Cougar Town Season 5, Episode 7 “Time to Move On”
Written by Brad Morris & Emily Wilson
Directed by Sam Jones
Airs Tuesday nights at 10pm Et on TBS
Cougar Town‘s recent existential streak may not have solved some of the fifth season’s struggles with intriguing storytelling, but it established themes for the season as a whole that the first five or six episodes largely lacked. Like “Hard on Me”, “Time to Move On” is about looking forward, trying to provide an avenue for the next generation, free of the trappings and mistakes these characters made for themselves the first time around. Ok, Laurie and Ellie’s lesbian adventures in the world of private school picnics doesn’t get quite this deep, but the framework is there: as the focal points of the episode, Jules and Ellie draw neat parallels between each other as women trying to protect the future of their children – and eventually,...
Written by Brad Morris & Emily Wilson
Directed by Sam Jones
Airs Tuesday nights at 10pm Et on TBS
Cougar Town‘s recent existential streak may not have solved some of the fifth season’s struggles with intriguing storytelling, but it established themes for the season as a whole that the first five or six episodes largely lacked. Like “Hard on Me”, “Time to Move On” is about looking forward, trying to provide an avenue for the next generation, free of the trappings and mistakes these characters made for themselves the first time around. Ok, Laurie and Ellie’s lesbian adventures in the world of private school picnics doesn’t get quite this deep, but the framework is there: as the focal points of the episode, Jules and Ellie draw neat parallels between each other as women trying to protect the future of their children – and eventually,...
- 2/19/2014
- by Randy Dankievitch
- SoundOnSight
By Sean O’Connell
Ryan Piers Williams’ “The Dry Land,” a Sundance Film Festival favorite, took home the top prize at the Dallas International Film Festival Friday evening, earning a $25,000 cash prize for the Target Filmmaker Award for Best Narrative Feature. In addition, Lucy Walker’s “Waste Land” received a $25,000 cash prize for the Target Filmmaker Award for Best Documentary Feature.
“Dry Land” stars America Ferrera and Wilmer Valderrama were on hand during the fest. Their film follows a U.S. soldier as he returns home from Iraq to Texas and tries to assimilate back into society.
The Documentary competition jury also gave a Special Jury Prize to Michael Pertnoy’s and Michael Kleiman’s “The Last Survivor” and a Special Mention for Editing (for Claire Didier’s work on the film) to Mark Landsman’s “Thunder Soul.”
Dallas Star Award recipient John Lee Hancock (The Blind Side) made the...
Ryan Piers Williams’ “The Dry Land,” a Sundance Film Festival favorite, took home the top prize at the Dallas International Film Festival Friday evening, earning a $25,000 cash prize for the Target Filmmaker Award for Best Narrative Feature. In addition, Lucy Walker’s “Waste Land” received a $25,000 cash prize for the Target Filmmaker Award for Best Documentary Feature.
“Dry Land” stars America Ferrera and Wilmer Valderrama were on hand during the fest. Their film follows a U.S. soldier as he returns home from Iraq to Texas and tries to assimilate back into society.
The Documentary competition jury also gave a Special Jury Prize to Michael Pertnoy’s and Michael Kleiman’s “The Last Survivor” and a Special Mention for Editing (for Claire Didier’s work on the film) to Mark Landsman’s “Thunder Soul.”
Dallas Star Award recipient John Lee Hancock (The Blind Side) made the...
- 4/17/2010
- by Sean O'Connell
- Hollywoodnews.com
Matt Aselton's "Gigantic" was named best narrative feature, a prize worth $25,000, at the AFI Dallas International Film Festival, which concluded Thursday.
Peter Callahan's "Against the Current" received a special jury prize.
Paul Saltzman's "Prom Night in Mississippi" was the winner of the best documentary feature prize, also worth $25,000, while Gustav Hofer and Luca Ragazzi's "Suddenly Last Winter" took the special jury prize.
Joe Berlinger's "Crude" won the $10,000 cash prize for the Current Energy Filmmaker Award, while David Lowery took home the Texas Filmmaker Award and $20,000 in cash, goods and services for his film "St. Nick."
Kazik Radwanski's "Princess Margaret Blvd." was named best short, with honorable mentions handed out to Todd Luoto's "Oil Change" and Denis Villeneuve's "Next Floor." The award for best student short went to Khary Jones' "Hug." Stephen Neary's "Chicken Cowboy" was hailed as best animated short.
Audience...
Peter Callahan's "Against the Current" received a special jury prize.
Paul Saltzman's "Prom Night in Mississippi" was the winner of the best documentary feature prize, also worth $25,000, while Gustav Hofer and Luca Ragazzi's "Suddenly Last Winter" took the special jury prize.
Joe Berlinger's "Crude" won the $10,000 cash prize for the Current Energy Filmmaker Award, while David Lowery took home the Texas Filmmaker Award and $20,000 in cash, goods and services for his film "St. Nick."
Kazik Radwanski's "Princess Margaret Blvd." was named best short, with honorable mentions handed out to Todd Luoto's "Oil Change" and Denis Villeneuve's "Next Floor." The award for best student short went to Khary Jones' "Hug." Stephen Neary's "Chicken Cowboy" was hailed as best animated short.
Audience...
- 4/3/2009
- by By Gregg Kilday
- The Hollywood Reporter - Movie News
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