Adam Wong’s “The Way We Keep Dancing” is a follow up to his great success from 2013 – “The Way We Dance”, his indisputably great take on Hong Kong’s street dance culture. This time the focus isn’t that much on dancing itself, but on the irreparable harm to the art community caused by the cunning strategies developed by the urban planning machinery to gentrify parts of the city.
The Way We Keep Dancing is screening at Osaka Asian Film Festival
The story of this loosely plotted drama is centered around the key members of Kida (Kowloon Industrial City Artists), dancers, graffiti- and hip hop artists united in attempts to save their creative environment that is under constant threat of being deconstructed in one way or the other. Kowloon is alive with the sound of drilling, hammering, and buzzing of big construction machines. It is to that cacophony that the...
The Way We Keep Dancing is screening at Osaka Asian Film Festival
The story of this loosely plotted drama is centered around the key members of Kida (Kowloon Industrial City Artists), dancers, graffiti- and hip hop artists united in attempts to save their creative environment that is under constant threat of being deconstructed in one way or the other. Kowloon is alive with the sound of drilling, hammering, and buzzing of big construction machines. It is to that cacophony that the...
- 3/13/2021
- by Marina D. Richter
- AsianMoviePulse
Hong Kong Arts Centre has long sought to complement this industry by delivering a diverse range of alternative and non-mainstream cinema, thereby promoting appreciation of the richness and range of the moving image practice to the public through presentation. With an in-house cinema, it organises thematic screening programmes ranging from film classics, cutting edge works, short film, documentary to the best in foreign and independent cinema. As a film and media arts hub in Asia, it also serves as an incubator for artists who work with the moving image.
Here are the programmes and screenings scheduled for the months of March and April:
Bangkok Nites
New Cinema Collective: The Emerging Power Of Asian Cinema
Venue: Louis Koo Cinema, Hong Kong Arts Centre
Date: 2021.03.14 – 2021.03.25
Organised by New Cinema Collective, The Emerging Power of Asian Cinema aims to bring Hong Kong young filmmakers new inspiration and insight. Through case studies of Asian...
Here are the programmes and screenings scheduled for the months of March and April:
Bangkok Nites
New Cinema Collective: The Emerging Power Of Asian Cinema
Venue: Louis Koo Cinema, Hong Kong Arts Centre
Date: 2021.03.14 – 2021.03.25
Organised by New Cinema Collective, The Emerging Power of Asian Cinema aims to bring Hong Kong young filmmakers new inspiration and insight. Through case studies of Asian...
- 3/10/2021
- by Adriana Rosati
- AsianMoviePulse
Hong Kong’s film industry moved ahead on several fronts over the weekend after coronavirus-mandated lockdowns were reduced. But the return to business is likely to be uneven.
Cinemas reopened on Thursday, after being ordered shut since Dec. 2, 2020. A local producer-distributor Golden Scene pulled back the curtains on its expansion into exhibition. And Emperor Motion Picture unveiled plans for a big-budget movie, firmly centered in the territory’s crime drama tradition, and reuniting two of its most bankable stars Andy Lau and Tony Leung Chiu-wai, last seen together in the iconic “Infernal Affairs” trilogy.
Box office over the weekend totaled $2.2 million (Hk$17.1 million) over the four days between Thursday and Sunday, according to data from the Hong Kong Box Office Limited, a joint venture of the Motion Picture Industry Association and the Hong Kong Theater Association.
While the organization declined to provide running totals for each film, it said that...
Cinemas reopened on Thursday, after being ordered shut since Dec. 2, 2020. A local producer-distributor Golden Scene pulled back the curtains on its expansion into exhibition. And Emperor Motion Picture unveiled plans for a big-budget movie, firmly centered in the territory’s crime drama tradition, and reuniting two of its most bankable stars Andy Lau and Tony Leung Chiu-wai, last seen together in the iconic “Infernal Affairs” trilogy.
Box office over the weekend totaled $2.2 million (Hk$17.1 million) over the four days between Thursday and Sunday, according to data from the Hong Kong Box Office Limited, a joint venture of the Motion Picture Industry Association and the Hong Kong Theater Association.
While the organization declined to provide running totals for each film, it said that...
- 2/22/2021
- by Vivienne Chow
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.