Metacritic reviews

There are some tremendous misdirects, effective jump scares, and literal piles of gore. There just happens to be plenty of brains to go with all that blood.

Ti West’s X is a strange and wonderful return to form for the indie-horror phenom, an ode to the life-altering magic of cheap and dirty horror pictures. 13 years after his breakout hit in the genre, Ti West has added another great horror film to the canon.

Ti West is back with a violent vengeance, slicing and dicing through likable characters that light up the screen throughout their doomed and debaucherous overnight shoot. West is operating on another level — even the slightest editing cut cranks fear factors another notch higher.

With its shout-outs to horror classics and juicy pay-offs of its own, X feels like the movie West was born to make.

While you’re languishing in the performances and period detail, West is sneaking up to pull the rug out from beneath you, or to raze some outdated cliché. X is bloody, ballsy fun.

While West isn’t always operating on the same levels as his influences, his signature flair for tension through simmering slow-burn pacing remains unparalleled.

West delivers a crowd-pleasing return to horror that’s a love letter to the genre without becoming a parody.

X is a wily and entertaining slow-motion ride of terror that earns its shocks, along with its singular quease factor, which relates to the fact that the demons here are ancient specimens of humanity who actually have a touch of…humanity.

West’s frightfilms are playful — a stereotype is inverted as guys wander half-naked to their doom like stereotypical slasher starlets — but run to serious scares. X is a properly satisfying shocker.

X is a clever formal experiment, but one that plays like a feature-length joke for horror fans and filmmakers rather than offering a distinct perspective. West conjures nasty fun with a genre enthusiast’s expertise and then doesn't offer much beyond that.