere | ... | re-recording mixer |
| Nikora Edwards | ... | boom operator |
| Alexis Feodoroff | ... | sound mix technician |
| Amanda Heatley | ... | sound post producer |
| Toby Lloyd | ... | sound recordist |
| Robyn McFarlane | ... | foley artist |
| John McKay | ... | sound editor / supervising sound editor |
| Mark Messenger | ... | sound recordist |
| Chris Sinclair | ... | dialogue editor / re-recording mixer |
Special Effects by
| Ben Rowe | ... | rotoscope |
Visual Effects by
| Peter McCully | ... | digital effects / visual effects supervisor |
Camera and Electrical Department
| Ben Grainger | ... | gaffer assistant |
| Grant McKinnon | ... | gaffer |
| Lance O'Riley | ... | gaffer assistant |
| Evan Pardington | ... | grip / key grip |
| Larryn Rae | ... | assistant camera |
| Dean Thomas | ... | camera rentals |
| Nina Wells | ... | second assistant camera |
| Bradley Williams | ... | focus puller |
Casting Department
| Lesa Davis | ... | casting assistant |
Costume and Wardrobe Department
| Louise George | ... | wardrobe supervisor |
| Carmel Rata | ... | costumer / wardrobe supervisor |
| Wesley Twiss | ... | wardrobe assistant |
Editorial Department
| Paul Lear | ... | colorist |
Location Management
| Brett Higginson | ... | location scout |
Music Department
| Suzanne Lynch | ... | musical director |
Script and Continuity Department
| Natalia Le Bas | ... | continuity |
| Elizabeth McDermott | ... | script editor |
Additional Crew
| Catherine De Chalain | ... | production assistant |
| Rachel Jury | ... | production assistant |
| Robert O'Connor | ... | dit |
| Alastair Tye Samson | ... | title designer: end credits |
Thanks
| David Gribble | ... | special thanks |
| Andy Howard | ... | special thanks |
| The Yellow Sprockets | ... | special thanks |
