Kayden Kross directs these four vignettes from her Deeper website with great skill and precision, the only fault for me due to a pet peeve: zero credit for supporting (NonSex) players.
Sure, when a famous porn actor like Kayden herself appears in a porn show without having sex he/she's easy to spot, and like a star cameo in a mainstream movie doesn't need (or usually want) screen credit. But two evidently talented NonSex actresses have important little roles here, and go unmentioned.
Inititial scene, titled "Fuckhole" is way overlong: over 52 minutes devoted to a sex scene that includes an endless blow-job. It's nominally a period piece, styled to rotary phones circa the 1950s, with Kenna James chatting with pilot Oliver Flynn at a bar, inviting him home to sample her pretty young sex slave Coco Lovelock, BDSM style.
Resulting threesome could easily have wrapped up as a 20-minute scene, the extra footage merely dull and redundant. Title refers to the set-up of Kenna finding femme slaves via phone numbers scrawled on public bathroom walls, with a fleeting flashback of slave Adriana Chechik suspended in air, from an earlier release.
Oliver returns in another role as a peeping tom living in Apt 1698, who compulsively peeps through his telescope at beauty Mila Monet in an apartment across the way. We see him paying for an outcall prostitute (a nice little performance that goes uncredited) who arrives for a teased but not shown flogging.
He's surprised when Mila looks back at him through binoculars, and via held-up notes he finds her identifying as "S" (submissive) and summons her silently to his apartment. She has a fabulous figure and takes a simultaneous flogging and humping from the stud.
Blake Blossom has terrific big and bouncy natural breasts, lectured by her man Troy Francisco's ex girlfriend (very fine acting by an uncredited unknown), on how her skirt length broadcasts to Troy what he thinks of her. Taking the mean girl's advice to heart, Blake becomes an instant femdomme, dressing in latex fetish gear, and ordering the Black stud around as she humps him in gonzo mode.
Finale is an older scene, starring Jill Kassidy who is severely styled, at first unrecognizable. Opening set-up scene mocks religion, as Jill makes like a priest in a fake confessional, listening to Aaron (Small Hands using his frequent character name) recite how he has wronged her lately. Scene shifts to a blackout sketch in the studio, as Jill humiliates Aaron and is mercilessly nasty to him during sex, loaded with kinkiness including her feet in fetishistic close-ups, humping away on top of a mirror. Yet another tour de force exercise in stylization by auteur Kayden Kross.
Sure, when a famous porn actor like Kayden herself appears in a porn show without having sex he/she's easy to spot, and like a star cameo in a mainstream movie doesn't need (or usually want) screen credit. But two evidently talented NonSex actresses have important little roles here, and go unmentioned.
Inititial scene, titled "Fuckhole" is way overlong: over 52 minutes devoted to a sex scene that includes an endless blow-job. It's nominally a period piece, styled to rotary phones circa the 1950s, with Kenna James chatting with pilot Oliver Flynn at a bar, inviting him home to sample her pretty young sex slave Coco Lovelock, BDSM style.
Resulting threesome could easily have wrapped up as a 20-minute scene, the extra footage merely dull and redundant. Title refers to the set-up of Kenna finding femme slaves via phone numbers scrawled on public bathroom walls, with a fleeting flashback of slave Adriana Chechik suspended in air, from an earlier release.
Oliver returns in another role as a peeping tom living in Apt 1698, who compulsively peeps through his telescope at beauty Mila Monet in an apartment across the way. We see him paying for an outcall prostitute (a nice little performance that goes uncredited) who arrives for a teased but not shown flogging.
He's surprised when Mila looks back at him through binoculars, and via held-up notes he finds her identifying as "S" (submissive) and summons her silently to his apartment. She has a fabulous figure and takes a simultaneous flogging and humping from the stud.
Blake Blossom has terrific big and bouncy natural breasts, lectured by her man Troy Francisco's ex girlfriend (very fine acting by an uncredited unknown), on how her skirt length broadcasts to Troy what he thinks of her. Taking the mean girl's advice to heart, Blake becomes an instant femdomme, dressing in latex fetish gear, and ordering the Black stud around as she humps him in gonzo mode.
Finale is an older scene, starring Jill Kassidy who is severely styled, at first unrecognizable. Opening set-up scene mocks religion, as Jill makes like a priest in a fake confessional, listening to Aaron (Small Hands using his frequent character name) recite how he has wronged her lately. Scene shifts to a blackout sketch in the studio, as Jill humiliates Aaron and is mercilessly nasty to him during sex, loaded with kinkiness including her feet in fetishistic close-ups, humping away on top of a mirror. Yet another tour de force exercise in stylization by auteur Kayden Kross.