When the last three are attending their black tie dinner, the table resembles one of the many sets for Judy Chicago's massive art installation, Dinner Party (1974), featuring 39 separate installations each representing a historically significant woman represented by a ceramic vagina, uterus, or vulva. Each of the sides of the triangle would be laid for 13 settings. Ironically, this display reduced women to reproductive organs--the opposite of 1970s-era "women's lib" ideology.
This is the shortest episode of the series.