Aggiungi una trama nella tua linguaHomicide detective Sean Nault, a cop on a parallel Earth whose technology is powered exclusively by magic. Sean investigates a baffling series of murders committed by a means he's never seen... Leggi tuttoHomicide detective Sean Nault, a cop on a parallel Earth whose technology is powered exclusively by magic. Sean investigates a baffling series of murders committed by a means he's never seen before: science. With the aid of Lenoir, a member of the ridiculed subculture of "pragmat... Leggi tuttoHomicide detective Sean Nault, a cop on a parallel Earth whose technology is powered exclusively by magic. Sean investigates a baffling series of murders committed by a means he's never seen before: science. With the aid of Lenoir, a member of the ridiculed subculture of "pragmatists" who believe science is more than the stuff of myths & children's stories, and the 13... Leggi tutto
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- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
- Helen
- (as Alisen Down)
- Andrew Ebbetts
- (as David Richmond Peck)
Recensioni in evidenza
If your going to watch a Kevin Sorbo film, you should already know that it's going to be of "B" quality. Given that, this was an interesting story-line; a 'magic world' as the norm, with an alternate universe 'scientific world' as the thing of myth.
The acting and the special effects were actually better than average for a Sorbo film, as well as for many of the new SyFy films being pumped out nowadays.
If your looking for an interesting scifi movie to chill-out and watch, this is well worth your time.
Overall I would give it at least a 5.0+
It's an interesting premise for a film. It was also an interesting premise for a film back in 1991 when HBO made the much-loved but little seen Cast a Deadly Spell. If you can track down a copy it's well worth a watch.
Unfortunately this (apparently adapted from a comic-book), is a complete mess.
If you're taking the audience to another world, a world that works in different and exciting ways, then the script needs to explain this new place and take the time to make it feel real. Instead the story here rocks along at breakneck speed with very little time or effort being spent on trying to seduce the audience and pull them along with it. Some of the dialogue is awful (and the voice-over at the end is especially bad).
Apparently this was originally intended for a cinematic release. However the decision to make it for TV must have been made before production began, as it looks every bit like a TV movie. The director has worked on the TV show Sanctury and it absolutely shows; the feel of it - the way it's been shot and the way CGI backgrounds are used - is absolutely identical. The difference is that here it falls absolutely flat.
Clearly much of the film is supposed to look and feel like a 50's noir (the costumes and sets), but no effort has been made to shoot and light it in any particular style (unless they were actually trying to make it look like cheap Canadian television). Occasionally the action stops and the scene turns into a drawn panel from a comic-book in a way that is supposed to be highly stylised and dynamic, but isn't. Here, in this film, it serves no purpose, looks wrong, happens far too often and ruins atmosphere. And then you have the use of CGI backgrounds, which are in a completely different style to anything else in the film and really jar. Sin City this isn't.
I would criticise the editing - there are some really strange choices that just don't work - but I honestly don't know if it's the editors fault. It feels like they only shot enough footage to properly fill 80 minutes or so and then they had to find ways of padding the running time out. So we get comic-book effects. So we get clunky, amateurish and unnecessary scenes (there's one scene of Sorbo thinking about Song, using flashbacks, which is just horrible), that suddenly crash in without warning and then crash out again. Also, some scenes just don't hang together properly and it sometimes feels as if a vital shot is missing.
The only good and worthwhile parts of this whole thing are the two leads, Kevin Sorbo and Steph Song. Watching Sorbo in something really second-rate made me realise how dependably good he is; there's nothing here that particularly stretches his talents but he still manages to get the job done despite having little to work with. Steph Song also takes an under-written role and manages to imbue it with some genuine heart and feeling. I ended up liking her character a lot and it was purely because of her performance. I predict that we'll see her in bigger and better things in the future.
In summary? The script fires the plot at you too fast, it looks and feels all wrong and the editor probably tried his best to rescue it but failed. And the actors deserved better.
Disappointing.
What's missing is the opportunity to really introduce how both worlds would interact as well as the various counter-parts like the television series Fringe (2008-2013) accomplished or the even more cutting edge fantasy series The Magicians (2015-2016). Paradox is able to display some intriguing magic in the fashion that Demolition Man (1993) accomplished for a look in a futuristic world or the intersection between animation and the real world in Last Action Hero (1993).
Overall, Paradox is a regular crime thriller fantasy which introduces a rather fun use of comic book animation together with live action film noir in a more literal sense then Sin City (2005). Don't expect too much here and you have a good possibility of some mindless but cute, predictable entertainment.
Lo sapevi?
- QuizBased on the Arcana Comic "Paradox".
- BlooperSupposedly guns that fire bullets do not exist in this parallel world. When Detective Nault is researching Churchill and his efforts during WW2 an image of a soldier holding an ordinary rifle can be clearly seen.
- Citazioni
Det. Sean Nault: It's a 44 magnum, the most powerful handgun in their world... can blow a man's head clean off.
- Curiosità sui creditiBron Studios wants to thank all of the talented crew and patient vendors involved with the production without which Paradox would not have been made.
- ConnessioniReferences Agente 007 - Missione Goldfinger (1964)
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