Being the Best at Being the Best Was Not My Thing, So I Decided to Be the Best at Being the Worst

The episode sets the tone for the series right from the start: a blend of dark comedy, drama, and a narrative that teeters on the edge of absurdity. Clark's life is portrayed as a sequence of extravagant and often comedic events, underscored by a foundation of criminality and chaos.

Bill Skarsgård delivers a captivating performance as Clark Olofsson, combining charisma, arrogance, and a touch of childlike innocence. His portrayal brings a complex charm to the character, making Clark both likable and unpredictable.

Directed by Jonas Åkerlund, the episode does not hold back on its visual style, opting for a vibrant and chaotic aesthetic that mirrors Clark's mind and tumultuous life. The dynamic cinematography and bold choices in editing amplify the story's eccentric tone.

The narrative delves into Clark's early years, showing his time in and out of juvenile detention centers, his tendency toward delinquency, and his first prison escape. It's during this escape that he encounters what he considers the love of his life and reconnects with his mother. The episodic structure is purposeful, gradually building the myth of Clark as both a flawed individual and a larger-than-life figure.

The choppy editing is distracting and down right weird at times. Storyline is seemingly based off an interesting story, but not much of that shows in the first episode.