Cindy Hawkins
- El episodio se transmitió el 24 oct 2021
- TV-MA
- 46min
CALIFICACIÓN DE IMDb
6.3/10
2.3 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaJune and Dorie's routine in Teddy's fallout shelter is disrupted when they discover the origins of their home and its sinister connections to Teddy's past.June and Dorie's routine in Teddy's fallout shelter is disrupted when they discover the origins of their home and its sinister connections to Teddy's past.June and Dorie's routine in Teddy's fallout shelter is disrupted when they discover the origins of their home and its sinister connections to Teddy's past.
- Dirección
- Guionistas
- Elenco
Alycia Debnam-Carey
- Alicia Clark
- (solo créditos)
Danay Garcia
- Luciana Galvez
- (solo créditos)
Austin Amelio
- Dwight
- (solo créditos)
Mo Collins
- Sarah Rabinowitz
- (solo créditos)
Alexa Nisenson
- Charlie
- (solo créditos)
Karen David
- Grace Mukherjee
- (solo créditos)
Christine Evangelista
- Sherry
- (solo créditos)
Colby Hollman
- Wes
- (solo créditos)
Rubén Blades
- Daniel Salazar
- (solo créditos)
Jenny Biggs
- Walker
- (sin créditos)
Bob Jennings
- Lead Stalker
- (sin créditos)
Garrett Moreno
- Stalker
- (sin créditos)
Opiniones destacadas
Over the course of several months, John Sr. And June establish a routine while waiting out the year that June has determined is the time that they must wait before it is safe to go outside. However, the bunker becomes increasingly unstable over time with a wall collapse smashing their supply of liquor and revealing a secret room where Teddy had killed and embalmed his victims in the 1970s. John goes into alcoholic withdrawal and experiences hallucinations as a result of Teddy's last victim, Cindy Hawkins, whose body John had never been able to find. John's hallucinations and guilt cause him to search for clues to the location of her body with disregard to anything else.
He emerges from the bunker due to Cindy calling to him and, after putting down a reanimated Dakota, finds the Stalkers watching him. The Stalkers demand that John and June surrender, while John realizes June has been lying the whole time about how long they must wait, afraid of facing the outside world without her husband. Briefly abandoning June to search for Cindy's body, John snaps out of it in time to kill the Stalkers and save June. The two subsequently discover Cindy's body in the bunker by accident, bringing John peace. The bunker collapses, but the two are rescued by Strand's Rangers and taken to the Tower. When Morgan arrives at the bunker, Strand contacts him on a radio. Morgan threatens to kill his former friend if Strand hurts anyone he cares about, but Strand is unmoved by his threats.
Season 7, Episode 3 of "Fear the Walking Dead," titled "Cindy Hawkins," dives deep into the backstory of June and John Dorie Sr. As they find refuge in an old, abandoned bunker that once belonged to serial killer Teddy. This episode adeptly intertwines the current apocalyptic struggles with the psychological ghosts of the past, setting a chilling tone from the outset.
The central plot revolves around June and John Dorie Sr. As they sift through the remnants of Teddy's bunker, uncovering artifacts that reveal more about Teddy's gruesome past, and importantly, the mysterious Cindy Hawkins. The bunker serves as a claustrophobic backdrop, enhancing the episode's tense and eerie atmosphere. As they delve deeper, they encounter physical and emotional traps left behind, which Teddy had set for his victims, metaphorically trapping June and John as well.
A particularly striking scene involves the discovery of Cindy Hawkins' belongings, leading to a cathartic moment for John Dorie Sr., who had been haunted by his failure to capture Teddy sooner in his career. This moment is both a narrative and emotional climax of the episode, as it confronts the theme of unresolved past trauma and the search for redemption. The episode does a commendable job portraying how past and present horrors can intertwine, mirroring the outside world's chaos within the confines of the bunker.
Cindy Hawkins" stands out in its season for its psychological depth and character development, particularly for John Dorie Sr., who emerges as a more fleshed-out character grappling with guilt and seeking closure. The cinematography and tight scripting keep viewers engaged, while the episode's pace maintains suspense and dread effectively. Overall, this episode is a strong entry in the series, offering a mix of psychological horror with poignant drama, and emphasizes that sometimes the ghosts of the past are as terrifying as the zombies outside.
He emerges from the bunker due to Cindy calling to him and, after putting down a reanimated Dakota, finds the Stalkers watching him. The Stalkers demand that John and June surrender, while John realizes June has been lying the whole time about how long they must wait, afraid of facing the outside world without her husband. Briefly abandoning June to search for Cindy's body, John snaps out of it in time to kill the Stalkers and save June. The two subsequently discover Cindy's body in the bunker by accident, bringing John peace. The bunker collapses, but the two are rescued by Strand's Rangers and taken to the Tower. When Morgan arrives at the bunker, Strand contacts him on a radio. Morgan threatens to kill his former friend if Strand hurts anyone he cares about, but Strand is unmoved by his threats.
Season 7, Episode 3 of "Fear the Walking Dead," titled "Cindy Hawkins," dives deep into the backstory of June and John Dorie Sr. As they find refuge in an old, abandoned bunker that once belonged to serial killer Teddy. This episode adeptly intertwines the current apocalyptic struggles with the psychological ghosts of the past, setting a chilling tone from the outset.
The central plot revolves around June and John Dorie Sr. As they sift through the remnants of Teddy's bunker, uncovering artifacts that reveal more about Teddy's gruesome past, and importantly, the mysterious Cindy Hawkins. The bunker serves as a claustrophobic backdrop, enhancing the episode's tense and eerie atmosphere. As they delve deeper, they encounter physical and emotional traps left behind, which Teddy had set for his victims, metaphorically trapping June and John as well.
A particularly striking scene involves the discovery of Cindy Hawkins' belongings, leading to a cathartic moment for John Dorie Sr., who had been haunted by his failure to capture Teddy sooner in his career. This moment is both a narrative and emotional climax of the episode, as it confronts the theme of unresolved past trauma and the search for redemption. The episode does a commendable job portraying how past and present horrors can intertwine, mirroring the outside world's chaos within the confines of the bunker.
Cindy Hawkins" stands out in its season for its psychological depth and character development, particularly for John Dorie Sr., who emerges as a more fleshed-out character grappling with guilt and seeking closure. The cinematography and tight scripting keep viewers engaged, while the episode's pace maintains suspense and dread effectively. Overall, this episode is a strong entry in the series, offering a mix of psychological horror with poignant drama, and emphasizes that sometimes the ghosts of the past are as terrifying as the zombies outside.
Sadly, this is the best episode of the season so far. It's time for Morgan and grace to go. They are both annoying and stupid. Victor has remembered that he wants to be king of the world so any episodes centric to him will be just as bad. I didn't particularly like this episode. It's just better than the first two. This really needs to be the last season.
Nothing much to say just waiting for something to change. Maybe it's time to finally give the crap up
What the hell is this show now... it used to be so epic.
Hallucinating is such a common and generic theme in the Walking Dead franchise now that it's gotten over blown.
Instead of spending an entire episode with a man hallucinating, you could've spent more time allowing him & Jenna Elfman's character to finally decide to get out of their base and explore/see the world as well as have some good common dialogue, but no! Instead, it was more or less mostly hallucinating.
Instead of spending an entire episode with a man hallucinating, you could've spent more time allowing him & Jenna Elfman's character to finally decide to get out of their base and explore/see the world as well as have some good common dialogue, but no! Instead, it was more or less mostly hallucinating.
I dont like how showrunners and writters are turning this wonderful series into an anthology. In Dave Ericson's times this used to be like a long movie split into episodes.
Argumento
¿Sabías que…?
- TriviaFirst appearance of Jenna Elfman in season 7 after only being Credited Only.
- Bandas sonorasCalifornia Dreamin'
(uncredited)
Written by John Phillips and Michelle Phillips
Performed by The Mamas and the Papas
Opening scene. June puts on the song on the record player for breakfast with John Dorie Sr.
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Detalles
- Tiempo de ejecución46 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 16:9 HD
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What is the Spanish language plot outline for Cindy Hawkins (2021)?
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