New Indie
“Zola” (Lionsgate) is the first film based on a viral Twitter thread (and probably won’t be the last), but it’s compelling viewing for reasons that have nothing to do with its provenance. Taylour Paige (“Ma Rainey’s Black Bottom”) stars as A’Ziah “Zola” King, a waitress and sometimes stripper whose epic road trip to Florida hits one bump after another. It really is about the company you keep, and Zola is hanging out with a trouble-making dancer (Riley Keough), her hapless boyfriend (Nicholas Braun), and her enigmatic “manager” (Colman Domingo), and the twists are unpredictable, off-putting, and darkly hilarious in Janicza Bravo’s comedy.
Also available: Altered Innocence, one of the best-curated boutique labels around, delivers festival fave “A Dim Valley,” which asks the question, “What if a film about a cabin in the woods was a comedic meditation on love and not a horror movie?...
“Zola” (Lionsgate) is the first film based on a viral Twitter thread (and probably won’t be the last), but it’s compelling viewing for reasons that have nothing to do with its provenance. Taylour Paige (“Ma Rainey’s Black Bottom”) stars as A’Ziah “Zola” King, a waitress and sometimes stripper whose epic road trip to Florida hits one bump after another. It really is about the company you keep, and Zola is hanging out with a trouble-making dancer (Riley Keough), her hapless boyfriend (Nicholas Braun), and her enigmatic “manager” (Colman Domingo), and the twists are unpredictable, off-putting, and darkly hilarious in Janicza Bravo’s comedy.
Also available: Altered Innocence, one of the best-curated boutique labels around, delivers festival fave “A Dim Valley,” which asks the question, “What if a film about a cabin in the woods was a comedic meditation on love and not a horror movie?...
- 9/14/2021
- by Alonso Duralde
- The Wrap
Exclusive: Discovery+ is just over a month old and the streamer is already restocking its slate of original documentaries.
The digital platform has added eight documentaries, including a number of festival titles, to its slate. This comes ahead of its virtual TCA presentation.
Films include My Beautiful Stutter, Future People: The Family of Donor 5114, The Walrus and the Whistleblower, Groomed, Miracle Fishing: Kidnapped Abroad, Genius Factory, Apocalypse ’45 and Yellowstone: Super Volcanoes.
My Beautiful Stutter, which launches March 11, follows five kids who stutter, ages 9 to 18, from all over the United States and all walks of life. After experiencing a lifetime of bullying and stigmatization, these children meet others who stutter at an interactive arts-based program, The Stuttering Association for the Young, based in New York City. It is directed by Ryan Gielen (Stop the Bleeding) and exec produced by Paul Rudd, Mariska Hargitay, Peter Hermann, George Springer and Patrick James Lynch...
The digital platform has added eight documentaries, including a number of festival titles, to its slate. This comes ahead of its virtual TCA presentation.
Films include My Beautiful Stutter, Future People: The Family of Donor 5114, The Walrus and the Whistleblower, Groomed, Miracle Fishing: Kidnapped Abroad, Genius Factory, Apocalypse ’45 and Yellowstone: Super Volcanoes.
My Beautiful Stutter, which launches March 11, follows five kids who stutter, ages 9 to 18, from all over the United States and all walks of life. After experiencing a lifetime of bullying and stigmatization, these children meet others who stutter at an interactive arts-based program, The Stuttering Association for the Young, based in New York City. It is directed by Ryan Gielen (Stop the Bleeding) and exec produced by Paul Rudd, Mariska Hargitay, Peter Hermann, George Springer and Patrick James Lynch...
- 2/11/2021
- by Peter White
- Deadline Film + TV
The Oscars Best Documentary Feature race, which set a new record for entries in December when it passed the previous record of 170, has now left all previous years in the dust with 240 eligible films.
An additional 25 documentary features were placed in the members-only online screening room devoted to the category on Saturday, in what the Academy told voters would be “the final batch” of this year’s entries. It was the last of seven groups of documentaries that qualified and were placed into the screening room: 25 in July, 12 in August, 16 in September, 33 in October, 36 in November, a huge group of 93 in December and now 25 in January.
Academy rules put in place because of the Covid-19 pandemic made it easier than usual for documentaries to qualify for the Oscars this year, which opened the door for a field that obliterated the previous record, which was set in 2017. Films could qualify simply...
An additional 25 documentary features were placed in the members-only online screening room devoted to the category on Saturday, in what the Academy told voters would be “the final batch” of this year’s entries. It was the last of seven groups of documentaries that qualified and were placed into the screening room: 25 in July, 12 in August, 16 in September, 33 in October, 36 in November, a huge group of 93 in December and now 25 in January.
Academy rules put in place because of the Covid-19 pandemic made it easier than usual for documentaries to qualify for the Oscars this year, which opened the door for a field that obliterated the previous record, which was set in 2017. Films could qualify simply...
- 1/17/2021
- by Steve Pond
- The Wrap
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