The festival’s full Industry Days programme will take place from October 2-6.
Filmfest Hamburg’s Industry Days brings together the local industry with colleagues from throughout Germany and the international industry.
The programme of keynotes, panels, and workshops kicks off on October 2 with a keynote speech by one of Germany’s most prolific directors, Dominik Graf, known for features such as Fabian: Going To The Dogs and Beloved Sisters. It will be followed by discussions about the situation of emerging talents in Germany and the initiatives being developed to promote this up-and-coming generation of filmmakers.
For the second year running,...
Filmfest Hamburg’s Industry Days brings together the local industry with colleagues from throughout Germany and the international industry.
The programme of keynotes, panels, and workshops kicks off on October 2 with a keynote speech by one of Germany’s most prolific directors, Dominik Graf, known for features such as Fabian: Going To The Dogs and Beloved Sisters. It will be followed by discussions about the situation of emerging talents in Germany and the initiatives being developed to promote this up-and-coming generation of filmmakers.
For the second year running,...
- 9/28/2023
- by Martin Blaney
- ScreenDaily
Paris-based sales company beefs up slate ahead of Berlinale market.
Paris-based sales company Pyramide International has boarded Anna Novion’s Le Théorème de Marguerite and Marie Garel-Weiss’s Sur La Branche and will kick off pre-sales for the French dramas at the upcoming EFM.
Novion’s Le Théorème de Marguerite stars Ella Rumpf as the titular character, a brilliant mathematics student at France’s top university the Ecole Normale Supérieure. On the day of her thesis presentation, a mistake shakes up all the certainty in her planned-out life and she decides to quit everything and start afresh.
Rumpf notably starred...
Paris-based sales company Pyramide International has boarded Anna Novion’s Le Théorème de Marguerite and Marie Garel-Weiss’s Sur La Branche and will kick off pre-sales for the French dramas at the upcoming EFM.
Novion’s Le Théorème de Marguerite stars Ella Rumpf as the titular character, a brilliant mathematics student at France’s top university the Ecole Normale Supérieure. On the day of her thesis presentation, a mistake shakes up all the certainty in her planned-out life and she decides to quit everything and start afresh.
Rumpf notably starred...
- 2/13/2023
- by Rebecca Leffler
- ScreenDaily
Berlin-based sales outfit M-Appeal has closed distribution deals for Italy and Greece following the film’s world premiere at the Venice Film Festival.
The Israeli-Ukrainian co-production plays in Venice’s Horizons Extra section, and will have its North American premiere on Sept. 14 at Toronto Film Festival in the Contemporary World Cinema section.
Rome-based P.F.A Films Srl will distribute the film in Italy, with a theatrical release planned for April 2023. The company’s recent titles include “Fabian – Going to the Dogs” by Dominik Graf, “The Audition” by Ina Weisse, and “Border” by Abbasi Ali.
Pier Francesco Aiello, CEO of P.F.A Films, commented: “We were really impressed by the understated yet powerful telling of this complex story, that keeps you emotionally involved from the very first frame.”
Arthouse cinema distributor and streaming service Cinobo will handle distribution of the film in Greece, adding the film to their slate, which includes “Alcarras” by Carla Simón,...
The Israeli-Ukrainian co-production plays in Venice’s Horizons Extra section, and will have its North American premiere on Sept. 14 at Toronto Film Festival in the Contemporary World Cinema section.
Rome-based P.F.A Films Srl will distribute the film in Italy, with a theatrical release planned for April 2023. The company’s recent titles include “Fabian – Going to the Dogs” by Dominik Graf, “The Audition” by Ina Weisse, and “Border” by Abbasi Ali.
Pier Francesco Aiello, CEO of P.F.A Films, commented: “We were really impressed by the understated yet powerful telling of this complex story, that keeps you emotionally involved from the very first frame.”
Arthouse cinema distributor and streaming service Cinobo will handle distribution of the film in Greece, adding the film to their slate, which includes “Alcarras” by Carla Simón,...
- 9/6/2022
- by Leo Barraclough
- Variety Film + TV
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Fabian: Going to the Dogs (Dominik Graf)
In the first hour of Dominik Graf’s Fabian: Going to the Dogs, we see the title character running around 1920s Berlin, bumping into eccentric characters at bars and nightclubs while the camera moves and cuts at a whirlwind pace. It’s a time of indulgence and recklessness for Fabian and other young people in Germany, and then he finds himself standing face to face with a young woman in the back of a club. The camera cuts to a rapid-fire montage of both characters together and in love, scenes from later in the film we haven’t gotten to yet. Up to this point, Fabian was living in the present; without warning he begins to see a future,...
Fabian: Going to the Dogs (Dominik Graf)
In the first hour of Dominik Graf’s Fabian: Going to the Dogs, we see the title character running around 1920s Berlin, bumping into eccentric characters at bars and nightclubs while the camera moves and cuts at a whirlwind pace. It’s a time of indulgence and recklessness for Fabian and other young people in Germany, and then he finds himself standing face to face with a young woman in the back of a club. The camera cuts to a rapid-fire montage of both characters together and in love, scenes from later in the film we haven’t gotten to yet. Up to this point, Fabian was living in the present; without warning he begins to see a future,...
- 4/15/2022
- by Jordan Raup
- The Film Stage
New Release Wall
It’s possible that “Spider-Man: No Way Home” (Sony Pictures Home Entertainment) might have somehow been an even bigger box-office sensation had it not been released during a global pandemic, but all things considered, it still did pretty well for itself. Monetary success aside, this is a rousing and thrilling superhero tale that manages to feel self-contained as it compulsorily sets the stage for a whole bunch of upcoming MCU plot twists. The 4K and Blu-ray versions include a smattering of extras, including bloopers, panel discussions with the guest villains, and behind-the-scenes featurettes.
Also available:
“C’mon C’mon” (Lionsgate): Mike Mills’ disarmingly lovely look at family ties offers Joaquin Phoenix one of the more subdued and humane characters he’s ever played.
“Death on the Nile” (20th Century Studios): Toast Kenneth Branagh’s second Agatha Christie adaptation with enough champagne to fill the… oh, you know.
It’s possible that “Spider-Man: No Way Home” (Sony Pictures Home Entertainment) might have somehow been an even bigger box-office sensation had it not been released during a global pandemic, but all things considered, it still did pretty well for itself. Monetary success aside, this is a rousing and thrilling superhero tale that manages to feel self-contained as it compulsorily sets the stage for a whole bunch of upcoming MCU plot twists. The 4K and Blu-ray versions include a smattering of extras, including bloopers, panel discussions with the guest villains, and behind-the-scenes featurettes.
Also available:
“C’mon C’mon” (Lionsgate): Mike Mills’ disarmingly lovely look at family ties offers Joaquin Phoenix one of the more subdued and humane characters he’s ever played.
“Death on the Nile” (20th Century Studios): Toast Kenneth Branagh’s second Agatha Christie adaptation with enough champagne to fill the… oh, you know.
- 4/5/2022
- by Alonso Duralde
- The Wrap
Matthias Luthardt with Anne-Katrin Titze on his cello musicianship inspiring Clemens Berg’s role in Pingpong: “I used to play a lot when I was a teenager. I was playing intensely.”
My first interaction with Matthias Luthardt, the director of the upcoming Dh Lawrence adaptation of The Fox (Der Fuchs), written by Sebastian Bleyl, starring Luise Aschenbrenner (Dominik Graf’s Erich Kästner adaptation of Fabian: Going to the Dogs) and Christa Théret (Olivier Assayas’s Non-Fiction) was when I sent in a question during the Face to Face with German Films in 2022 filmmakers' panel in Berlin: “Which film you saw did you particularly like in 2021?” His response was Joachim Trier’s Oscar nominated The Worst Person In The World, starring Cannes Best Actress winner Renate Reinsve and Anders Danielsen Lie.
Sebastian Urzendowsky and Clemens Berg in Pingpong
Autumn 1929 - Shadows above Babylon and Pingpong,...
My first interaction with Matthias Luthardt, the director of the upcoming Dh Lawrence adaptation of The Fox (Der Fuchs), written by Sebastian Bleyl, starring Luise Aschenbrenner (Dominik Graf’s Erich Kästner adaptation of Fabian: Going to the Dogs) and Christa Théret (Olivier Assayas’s Non-Fiction) was when I sent in a question during the Face to Face with German Films in 2022 filmmakers' panel in Berlin: “Which film you saw did you particularly like in 2021?” His response was Joachim Trier’s Oscar nominated The Worst Person In The World, starring Cannes Best Actress winner Renate Reinsve and Anders Danielsen Lie.
Sebastian Urzendowsky and Clemens Berg in Pingpong
Autumn 1929 - Shadows above Babylon and Pingpong,...
- 4/2/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Mubi has unveiled its streaming offerings this April in the U.S. and leading the pack is a special spotlight on Franz Rogowski, star of their recent theatrical release Great Freedom. Selections include Christian Petzold’s Transit as well as a pair of underseen offerings, Luzifer and Aisles.
Also in the lineup are a number of recent releases, including Dominik Graf’s Fabian: Going to the Dogs, Alice Rohrwacher, Francesco Munzi, and Pietro Marcello’s Futura, Mario Furloni and Kate McLean’s Freeland, and Sion Sono’s Red Post On Escher Street. Timed with her new documentary Cow, a trio of shorts by Andrea Arnold will also arrive.
Check out the lineup below and get 30 days free here.
April 1 | Battle Royale | Kinji Fukasaku
April 2 | Mood Indigo | Michel Gondry
April 3 | Army of Shadows | Jean-Pierre Melville
April 4 | Wasp | Andrea Arnold | Three Shorts by Andrea Arnold
April 5 | Tracks | Henry Jaglom | Method in the...
Also in the lineup are a number of recent releases, including Dominik Graf’s Fabian: Going to the Dogs, Alice Rohrwacher, Francesco Munzi, and Pietro Marcello’s Futura, Mario Furloni and Kate McLean’s Freeland, and Sion Sono’s Red Post On Escher Street. Timed with her new documentary Cow, a trio of shorts by Andrea Arnold will also arrive.
Check out the lineup below and get 30 days free here.
April 1 | Battle Royale | Kinji Fukasaku
April 2 | Mood Indigo | Michel Gondry
April 3 | Army of Shadows | Jean-Pierre Melville
April 4 | Wasp | Andrea Arnold | Three Shorts by Andrea Arnold
April 5 | Tracks | Henry Jaglom | Method in the...
- 3/31/2022
- by Leonard Pearce
- The Film Stage
Erich Kästner’s Fabian: The Story of a Moralist (republished in 2012 by New York Review of Books as Going to the Dogs: The Story of a Moralist), though less known in the West than the contemporaneous Berlin Alexanderplatz or the works of Mann and Rilke, was highly regarded in Germany in the aftermath of World War II for its depiction of life in Berlin just prior to Hitler’s rise to power. That life—as Kästner sees it—is degraded by sexual promiscuity and economic depression, and although Kästner uncritically reflects his protagonist’s tendency to dismiss the escapades of men as humorous and […]
The post “After a Promising Beginning, The Producer Absconded”: Dominik Graf on Fabian: Going to the Dogs first appeared on Filmmaker Magazine.
The post “After a Promising Beginning, The Producer Absconded”: Dominik Graf on Fabian: Going to the Dogs first appeared on Filmmaker Magazine.
- 2/14/2022
- by Forrest Cardamenis
- Filmmaker Magazine-Director Interviews
Erich Kästner’s Fabian: The Story of a Moralist (republished in 2012 by New York Review of Books as Going to the Dogs: The Story of a Moralist), though less known in the West than the contemporaneous Berlin Alexanderplatz or the works of Mann and Rilke, was highly regarded in Germany in the aftermath of World War II for its depiction of life in Berlin just prior to Hitler’s rise to power. That life—as Kästner sees it—is degraded by sexual promiscuity and economic depression, and although Kästner uncritically reflects his protagonist’s tendency to dismiss the escapades of men as humorous and […]
The post “After a Promising Beginning, The Producer Absconded”: Dominik Graf on Fabian: Going to the Dogs first appeared on Filmmaker Magazine.
The post “After a Promising Beginning, The Producer Absconded”: Dominik Graf on Fabian: Going to the Dogs first appeared on Filmmaker Magazine.
- 2/14/2022
- by Forrest Cardamenis
- Filmmaker Magazine - Blog
Dominik Graf has been busy turning out termite art for decades. Finding a home on German TV shows like Tatort and Police Call 310, which air feature-length episodes with self-contained storylines, his work is modest but powerful, somewhere between Michael Mann and Johnnie To. Though subject of a retrospective at New York’s Anthology Film Archives in 2019, he has only recently received much attention outside Germany. His dedication to genre cinema––to which he has devoted two documentaries––and disdain for New German Cinema helps explains this, as does the infrequency with which subtitled TV is imported here. Two of his best films, Cold Spring and Bitter Innocence, are acridly cynical examinations of capitalism’s effect on German family life, mixing family melodrama with thriller.
Fabian: Going to the Dogs takes seemingly familiar ground and breathes new life into it. Set in 1931, it shows the gradual rise of fascism as a...
Fabian: Going to the Dogs takes seemingly familiar ground and breathes new life into it. Set in 1931, it shows the gradual rise of fascism as a...
- 2/14/2022
- by Steve Erickson
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Ballad of a White Cow (Behtash Sanaeeha and Maryam Moghaddam)
The cruelty of the Iranian justice system is in the spotlight again in Ballad of a White Cow, the compelling debut of directing team Behtash Sanaeeha and Maryam Moghaddam that unfurled in competition at Berlin. Just last year, Mohamad Rasoulof won the festival’s top prize for his anti-capital punishment polemic There Is No Evil, a masterful weaving of four storylines that showed how a morally bankrupt state corrodes those forced to carry out its functions, a searing portrait of the banality of evil. – Ed F. (full review)
Where to Stream: Mubi (free for 30 days)
Bigbug (Jean-Pierre Jeunet)
Bigbug is set in the year 2045 and centers on a group of mismatched suburbanites who,...
Ballad of a White Cow (Behtash Sanaeeha and Maryam Moghaddam)
The cruelty of the Iranian justice system is in the spotlight again in Ballad of a White Cow, the compelling debut of directing team Behtash Sanaeeha and Maryam Moghaddam that unfurled in competition at Berlin. Just last year, Mohamad Rasoulof won the festival’s top prize for his anti-capital punishment polemic There Is No Evil, a masterful weaving of four storylines that showed how a morally bankrupt state corrodes those forced to carry out its functions, a searing portrait of the banality of evil. – Ed F. (full review)
Where to Stream: Mubi (free for 30 days)
Bigbug (Jean-Pierre Jeunet)
Bigbug is set in the year 2045 and centers on a group of mismatched suburbanites who,...
- 2/11/2022
- by Jordan Raup
- The Film Stage
Berlin-based sales agency Picture Tree Intl. has added to its European Film Market slate “Love Thing,” starring top German actor Elyas M’Barek, whose credits include “The Collini Case.” Also on the slate is “Soul of a Beast,” which debuts its trailer below.
Despite the virtual nature of the EFM, the company has taken additional office space at the Marriott Hotel in Berlin’s Potsdamer Platz.
“Love Thing,” which also stars Lucie Heinze, Peri Baumeister and Alexandra Maria Lara, is directed and written by Anika Decker, whose last feature “High Society” sold widely. Decker scripted box office successes like “Rabbit Without Ears,” which grossed $85 million.
“Love Thing” is produced by German production-distribution powerhouse Constantin Film, which has set its release for July 7. The producers are Rüdiger Böss and Philipp Reuter; the co-producers are Anika Decker and Jan Decker; and the executive producer is Martin Moszkowicz. Picture Tree will present a first teaser trailer to select buyers.
Despite the virtual nature of the EFM, the company has taken additional office space at the Marriott Hotel in Berlin’s Potsdamer Platz.
“Love Thing,” which also stars Lucie Heinze, Peri Baumeister and Alexandra Maria Lara, is directed and written by Anika Decker, whose last feature “High Society” sold widely. Decker scripted box office successes like “Rabbit Without Ears,” which grossed $85 million.
“Love Thing” is produced by German production-distribution powerhouse Constantin Film, which has set its release for July 7. The producers are Rüdiger Böss and Philipp Reuter; the co-producers are Anika Decker and Jan Decker; and the executive producer is Martin Moszkowicz. Picture Tree will present a first teaser trailer to select buyers.
- 2/2/2022
- by Leo Barraclough
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSHong Sang-soo's The Novelist's Film (2022)The competition slate has been announced for this year's Berlinale, featuring the latest by Hong Sang-soo, Claire Denis, Rithy Panh, Phyllis Nagy, Ulrich Seidl, and more. Find the rest of the lineup here. In an interview with Variety, executive Mariette Rissenbeek and artistic director Carlo Chatrian discuss their plans for the festival to be an in-person event. Actor Michel Subor has died at the age of 86. Subor captivated audiences with his performances in films like Jean-Luc Godard's Le petit soldat (1960)—he also was the narrator for François Truffaut's Jules and Jim (1962)—and a number of films by Claire Denis, from Beau travail (1999) and L'intrus (2004) to White Material (2009) and Bastards (2013). We recommend reading Yasmina Price's excellent essay on L'intrus and Subor's distinct historiography as an actor. Recommended VIEWINGThe...
- 1/19/2022
- MUBI
As we approach the beginning of the 2022 Berlin International Film Festival, one of the features that made its world premiere at last year’s event is finally arriving in theaters, “Fabian: Going to the Dogs.”
As seen in the trailer, “Fabian” tells the story of the title character, a man who fully embraces the nightlife in 1931 Berlin, going from bars to brothels and everything in between. But when he meets a woman who sweeps him off his feet, he has to figure out how to reckon with his past life and deal with a different type of future.
Continue reading ‘Fabian: Going To The Dogs’ Trailer: Dominik Graf’s Period Drama Shows The Debauchery Of 1930s Berlin at The Playlist.
As seen in the trailer, “Fabian” tells the story of the title character, a man who fully embraces the nightlife in 1931 Berlin, going from bars to brothels and everything in between. But when he meets a woman who sweeps him off his feet, he has to figure out how to reckon with his past life and deal with a different type of future.
Continue reading ‘Fabian: Going To The Dogs’ Trailer: Dominik Graf’s Period Drama Shows The Debauchery Of 1930s Berlin at The Playlist.
- 1/17/2022
- by Charles Barfield
- The Playlist
One of the major films premiering at last year’s Berlin International Film Festival, Dominik Graf’s Fabian: Going to the Dogs, is now finally getting a release a year later courtesy of Kino Lorber. Set in 1931 Berlin, the three-hour drama follows a man working in advertising for cigarettes who falls in love with a burgeoning actress in pre-Nazi Germany. Ahead of a February 11 release, the new U.S. trailer has now arrived.
Naming it one of his favorite films of 2021, C.J. Prince said, “For a good while, Graf’s film gets drunk on the optimism of up and comers like Fabian, his lover, and their friends, but given the setting of post-wwi Germany we all know how this story ends. Adapted from Erich Kästner’s 1931 novel (which was censored at the time), Fabian sets itself up as a tale about a moralist unable to keep up with the decline of the Weimar Republic.
Naming it one of his favorite films of 2021, C.J. Prince said, “For a good while, Graf’s film gets drunk on the optimism of up and comers like Fabian, his lover, and their friends, but given the setting of post-wwi Germany we all know how this story ends. Adapted from Erich Kästner’s 1931 novel (which was censored at the time), Fabian sets itself up as a tale about a moralist unable to keep up with the decline of the Weimar Republic.
- 1/17/2022
- by Jordan Raup
- The Film Stage
Our annual tradition of Fantasy Double Features asks the year's Notebook contributors to pair something new with something old, with the only requirement being the films have to have been freshly seen this year.Part diary of memorable viewing during 2021, part creative prompt to think about how cinema's present speaks to its past (and vice versa), the 14th edition of our end of year poll weaves between theater-going and home-viewing so seamlessly as to suggest that early pandemic impediments from last year are now quite normal. Yet clearly that hasn't stopped us from watching, being delighted by, and thinking about movies, and the wonderful combinations below are testaments to the dynamic, idiosyncratic, and interactive vitality of moviegoing wherever and however its being practiced.CONTRIBUTORSJett Allen | Paul Attard | Jennifer Lynde Barker | Susana Bessa | Michael M. Bilandic | Ela Bittencourt | Johannes Black | Joshua Bogatin | Alex Broadwell | Celluloid Liberation Front | Lillian Crawford | Adrian Curry...
- 1/13/2022
- MUBI
Cologne-based The Match Factory, one of the world’s leading arthouse sales agencies, is at Mia Market in Rome with two German features and one upcoming Italian project, following a busy summer with 20 premieres between Cannes and Toronto.
Nana Neul, best known for her film “My Friend From Faro,” is back with an entertaining German-Italian-Greek feature “Daughters,” starring Birgit Minichmayr, Alexandra Maria Lara and Josef Bierbichler. Produced by Germany’s Heimatfilm and distributed by Warner Bros Germany, the comedy hit German cinemas last week and has its international market premiere at Mia on Friday. The international festival premiere will follow soon.
Andreas Kleinert’s “Dear Thomas” is an authentic portrait of Thomas Brasch, one of the most talked about German authors of the last 50 years. The film stars the German actor Albrecht Schuch from “System Crasher,” “Berlin Alexanderplatz” and “Fabian: Going to the Dogs.” It celebrated its world premiere in...
Nana Neul, best known for her film “My Friend From Faro,” is back with an entertaining German-Italian-Greek feature “Daughters,” starring Birgit Minichmayr, Alexandra Maria Lara and Josef Bierbichler. Produced by Germany’s Heimatfilm and distributed by Warner Bros Germany, the comedy hit German cinemas last week and has its international market premiere at Mia on Friday. The international festival premiere will follow soon.
Andreas Kleinert’s “Dear Thomas” is an authentic portrait of Thomas Brasch, one of the most talked about German authors of the last 50 years. The film stars the German actor Albrecht Schuch from “System Crasher,” “Berlin Alexanderplatz” and “Fabian: Going to the Dogs.” It celebrated its world premiere in...
- 10/15/2021
- by Leo Barraclough
- Variety Film + TV
The Berlin ceremony brought together the German industry for the first time in 18 months.
Maria Schrader’s I’m Your Man was the big winner at the Lolas, the German Film Awards in Berlin on October 1, winning best film, best director, best screenwriter for Schrader and Jan Schomberg and best actress for Maren Eggert.
I’m Your Man is produced by Lisa Blumenberg’s Hamburg-based Letterbox Filmproduktion. It is Germany’s entry to the best international film category at the Oscars. I’m Your Man had its world premiere in competition at the Berlinale in March where Eggert also won the Berlinale’s Silver Bear for her performance.
Maria Schrader’s I’m Your Man was the big winner at the Lolas, the German Film Awards in Berlin on October 1, winning best film, best director, best screenwriter for Schrader and Jan Schomberg and best actress for Maren Eggert.
I’m Your Man is produced by Lisa Blumenberg’s Hamburg-based Letterbox Filmproduktion. It is Germany’s entry to the best international film category at the Oscars. I’m Your Man had its world premiere in competition at the Berlinale in March where Eggert also won the Berlinale’s Silver Bear for her performance.
- 10/4/2021
- by Martin Blaney
- ScreenDaily
German animation studio Fabian & Fred has boarded Spanish director Isabel Herguera’s animated feature “Sultana,” which is set between a fictional feminist utopia and India under British colonial rule.
The Spain-Germany co-production is inspired by a feminist utopian book “Sultana’s Dream,” written in 1905 by Rokeya Sakhawat Hossain, a Bengali female activist from a village in British India.
The two partners are in talks with an Indian partner to join the film, and Herguera is working with Indian animators.
The producers are Sultana Films (Gianmarco Serra), El Gatoverde Productions (Chelo Loureiro), and Fabian&Fred (Fabian Driehorst).
Herguera’s film, which is in pre-production, asks the question: What would it be like to live in a world where women play the roles of men, and vice versa?
“Sultana” follows Ines, a Spanish artist in her twenties, who discovers Hossain’s book “Sultana’s Dream.” Hossain’s story is set in Ladyland,...
The Spain-Germany co-production is inspired by a feminist utopian book “Sultana’s Dream,” written in 1905 by Rokeya Sakhawat Hossain, a Bengali female activist from a village in British India.
The two partners are in talks with an Indian partner to join the film, and Herguera is working with Indian animators.
The producers are Sultana Films (Gianmarco Serra), El Gatoverde Productions (Chelo Loureiro), and Fabian&Fred (Fabian Driehorst).
Herguera’s film, which is in pre-production, asks the question: What would it be like to live in a world where women play the roles of men, and vice versa?
“Sultana” follows Ines, a Spanish artist in her twenties, who discovers Hossain’s book “Sultana’s Dream.” Hossain’s story is set in Ladyland,...
- 9/24/2021
- by Liza Foreman
- Variety Film + TV
‘The Rig’ First Look
Up top is your first look at Amazon Prime Video’s upcoming series The Rig, which shot in Scotland this year. The show stars Iain Glen, Emily Hampshire and Martin Compston as the crew of the Kinloch Bravo oil rig stationed off the Scottish coast in the dangerous waters of the North Sea. When they are due to be collected and return to the mainland a mysterious and all-enveloping fog rolls through, cutting them off from the outside world. The series was created by David Macpherson and directed by John Strickland; Amazon will release in 2022.
German Oscar submissions
German Films has named the shortlist for its International Oscar submission this year, with 10 titles in contention. A nine-member committee will watch each picture and select the film that will go forward to the Academy. The 10 movies are: Copilot (Die Welt Wird Eine Andere Sein) – dir. Anne Zohra Berrached...
Up top is your first look at Amazon Prime Video’s upcoming series The Rig, which shot in Scotland this year. The show stars Iain Glen, Emily Hampshire and Martin Compston as the crew of the Kinloch Bravo oil rig stationed off the Scottish coast in the dangerous waters of the North Sea. When they are due to be collected and return to the mainland a mysterious and all-enveloping fog rolls through, cutting them off from the outside world. The series was created by David Macpherson and directed by John Strickland; Amazon will release in 2022.
German Oscar submissions
German Films has named the shortlist for its International Oscar submission this year, with 10 titles in contention. A nine-member committee will watch each picture and select the film that will go forward to the Academy. The 10 movies are: Copilot (Die Welt Wird Eine Andere Sein) – dir. Anne Zohra Berrached...
- 9/2/2021
- by Tom Grater
- Deadline Film + TV
Ammonite, Apples, Promising Young Woman, Supernova, The Dig, The Father and The Mauritanian are among the first wave of movies recommended by a European Film Awards committee for nomination at this year’s event.
A record number of movies have been suggested by the committee this year in light of the pandemic disruption. More than 40 films have been revealed today — features and docs — with more set to be revealed in September.
The feature films have been selected by a committee of the Academy Board and a range of European industry professionals. The documentary films have been selected by Efa Board Members Graziella Bildesheim (institutional/Italy) and Ada Solomon (producer/Romania), Katja Gauriloff, Kathrin Kohlstedde (festival programmer/Germany), Veton Nurkollari (artistic director/Kosovo), Orwa Nyrabia, Rada Šešić (festival programmer and filmmaker/Bosnia & Herzegovina/The Netherlands), Rajesh Thind and...
A record number of movies have been suggested by the committee this year in light of the pandemic disruption. More than 40 films have been revealed today — features and docs — with more set to be revealed in September.
The feature films have been selected by a committee of the Academy Board and a range of European industry professionals. The documentary films have been selected by Efa Board Members Graziella Bildesheim (institutional/Italy) and Ada Solomon (producer/Romania), Katja Gauriloff, Kathrin Kohlstedde (festival programmer/Germany), Veton Nurkollari (artistic director/Kosovo), Orwa Nyrabia, Rada Šešić (festival programmer and filmmaker/Bosnia & Herzegovina/The Netherlands), Rajesh Thind and...
- 8/24/2021
- by Andreas Wiseman
- Deadline Film + TV
In his latest work, “Fabian — Going to the Dogs,” Dominik Graf adapts a work that defines the tragic, hedonistic and dysfunctional era of the Weimar Republic from a writer widely known for his children’s books.
Set in 1931 Berlin, the story, based on Erich Kästner’s novel of the same name, is seen through the eyes of Jakob Fabian (Tom Schilling), a fatalistic writer who finds solace in his love for Cornelia, played by Saskia Rosendahl (“Never Look Away”) and his best friend Stephan (European Shooting Star Albrecht Schuch), and the wild nights of the city’s outlandish establishments while longing for the return of decency in a society gone astray.
The film premiered in competition at this year’s Berlin Film Festival and screened this week at Rotterdam Film Festival.
Graf, one of Germany’s preeminent filmmakers, is behind such lauded works as “The Cat,” “A Map of the Heart,...
Set in 1931 Berlin, the story, based on Erich Kästner’s novel of the same name, is seen through the eyes of Jakob Fabian (Tom Schilling), a fatalistic writer who finds solace in his love for Cornelia, played by Saskia Rosendahl (“Never Look Away”) and his best friend Stephan (European Shooting Star Albrecht Schuch), and the wild nights of the city’s outlandish establishments while longing for the return of decency in a society gone astray.
The film premiered in competition at this year’s Berlin Film Festival and screened this week at Rotterdam Film Festival.
Graf, one of Germany’s preeminent filmmakers, is behind such lauded works as “The Cat,” “A Map of the Heart,...
- 6/6/2021
- by Ed Meza
- Variety Film + TV
Mona Fastvold’s “The World to Come,” starring Katherine Waterston and Vanessa Kirby, will open the hybrid summer component – running June 2-6 – of the International Film Festival Rotterdam’s 50th edition. Hirota Yusuke’s animated feature “Poupelle of Chimney Town” will close the event.
“The World to Come” is a romantic drama about the forbidden love between two women, played by Waterston and Kirby, in 1850s Upstate New York. The film will be shown as a timed premiere online on June 2, followed by physical screenings in Rotterdam theaters during the festival.
The European premiere of “Poupelle of Chimney Town” is an adaptation of Nishino Akihiro’s children book. It is an imaginative family film with the climate crisis at its heart, produced by Studio 4°C, producers of “Children of the Sea,” which ran in Rotterdam last year. The film will be available on demand until June 9.
The first part of the festival,...
“The World to Come” is a romantic drama about the forbidden love between two women, played by Waterston and Kirby, in 1850s Upstate New York. The film will be shown as a timed premiere online on June 2, followed by physical screenings in Rotterdam theaters during the festival.
The European premiere of “Poupelle of Chimney Town” is an adaptation of Nishino Akihiro’s children book. It is an imaginative family film with the climate crisis at its heart, produced by Studio 4°C, producers of “Children of the Sea,” which ran in Rotterdam last year. The film will be available on demand until June 9.
The first part of the festival,...
- 5/18/2021
- by Leo Barraclough
- Variety Film + TV
Dominik Graf’s Golden Bear contender came in joint second on Screen’s Berlin jury grid.
Paris-based Les Films du Losange has announced a raft of international deals on German director Dominik Graf’s Weimar Republic-era drama Fabian which made its world premiere in competition at the online Berlinale last week.
The film has sold to Japan (Moviola), Australia and New Zealand (Palace Films), China (Huanxi Media), South Korea (Alto Media), Taiwan (Swallow Wings), Portugal (Legendmain Filmes), Poland (Aurora), Hungary (Cirko) and the Baltic States (European Film Forum Scanorama).
These deals come hot on the heels of last week’s...
Paris-based Les Films du Losange has announced a raft of international deals on German director Dominik Graf’s Weimar Republic-era drama Fabian which made its world premiere in competition at the online Berlinale last week.
The film has sold to Japan (Moviola), Australia and New Zealand (Palace Films), China (Huanxi Media), South Korea (Alto Media), Taiwan (Swallow Wings), Portugal (Legendmain Filmes), Poland (Aurora), Hungary (Cirko) and the Baltic States (European Film Forum Scanorama).
These deals come hot on the heels of last week’s...
- 3/12/2021
- by Melanie Goodfellow
- ScreenDaily
When he was offered the lead role in Fabian —Going to the Dogs, a coming-of-age tell set in Berlin in the early 1930s, Tom Schilling wasn’t really interested in doing another period drama.
The German star, who played a post-war, avant-garde artist in Florian Henckel von Donnersmarck’s Oscar-nominated Never Look Away (2018), the seminal East Berlin playwright Bertold Brecht in Brecht (2019) from Heinrich Breloer, and a pacifist sent to the Eastern Front in WW2 series Generation War (2013), also wasn’t a fan of the Erich Kästner book the film was based on: a largely autobiographical novel about a would-be ...
The German star, who played a post-war, avant-garde artist in Florian Henckel von Donnersmarck’s Oscar-nominated Never Look Away (2018), the seminal East Berlin playwright Bertold Brecht in Brecht (2019) from Heinrich Breloer, and a pacifist sent to the Eastern Front in WW2 series Generation War (2013), also wasn’t a fan of the Erich Kästner book the film was based on: a largely autobiographical novel about a would-be ...
- 3/10/2021
- The Hollywood Reporter - Film + TV
German author Erich Kästner is most celebrated for the children’s novel Emil and the Detectives, but he was one of the more renowned men of letters of his day, publishing poetry, reviews, and satirical columns in Berlin liberal newspapers like Berliner Tageblatt and Vossische Zeitung––both of which were shut down as the Third Reich ascended to power. His novel Fabian – Going to the Dogs was published earlier in 1932, but is now perceived as a prophetic harbinger for the Weimar Republic’s demise. And of course, notions of liberal democracy’s twilight are rich in the minds of artists and commentators today, so here we have German literary film-specialist Dominik Graf with a timely and maybe predictable adaptation of Fabian.
Except, as sundry early viewers of Fabian have identified, this is a story and milieu bathed in overfamiliarity, and Graf’s three-hour film version doesn’t distinguish itself well...
Except, as sundry early viewers of Fabian have identified, this is a story and milieu bathed in overfamiliarity, and Graf’s three-hour film version doesn’t distinguish itself well...
- 3/5/2021
- by David Katz
- The Film Stage
With a strong showing at this year’s Berlin Film Festival that includes the directorial debut of Daniel Brühl and new works by Maria Schrader and Dominik Graf in competition, German films are set to garner much of the spotlight at the accompanying European Film Market.
Brühl, who is set to reprise his role as the vengeful Helmut Zemo in the upcoming Marvel series “The Falcon and the Winter Soldier,” explores the contradictions of present-day Berlin in “Next Door.” The seemingly self-referential story has Brühl playing Daniel, a successful actor living in the city’s Prenzlauer Berg district, who is about to jet off to audition for a role in a superhero movie. His life suddenly changes when he is confronted by a disgruntled neighbor, played by Peter Kurth (“Babylon Berlin”), a victim of gentrification in former East Berlin and one of the many losers of German reunification.
Written by bestselling author Daniel Kehlmann,...
Brühl, who is set to reprise his role as the vengeful Helmut Zemo in the upcoming Marvel series “The Falcon and the Winter Soldier,” explores the contradictions of present-day Berlin in “Next Door.” The seemingly self-referential story has Brühl playing Daniel, a successful actor living in the city’s Prenzlauer Berg district, who is about to jet off to audition for a role in a superhero movie. His life suddenly changes when he is confronted by a disgruntled neighbor, played by Peter Kurth (“Babylon Berlin”), a victim of gentrification in former East Berlin and one of the many losers of German reunification.
Written by bestselling author Daniel Kehlmann,...
- 3/2/2021
- by Ed Meza
- Variety Film + TV
‘Fabian – Going to the Dogs’ Review: 3-Hour German Bildungsroman Is More Exhilarating Than It Sounds
Germany is on its postwar sickbed, and perched on the edge of self-destruction, in Dominik Graf’s epically sized yet intimately scaled, cracked picture of Weimar Berlin after WWI, and with omens of the next one creeping in. A 178-minute bildungsroman in the true sense, “Fabian – Going to the Dogs,” shot with primarily handheld digital camera and in the boxed-in Academy ratio, While perhaps padding its running time too robustly with strange and often even grotesque side characters, the movie ultimately falls squarely on Tom Schilling’s shoulders, the idealist of the title who chooses falling in love over ambition.
At 32 years old, Jakob Fabian is a 32-year-old war veteran back in the city and rattled by Ptsd, which is somewhat keeping his literary aspirations at bay as he works by day as an ad man for a cigarette company. Based on Erich Kästner’s novel of the same name,...
At 32 years old, Jakob Fabian is a 32-year-old war veteran back in the city and rattled by Ptsd, which is somewhat keeping his literary aspirations at bay as he works by day as an ad man for a cigarette company. Based on Erich Kästner’s novel of the same name,...
- 3/1/2021
- by Ryan Lattanzio
- Indiewire
Though little known in the English-speaking world, Erich Kästner’s slim novel originally translated in 1932 as “Fabian. The Story of a Moralist” is a brilliantly astute rendering of life in Weimar Berlin, straightforward and yet surreal, witty and perverse. To tackle it in cinema would seem like an impossible task, and while Dominik Graf’s “Fabian – Going to the Dogs” is to be commended for getting quite a lot right, the movie is blowsy where the book is succinct, awkwardly paced and portentous where Kästner is consistently rhythmical and unpretentious. Set in a teetering world of dissoluteness and disillusion in which a good man without professional ambition awakens to life’s promise only to have it all torn away, the story has modern resonances that Graf (“The Beloved Sisters” among many others) keenly underlines, and while the film’s core is affectingly developed, the rest tries too hard to expose...
- 3/1/2021
- by Jay Weissberg
- Variety Film + TV
Three bright, talented young people in their 20s struggle to find their place in a rotten society, scarred by Germany’s defeat in World War I and menaced by the rising tide of Nazism, in Fabian — Going to the Dogs (Fabian oder Der Gang vor die Hunde.) This second screen adaptation of Erich Kastner’s now classic 1931 novel (the first was directed by Wolf Gremm in 1980) marks a stylistically daring attempt to capture the zeitgeist by director Dominik Graf, who returns to Berlin competition where his historical romance Beloved Sisters bowed in 2014. Fabian’s Fassbinder redux atmosphere first attracts ...
Three bright, talented young people in their 20s struggle to find their place in a rotten society, scarred by Germany’s defeat in World War I and menaced by the rising tide of Nazism, in Fabian — Going to the Dogs (Fabian oder Der Gang vor die Hunde.) This second screen adaptation of Erich Kastner’s now classic 1931 novel (the first was directed by Wolf Gremm in 1980) marks a stylistically daring attempt to capture the zeitgeist by director Dominik Graf, who returns to Berlin competition where his historical romance Beloved Sisters bowed in 2014. Fabian’s Fassbinder redux atmosphere first attracts ...
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