As the world searches for a cure to a disastrous virus, a scientist and park scout venture deep in the forest for a routine equipment run.
Director:
Writer:
Stars:
Awards:
- 1 win & 9 nominations.
- See more »
Reviews:
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Cast
| Joel Fry | ... |
Martin Lowery
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| Reece Shearsmith | ... |
Zach
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| Hayley Squires | ... |
Olivia Wendle
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| Ellora Torchia | ... |
Alma
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| John Hollingworth | ... |
James
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| Mark Monero | ... |
Frank
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Directed by
| Ben Wheatley | ||
Written by
| Ben Wheatley | ... | (written by) |
Produced by
| Michael S. Constable | ... | line producer (as Michael Constable) / line producer |
| Jeff Deutchman | ... | executive producer |
| Amy Jump | ... | executive producer |
| Tom Quinn | ... | executive producer |
| Andrew Starke | ... | producer (produced by) (as Andy Starke) |
| Ben Wheatley | ... | executive producer |
Music by
| Clint Mansell | ... | (music by) |
Cinematography by
| Nick Gillespie | ... | director of photography |
Editing by
| Ben Wheatley | ||
Editorial Department
| Sara Buxton | ... | assistant colourist |
| Zoe Cousins | ... | digital film bureau |
| Rob Farris | ... | digital intermediate head of production |
| Abbie Hawkins | ... | first assistant editor |
| Emma Liu | ... | assistant digital intermediate producer |
| Suhaila Mahmoud | ... | digital intermediate producer |
| Inigo Manby | ... | assistant editor |
| Alexander Phillips | ... | digital intermediate assistant |
| Daniel Tomlinson | ... | on-line editor |
Casting By
| Shaheen Baig | ||
Production Design by
| Felicity Hickson | ||
Costume Design by
| Emma Fryer | ||
Makeup Department
| Holly Caddy | ... | hair and makeup artist |
| Jess Heath | ... | key prosthetic artist |
| Emma Scott | ... | hair & makeup designer |
Production Management
| Hashim Alsaraf | ... | post-production supervisor |
| Ed Burrell | ... | unit manager |
| Filiz-Theres Erel | ... | production manager |
Second Unit Director or Assistant Director
| Andi Coldwell | ... | first assistant director |
| Charlie Vaughan | ... | key second assistant director |
| Jack Wren | ... | third assistant director |
Art Department
| Peter Eszenyi | ... | motion graphics |
| Callum Hickey | ... | property master |
| George Knowles | ... | standby props |
| Niall McKeever | ... | art department assistant |
| Steve Patterson | ... | construction coordinator |
| Richard Wells | ... | illustrator |
Sound Department
| Rob Entwistle | ... | sound mixer |
| Taz Fairbanks | ... | sound assistant |
| Xena Kirby | ... | mix technician |
| Tapio Liukkonen | ... | foley artist |
| Jordan Milliken | ... | first assistant sound |
| Martin Pavey | ... | sound designer/supervising sound editor/re-recording mixer |
| Nikki Ruck | ... | dialogue editor |
| Robbie Scott | ... | studio manager |
| Jessica Watkins | ... | mix technician |
Special Effects by
| Dewi Alun Foulkes | ... | special effects technician |
| Roz Gomersall | ... | special effects makeup: Key artist |
| Jess Heath | ... | special effects makeup: Key artist |
| Rachael Mao | ... | special effects makeup: sculptor |
| Dan Martin | ... | special makeup and figurative effects: Designer |
| Thomas Tuohey | ... | mechanical figurative effects: Lead engineer |
Visual Effects by
| Murray Barber | ... | visual effects supervisor |
| MJ Cunha | ... | additional rotoscoping: Milk VFX |
| Cyriak Harris | ... | Trip Visuals |
| Timothy P. Jones | ... | digital film bureau |
| Roo Knight-Jones | ... | visual effects producer (as Rory Knight-Jones) |
| Rob Pizzey | ... | digital colourist |
Stunts
| Neil Chapelhow | ... | utility stunts |
| Peter Pedrero | ... | stunt coordinator |
| Rashid Phoenix | ... | stunt double: Joel Fry |
Camera and Electrical Department
| Kevin Bell | ... | digital imaging technician |
| Andrew Butler | ... | b camera operator |
| Georgina Cook | ... | clapper-loader a-cam |
| Jason Cuddy | ... | first assistant camera |
| Edel Gardner | ... | shooting electrician |
| Alex Hollowbread | ... | second assistant camera: "b" camera |
| Alexandra Hollowbread | ... | clapper-loader b-cam |
| Tim Jordan | ... | gaffer |
| Ben Manwaring | ... | Best Boy |
| Matt Markham | ... | rigging electrician: dailies |
| Dimitrios Mavrogiannis | ... | electrician |
| Alex Parish | ... | first assistant camera: "b" camera |
| Ed Riley | ... | lighting desk operator |
| Maggie Stanaszek | ... | camera trainee |
| Danny R. Williams | ... | central loader |
Casting Department
| Jonny Boutwood | ... | Casting Department |
| Michelle Giovanni | ... | casting team |
Costume and Wardrobe Department
| Tracy McGregor | ... | costume supervisor |
Location Management
| Eleri Coulten | ... | supervising location manager |
| Emily de Mariveles | ... | locations marshal |
Music Department
| Geoff Foster | ... | score mixer |
Script and Continuity Department
| Anita Christy | ... | script supervisor |
Additional Crew
| Cecily Colahan | ... | production coordinator |
| Luane Gauer | ... | Head of Acquisitions: Protagonist Pictures |
| George Hamilton | ... | Head of Sales: Protagonist Pictures |
| Sam Jones | ... | floor runner |
| Natasha Khaleeq | ... | production assistant |
| Uli Kress | ... | covid supervisor |
| Emily Thomas | ... | Legal: Neon |
Thanks
| Jane Arthy | ... | special thanks |
| Philip d'Amecourt | ... | special thanks |
| Zoe Flower | ... | special thanks |
| Nick Forgacs | ... | special thanks |
| Will Hollinshead | ... | special thanks |
| Ben Howard | ... | special thanks |
| Sam Jones | ... | special thanks |
| Robert Messinger | ... | special thanks |
| Kate Morrison | ... | thanks |
| Kat Oliver | ... | special thanks |
| Sara Sehdev | ... | special thanks |
| Livi Shean | ... | special thanks |
| Jane Shearsmith | ... | special thanks |
| Simon Smith | ... | special thanks |
| Pete Tombs | ... | special thanks |
| Jacqueline White | ... | special thanks |
| Hugo Young | ... | special thanks |
Production Companies
Distributors
- Elevation Pictures (2021) (Canada) (theatrical)
- Neon (2021) (United States) (theatrical)
- Universal Pictures International (UPI) (2021) (United Kingdom) (theatrical)
- Entract Films (2021) (Canada) (Québec)
- Sky (2022) (United Kingdom) (tv)
Special Effects
Other Companies
- Cameraworks (camera equipment provided by)
- Lakeshore Records (soundtrack)
- Moneypenny (payroll)
- SK Media Rooms (accommodation agent)
- So Speedy (post production script)
Storyline
| Plot Summary | |
| Plot Keywords | |
| Taglines | Nature is a force of evil See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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| Official Sites | |
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Did You Know?
| Trivia | Director Ben Wheatley said the soundtrack was partially created using plants. See more » |
| Goofs | When, at the beginning, he learns that a previous team has gone missing, the main character asks if they have tried "GPRS". This is the technology behind text and phone calls. Presumably he meant "GPS", the technology for locating things. A lack of phone signal (GPRS) being the reason for a previous group getting lost discussed by the characters is an odd assertion. If GPS was meant, it requires no phone signal, just a satellite signal unencumbered by reflections or interference, and therefore would be able to give a precise location in the setting of the film. It is feasible that there would be no GPRS (2G cellular data signal) in such a remote location, but that would not affect being able to get a location. See more » |
| Movie Connections | Featured in 20 Best Movies Of 2021 (So Far) (2021). See more » |