The Trotsky (2009) User Reviews

Ready for the revolution?

[lewiskendell · 7/10 · 17 December 2010]

"It's over. I'm not it. I'm not the man for the job."

The Trotsky came out of absolutely nowhere. I don't even know how it appeared on my radar, but I'm glad that it did. It's quite the little gem. 

It's the story of a teenager (named Leon) from Montreal who believes he is the reincarnation of the Marxist leader Leon Trotsky, and believes that his life will follow that of his predecessor exactly. Right down to exile, relationships, and even cause of death. He finds his "great cause" in the plight of the students at the public high school that his father sends him too, and puts all his energy into forming a union for them.

I found myself getting swept up into Leon's struggle against youth apathy very quickly, because he's such a likable character. Jay Baruchel plays him with his typical neurotic performance, but it works. You don't know how seriously to take him at first, but Leon believes so deeply in who he claims to be and what he's doing, that it's easy to let your disbelief go and just roll with it all. All the characters are pretty great, actually, and most of my enjoyment of the movie came from their interactions with each other.

So yeah, I'm recommending The Trotsky wholeheartedly. Don't immediately write it off if you have no idea who Leon Trotsky is. It's just a very likable comedy, and it puts a fresh spin on the "high school movie". I enjoyed it.

Boredom or Apathy?

[reneweddan · 8/10 · 5 October 2010]

The Trotsky is a teen-comedy with a hint of Goodbye Lenin's political satire and Charlie Bartlett's humour/plot. Although some of the acting seems mediocre, I enjoyed the film.

You don't need to understand the biography of Leon Trotsky, it explains it in a subtle way that is enough to enjoy the film, but doing research beforehand might be a decent idea.

Don't take this film too seriously, just enjoy it for what it is. It isn't like a normal film, it's sort of a modern teen-comedy about revolting against injustice, although the injustice is rather insignificant in the grand scheme of things.

Well-done, worth watching, but only if you have an open mind and enjoy quirky films about adolescent injustice.

Funny teen comedy with political jokes

[xtragediax · 8/10 · 2 June 2010]

I read some really bad reviews of this movie before going to see it. In the end, I liked it better than I thought I would. However, a lot of the political humour is very basic and wouldn't make sense to people with more than a passing knowledge of communism, activism, etc.

However, as a teen comedy, not to be taken seriously as a political film, it works very well for the most part. A lot of the scenes, acting, and one-liners are quite funny.

Some of the acting done by secondary characters is not really up to par. Even Leon's character or that of his co-stars (his parents, principal, would-be wife, etc.) tend to be one-dimensional. I think this film could have been improved by occasional moments of self-reflection or doubt. As it is, Leon's character tends to come across as a quirky cartoon a lot of the time.

Still, as a light form of amusement, it works quite well.

Neither Bored nor Apathy

[SnoopyStyle · 7/10 · 28 July 2014]

Leon Bronstein (Jay Baruchel) is a gawky teen who idolizes Leon Trotsky and wants to unionize his father (Saul Rubinek)'s business. He hounds leftist lawyer Frank McGovern (Michael Murphy) unless he agrees to help. He meets older woman Alexandra Leith (Emily Hampshire). He is convinced that he is the reincarnation of Trotsky and she is Leon's first wife Aleksandra. Mocking his Trotsky reincarnation, his father takes him out of boarding school and put into a Montreal public high school. Principal Berkhoff (Colm Feore) runs a tight ship and they soon become adversaries. Leon needs to find his Lenin and joins the student union. He finds fascism in detention and tries to unionize his high school.

This is chalk full of charm. It's very cute with the awkward Jay Baruchel. He is adorably delusional. He's never annoying even though his character is stubbornly uncompromising. It could use a more comedic touch with the writing. The socialist references may go over most of the general public and it's not wacky enough for one of those crude teen comedies. It doesn't really fall into an easy category and it doesn't help that it is so laden with Canadiana. When it does go into wacky territories, it doesn't really do it in a LOL fashion. However its heart is in the right place and like Alexandra, one can't avoid the Leon storm and accept his insanity.

Trotsky Lives!

[loco_73 · 7/10 · 16 July 2010]

I have always appreciated movies that make a point to acknowledge their setting. In English speaking Canada, some movies seem to always eschew the fact that they are filmed in Toronto, Vancouver, Winnipeg, so on so forth.

Instead they present some kind of vague, anonymous city, which could be ANY city (the reason I know for example if a movie is shot in Toronto, is by the colour of the streetcars or buses, or a badly disguised landmark, as was the case with the recently released flick "Repo Men" with Jude Law). Many other times Canadians cities are made to pass as American cities. While in some movies the setting/background is left vague on purpose, according to the script, storyline etc., that is alright, but other movies that go out of their way, the saddest of which are some Canadian movies/TV series themselves, to disguise the fact that they are shot in Canadian locations, is just infuriating and stupid. If it is an American production making a Canadian city pass for an American one, that is fine, they have to do that, but Canadian productions doing that is wrong.

That is not the case with Quebec. The Quebecois are proud (maybe too proud) of their culture, and they don't shy away from showcasing it. They don't disguise their cities. Case in point, this movie.

As much as it is a funny, quirky and introspective boy-to-man/coming-of-age tale, make no mistake, "The Trotsky" is also an ode to Montreal in particular and Canada in general. Anybody familiar with Montreal will instantly recognize the passionate homage paid to the city not only by the movie and its protagonist, Jay Baruchel, but also the entire look, feel and atmosphere. It is not an in your face, hammer over the head thing, but a succinct and implied tribute to the city and culture.

The movie itself was an original and refreshing relief from the incessant wave of mediocrity washing constantly upon people's brains, waves generated by the current pop-corn summer blockbusters. The film is touching and introspective at times, but also funny and fun to watch throughout. Jay Baruchel manages to once again project that hapless, but doggedly determined, sweet, vulnerable, smart and in his own way, brave persona. He also did it in the "She Is Out Of My League" a good and decent comedic effort that came out earlier this year.

If you want to have a good time, learn something, laugh and forget about your trouble for awhile, then this movie is one to see! I got to admit that at times Jay Baruchel does bear some resemblance with Trotsky himself. Oh and by the way, the interaction between Baruchel and Saul Rubinek (who plays his father in the movie) is just hilarious but also touching! A good viewing in my book!

Semi-Permanent Revolution

[DarthVoorhees · 10/10 · 31 December 2010]

I loved 'The Trotsky' it is the kind of teen comedy we seldom get, one that acknowledges the hardships of being a teenager but that is also very funny and intelligent. Teens aren't stupid and it seems that many screenwriters think they are. 'The Trotsky' is as much a story about adolescences as it is about teenage brand Bolshevism.

Leon Bronstein believes he is the reincarnation of the great hero of the October Revolution Leon Trotsky. I'm sold. It's a brilliant premise and it's execution is seamless. Director Jacob Tierney asks the audience to take a leap of faith. Leon is so convinced of his lineage that he pursues a woman named Alexandra who is ten years older than him because Trotsky did so. This relationship is tricky but I think what makes it work is Jay Baruchel's utmost commitment to the role. He does appear very childlike and this is essential to the brilliance of the story. The teen years are hard and in his uncertainty he turns to Trotsky, the brilliant hero of Bolshevism who was bold and conquered history. Bronstein is questioned about the unsavory details of Trotsky's life such as his infamous murder with the 'ice pick'. The way Baruchel responds is so brilliant, he thinks of Trotsky's life as an adventure which he gets to live through. The way Baruchel delivers this line is funny, uplifting, and even a little sweet. Bronstein wants the whole package; even to the point where he asks a classmate if he is "my Stalin". By all means Leon Bronstein is the kind of character we would expect to be beaten up by cliché jocks but the approach by both Tierney and Baruchel is to create a character driven by passion. Bronstein believes he is Trotsky to the point where others are dragged into his fantasy and I think this satisfies some of the more questionable elements of the script.

Not knowing about the Russian Revolution will not hurt your appreciation of the film but it is much funnier if you have some idea about what went down. Tierney has done his homework and the film can become a great inside joke for anyone the least bit familiar with Soviet history.

Pretty good in general

[MyrPraune · 7/10 · 17 April 2011]

I enjoyed The Trotsky, most of it anyway. I liked the fact that it doesn't take its audience as complete illiterate and assumes that you would catch some of the historic references. I prefer that than having everything spelled out for me. Jay Baruchel is just creepy enough, without becoming really scary in his obsession with being the real Leon Trotsky. I was rather uncomfortable with the relationship with Alexandra; that was one of the drawbacks of the movie. I loved the portrayal of Montreal with the English and the French intermingling in conversation and everyday life - even if it's not at all the main point of the movie. My main critic would go to Geneviève Bujold, who plays a commissioner of the school board, or something like that. I don't think I've ever seen such overacting before. She was awful. I always heard people say how she was a great actress, well, I did not see that here. I could not stop thinking how bad she was every time she was opening her mouth. Even every gesture she was making was over the top. Anyways, she doesn't have a huge role, so it didn't really spoil the movie. All in all, I enjoyed it and I would see it again.

Not Just Another Teen Movie

[tallard · 9/10 · 3 June 2010]

I went to see the film with no preconceived notions, having read no reviews and seen no previews, other than the one-liner in the newspaper.

I laughed very often during this hour and a half, in a good sense. Maybe it's because I'm an iconoclast, and I love political conversations in general but I thoroughly enjoyed the film, from the very first moment to the very end.

Youth today are often accused of being apathetic and this is a recurring theme here. Other than the fact that the main character seems a bit loopy, he remains adorable and not cartoonish as the other commentator posted.

On comparing this teenage flic with others, as a mature adult, I must say I liked this 10x more than even the best teenage flics, save one or two, such as Juno. The director refrains from delving TOO deeply in politics and drama, BECAUSE it's a teen flic. IMO the exact right amount of political insight was included.

Other than the main character, we get to see a distinct progression in the students' level of interest and involvement in their own destinies. This, even more than apathy, may be our society's greatest challenge, to allow youth to take part in the political game, in order that youth may sense that there IS hope for our future.

Good, but I wanted it less programmed

[dbborroughs · 6/10 · 24 April 2010]

Leon Bronstein is a young man who thinks he's the reincarnation of Leon Trotsky and he lives his life according to the way Trotsky lived by using his life as blueprint. Along the way he annoys his parents (he calls his dad a fascist) and takes on his school. Along the way he falls in love with an older woman, reawakens the drive of a radical lawyer and sparks his fellow schoolmates to get involved.

I saw this on the Tribeca Pay per view service. I was amused, and slightly disappointed. Its has some good performances, some great dialog and very strong sense of self. The trouble is that the film as a whole is very much like the main character, insisting on following a redetermined course as closely as possible. Yes there are small bits that break the mold, but for the most part the film follows a formula its already worked out. I hated that I could guess where it was going, it took the edge off the spontaneity.

Its a good film but I wanted to like it more. Its one of those really good films that just misses being great and ends up being disappointing.

Worth a look see on cable or as a rental.

(A side note the film follows points of Trotsky's life so much that part of me kept wondering if this was going to end as Trotsky did, however this is a feel good film and that was never going to happen)

Good acting of Jay Baruchel in overextended movie

[lasgalletas · 5/10 · 14 November 2012]

I watched "The Trotsky" for Jay Baruchel and I'm not disappointed - his acting is great. He's funny and smart at the same time and he can deliver these qualities in a pretty good way. This is a strong side of that movie but here's a weak one - the scenario is too flat and too overextended.

Idea is pretty simple, movie could be more hilarious and less pretentious but director lost that chance.

There isn't a lot of political stuff because story focused mostly on one guy, his behavior and way of thinking, which is very well-played by Jay Baruchel.

For me, as Russian, all that pseudo-Soviet stuff in the movie is okay however there's just a small bunch of real Soviet artifacts with no any meaning or explanation to watcher and I wonder if they can decode what all these songs or posters or what radio voiceovers mean.

Symbolism

[cekadah · 9/10 · 15 October 2012]

Boredom and Apathy - that is what this movie is all about. (In my opinion)

The lead character Leon and his Trotsky obsession are actually symbolic of leadership. Trotsky dealt with apathy and boredom but found his means to manifest the phenomena of the Russian revolution. Leon must deal with apathy and boredom but will he become a leader?

The Odessa Steps dream sequences are a delightful and comical look into Leons head. The movie is worth seeing just for this!

I greatly enjoyed the skillful performances from each character. Their dialog is top notch and the director pulls this 'Trotsky' idea together nicely.

What is the fate of Leon - we will never know.

A light watch for the socially inclined

[stpx · 6/10 · 9 January 2012]

By no means should one watch this film expecting a display of artistic profundity. For preventive measures, I should go so far as to even warn the observant and diligent viewer that one shouldn't expect even a modestly refined film here. As it does, effectively, preserve those prevalent formulaic variables of film which aficionados have come to despise so vehemently: the typical roller coaster relationship; the target objective that always seems so very far away, yet somehow the protagonist manages to overcome those countless obstacles and succeed; the strained relationship that concludes so predictably. It gets very tiresome, and, frankly, in the book of any wise movie goer these should stand out as the trademarks of ineptness. Nothing great has earned that title by conforming well to established routines and expectations--one would believe a film inspired by Trotsky would understand this much.

Nonetheless, this hardly makes the film less enjoyable, just not well disposed to reside amongst the ranks of the truly memorable. If one is disposed to counter-culture as I am, then one should not hesitate to watch this film, despite its many shortcomings one will laugh often and maybe even discover some relatable experiences therein. Treat this film as a variant of the common mass-produced comedy with a twist in the favor of those of a progressive nature.

Hardly Amusing

[gregsrants · 4/10 · 15 November 2010]

In Jacob Tierney's The Trotsky, Jay Baruchel plays Leon Bronsetin, a 17-year-old student who believes he is the reincarnation of former Soviet hero, Leon Trotsky. Leon believes so strongly of his re-embodiment that he models his young life around the history of the 20th century Soviet leader including his relentless pursuit of an older woman by the name of Alexandra that he believes is his fate to wed.

Leon's first confrontation based on his unfounded notion of birthright comes at his father's factory where Leon begins to assemble the staff to stand up for their rights as employees and suggests the origin of a union. Leon is defiant of his father's intention of meeting scheduled deadlines y rallying the employees in a coup to accept the right to take a full hour for lunch even at the peril of their shipping targets. A sit-in and hunger strike soon follow to fairly chuckable results.

Unamused at his son's behavior, the father (Saul Rubinek) ships Leon to public school where Leon immediately picks up the cause for those suffering from the fascist regime of the educational system. This puts Leon and his school principal (Colm Feore) on a collision course where school officials oppose Leon's determination to set up a student Union and give his classmates a voice against tyranny.

The Trotsky is a mildly entertaining but far too lengthy of a film that tries to parallel a history lesson into an amusing story of a misunderstood young boy. Baruchel plays the titular character incredibly well invoking the awkwardness of a young Leon trying to fight back against rival adults countering his arguments. But unfortunately, the heavy handedness of the subject matter and length to which the single joke is expected to encompass, wears on the patience of the audience and many will be lost by the low keyed humor coupled with a slow momentum build towards an anti-climax.

Too often in The Trotsky, we experience scenes that make the film uneven in tone. The 17-year-old's sexual relationship with a 27-year-old and the hostage taking of the school principal are just two samples of how the film takes a smart subject and intelligent dialogue and warps it into reels of unease. These sequences do little to help you create a bond with the lead character so that the ending might have any combined sense of accomplishment where audiences might care about the fate or future of the central character.

The Trotsky isn't all bad, but one can't help but wonder who the film was made for enjoyment. Younger audiences won't care for the adult situations, older audiences won't have the patience or relate to the cause and fans of Canadian or independent film will be worn down by the lack of any real energy or force to carry us through nearly two hours of paper thin flimsiness.

The Trotsky, therefore is a miss. It would have been a great short, possibly even an interesting page turner of a book, but it is hardly a film worth looking out for.

Entertaining, sort of...

[Skriptman · 6/10 · 22 June 2010]

Cute but hardly engaging. Some excellent performances -- especially from Saul Rubinek as Leon's dad. And Colm Feore had some good moments as Mr. Berkoff the high school principal.

Jay Baruchel's Leon is not so convincing. He's all clipped voice (sounding like he was channelling Christian Slater) and quirky mannerisms. This works up to a point, but we never really penetrate the idiosyncrasies of the character to discover why this guy is the way he is, or even if he's authentic. Perhaps Leon is just an act. (Actually, it would have been more interesting if we were to discover that Leon has metamorphosed into Leon Trotsky to protect or hide himself from the world.) As it is, the character comes across as a snotty, though brilliant, know-it-all. And, sadly, not terribly likable.

The script fails to live up to its potential -- and I do believe the story has potential. Regrettably, it seems content to come in well below par. Leon's fascination with Alexandra, a woman almost 10 years his senior, is a case in point. He's so odd and off-putting in his genial way, one can only question Alexandra's intentions (or sanity) for eventually falling for him. I understand that boy-meets-girl, boy-loses-girl, boy-gets-girl is inevitable, if not essential, in these light romcoms, but the audience has to 1) be rooting for them to get together again, and 2) it's gotta be believable. Neither succeeds here.

And just one additional point... Who is the audience this movie is aimed at? I suspect the creative team would say teens. Maybe the 14 to 34 demographic? While it's not laced with swearing and expletives, it does have dialogue about BJs, older women having sex with young men, and a jarring use of the "C" word. Yes, that C word. Hm. Is this the writer/directors attempt to be hip or provocative? Dunno. But it seems glaringly inappropriate -- not just because it works against the lighthearted tone of the story, but because it seems so imposed for no other reason than to... well, be an imposition. Seems to me the producers are needlessly cutting out a sizable group of youngsters -- say early high schoolers (13 - 16 years old) that won't be admitted to the film because of content that, in reality, does nothing to make the story better.

Fairly captivating

[Gordon-11 · 22 August 2011]

This film is about a seventeen-year-old high school student who believes himself to be the reincarnation of Leon Trotsky.

"The Trotsky" is a politically oriented film that details the journey of a young man who campaigns for social justice. Though the plot is fairly captivating, I find Leon's appearance incongruent with his character. He looks more like a socially inept nerd.

Another thing that bugs me is his belief that he is the reincarnation of Leon Trotsky. If Leon did not have such a belief, then I would have admired his righteousness and drive for social justice. With that belief, I have constant doubts whether he acted purely for the admirable cause, or for his delusional belief. Believing in himself being the reincarnation of Leon Trotsky is a delusion, and him acting out on his delusion makes him certifiably insane.

Love the mix of languages

[aheaven2005 · 6/10 · 21 January 2022]

There's not that many english movies coming out of Quebec cinema and I often like their way to combine the two languages in the same story. Talking about story, we have a nice one here, albeit it just moves a bit too slow. Still, the acting is good and it offer some nice moments.

A film about activating people to stop abuse that ts light and funny as well as dealing with real and important themes.

[rosemacaskie17 · 10/10 · 24 January 2012]

An important film, the question are you inactive through boredom or apathy is central to the plot though the theme is easier for me to understand as, wait for things to happen or control your life. It is important for people to take a active part in life and in this film Leon Bronstein finds the students letting fate do as it may with them and gets them to take a hand in their lives and the world around them. This theme appears everywhere in life and this film helps clarify it by showing how you can change things and why you should do so. This theme appears in psychology, be responsible for what happens to you, for example, also a woman from Africa, talking on CNN, said, you must not wait for things to happen but make them happen, a message women, more given to accepting their lot, need to hear. The film also links getting the students to take an active role at school to sexual abuse at schools, another important topic, the hero says that, had sexually abused children had a student union they could have stopped the abuse. Even in school people are in danger. The theme of bullying in school and abuse is very big just now and Bronstein does face and defeat bullying not by saying things will get better, which is wishful thinking but by effective and complicated action, which I judge to be a more real way to deal with things. rose macaskie

Criminally underrated

[prasanna85 · 8/10 · 9 December 2013]

There are very few movies which would make your day better. The Trotsky is one of them. I believe it is criminally underrated and deserves a better rating.

It is very well thought, very well written and has a decent third act, which justifies the running time. I was laughing and rolling over, when the reference to 'Battleship Potemkin' came on the screen. And there is even a 'Wrath of Khan' reference to.

References aside, this movie doesn't glorifies or nullifies Trotskyism. Jay Baruchel really did a splendid job by bringing out that angry high school kid, who needs an outlet to speak out.

This is a very sweet movie and should be never missed. I wish I saw when it was in theaters.

Study History

[alexfstu · 3/10 · 1 August 2020]

Before getting all jizzed up about another rebellion teen movie, learn your history. There is NOTHING good about the Soviets. And especially not in those times. It was like Africa but without the chopping off hands thing. Just killing million elaborately. And Trotskiy may have taken the high ground and been against Stalin but f$%k him. So glamorizing it is wrong.

School sucks, but it doesn't have to suck

[Red-125 · 9/10 · 3 November 2015]

The Trotsky (2009) is a Canadian film that was written and directed by Jacob Tierney. It stars Jay Baruchel as Leon Bronstein, a teenager growing up in an affluent neighborhood in English-speaking Montreal. Leon believes that he is the reincarnation of the Russian revolutionary leader Leon Trotsky. (Bronstein was Trotsky's real name.)

After trying to organize a union in his father's factory, Leon is not only fired, but he now will have to enter public school, rather than the private school he has been attending. In his new school, Leon first encounters Mrs. Davis, who appears to be a dean. She's played by the late Domini Blythe, a brilliant classical actor. In this role, Blythe plays the most satanic dean in any high school anywhere. Henry Berkhoff, the most satanic school principal, is played by another great actor--Colm Feore.

With the two of them standing shoulder-to-shoulder, the students don't have a chance. At least, they didn't have a chance until Leon Bronstein arrives. Using skilled organizing techniques, Bronstein is able to turn the students into a significant presence, which the school cannot ignore. (Especially when the TV cameras arrive.)

There's also a ridiculous romance between Leon and an older woman. The less said about that, the better. Just ignore that, and some other false starts, and enjoy Bronstein's fearless actions, as he tries to give the students a sense of their own dignity, and an opportunity to make their school better.

We saw this movie on the large screen at the wonderful Dryden Theatre in the Eastman Museum in Rochester. It was shown as part of the excellent Rochester Labor Film Series. The movie will work equally well on the small screen

Boredom or Bordome

[BostonSt · 2/10 · 19 February 2012]

This is an indie flick that isn't very funny, the situations are contrived and I thought everything was rather dull and unimaginative. The idea for the movie was however creative and the actors sell everything very nicely....but that's exactly where it ends, if you see the first 10 minutes then you'll have seen the whole thing (wink time savers). I think they stole the idea for the movie from an episode of the Wonder Years. If you are a history buff and really enjoyed the story of Leon Trotsky in 1920's Russia then this is your movie. Lots of 3-piece suit action and walking around from the main character, constantly ruminating about unions and high school, and constantly upset with his father and lawyer. Yes, it's a wonderland of laughs! Seriously, if you have some art house friends and you want to grade actors, this comedy is great, make sure you read the Trotsky encyclopedia page first. But if you want to laugh with your roommates, put The Big Lebowski back on.

Intelligent, Great Teenage Comedy Film!

[jessicacoco2005 · 8/10 · 5 October 2017]

Divided as individuals we fall.However united..

♫♫The People United can never be defeated♫♫.

Are you into teenage comedies? Do you like films that delve into activism? It's true it's a bit too long and could use some desperate editing near the middle to make the film flow better and keep one's interest. However, it's still one of the best teenage films ever. Better than Ferris Bueller's Day Off could ever be and with a great message. Even Stalinists and Anarchists can enjoy this film due to its revolutionary message, which stresses the importance of having vision and dedication along with the understanding that things can only change by organizing.

Leon Bronstein believes he is the reincarnation of the revolutionary Leon Bronstein better known as Leon Trotsky. Despite the fact the main premise sounds somewhat silly. It works. We really do believe this confused young man's identity crisis. This Leon gives a whole new definition of Student Union. As Leon says in the film had sexually abused children had a student union they could have stopped the abuse.

The film delves into the question of what constitutes a rebellious high school spirit: Is it the pot-smoker wearing the Che Guevara T-shirt or the dork who organizes his school? As well as delving into the real meaning of why revolutions fail? Apathy and the need to overcome it.

The film shows that Goethe's famous line in Faust that "Despite all powers be not deterred" is a necessary ingredient to create change and that change is possible; that working people are capable of and responsible for their own liberation. Leon shows us that: Yes, we have the power to change the world. We just need the vision to do so. Is Revolution possible? Can Leon inspire his fellow students to take over the school? Viva la revolución! Long live the Revolution!

short and simply put good funny sad ending

[imdbmoviereviews · 9/10 · 16 July 2020]

Over all very well done unqie but full of funny great steotypes... the end is disapoiting and for the most pat i belive most people... like me wish leon's grow up one day (but i won't spoil) regardless of people's political views and idiologies in today's radical partisan days the movie really seem to address radicalisem best of all... it's not overtly against any idiology... while it is true the movie makes fun of leninist marxisem it also keeps the door open for the idiology

really funny and refreshing...

Capitalist Propagada designed to attack Bernie Sanders

[yachtarkel · 1/10 · 12 June 2023]

White Settler colonialist and overt NATIONALIST Jay Baruchel makes a concerted if very underwhelming portrayal of left wing stereotypes.

While the film itself is very forgettable I am sure that it has the effect of ensuring that Jay can keep avoiding paying the high rates of tax most people would expect of someone in his position and while doing so this film no doubt helped Clinton beat Bernie and Trump to win.

One can only assume that Jay will be happy when America invades Canada and he can continue to live in the lap of extreme luxury while people slave for his luxury.

The great irony is that it is Trotsky that was previously seen as the great reformer denied his role in the USSR by nasty Stalin but since the Overton window has gone so far to the far right it seems that even this concession to anything outside of EthnoNationalist Capitalist Imperialism is a joke.