A Freudian perspective on method acting
It's a different movie for sure. But it's like they really tried to make it different and didn't focus on the plot or the story.
Why is the sound mixing bad in Turkish movies? None of the dialogs can be understood.
Some of the character's behaviors don't make sense. These scenes, which are obviously filmed, look like they were shot by a bad director. For example, I don't understand whether a mother or a person who is doing a secret thing talks on the phone at home knowing that she will be overheard, or whether she walks somewhere without looking back. It seems like the director should have put some behaviors in. Why are there gaps or mistakes in these films, which are shot from the point of view of realism, called movie necessities?
Again, it's a movie within a movie, but why did the director cast the mother so young? Again, I think it's a movie thing. I don't know if the woman played well or badly, but you can hear in her voice that she doesn't believe in the role of the mother. She plays it very badly.
Why doesn't the child speak?
Falling in love with the mother or being obsessed and killing the father. A few questions arise. Could the woman be dating the child's father in real life because she plays the role of the child's mother and is obsessed with the character?
When the child becomes obsessed with the woman playing the mother, he takes on the character. The same asocial behavior, the same silence and obsession. But as I wrote above, we don't know why the child doesn't speak.
Why did they do this ritual thing? It's like they always want to put something in the movie. It distracts from the main subject or point of view. So many symbols, events and characters in one movie. Was it necessary?
Why is the sound mixing bad in Turkish movies? None of the dialogs can be understood.
Some of the character's behaviors don't make sense. These scenes, which are obviously filmed, look like they were shot by a bad director. For example, I don't understand whether a mother or a person who is doing a secret thing talks on the phone at home knowing that she will be overheard, or whether she walks somewhere without looking back. It seems like the director should have put some behaviors in. Why are there gaps or mistakes in these films, which are shot from the point of view of realism, called movie necessities?
Again, it's a movie within a movie, but why did the director cast the mother so young? Again, I think it's a movie thing. I don't know if the woman played well or badly, but you can hear in her voice that she doesn't believe in the role of the mother. She plays it very badly.
Why doesn't the child speak?
Falling in love with the mother or being obsessed and killing the father. A few questions arise. Could the woman be dating the child's father in real life because she plays the role of the child's mother and is obsessed with the character?
When the child becomes obsessed with the woman playing the mother, he takes on the character. The same asocial behavior, the same silence and obsession. But as I wrote above, we don't know why the child doesn't speak.
Why did they do this ritual thing? It's like they always want to put something in the movie. It distracts from the main subject or point of view. So many symbols, events and characters in one movie. Was it necessary?
