586 reviews
Do you miss how they used to make films in the 1970s? Plenty of filmmakers do, except they take that nostalgia and just do watered down versions of better movies. As an example see Taxi Driver and King of Comedy then watch Joker and you'll get what I mean.
Thankfully, Alexander Payne has managed to take his sentimentality and make an original film out of it. Or if The Holdovers is a pale imitation of a superior picture then the filmmaker has managed to trick me because I don't feel as if I've seen this movie before but done better.
Now to be clear, there aren't things you've never seen before in the movie. I mean, you know the characters are going to bond at some point. And people will grow to care about each other. That's a given. How we get there, however, is what makes the film seem fresh and entertaining and ever bit as good as any flick made back in the day.
I hope more people see it.
Thankfully, Alexander Payne has managed to take his sentimentality and make an original film out of it. Or if The Holdovers is a pale imitation of a superior picture then the filmmaker has managed to trick me because I don't feel as if I've seen this movie before but done better.
Now to be clear, there aren't things you've never seen before in the movie. I mean, you know the characters are going to bond at some point. And people will grow to care about each other. That's a given. How we get there, however, is what makes the film seem fresh and entertaining and ever bit as good as any flick made back in the day.
I hope more people see it.
Let's just get this out of the way now - when it comes to writing this review, I'm probably a little bit biased (and a little bit drunk, currently, but that's besides the point). You see, I have an affinity for indie coming of age movies, and "The Holdovers" is basically an indie coming of age film, so it may - or may not - come as a surprise to you that I absolutely adored this picture. So, with that little preface out of the way, it's time for me to gush over this movie.
Starring none other than Paul Giamatti as Paul Hunham, Giamatti plays a professor at an all boys boarding school where, over Christmas break, he has the misfortune of looking over a group of boys, one of whom is named Angus, played by Dominic Sessa. After a rocky start, where Paul clearly doesn't get along with any of the boys, making his disdain clear and evident, he eventually finds himself alone with Angus - as well as with the school's cook, Mary Lamb, played by Da'Vine Joy Randolph - in an unexpected chain of events. What occurs after is a slice-of-life style piece of cinema that allows broken people to find comfort in each other's company.
"The Holdovers" is, without a doubt, one of my favorite movies of 2023, as well as probably one of the best movies of the year, as well. This Christmas-themed gem doesn't hold back on the drama, delivering a thoughtful blend of comedy, coming-of-age storytelling, and a touch of romance - all wrapped around a very raw, human plot-line that virtually everyone can relate to. I'm no spring chicken myself, but I found myself deeply connected to both main characters - one who is older and basically dejected with life as he knows it, and one who is younger but who feels lost, aimless, and disconnected from both family and friends. And admittedly, not everyone will have a direct parallel to these experiences, but even if you don't, you're in for a story that's bound to tug at your heartstrings... and make you laugh out loud in the process.
This is a high-quality movie - from the impeccable acting to the beautiful on-location cinematography to the relatable, thought-provoking plot, every element is executed with pinpoint precision and finesse; it's a testament to the art of storytelling on the silver screen. Director Alexander Payne knows how to create an artful film, and "The Holdovers" is no exception. It's at once indie and art-house while simultaneously being mainstream and easily accessible; in short, it's a film for everyone that actually feels like a genuine crowdpleaser instead of a pandering mess.
I'm having a difficult time describing what I liked about this movie, and the reason is because I liked almost everything about this movie. So why the 9 out of 10 rating instead of the perfect 10? Literally the only thing that's holding me back is because I would've liked a touch more romance; yes, there was romance here, but a bit more would've pushed me over the edge into 10 out of 10 territory. Besides that, this is basically a perfect film, one that I loved, and one that has become one of my favorite movies of the year, if not of all time. I am genuinely looking forward to rewatching this, and I can't wait until it becomes closer to Christmas so I can view this on my own TV, cuddled under blankets, with a glass of whiskey, and bask in the absolute heartwarming experience that is "The Holdovers." My recommendation: Do yourself a favor and watch this as soon as you can - you won't regret it.
Starring none other than Paul Giamatti as Paul Hunham, Giamatti plays a professor at an all boys boarding school where, over Christmas break, he has the misfortune of looking over a group of boys, one of whom is named Angus, played by Dominic Sessa. After a rocky start, where Paul clearly doesn't get along with any of the boys, making his disdain clear and evident, he eventually finds himself alone with Angus - as well as with the school's cook, Mary Lamb, played by Da'Vine Joy Randolph - in an unexpected chain of events. What occurs after is a slice-of-life style piece of cinema that allows broken people to find comfort in each other's company.
"The Holdovers" is, without a doubt, one of my favorite movies of 2023, as well as probably one of the best movies of the year, as well. This Christmas-themed gem doesn't hold back on the drama, delivering a thoughtful blend of comedy, coming-of-age storytelling, and a touch of romance - all wrapped around a very raw, human plot-line that virtually everyone can relate to. I'm no spring chicken myself, but I found myself deeply connected to both main characters - one who is older and basically dejected with life as he knows it, and one who is younger but who feels lost, aimless, and disconnected from both family and friends. And admittedly, not everyone will have a direct parallel to these experiences, but even if you don't, you're in for a story that's bound to tug at your heartstrings... and make you laugh out loud in the process.
This is a high-quality movie - from the impeccable acting to the beautiful on-location cinematography to the relatable, thought-provoking plot, every element is executed with pinpoint precision and finesse; it's a testament to the art of storytelling on the silver screen. Director Alexander Payne knows how to create an artful film, and "The Holdovers" is no exception. It's at once indie and art-house while simultaneously being mainstream and easily accessible; in short, it's a film for everyone that actually feels like a genuine crowdpleaser instead of a pandering mess.
I'm having a difficult time describing what I liked about this movie, and the reason is because I liked almost everything about this movie. So why the 9 out of 10 rating instead of the perfect 10? Literally the only thing that's holding me back is because I would've liked a touch more romance; yes, there was romance here, but a bit more would've pushed me over the edge into 10 out of 10 territory. Besides that, this is basically a perfect film, one that I loved, and one that has become one of my favorite movies of the year, if not of all time. I am genuinely looking forward to rewatching this, and I can't wait until it becomes closer to Christmas so I can view this on my own TV, cuddled under blankets, with a glass of whiskey, and bask in the absolute heartwarming experience that is "The Holdovers." My recommendation: Do yourself a favor and watch this as soon as you can - you won't regret it.
- darkreignn
- Oct 28, 2023
- Permalink
Now here's a film with a life affirming theme, that should encourage most viewers to think of their dreams, and cascade away all their cloaks, inhibitions, and open fresh doors to their heart's intuitions; as a teacher whose life is as stale as dead fish, whose life is the opposite of happy and bliss, meets a boy who's ignored by all those he holds dear, and a friendship is formed that is warm and sincere; it's a subtle reflection of how we get trapped, by tradition and habits and past circumstance, where surroundings like prisons can temper our thinking, to distil all our spirit, to bottles for drinking; so embrace all the chances when they come along, break out of that mould and sing your own song, open your eyes to the paths unexplored, take a stand and stand tall, and stop being ignored.
Here is a film that feels and looks like something out of the early seventies. The Holdovers is a strong and warm-hearted piece that gives actors roles with powerful lines, without any reliance on flashy editing and being overwhelmed by special effects.
The story is simple three people get stuck for the Christmas holidays in a boarding school. It's cold, lonely, and boring for the parties involved. The adults drink to cope with whatever pressures they live with. The young man resorts to bad behavior and altercations with the teacher in charge.
Through the vacation period these people will get to interact and get to know each other, something that will prove to a challenge to say the least. As the story evolves, we get to understand what has made the people who they are. We get to feel their pain and frustration through the very insightful writing of the director.
It's a strong film with superb acting by the main leads. They have great chemistry together.
Most outstanding is Paul Giamatti who plays the tormented and defensive man with relish and speaks volumes with his eyes.
Hope the academy honors his performance as the best the year because no one else so far is coming close.
The story is simple three people get stuck for the Christmas holidays in a boarding school. It's cold, lonely, and boring for the parties involved. The adults drink to cope with whatever pressures they live with. The young man resorts to bad behavior and altercations with the teacher in charge.
Through the vacation period these people will get to interact and get to know each other, something that will prove to a challenge to say the least. As the story evolves, we get to understand what has made the people who they are. We get to feel their pain and frustration through the very insightful writing of the director.
It's a strong film with superb acting by the main leads. They have great chemistry together.
Most outstanding is Paul Giamatti who plays the tormented and defensive man with relish and speaks volumes with his eyes.
Hope the academy honors his performance as the best the year because no one else so far is coming close.
Mid-way through "The Holdovers," I started openly weeping in the movie theater, and I pretty much kept it up on and off for the rest of the movie. Sometimes, there wasn't even anything obviously sad or moving happening in the scene, and I still couldn't stop. I think it's because this movie is so kind, and kindness is a rare commodity these days. It's sad to think that a movie about characters learning to have compassion for each other and for the hardships they've been through should feel like such a rare beast, but here we are.
This is Alexander Payne firing on all cylinders as a director, and though he didn't write this movie, it feels like he could have. It's an obvious throwback to the kinds of movies Hal Ashby made throughout the 1970s and is touching in exactly the same way "Harold and Maude" was. It's also a master class in acting from the three principal characters played by Paul Giamatti, Dominic Sessa, and Da 'Vine Joy Randolph, and I hope all three of them, and the movie overall, is remembered come Oscar time.
This will easily make my top ten list for the year.
Grade: A+
This is Alexander Payne firing on all cylinders as a director, and though he didn't write this movie, it feels like he could have. It's an obvious throwback to the kinds of movies Hal Ashby made throughout the 1970s and is touching in exactly the same way "Harold and Maude" was. It's also a master class in acting from the three principal characters played by Paul Giamatti, Dominic Sessa, and Da 'Vine Joy Randolph, and I hope all three of them, and the movie overall, is remembered come Oscar time.
This will easily make my top ten list for the year.
Grade: A+
- evanston_dad
- Nov 19, 2023
- Permalink
Finally......a GOOD movie. The story/script, although not a breakthrough idea, was heartfelt,full and real.
The settings were also real and gorgeous (not really a cgi fan) Camera, cinematography, lighting,sound,score....every level made my eyes and ears satisfyingly full.
Acting was oscarworthy across the board.
Directing was brilliant.
Only negative I can come up with is that the pace was a bit slow, but so much of the movie is so focused and so superbly and beautifully made I just sat back and enjoyed it.
A very thoughtful substantial and beautiful movie. A rare gem in today's superficial gimmicky movie making world.
The settings were also real and gorgeous (not really a cgi fan) Camera, cinematography, lighting,sound,score....every level made my eyes and ears satisfyingly full.
Acting was oscarworthy across the board.
Directing was brilliant.
Only negative I can come up with is that the pace was a bit slow, but so much of the movie is so focused and so superbly and beautifully made I just sat back and enjoyed it.
A very thoughtful substantial and beautiful movie. A rare gem in today's superficial gimmicky movie making world.
- tdwillis-26273
- Dec 6, 2023
- Permalink
Quite possibly one of the best Christmas films ever? I first saw Payne & Giamatti's previous film together, "Sideways" during my screenwriting training class, and it is one that I would think of for a while. Their new film, "The Holdovers", is hilarious, beautifully shot and acted, heartwarming, and has a great sense of grief and joy meshed together. Definitely leaning towards Randolph for Best Supporting Actress; her performance BLEW me away.
Overall, I love these films. Light-hearted & comedic while also have a sense of darkness and a lot of heavy emotion to it. Definitely is one of the most heartfelt films of the year.
Overall, I love these films. Light-hearted & comedic while also have a sense of darkness and a lot of heavy emotion to it. Definitely is one of the most heartfelt films of the year.
- jjgonzalez-06426
- Oct 30, 2023
- Permalink
"I find the world a bitter and complicated place. And it seems to feel the same way about me." Paul Hunham (Paul Giamatti)
Teaching privileged boys at an elite new England prep school called Barton (think for example, Philips Exeter), might be the pinnacle of an academic's career. But not Paul Hunham in The Holdovers, an elite movie itself of the year.
Paul should be teaching classics at an ivy school, not teaching entitled "vermin," among the many sobriquets he tosses around about the fortunate young men to experience his brand of grumpy intellectualism and misanthropy. He prepares them for a world that won't always be coddling and protecting them as their family wealth so naturally does in their early years.
Director Alexander Payne worked with Giamatti in Sideways, so he is prepared to have another winning cynical character who is endearing while distanced by negative temperament from normally positive fellow humans (Paul's last name, Hunham, suggests a distant connection with the better angels of humanity).
As Paul accepts the assignment to supervise holdovers (exiled to Christmas vacation in the absence of parents or guardians), the number whittles down to just Angus Tully (Dominic Sessa, reminiscent of young, Timothy Chalamet and Adam Driver), who shares Paul's dark attitudes and, with the sharp writing of David Hemingson, some witty dialogue- e.g., about Paul he says, "I thought all of the Nazis had left for Argentina."
Although, as in likeminded dramas such as Dead Poet's Society or Goodbye, Mr. Chips, the principals are destined to be transformed into more humane characters, Holdovers continues, even in its denouement, to accentuate the unsunny side of life for Paul and Tully, whose fortunes are still compromised by cold-hearted parents and administrators. The chilly world, however, is warmed on these lovely, snowbound days, by women, viz., the cook, Mary (Da'Vine Joy Randolph) and administrator Lydia (Carrie Preston).
Mary good-naturedly deals with the death of her son, Curtis, a Barton grad who had to join the military because he did not have the resources as other Barton grads of the late '60s did to avoid the draft.
Lydia, an attractive middle-aged staff member, holds the promise of a love interest for Paul, only to show how difficult it is for social exiles to enter the romantic mainstream.
The Holdovers is a small gem of a move that will immediately remind buffs about Hal Ashby comedies of the same era like Harold & Maude, where character development is paramount and detachment from the mainstream is required to look at humanity clearly with its foibles and endearments.
The Holdovers is a movie everyone can enjoy with endearing characters who share with us our moments about loneliness peppered with the possibilities of love and happiness.
"Do you think I want to be babysitting you? No. I was praying your mother would pick up the phone, or your father would arrive in a helicopter or a flying saucer...." Paul Hunham.
Teaching privileged boys at an elite new England prep school called Barton (think for example, Philips Exeter), might be the pinnacle of an academic's career. But not Paul Hunham in The Holdovers, an elite movie itself of the year.
Paul should be teaching classics at an ivy school, not teaching entitled "vermin," among the many sobriquets he tosses around about the fortunate young men to experience his brand of grumpy intellectualism and misanthropy. He prepares them for a world that won't always be coddling and protecting them as their family wealth so naturally does in their early years.
Director Alexander Payne worked with Giamatti in Sideways, so he is prepared to have another winning cynical character who is endearing while distanced by negative temperament from normally positive fellow humans (Paul's last name, Hunham, suggests a distant connection with the better angels of humanity).
As Paul accepts the assignment to supervise holdovers (exiled to Christmas vacation in the absence of parents or guardians), the number whittles down to just Angus Tully (Dominic Sessa, reminiscent of young, Timothy Chalamet and Adam Driver), who shares Paul's dark attitudes and, with the sharp writing of David Hemingson, some witty dialogue- e.g., about Paul he says, "I thought all of the Nazis had left for Argentina."
Although, as in likeminded dramas such as Dead Poet's Society or Goodbye, Mr. Chips, the principals are destined to be transformed into more humane characters, Holdovers continues, even in its denouement, to accentuate the unsunny side of life for Paul and Tully, whose fortunes are still compromised by cold-hearted parents and administrators. The chilly world, however, is warmed on these lovely, snowbound days, by women, viz., the cook, Mary (Da'Vine Joy Randolph) and administrator Lydia (Carrie Preston).
Mary good-naturedly deals with the death of her son, Curtis, a Barton grad who had to join the military because he did not have the resources as other Barton grads of the late '60s did to avoid the draft.
Lydia, an attractive middle-aged staff member, holds the promise of a love interest for Paul, only to show how difficult it is for social exiles to enter the romantic mainstream.
The Holdovers is a small gem of a move that will immediately remind buffs about Hal Ashby comedies of the same era like Harold & Maude, where character development is paramount and detachment from the mainstream is required to look at humanity clearly with its foibles and endearments.
The Holdovers is a movie everyone can enjoy with endearing characters who share with us our moments about loneliness peppered with the possibilities of love and happiness.
"Do you think I want to be babysitting you? No. I was praying your mother would pick up the phone, or your father would arrive in a helicopter or a flying saucer...." Paul Hunham.
- JohnDeSando
- Nov 15, 2023
- Permalink
The Good:
The Bad:
The Verdict:
Holdovers is a delightful "Christmas" movie. Even though you know where it is trying to take you, the trip ends up being quite pleasant due to strong cinematography and great main actors.
7/10.
- The movie gives a wonderful homage to 70s filmmaking without overplaying its hand. The shots, the colors, the set, the 1.85:1 ratio, it all fits the bill without looking like major effort was put into it
- The colors, the indoors v. Outdoors atmosphere, the wide shots of the boarding school and the snow are just wonderful. Some of the best I've seen in a while
- All 3 major characters gave very respectable performances. Giamatti is on his usual A-game, Randolph brings a lot of nuance to the scenes she's in, and Sessa absolutely kills it considering it's his feature film debut
- The movie has a very "feelgood" vibe to it. It is a perfect family viewing and, my bet is, in a few years, it will be considered a Christmas classic.
The Bad:
- I was surprised it lasted 2h20min considering it felt like 3h20min. In terms of plot, it definitely covers more ground than I thought it would, but I think the slow setup kneecaps its pace a little bit
- The plot is basic. Way too basic. There is a grumpy teacher and a rambunctious student, and they hate each other, but they're both kinda good people, and they are locked in a boarding school for 2 weeks over Christmas. What do you think was gonna happen
- The late 60s folk choice was way overplayed. The same 2 minutes of the same Cat Stevens song is played 3 times. It desperately tries to get you to feel something, almost to a point where you feel a little cheesed about it
The Verdict:
Holdovers is a delightful "Christmas" movie. Even though you know where it is trying to take you, the trip ends up being quite pleasant due to strong cinematography and great main actors.
7/10.
"The Holdovers" is a captivating blend of comedy and drama that beautifully explores the complexities of human relationships.
Story is about a grumpy instructor (Paul Giamatti) at a New England prep school who forms an unexpected bond with a troubled student during the Christmas break. Because it is set in the 1970s, the film in a way is a nostalgic journey back in time, but with a narrative that is both engaging and thought-provoking.
The performances are exceptional, with Giamatti delivering a compelling portrayal of a man grappling with his own loneliness and the challenges of mentorship. The film's narrative is richly layered, exploring themes of loneliness, friendship, and personal growth. It's a story that resonates, offering a poignant reflection on the human condition. The film's setting in the 1970s adds a layer of nostalgia, further enhancing the emotional depth of the narrative. Despite its lengthy runtime, "The Holdovers" mostly maintains a steady pace, balancing its dramatic elements with moments of humor and warmth. The main plus of the movie is its dialogue-driven approach that adds to its charm, creating a sense of authenticity and depth in its character interactions.
Overall, this is a film that leaves a lasting impression, offering a thoughtful exploration of human relationships set against the backdrop of a bygone era. With its exceptional performances and engaging narrative, I'm giving it an 8 out of 10 rating. It's a must-watch for those seeking a film that combines drama, comedy, and a touch of nostalgia.
Story is about a grumpy instructor (Paul Giamatti) at a New England prep school who forms an unexpected bond with a troubled student during the Christmas break. Because it is set in the 1970s, the film in a way is a nostalgic journey back in time, but with a narrative that is both engaging and thought-provoking.
The performances are exceptional, with Giamatti delivering a compelling portrayal of a man grappling with his own loneliness and the challenges of mentorship. The film's narrative is richly layered, exploring themes of loneliness, friendship, and personal growth. It's a story that resonates, offering a poignant reflection on the human condition. The film's setting in the 1970s adds a layer of nostalgia, further enhancing the emotional depth of the narrative. Despite its lengthy runtime, "The Holdovers" mostly maintains a steady pace, balancing its dramatic elements with moments of humor and warmth. The main plus of the movie is its dialogue-driven approach that adds to its charm, creating a sense of authenticity and depth in its character interactions.
Overall, this is a film that leaves a lasting impression, offering a thoughtful exploration of human relationships set against the backdrop of a bygone era. With its exceptional performances and engaging narrative, I'm giving it an 8 out of 10 rating. It's a must-watch for those seeking a film that combines drama, comedy, and a touch of nostalgia.
In a age of "Throwaway Movies", and "Superhero Movies" that just blend together. And 100 million dollar Netflix Junk (Im talking to you Zack Snyder).
Comes a little movie about "People". Real People, people with not perfect lives. A movie that shows you Love can grow, like a Flower out Concrete. The People in this Movie Lives were thrown together and they grew to care and respect each other. It also shows that, you may not know what a person is going through or how they got to a point in their lives. I think we need more movies like this. But the problem is people will not got to the movie theater to see this kind of film. But I think Amazon is the perfect vehicle for these type of films. And one last thing we need to give "Paul Giamatti" his Flowers...now.
Comes a little movie about "People". Real People, people with not perfect lives. A movie that shows you Love can grow, like a Flower out Concrete. The People in this Movie Lives were thrown together and they grew to care and respect each other. It also shows that, you may not know what a person is going through or how they got to a point in their lives. I think we need more movies like this. But the problem is people will not got to the movie theater to see this kind of film. But I think Amazon is the perfect vehicle for these type of films. And one last thing we need to give "Paul Giamatti" his Flowers...now.
It's a comedy-drama set from December 16, 1970, to the first week of January 1971 in an exclusive boy's boarding school in New England and Boston, Massachusetts. It follows the experiences of the "holdovers," that is, the students who cannot go home over the Christmas holidays and the two Barton staff left to supervise them during the holidays.
There are five holdovers: Teddy Kountze (Brady Hepner), Jason Smith (Michael Provost), and Angus Tully (Dominic Sessa) are upper-class wealthy WASP students. Alex Ollerman (Ian Dolley) is a younger Mormon student whose parents are on a mission in South America. Ye-Joon Park (Jim Kaplan) is from South Korea.
Left to supervise is Paul Hunham (Paul Giamatti), an unmarried ancient history teacher who was once a student at Barton and has taught there all his career. He's a demanding curmudgeon who almost everyone dislikes. African American Mary Lamb (Da'Vine Joy Randolph), the head cook, is also present; her son, a Barton grad, has just been killed in Vietnam.
The film follows the shared experiences of the holdovers, though four students leave after a week when a wealthy father takes them for a ski holiday. Paul cannot contact Angus's parents, so he must stay with Paul and Mary at Barton. We also meet the school's headmaster, Hardy Woodrup (Andrew Garman), his administrative assistant, Lydia Crane (Carrie Preston), and janitor Danny (Naheem Garcia).
"The Holdovers" is a delightful comedy leavened with wisdom as we learn the dark secrets that have shaped Paul Hunham and Angus Tully. Giamatti, Sessa, and Randolph are all excellent. The script unfolds the twists and turns superbly. "The Holdovers" is a great Christmas movie.
There are five holdovers: Teddy Kountze (Brady Hepner), Jason Smith (Michael Provost), and Angus Tully (Dominic Sessa) are upper-class wealthy WASP students. Alex Ollerman (Ian Dolley) is a younger Mormon student whose parents are on a mission in South America. Ye-Joon Park (Jim Kaplan) is from South Korea.
Left to supervise is Paul Hunham (Paul Giamatti), an unmarried ancient history teacher who was once a student at Barton and has taught there all his career. He's a demanding curmudgeon who almost everyone dislikes. African American Mary Lamb (Da'Vine Joy Randolph), the head cook, is also present; her son, a Barton grad, has just been killed in Vietnam.
The film follows the shared experiences of the holdovers, though four students leave after a week when a wealthy father takes them for a ski holiday. Paul cannot contact Angus's parents, so he must stay with Paul and Mary at Barton. We also meet the school's headmaster, Hardy Woodrup (Andrew Garman), his administrative assistant, Lydia Crane (Carrie Preston), and janitor Danny (Naheem Garcia).
"The Holdovers" is a delightful comedy leavened with wisdom as we learn the dark secrets that have shaped Paul Hunham and Angus Tully. Giamatti, Sessa, and Randolph are all excellent. The script unfolds the twists and turns superbly. "The Holdovers" is a great Christmas movie.
- steiner-sam
- Nov 9, 2023
- Permalink
I'm not exactly clear why the movie is listed as both a comedy and a drama on IMDB. The movie didn't seem to have very much humor to it. It's a warm and inviting story. A nice film. Nothing ostentatious or extravagant. The picture features strong acting and a realistic depiction of the era, which is 1970 into 1971. As a senior in high school at the time, I particularly enjoyed hearing some of the music from that era.
My rating of 6 teetered between a 6 and 7. But, since the plot didn't elicit any significant emotions or reactions in me, I decided to give it a lower rating. It's a likeable movie, as I mentioned above.
My rating of 6 teetered between a 6 and 7. But, since the plot didn't elicit any significant emotions or reactions in me, I decided to give it a lower rating. It's a likeable movie, as I mentioned above.
Lots of great reviews here. Many people who have seen Sideways seem to be excited that Giamatti has re-teamed with Payne the director.
Of course, the film is in no way related to the other movie, except that both were involved and that Sideways has quite a cult following.
Unfortunately this is not my type of movie. I'm not saying it's bad. And I'm not saying anything bad about the people who seem to love it. It's just not for me.
It's a character driven movie, which is fine, except I didnt bond with any of the characters. And I found the choice of musical tunes throughout to be annoying at best.
So if you like drawn out period piece character driven flicks, you may like this one. I didn't love it, but I could see how some might, hence the "5" rating.
Of course, the film is in no way related to the other movie, except that both were involved and that Sideways has quite a cult following.
Unfortunately this is not my type of movie. I'm not saying it's bad. And I'm not saying anything bad about the people who seem to love it. It's just not for me.
It's a character driven movie, which is fine, except I didnt bond with any of the characters. And I found the choice of musical tunes throughout to be annoying at best.
So if you like drawn out period piece character driven flicks, you may like this one. I didn't love it, but I could see how some might, hence the "5" rating.
Very enjoyable film with outstanding performances and a wonderful warm vibe accompanied by the Christmas season. It's funny at times, sad at times, and feel-good. It's a story that almost all can relate to and will really touch your heart. It deals with so many themes, but mainly grief, the past, family, and what makes a person who they are. It's also very original and has a great script, cinematography, and soundtrack. I would highly advise to see it in the theaters as well as you really get the 70's vibe and deep moment on the big screen. There aren't many negatives to this film and I would recommend it to most people.
When the director Alexander Payne appeared on stage following a screening of "The Holdovers" that I attended at the Toronto International Film Festival he received a standing ovation. That was not surprising because it's a heartwarming crowdpleasing film and one of Payne's best. It reunites Payne with Paul Giamatti who starred in the director's 2005 film "Sideways." Giamatti and Da'Vine Joy Randolph are superb and Dominic Sessa in his film debut is a brilliant find. Set during the holiday season in 1970 at a New England boarding school with a side trip to Boston "The Holdovers" shows how human connections that may seem unlikely can be transformative.
- wclong-49069
- Sep 29, 2023
- Permalink
Sad, poignant, funny, and beautiful are words that best describe this film. If this film doesn't make you feel sone kind of emotion, you are absolutely heartless. You love these characters. You feel for them on every single level. The film itself feels like a film from the 70s. The twists and turns the film takes are wonderful and heartwarming/heartbreaking. Paul Giamatti is excellent as always. This is Dominic Sessa's first film and he does an outstanding job. No crazy special effects or bloated explosions. Just great filmmaking. It's streaming on Peacock. An absolute holiday must. Take the time to watch it. You'll love it.
- HOLYDIVER575
- Dec 31, 2023
- Permalink
I am big fan of director Alexander Payne (The Descendants, Sideways) and of actor Paul Giamatti in particular. Both have teamed up before with marvellous results, but this movie has got 1 problem that made me only rate it with 6 stars though:
The bad:the middle part of this story stretches out too long, with several quite tedious scenes, which could have easily been cut out of it without hurting the storyline. I started watching at my watch half way through several times because of this lack of spark and punch. Such a pity!
Fortunately this movie picked up momentum again towards the warmhearted Christmas spirited final, but I still will only award this movie with 6 stars (instead of 7) because I got bored at many moments during the somewhat tedious and long middle part.
The story: It's about a young student and his teacher, who both are lonely souls and although they cant stand each other at first, eventually slowly do bond with each other during a Christmas holiday. Acting by Paul Giamatti is masterful (as always), BUT some of the other actors fail to impress me.
Not the best of director Alexander Payne's work, but definitely still worth a watch, because it left me in my seat with a smile on my face and a feel good Christmas spirit of caring for one another!
The bad:the middle part of this story stretches out too long, with several quite tedious scenes, which could have easily been cut out of it without hurting the storyline. I started watching at my watch half way through several times because of this lack of spark and punch. Such a pity!
Fortunately this movie picked up momentum again towards the warmhearted Christmas spirited final, but I still will only award this movie with 6 stars (instead of 7) because I got bored at many moments during the somewhat tedious and long middle part.
The story: It's about a young student and his teacher, who both are lonely souls and although they cant stand each other at first, eventually slowly do bond with each other during a Christmas holiday. Acting by Paul Giamatti is masterful (as always), BUT some of the other actors fail to impress me.
Not the best of director Alexander Payne's work, but definitely still worth a watch, because it left me in my seat with a smile on my face and a feel good Christmas spirit of caring for one another!
- ferguson-6
- Nov 7, 2023
- Permalink
Set in December 1970, "The Holdovers" follows a small group of students who have to stay on campus over the Christmas break at Barton Academy (a prestigious boarding school in Massachusetts,) alongside a curmudgeonly ancient history teacher (Paul Giamatti.) That sounds like a potentially amusing premise for a breezy comedy-drama, especially when Alexander Payne is directing. Having greatly enjoyed and admired several of Payne's previous films such as "Sideways," "The Descendants," and "Nebraska," I was looking forward to this film. Overall, I found it to be simply fine and not up to par with the level of quality of most of Payne's films. There's nothing too wrong with it by any stretch of the imagination, but it's often generic and forgettable compared to Payne's other films.
An indie dramedy like this film would generally be expected to be defined by being character- and writing-driven. Unfortunately, neither the characters nor the writing here are especially unique enough to structure a compelling plot around. Paul (Giamatti's character) is very generic, as is the rebellious student Angus, whose relationship with Paul is a pivotal part of the film. On a better note, Da'Vine Joy Randolph gives a strong and impactful performance as Mary, a cafeteria worker dealing with bereavement; her character is interestingly more dynamic and multi-dimensional than either Paul or Angus. The writing and humor is less unique, funny, or engaging than many of Payne's films, as the attempts at plot devices, character development, and humor often boil down to insult comedy between Paul and Angus--which, ultimately, wears out its welcome a bit, and actually causes a bit of collateral damage in making the film's tone and story feel less sincere. Regardless of the sincerity of the story, another thing that is clear here is that there needed to be a stronger and less predictable core to the plot in order for the film to remain engaging for its 133-minute runtime.
The film's retro, 1970s-aesthetic is commendable and helps contribute to the atmosphere of the film, and there still are some sporadic sweet moments of Paul and Mary hanging out around the television and a few decent jokes here and there. So "The Holdovers" is a fine enough film, but it won't be a new holiday classic for me. 6/10.
An indie dramedy like this film would generally be expected to be defined by being character- and writing-driven. Unfortunately, neither the characters nor the writing here are especially unique enough to structure a compelling plot around. Paul (Giamatti's character) is very generic, as is the rebellious student Angus, whose relationship with Paul is a pivotal part of the film. On a better note, Da'Vine Joy Randolph gives a strong and impactful performance as Mary, a cafeteria worker dealing with bereavement; her character is interestingly more dynamic and multi-dimensional than either Paul or Angus. The writing and humor is less unique, funny, or engaging than many of Payne's films, as the attempts at plot devices, character development, and humor often boil down to insult comedy between Paul and Angus--which, ultimately, wears out its welcome a bit, and actually causes a bit of collateral damage in making the film's tone and story feel less sincere. Regardless of the sincerity of the story, another thing that is clear here is that there needed to be a stronger and less predictable core to the plot in order for the film to remain engaging for its 133-minute runtime.
The film's retro, 1970s-aesthetic is commendable and helps contribute to the atmosphere of the film, and there still are some sporadic sweet moments of Paul and Mary hanging out around the television and a few decent jokes here and there. So "The Holdovers" is a fine enough film, but it won't be a new holiday classic for me. 6/10.
- bastille-852-731547
- Oct 28, 2023
- Permalink
The Holdovers is, for all of the character dynamics and dysfunction and depression and other things we find out about the leads, mostly with Mr. Hunham and Angus and how their characters over these couple of weeks turn away from the "Barton" way of not telling lies (because, well, sometimes context and the moment matter for telling a lie that won't really hurt, maybe), a strangely comforting film to watch. Not for all of that exactly, though what we understand slowly but surely is this is all material for comedy and tragedy in equal measure, but because of the feeling that we get with a filmmaker who is so primed and confident with material that you don't feel like it can go wrong.
What is more impressive is that, as enjoyable as the first half is, it is in the "I like this" mode as we are introduced to this world and Hunham and Angus and Mary, but it doesn't feel so special. But I should have known Payne and writer David Hemingson were laying down the necessary groundwork for what comes the moment a) the majority of the other supporting characters leave for reasons I don't have to mention here, and b) then the characters go outside the Barton campus grounds on a holiday party and then a "field trip" to Boston, you get the sense moment by moment and interaction by interaction it is so sharp and cutting and wise, and one scene in particular makes the jump into "oh, OK, this is taking off into another level of personal pain and about familial expectations and what will come with in a life measuring up to others - and why that is wrong - and... yeah, it's great" territory.
In other words, it's the kind of film I want to watch again right away simply because now that I know a little more about the characters, I'll want to experience all of the extra textures (its 1970 down to the wood paneling and the car seats), and dig a little more into those absolutely wonderful natural restrained and complete performances - we take Giamatti for granted sometimes and this is a character he should be proud of to craft, lazy-ass eyes and all; Sessa's first role and he is an immediate star; I can't be more sure of anything for the next Oscar's that, if Randolph is nominated, she will win, if nothing else for everything she does at the Christmas party scenes, and a moment looking over some objects in a room later on is so moving - and my comfort is in seeing Payne clearly loving directing this intimate character study where he can show what a comedically observant, quick witted, and heartbreaking story this all is.
It's one of the best Christmas movies in several years, embodying many themes and ideals that fit like a 70s wool sweater, and I'm sure the first thing Payne must have thought after reading the script was "whoa. This is gonna be the best Hal Ashby or Bob Rafelson movie never made... is 'The Last Holdover' too on the nose?" Even Hunham would give this... a B+ probably (did he ever give As? Shrug).
What is more impressive is that, as enjoyable as the first half is, it is in the "I like this" mode as we are introduced to this world and Hunham and Angus and Mary, but it doesn't feel so special. But I should have known Payne and writer David Hemingson were laying down the necessary groundwork for what comes the moment a) the majority of the other supporting characters leave for reasons I don't have to mention here, and b) then the characters go outside the Barton campus grounds on a holiday party and then a "field trip" to Boston, you get the sense moment by moment and interaction by interaction it is so sharp and cutting and wise, and one scene in particular makes the jump into "oh, OK, this is taking off into another level of personal pain and about familial expectations and what will come with in a life measuring up to others - and why that is wrong - and... yeah, it's great" territory.
In other words, it's the kind of film I want to watch again right away simply because now that I know a little more about the characters, I'll want to experience all of the extra textures (its 1970 down to the wood paneling and the car seats), and dig a little more into those absolutely wonderful natural restrained and complete performances - we take Giamatti for granted sometimes and this is a character he should be proud of to craft, lazy-ass eyes and all; Sessa's first role and he is an immediate star; I can't be more sure of anything for the next Oscar's that, if Randolph is nominated, she will win, if nothing else for everything she does at the Christmas party scenes, and a moment looking over some objects in a room later on is so moving - and my comfort is in seeing Payne clearly loving directing this intimate character study where he can show what a comedically observant, quick witted, and heartbreaking story this all is.
It's one of the best Christmas movies in several years, embodying many themes and ideals that fit like a 70s wool sweater, and I'm sure the first thing Payne must have thought after reading the script was "whoa. This is gonna be the best Hal Ashby or Bob Rafelson movie never made... is 'The Last Holdover' too on the nose?" Even Hunham would give this... a B+ probably (did he ever give As? Shrug).
- Quinoa1984
- Oct 29, 2023
- Permalink
- wendyficklin
- Nov 28, 2023
- Permalink
Well, i normaly will not spend more than 20 minutes watching a movie/tv episode, if it has not yet Drawn me in, but due to the high rating and Paul Giamatti, i stuck with it, hoping it would "start up" at some point, but it never did, it just meandered along without ANY real connection from myself, nothing about it engaged me at all.
It is lacking throughout and not just in parts, there was nothing to "draw you in", nor FEEL concern for anything going on, or any character.
Paul played his part Completely as always, a real quality actor, but even he cannot inspire any real engagement with this movie.
I would not pan it, nor guide people away from it, but i am bewildered at the very high rating, over 9 i think when i first looked, now at 8.2 and i expect it will drop further as we get more legitimate ratings from more viewers.
It is simply NOT agreat movie at all, which c ertainly a 9 would indicate. If i were to be negative, i'd say it was more like a couple of episodes of a so so TV series and NOT a great movie.
I think most watching shall be waiting for it to "take off" as i did, which it will not, and when the more realistic rating of around 6 settles in, people won't have such high expectations.
Possibly if some dark humour had been injected into it, may have helped, but as it is, it's fairly uneventful, lacking humour, or anything to really engage the viewer.
It is lacking throughout and not just in parts, there was nothing to "draw you in", nor FEEL concern for anything going on, or any character.
Paul played his part Completely as always, a real quality actor, but even he cannot inspire any real engagement with this movie.
I would not pan it, nor guide people away from it, but i am bewildered at the very high rating, over 9 i think when i first looked, now at 8.2 and i expect it will drop further as we get more legitimate ratings from more viewers.
It is simply NOT agreat movie at all, which c ertainly a 9 would indicate. If i were to be negative, i'd say it was more like a couple of episodes of a so so TV series and NOT a great movie.
I think most watching shall be waiting for it to "take off" as i did, which it will not, and when the more realistic rating of around 6 settles in, people won't have such high expectations.
Possibly if some dark humour had been injected into it, may have helped, but as it is, it's fairly uneventful, lacking humour, or anything to really engage the viewer.
One does not expect a Christmas film to be challenging, and this one certainly isn't. But it is a lot of fun.
A boys' boarding school empties of almost all staff and pupils for the 1970/1 Festive Season. Left behind are Paul Hunham (Paul Giamatti), the unpopular history teacher who has to keep an eye on the school; Angus Tully (Dominic Sessa), a teenaged pupil whose mother does not want him on her honeymoon; and Mary Lamb (the impressively-named Da'Vine Joy Randolph), the school cook who is facing her first Christmas alone since her son died on military service. As these three lonely souls come together, there are tantrums, emotional revelations, the revealing of long-hidden secrets, a noble sacrifice... the usual stuff.
Also the usual stuff are the characters: Paul is cynical and frustrated; Angus is ironic and insecure; and as Mary is overweight and black, she of course has to be sassy.
But while in some films such predictability would be annoying, it works here. Within the limits of their somewhat two-dimensional personalities, the characters are well-written - even Angus' tantrums do not seem unreasonable. Plus, there are some great gags ("You hit him? You mean you punched him out?" "No, I hit him with a car...") And I will not be the only viewer who finishes the film with a lump in his throat.
Great fun. I can easily see myself buying the DVD and watching this for many Christmases to come...
A boys' boarding school empties of almost all staff and pupils for the 1970/1 Festive Season. Left behind are Paul Hunham (Paul Giamatti), the unpopular history teacher who has to keep an eye on the school; Angus Tully (Dominic Sessa), a teenaged pupil whose mother does not want him on her honeymoon; and Mary Lamb (the impressively-named Da'Vine Joy Randolph), the school cook who is facing her first Christmas alone since her son died on military service. As these three lonely souls come together, there are tantrums, emotional revelations, the revealing of long-hidden secrets, a noble sacrifice... the usual stuff.
Also the usual stuff are the characters: Paul is cynical and frustrated; Angus is ironic and insecure; and as Mary is overweight and black, she of course has to be sassy.
But while in some films such predictability would be annoying, it works here. Within the limits of their somewhat two-dimensional personalities, the characters are well-written - even Angus' tantrums do not seem unreasonable. Plus, there are some great gags ("You hit him? You mean you punched him out?" "No, I hit him with a car...") And I will not be the only viewer who finishes the film with a lump in his throat.
Great fun. I can easily see myself buying the DVD and watching this for many Christmases to come...
Easily the best movie I have seen this year.
Easily deserving and of an Academy nomination for Paul Giamatti, one of our best actors who all too often has his performances overlooked. He is among that exceedingly rare group of actors both current and past who has never delivered a poor performance in any film I have watched. This film is no different.
The story: a young troubled teen on the threshold of manhood is placed in the care of an older troubled man. Neither is happy about it. Over the course of 3 acts, they learn from one another and each is made a better man as a result.
This is a story that has been done many times before, and when it's done right, produces some of our best loved films. Good Will Hunting, Life As A House, The Man Without a Face, On Golden Pond just to name a few.
If you enjoyed any or all of those films, you'll like this one.
Simply excellent.
Easily deserving and of an Academy nomination for Paul Giamatti, one of our best actors who all too often has his performances overlooked. He is among that exceedingly rare group of actors both current and past who has never delivered a poor performance in any film I have watched. This film is no different.
The story: a young troubled teen on the threshold of manhood is placed in the care of an older troubled man. Neither is happy about it. Over the course of 3 acts, they learn from one another and each is made a better man as a result.
This is a story that has been done many times before, and when it's done right, produces some of our best loved films. Good Will Hunting, Life As A House, The Man Without a Face, On Golden Pond just to name a few.
If you enjoyed any or all of those films, you'll like this one.
Simply excellent.
- shazaam-73530
- Dec 31, 2023
- Permalink