Give Me Pity! (2022) Poster

(2022)

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3/10
self-indulgent satire of self-indulgence?
FieCrier4 March 2024
I can't entirely fault the filmmakers for trying to make something of this sort, or horror streamer Shudder for picking it up for distribution. The concept of some 70s/80s-ish diva's TV special gone wrong sounded like it had potential.

The appropriately dated-looking lighting and color effects gave it a certain authenticity.

It starts feeling overlong rather quickly, however. Dialog drags. Scenes drag. Each subsequent scene is not appreciably different from any that preceded it, other than wonky audio and color intruding more and more, and the star's scenes ending progressively more poorly.

The impression given was increasingly more of a one-woman theater performance crossed with experimental video or a video installation, rather than a vintage TV special. In the end it just frustratingly fizzles out, as though they had no idea where to take their concept. They could have, just as easily, had it end in analog broadcast static or a test pattern and that would have provided as much resolution: none.

An interesting attempt at something, but will be grossly unsatisfying to horror viewers as a whole, and perhaps even to more discerning ones who don't mind or even appreciate the campy, arty or experimental.
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4/10
Give me pity!
BandSAboutMovies5 October 2022
Warning: Spoilers
Director and writer Amanda Kramer (Ladyworld, Please Baby Please) has created this exploration of the first ever television special for Sissy St. Claire (Sophie von Haselberg. It's an evening full of music and laughter, glamour and entertainment, as the ad copy goes, but Sissy's live event quickly begins to become a nightmare thanks to a myserious masked man.

Sissy is determined to make it no matter the cost and in the past world of entertainment, let's say late 70s to mid 80s, that meany getting your own variety special on TV. Well, she sure does, but as each song plays, the lighting gets stranger, the mood gets more ominous, the hair gets just a bit more out of control.

This was the world where performers could compare themselves to God's favorite Son -- where's Bobby Bittman, Sammy Maudlin and William B. Williams to hype her show? -- and say things like, "I'm just dying to be known." Her psychic guest refuses to even make physical contact with her, claiming that she's demonic. Yet through it all, the video effects distroting teh screen, the masked man silently judging and just Sissy all alone on stage, even doing a two-woman sketch all by herself, she remains what they call a trooper.

The only downside I can say of this is that I wished it stuck to the format of TV shows and was under an hour -- with commericals trimmed -- and not as long as it is. The idea comes through early, the rest feels like endless riffing on the same notes. But what it does play is strange and wodnerful enough to keep you watching.
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10/10
A terrific trip!
mvdqfvrq24 February 2023
Warning: Spoilers
An amazing trip down memory lane. Back to the days of B list stars and their variety shows. The star of this one, Sissy St. Claire, is vain, veunerable and absurd. Sissy has an absurd Jesus complex-attempting to reach more people than Christ with her desperate and needy singing and dancing. Of course what could go wrong in Sissy's first vanity show? A masked figure waits in the shadows as Sissy never reaches her unattainable goals, debasing herself in the process. This black comedy and musical definitely has ties to todays Celebrity obsessed social media culture. An amazing performance by Sophie von Haselberg, with fun music and great cinematography!
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