Bands already spend an inordinate amount of time touring, so when I ask the Chicago indie-rock trio Dehd why they decided to turn the writing sessions for their new album into a road trip, guitarist-singer Jason Balla admits, “It’s a bit masochistic.”
Nights spent shivering under piles of blankets in the dead-of-winter desert cold in Taos, New Mexico; an avalanche blocking the roads on the way to Bainbridge, Washington; a 15-seat Chevy Express traversing the mountains of Montana in a blizzard, Buck Meek’s “Candle” blasting on repeat, making...
Nights spent shivering under piles of blankets in the dead-of-winter desert cold in Taos, New Mexico; an avalanche blocking the roads on the way to Bainbridge, Washington; a 15-seat Chevy Express traversing the mountains of Montana in a blizzard, Buck Meek’s “Candle” blasting on repeat, making...
- 5/3/2024
- by Jon Blistein
- Rollingstone.com
Lee Chang-dong set Cannes ablaze in 2018 with the uneasily beautiful “Burning,” a loose Haruki Murakami adaptation about the folie à troix between an alienated delivery man (Ah-in Yoo), the wily young woman (Jong-seo Jun) he covets, and the handsome charisma machine who blows them apart. The South Korean director’s sixth film made history as Korea’s first to make the International Feature Oscar shortlist (it wasn’t nominated) but is perhaps best remembered for two scenes: the woman, Haemi (Jun), dancing topless for them to the tune of Miles Davis’ “Elevator to the Gallows” soundtrack, and for its abruptly violent ending involving murder and arson in the nude. Then, there’s a missing cat that may have never existed — pure Murakami.
“Burning” remains a new classic of the 2010s, an elusive portrait of loneliness and desire that never spills on its narrative secrets. It grossed an impressive $718,000 at the U.
“Burning” remains a new classic of the 2010s, an elusive portrait of loneliness and desire that never spills on its narrative secrets. It grossed an impressive $718,000 at the U.
- 4/10/2024
- by Ryan Lattanzio
- Indiewire
This month, Metrograph is running “Novel Encounters: The Films of Lee Chang-dong,” a retrospective of the filmmaker’s career to date. The program includes four films in new 4K restorations from Film Movement: Green Fish, Peppermint Candy, Oasis, and Poetry.
Lee’s debut, Green Fish, particularly benefits from restoration, considering it was previously quite hard to find outside Internet back-channels ever since its low-quality DVD went out-of-print some years ago. The film, an impressive debut, more fully brings into light Lee’s career-long preoccupations––how a character is impacted by anger and isolation, the dichotomy between rural and urban landscapes, and their particular socio-political context.
Lee’s work can be cleaved into two parts: the first three films and the next three films. Not only is there an important shift, following Oasis, from male protagonists to female protagonists, but also a gravitation towards a more ephemeral subject matter and ambiguous mode of storytelling.
Lee’s debut, Green Fish, particularly benefits from restoration, considering it was previously quite hard to find outside Internet back-channels ever since its low-quality DVD went out-of-print some years ago. The film, an impressive debut, more fully brings into light Lee’s career-long preoccupations––how a character is impacted by anger and isolation, the dichotomy between rural and urban landscapes, and their particular socio-political context.
Lee’s work can be cleaved into two parts: the first three films and the next three films. Not only is there an important shift, following Oasis, from male protagonists to female protagonists, but also a gravitation towards a more ephemeral subject matter and ambiguous mode of storytelling.
- 4/5/2024
- by Shawn Glinis
- The Film Stage
New York's Metrograph Theater is proud to announce the details of Novel Encounters: the Films of Lee Chang-dong, their upcoming retrospective headlined by the New York Premieres of four new 4K restorations of Lee Chang-dong's directorial works; Green Fish (1997), Peppermint Candy (1999), Oasis (2002), and Poetry (2010). The series begins April 5th and also includes Lee's critically acclaimed Burning, South Korea's entry for Best Foreign Language Film at the 91st Academy Awards, and his 2007 Cannes Award-Winning Secret Sunshine, alongside a filmmaker-curated duo of his most celebrated and valued writing and producing efforts: Ouni Lecomte's A Brand New Life and July Jung's A Girl at My Door. Each restoration title, which are being released by Film Movement Classics in North America, will have a week-long run at the esteemed Lower East Side repertory and first-run cinema, marking their US Theatrical Premieres.
Poetry
Filmmaker, playwright, and novelist, Lee Chang-dong has been a vital force...
Poetry
Filmmaker, playwright, and novelist, Lee Chang-dong has been a vital force...
- 2/14/2024
- by Adriana Rosati
- AsianMoviePulse
At the end of last year we learned that Film Movement picked up four new 4K restorations of the films of Lee Chang-dong: Green Fish (1997), Peppermint Candy (1999), Oasis (2002), and Poetry (2010). Now today finally brings news of when we’ll be able to see them. New York City’s Metrograph Theater announced their retrospective Novel Encounters: the Films of Lee Chang-dong, taking place April 5-27, featuring the four aforementioned restorations as well as Burning, Secret Sunshine, and Ouni Lecomte’s A Brand New Life (which Lee co-wrote) and July Jung’s A Girl at My Door (which Lee produced).
“We are thrilled to present a retrospective of Lee Chang-dong’s outstanding body of work, celebrating him as one of the most esteemed auteurs in contemporary cinema,” said Metrograph’s Director of Programming Inge de Leeuw. “Each film in this retrospective delves into the profound complexities of the human condition. As big admirers of his filmmaking,...
“We are thrilled to present a retrospective of Lee Chang-dong’s outstanding body of work, celebrating him as one of the most esteemed auteurs in contemporary cinema,” said Metrograph’s Director of Programming Inge de Leeuw. “Each film in this retrospective delves into the profound complexities of the human condition. As big admirers of his filmmaking,...
- 2/14/2024
- by Leonard Pearce
- The Film Stage
South Korean auteur Lee Chang-dong is getting his flowers stateside, thanks to a retrospective exhibit curated by New York’s Metrograph Theater. Titled “Novel Encounters: the Films of Lee Chang-dong,” the upcoming program is headlined by the New York premieres of four new 4K restorations of Lee’s directorial works, including “Green Fish” (1997), “Peppermint Candy” (1999), “Oasis” (2002), and “Poetry” (2010). “Novel Encounters” runs from April 5 through 27.
“We are thrilled to present a retrospective of Lee Chang-dong’s outstanding body of work, celebrating him as one of the most esteemed auteurs in contemporary cinema,” Metrograph’s Director of Programming Inge de Leeuw said. “Each film in this retrospective delves into the profound complexities of the human condition. As big admirers of his filmmaking, we are delighted to bring his compassionate films to the big screen and we are proud to work with the North American distributor Film Movement to present the restored versions...
“We are thrilled to present a retrospective of Lee Chang-dong’s outstanding body of work, celebrating him as one of the most esteemed auteurs in contemporary cinema,” Metrograph’s Director of Programming Inge de Leeuw said. “Each film in this retrospective delves into the profound complexities of the human condition. As big admirers of his filmmaking, we are delighted to bring his compassionate films to the big screen and we are proud to work with the North American distributor Film Movement to present the restored versions...
- 2/14/2024
- by Samantha Bergeson
- Indiewire
Now that everyone's finally stopped gushing about season 1, the sophomore season of "Squid Game" is (hopefully) almost here. The horror-tinged dystopian thriller about a group of participants tricked into playing deadly versions of childhood games debuted back in 2021 and quickly became a cultural phenomenon. Originally planned as a limited series, the wild success of "Squid Game" led to its season 2 renewal, and it took some time to pull together a continuation of the story.
Will lightning strike twice for "Squid Game," or is it a premise that's about played out? We won't know until we see more of season 2, but everything we do know indicates that the show will be even more ambitious in its second outing. Season 1 exposed the corruption and greed behind the killer gameplay, but season 2 seems poised to dig deeper into the systems that enable the games as winner Gi-hun continues to be impacted by the...
Will lightning strike twice for "Squid Game," or is it a premise that's about played out? We won't know until we see more of season 2, but everything we do know indicates that the show will be even more ambitious in its second outing. Season 1 exposed the corruption and greed behind the killer gameplay, but season 2 seems poised to dig deeper into the systems that enable the games as winner Gi-hun continues to be impacted by the...
- 2/5/2024
- by Valerie Ettenhofer
- Slash Film
Hong Kong star Chow Yun-fat receives Asian Filmmaker of the Year award.
A raft of star actors and directors from across Asia helped open the 28th Busan International Film Festival tonight (October 4), led by Hong Kong film icon Chow Yun-fat.
The acclaimed star of Crouching Tiger, Hidden Dragon and The Killer took to the stage at the festival in South Korea to accept the honorary Asian Filmmaker of the Year award.
Speaking to a packed audience at the outdoor theatre of the Busan Cinema Center, Chow said: “It’s been exactly 50 years since I started my career as an actor.
A raft of star actors and directors from across Asia helped open the 28th Busan International Film Festival tonight (October 4), led by Hong Kong film icon Chow Yun-fat.
The acclaimed star of Crouching Tiger, Hidden Dragon and The Killer took to the stage at the festival in South Korea to accept the honorary Asian Filmmaker of the Year award.
Speaking to a packed audience at the outdoor theatre of the Busan Cinema Center, Chow said: “It’s been exactly 50 years since I started my career as an actor.
- 10/4/2023
- by Michael Rosser
- ScreenDaily
“I hope we can communicate and reconcile again,” said Busan Mayor Park Heong-joon on the opening night of the South Korean city’s film festival.
With so much of the dialogue in opening drama “Because I Hate Korea” discussing Korean societal rigidities, group loyalties, long working hours and poor pay (which cause the protagonist to emigrate to laid-back New Zealand), it is easy to forget that many of these characteristics are what may have saved this year’s Busan International FIlm Festival from going off the rails.
Mid-year, the festival’s aging senior management had a self-inflicted meltdown (a senior moment?) when chairman and co-founder Lee Yong-kwan set off a chain of events that caused multiple resignations, highlighting the old city-versus-festival political divide and alienating local sponsors and industry guilds.
This was dirty laundry that Busan should have washed out of its system in the years-long aftermath of the 2014 “The...
With so much of the dialogue in opening drama “Because I Hate Korea” discussing Korean societal rigidities, group loyalties, long working hours and poor pay (which cause the protagonist to emigrate to laid-back New Zealand), it is easy to forget that many of these characteristics are what may have saved this year’s Busan International FIlm Festival from going off the rails.
Mid-year, the festival’s aging senior management had a self-inflicted meltdown (a senior moment?) when chairman and co-founder Lee Yong-kwan set off a chain of events that caused multiple resignations, highlighting the old city-versus-festival political divide and alienating local sponsors and industry guilds.
This was dirty laundry that Busan should have washed out of its system in the years-long aftermath of the 2014 “The...
- 10/4/2023
- by Patrick Frater
- Variety Film + TV
The festival will open with ‘Because I Hate Korea’ and close with ‘The Movie Emperor’.
The Busan International Film Festival has revealed the full line-up for its 2023 edition and announced that Hong Kong star Chow Yun-fat will receive the Asian Filmmaker of the Year award.
The festival in South Korea will open with the world premiere of Jang Kun-jae’s Because I Hate Korea and close with Ning Hao’s Chinese film industry satire The Movie Emperor, starring Andy Lau, following its debut at Toronto.
At an online press conference today, organisers also revealed that Hong Kong star Chow Yun-fat...
The Busan International Film Festival has revealed the full line-up for its 2023 edition and announced that Hong Kong star Chow Yun-fat will receive the Asian Filmmaker of the Year award.
The festival in South Korea will open with the world premiere of Jang Kun-jae’s Because I Hate Korea and close with Ning Hao’s Chinese film industry satire The Movie Emperor, starring Andy Lau, following its debut at Toronto.
At an online press conference today, organisers also revealed that Hong Kong star Chow Yun-fat...
- 9/5/2023
- by Michael Rosser
- ScreenDaily
The Busan International Film Festival put aside many of its recent internal and local political problems to Tuesday unveil a large selection ranging from bleeding edge art titles to international festival favorites.
“The difficult times are not behind us, but hard work has made this year’s festival better than ever,” said programmer and interim festival chief Nam Dong-chul, speaking at an online press conference.
International guests expected to attend the festival include Luc Besson, Chinese superstar Fan Bingbing, Japanese directors Hamaguchi Ryusuke and Kore-Eda Hirokazu, Iranian filmmaker Mohsen Makhmalbaf, and Korean Americans Justin Chon (“Gook”) and Lee Isaac Chung (“Minari”).
Hong Kong-based superstar Chow Yun-fat has been named as Busan’s Asian Filmmaker of the Year and will be in person to receive the award. The Korean Cinema Award will presented to the late Yun Jung-hee, the actress who starred in “The General’s Mustache” and Lee Chang-dong’s 2010 drama “Poetry.
“The difficult times are not behind us, but hard work has made this year’s festival better than ever,” said programmer and interim festival chief Nam Dong-chul, speaking at an online press conference.
International guests expected to attend the festival include Luc Besson, Chinese superstar Fan Bingbing, Japanese directors Hamaguchi Ryusuke and Kore-Eda Hirokazu, Iranian filmmaker Mohsen Makhmalbaf, and Korean Americans Justin Chon (“Gook”) and Lee Isaac Chung (“Minari”).
Hong Kong-based superstar Chow Yun-fat has been named as Busan’s Asian Filmmaker of the Year and will be in person to receive the award. The Korean Cinema Award will presented to the late Yun Jung-hee, the actress who starred in “The General’s Mustache” and Lee Chang-dong’s 2010 drama “Poetry.
- 9/5/2023
- by Patrick Frater
- Variety Film + TV
“Mist” (Angae) or the Foggy Town is a South Korean film directed by the prolific filmmaker Kim Soo-Yong in 1967, inspired by the novel “Record of a Journey to Mujin” (무진기행) by novelist Kim Seung-ok. In 1968, “Mist” won the award for Best Director at the Asia Pacific Film Festival. This work undoubtedly stands as one of the most emblematic movies of Korean cinema's golden age (1955 to 1972). The historical backdrop in which this entire era of exploration is situated is essential for a comprehensive understanding of the works themselves.
Mist is screening at Film At Lincoln Center, as part of the Korean Cinema's Golden Decade: The 1960s program
The story follows Yun Gi-jun – portrayed by the legendary actor Shin Seong-il – a rich married businessman based in Seoul. Alienated and stressed by his job position, the protagonist decides to return to his hometown, Mujin, to visit the grave of his mother. There, he...
Mist is screening at Film At Lincoln Center, as part of the Korean Cinema's Golden Decade: The 1960s program
The story follows Yun Gi-jun – portrayed by the legendary actor Shin Seong-il – a rich married businessman based in Seoul. Alienated and stressed by his job position, the protagonist decides to return to his hometown, Mujin, to visit the grave of his mother. There, he...
- 8/30/2023
- by Siria Falleroni
- AsianMoviePulse
Reliably one of the most euphoric and rewarding events on the circuit, the New York Asian Film Festival emerged at a time when hardcore cinephiles were forced to import prohibitively expensive foreign-region DVDs if they wanted to watch the latest hits from the other side of the world, and the first editions of the fest — then hosted at the Anthology Film Archives — got a major boost by screening hard-to-find cult objects and/or future classics at a time when Chinese, Japanese, and South Korean cinema were all on the rise to one degree or another.
No disrespect to the prestigious New York Film Festival, but Nyaff beat them to the punch when it comes to major auteurs like Park Chan-wook, whose “Sympathy for Mr. Vengeance” screened at the 2002 event alongside millennial breakouts like Corey Yuen’s “So Close,” unheralded pop masterpieces like Fumihiko Sori’s “Ping Pong,” and what the fuck did I just witness?...
No disrespect to the prestigious New York Film Festival, but Nyaff beat them to the punch when it comes to major auteurs like Park Chan-wook, whose “Sympathy for Mr. Vengeance” screened at the 2002 event alongside millennial breakouts like Corey Yuen’s “So Close,” unheralded pop masterpieces like Fumihiko Sori’s “Ping Pong,” and what the fuck did I just witness?...
- 7/13/2023
- by David Ehrlich
- Indiewire
In the five years since Burning, South Korean master Lee Chang-dong has yet to announce a new project, but considering it was nearly a decade between his prior film Poetry and his Haruki Murakami adaptation, it will likely be another few years until we hear an update. In the meantime, he’s penned a new short story which is now available to read courtesy of The New Yorker.
Titled “Snowy Day” and translated from Korean by Heinz Insu Fenkl and Yoosup Chang, the story depicts military duty in Korea and the nuances of the divide between a private and a corporal, along with bookends featuring a woman visiting the private at the remote base. With a setting detailed in characteristically evocatively fashion, describing the bleak atmosphere at the desolate border, passages recall Park Chan-wook’s 2000 thriller Joint Security Area. As for whether we may see him adapt the story into the cinematic form,...
Titled “Snowy Day” and translated from Korean by Heinz Insu Fenkl and Yoosup Chang, the story depicts military duty in Korea and the nuances of the divide between a private and a corporal, along with bookends featuring a woman visiting the private at the remote base. With a setting detailed in characteristically evocatively fashion, describing the bleak atmosphere at the desolate border, passages recall Park Chan-wook’s 2000 thriller Joint Security Area. As for whether we may see him adapt the story into the cinematic form,...
- 3/1/2023
- by Jordan Raup
- The Film Stage
When the history books are written to include modern world cinema, one name that is sure to be mentioned as a titan not just of Korean or Asian cinema, but cinema in general, will undoubtedly be that of South Korean maestro Lee Chang-dong. In a career spanning more than 25 years now, starting in the early days of the Korean New Wave all the way till the modern day, Lee has made a mere six feature films, almost all of which are generally considered among the finest. In their 2022 edition, the Jeonju International Film Festival held a retrospective of the celebrated director’s works, which included 4k remastered versions of all of Lee’s feature films, along with the world premieres of his new short “Heartbeat” and “Lee Chang-dong: The Art of Irony”, a new retrospective documentary by French director Alain Mazars.
Much like Lee’s breakthrough sophomore work “Peppermint Candy...
Much like Lee’s breakthrough sophomore work “Peppermint Candy...
- 2/23/2023
- by Rhythm Zaveri
- AsianMoviePulse
(Welcome to The Daily Stream, an ongoing series in which the /Film team shares what they've been watching, why it's worth checking out, and where you can stream it.)
The Movie: "Throne of Blood" (1957)
Where You Can Stream It: HBO Max
The Pitch: A warrior returning from battle is told by a mysterious supernatural entity he is destined to rule the realm he defends, leading him down a dark path of betrayal and murder from which there is no escape. Instead of Scottish general Macbeth, the doomed warrior is Taketoki Washizu (Toshiro Mifune), a samurai commander who serves Kuniharu Tsuzuki (Takamaru Sasaki), the current lord of Spider's Web Forest Castle in feudal Japan. And instead of a trio of witches, the supernatural entity is a shape-shifting spirit (Chieko Naniwa) who dwells deep in the labyrinth of tangled tree branches, hidden paths, and fog that is Spider's Web Forest.
Despite these and other changes,...
The Movie: "Throne of Blood" (1957)
Where You Can Stream It: HBO Max
The Pitch: A warrior returning from battle is told by a mysterious supernatural entity he is destined to rule the realm he defends, leading him down a dark path of betrayal and murder from which there is no escape. Instead of Scottish general Macbeth, the doomed warrior is Taketoki Washizu (Toshiro Mifune), a samurai commander who serves Kuniharu Tsuzuki (Takamaru Sasaki), the current lord of Spider's Web Forest Castle in feudal Japan. And instead of a trio of witches, the supernatural entity is a shape-shifting spirit (Chieko Naniwa) who dwells deep in the labyrinth of tangled tree branches, hidden paths, and fog that is Spider's Web Forest.
Despite these and other changes,...
- 9/1/2022
- by Sandy Schaefer
- Slash Film
Audre Lorde Way at East 68th Street and Lexington Avenue in New York City Photo: Anne-Katrin Titze
Audre Lorde, poet (New York State Poet Laureate 1991-92), activist, educator, feminist, and the subject of Dagmar Schultz’s up-close and personal documentary Audre Lorde: The Berlin Years 1984-1992, was honoured on Tuesday, May 10, 2022 in an Audre Lorde Way street naming celebration at the corner of East 68th Street and Lexington Avenue in New York City. The Sylvia and Danny Kaye Playhouse of Hunter College and Hunter West are now on Audre Lorde Way.
Hunter College President Jennifer J Raab, Blanche Wiesen Cook, Clare Coss, Jacqueline Woodson and Jacqueline Nassy Brown Photo: Anne-Katrin Titze
Hunter College President Jennifer J Raab, Blanche Wiesen Cook (historian and professor), Clare Coss (Lambda Literary Award for Lesbian Poetry), author Jacqueline Woodson, Hunter professors Jacqueline Nassy Brown and Melinda Goodman, NYC Council Member Keith Powers, the 2022 Roosevelt House Eva Kasten Grove scholars,...
Audre Lorde, poet (New York State Poet Laureate 1991-92), activist, educator, feminist, and the subject of Dagmar Schultz’s up-close and personal documentary Audre Lorde: The Berlin Years 1984-1992, was honoured on Tuesday, May 10, 2022 in an Audre Lorde Way street naming celebration at the corner of East 68th Street and Lexington Avenue in New York City. The Sylvia and Danny Kaye Playhouse of Hunter College and Hunter West are now on Audre Lorde Way.
Hunter College President Jennifer J Raab, Blanche Wiesen Cook, Clare Coss, Jacqueline Woodson and Jacqueline Nassy Brown Photo: Anne-Katrin Titze
Hunter College President Jennifer J Raab, Blanche Wiesen Cook (historian and professor), Clare Coss (Lambda Literary Award for Lesbian Poetry), author Jacqueline Woodson, Hunter professors Jacqueline Nassy Brown and Melinda Goodman, NYC Council Member Keith Powers, the 2022 Roosevelt House Eva Kasten Grove scholars,...
- 5/11/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
stills: stitch of Green Fish-Peppermint Candy-Oasis-Secret Sunshine-Poetry-Burning
The 23rd Jeonju International Film Festival will hold a retrospective program on director Lee Chang-dong called “Lee Chang-dong: The Truth of the Invisible.”
The 23rd Jeonju Iff is preparing thoroughly under strict Covid-19 regulations with the slogan “Film Goes On,” and has made a big announcement domestic and international film fans will cheer for. Leading Korean director Lee Chang-dong will be spotlighted with a retrospective programming at the festival called “Lee Chang-dong: The Truth of the Invisible.”
Through “Lee Chang-dong: The Truth of the Invisible,” the director’s most loved films from the last 20 years as well as Heartbeat, his newest short film, will be presented to the audience for the first time in the world. Heartbeat is Lee’s newest film in 4 years, and it made headlines due to the participation of Who in the production. In addition,...
The 23rd Jeonju International Film Festival will hold a retrospective program on director Lee Chang-dong called “Lee Chang-dong: The Truth of the Invisible.”
The 23rd Jeonju Iff is preparing thoroughly under strict Covid-19 regulations with the slogan “Film Goes On,” and has made a big announcement domestic and international film fans will cheer for. Leading Korean director Lee Chang-dong will be spotlighted with a retrospective programming at the festival called “Lee Chang-dong: The Truth of the Invisible.”
Through “Lee Chang-dong: The Truth of the Invisible,” the director’s most loved films from the last 20 years as well as Heartbeat, his newest short film, will be presented to the audience for the first time in the world. Heartbeat is Lee’s newest film in 4 years, and it made headlines due to the participation of Who in the production. In addition,...
- 4/4/2022
- by Grace Han
- AsianMoviePulse
Festival
Seven of the nine features selected for the Korean competition at the Jeonju International Film Festival (Apr. 28-May 7) are directed by women. The selected films are “Mother And Daughter” by Kim Jung-eun; “When I Sleep” (Choi Jungmoon); “The Hill of Secrets” (Lee Ji-eun); “Archaeology of Love” (Lee Wanmin); “Missing Yoon” (Kim Jinhwa); “Saving a Dragonfly” (Hong Daye); “Jeong-sun” (Jeong Ji-hye); “Drown” (Lim Sangsu); and “Havana” (Hong Yongho).
Programmer Moon Seok said: “This year’s submissions were diverse in subject matter, and there were many new attempts in genres. Seven of the nine selected works are by female directors, and they continue to be strong players in the industry. I hope this trend will continue, and to have female directors make strides in the commercial film industry too.”
Meanwhile, the festival, which is led by director Lee Joondong, is planning an in-person event under strict Covid-19 regulations and will hold...
Seven of the nine features selected for the Korean competition at the Jeonju International Film Festival (Apr. 28-May 7) are directed by women. The selected films are “Mother And Daughter” by Kim Jung-eun; “When I Sleep” (Choi Jungmoon); “The Hill of Secrets” (Lee Ji-eun); “Archaeology of Love” (Lee Wanmin); “Missing Yoon” (Kim Jinhwa); “Saving a Dragonfly” (Hong Daye); “Jeong-sun” (Jeong Ji-hye); “Drown” (Lim Sangsu); and “Havana” (Hong Yongho).
Programmer Moon Seok said: “This year’s submissions were diverse in subject matter, and there were many new attempts in genres. Seven of the nine selected works are by female directors, and they continue to be strong players in the industry. I hope this trend will continue, and to have female directors make strides in the commercial film industry too.”
Meanwhile, the festival, which is led by director Lee Joondong, is planning an in-person event under strict Covid-19 regulations and will hold...
- 4/1/2022
- by Naman Ramachandran
- Variety Film + TV
“Gotham” star Ben McKenzie and “Instinct” actress Bojana Novakovic are attached to star in the new J-horror film “Bloat,” Variety can reveal.
Produced by Bazelevs, the production banner of Screenlife pioneer Timur Bekmambetov, “Bloat” is a co-production with Russian streaming platform Okko, French production and sales house Pulsar Content (“The Deep House”), and Japanese production company flag Co., Ltd.
Filming has already started in New York and will continue in Japan. Pic marks the first time Okko has co-financed an international production. Pulsar Content will handle international sales and is launching pre-sales at the European Film Market.
“Bloat” stars McKenzie as a military officer stationed in Turkey while his wife (Novakovic) is vacationing in Japan with their kids. During the stay, their younger son almost drowns in a lake. Soon after the accident, the parents realize that something is wrong with their boy.
McKenzie’s critically acclaimed roles include the...
Produced by Bazelevs, the production banner of Screenlife pioneer Timur Bekmambetov, “Bloat” is a co-production with Russian streaming platform Okko, French production and sales house Pulsar Content (“The Deep House”), and Japanese production company flag Co., Ltd.
Filming has already started in New York and will continue in Japan. Pic marks the first time Okko has co-financed an international production. Pulsar Content will handle international sales and is launching pre-sales at the European Film Market.
“Bloat” stars McKenzie as a military officer stationed in Turkey while his wife (Novakovic) is vacationing in Japan with their kids. During the stay, their younger son almost drowns in a lake. Soon after the accident, the parents realize that something is wrong with their boy.
McKenzie’s critically acclaimed roles include the...
- 2/11/2022
- by Christopher Vourlias
- Variety Film + TV
The Sundance Institute, the nonprofit arm of the organization that puts on the annual Sundance Film Festival, has announced the recipients of its 2021 Women at Sundance Adobe Fellowship.
The annual program will spotlight eight artists working across disciplines, and was designed to support women doing bold work in film and media. The fellowship prioritizes filmmakers from underrepresented communities.
“We’re excited to announce our new group of cross-disciplinary artists, supporting storytellers working in documentary, fiction and episodic formats. This year-long fellowship will provide bespoke professional and creative development designed to advance their singular projects and burgeoning careers,” said Michelle Satter, founding senior director of artist programs at the institute.
The fellowship offers a year of mentorship from the Sundance Institute and Adobe executives, as well as workshops, coaching, a $6,250 cash grant and a one-year subscription to Adobe Creative Cloud.
Fellows will also receive introductions to industry contacts and advisers, referrals...
The annual program will spotlight eight artists working across disciplines, and was designed to support women doing bold work in film and media. The fellowship prioritizes filmmakers from underrepresented communities.
“We’re excited to announce our new group of cross-disciplinary artists, supporting storytellers working in documentary, fiction and episodic formats. This year-long fellowship will provide bespoke professional and creative development designed to advance their singular projects and burgeoning careers,” said Michelle Satter, founding senior director of artist programs at the institute.
The fellowship offers a year of mentorship from the Sundance Institute and Adobe executives, as well as workshops, coaching, a $6,250 cash grant and a one-year subscription to Adobe Creative Cloud.
Fellows will also receive introductions to industry contacts and advisers, referrals...
- 11/1/2021
- by Matt Donnelly
- Variety Film + TV
The Asian Film Awards Academy (Afaa) announced today the nominees of the 15th Asian Film Awards (AFA15).
China’s “One Second”, South Korea’s “The Book of Fish”, India’s “The Disciple”, and two Japanese films, “Wheel of Fortune and Fantasy and “Wife of a Spy” are competing for this year’s “Best Film Award.”
World renowned directors, Zhang Yimou, Lee Joon-ik, Kurosawa Kiyoshi and internationally acclaimed Hamaguchi Ryusuke, and Adilkhan Yerzhanov are in a tight race for “Best Director.”
In 2020, the 14th Asian Film Awards moved to Busan, South Korea for the first time and was held online due to Covid-19 restrictions. This year the awards will be held again in conjunction with the Busan International Film Festival on 8 October 2021 (Friday). The ceremony will commence in a hybrid form, which combines on-site attendance in Busan and online participation.
The Afaa is honoured that legendary South Korean filmmaker, Lee Chang-dong...
China’s “One Second”, South Korea’s “The Book of Fish”, India’s “The Disciple”, and two Japanese films, “Wheel of Fortune and Fantasy and “Wife of a Spy” are competing for this year’s “Best Film Award.”
World renowned directors, Zhang Yimou, Lee Joon-ik, Kurosawa Kiyoshi and internationally acclaimed Hamaguchi Ryusuke, and Adilkhan Yerzhanov are in a tight race for “Best Director.”
In 2020, the 14th Asian Film Awards moved to Busan, South Korea for the first time and was held online due to Covid-19 restrictions. This year the awards will be held again in conjunction with the Busan International Film Festival on 8 October 2021 (Friday). The ceremony will commence in a hybrid form, which combines on-site attendance in Busan and online participation.
The Afaa is honoured that legendary South Korean filmmaker, Lee Chang-dong...
- 9/11/2021
- by Rouven Linnarz
- AsianMoviePulse
The Academy (Afaa) revealed the nominees for the 15th Asian Film Awards today. Thirty-six films from eight Asian regions will compete for 16 awards. China’s One Second, South Korea’s The Book of Fish, India’s The Disciple, and two Japanese films, Wheel of Fortune and Fantasy and Wife of a Spy, compete for this year’s “Best Film Award.”
Three Hong Kong films were nominated for this year’s Afa, including Drifting, directed by Jun Li, nominated for Best Supporting Actor and Actress. Limbo, directed by Cheang Pou-soi, was nominated for Best Actor, Best Cinematography, Best Production Design and Best sound; Adam Wong’s The Way We Keep Dancing was nominated for Best Original Music.
The Afaa is honoured that legendary South Korean filmmaker Lee Chang-dong will be this year’s Jury President. Lee was the lifetime award recipient at the 13th Asian Film Awards.He won the “Best...
Three Hong Kong films were nominated for this year’s Afa, including Drifting, directed by Jun Li, nominated for Best Supporting Actor and Actress. Limbo, directed by Cheang Pou-soi, was nominated for Best Actor, Best Cinematography, Best Production Design and Best sound; Adam Wong’s The Way We Keep Dancing was nominated for Best Original Music.
The Afaa is honoured that legendary South Korean filmmaker Lee Chang-dong will be this year’s Jury President. Lee was the lifetime award recipient at the 13th Asian Film Awards.He won the “Best...
- 9/9/2021
- by Adriana Rosati
- AsianMoviePulse
China’s “One Second,” South Korea’s “The Book of Fish,” India’s “The Disciple,” and two Japanese films, “Wheel of Fortune and Fantasy” and “Wife of a Spy” will compete for this year’s best film prize at the Asian Film Awards
The awards again will be held again in conjunction with the Busan International Film Festival. The ceremony, on Oct. 8, 2021, will operate in a hybrid form combining on-site attendance in Busan and online participation.
In 2020, the 14th Asian Film Awards moved to Busan for the first time and was held online due to Covid-19 restrictions. In previous years, the ceremony was held in Hong Kong and Macau.
Those nominated for best director included Zhang Yimou (for “One Second”), Lee Joon-ik (for “The Book of Fish”), Hamaguchi Ryusuke (for “Wheel of Fortune and Fantasy”), Kurosawa Kiyoshi (for “Wife of a Spy”) and Kazakhstan’s Adilkhan Yerzhanov (for “Yellow Cat”).
Mainland Chinese thriller “Cliff Walkers,...
The awards again will be held again in conjunction with the Busan International Film Festival. The ceremony, on Oct. 8, 2021, will operate in a hybrid form combining on-site attendance in Busan and online participation.
In 2020, the 14th Asian Film Awards moved to Busan for the first time and was held online due to Covid-19 restrictions. In previous years, the ceremony was held in Hong Kong and Macau.
Those nominated for best director included Zhang Yimou (for “One Second”), Lee Joon-ik (for “The Book of Fish”), Hamaguchi Ryusuke (for “Wheel of Fortune and Fantasy”), Kurosawa Kiyoshi (for “Wife of a Spy”) and Kazakhstan’s Adilkhan Yerzhanov (for “Yellow Cat”).
Mainland Chinese thriller “Cliff Walkers,...
- 9/9/2021
- by Patrick Frater
- Variety Film + TV
Common has announced A Beautiful Revolution Pt. 2, the follow-up album to 2020’s A Beautiful Revolution Pt. 1. The album is is available for preorder now ahead of its September 10th release date.
“A Beautiful Revolution Pt. 2 was created with hope and inspiration in mind,” Common said in a statement. “The spirit of the album was meant to emulate what a greater day would sound and feel like. We were in the midst of some tough political and socially challenging times. There was still hurt, anger and pain lingering, so I was thinking,...
“A Beautiful Revolution Pt. 2 was created with hope and inspiration in mind,” Common said in a statement. “The spirit of the album was meant to emulate what a greater day would sound and feel like. We were in the midst of some tough political and socially challenging times. There was still hurt, anger and pain lingering, so I was thinking,...
- 8/18/2021
- by Claire Shaffer
- Rollingstone.com
Turning Red Trailer — Domee Shi‘s Turning Red (2022) movie trailer has been released by Walt Disney Animation Studios and Pixar. The Turning Red trailer stars Rosalie Chiang and Sandra Oh. Crew Domee Shi wrote the screenplay for the Turning Red. Ludwig Göransson created the music for the film. Rona Liu oversaw the production design on [...]
Continue reading: Turning Red (2022) Teaser Trailer: Sandra Oh & Rosalie Chiang star in Disney’s Film About a Girl that Turns into a Panda...
Continue reading: Turning Red (2022) Teaser Trailer: Sandra Oh & Rosalie Chiang star in Disney’s Film About a Girl that Turns into a Panda...
- 7/14/2021
- by Rollo Tomasi
- Film-Book
There is far more to the plot of Lee Chang-dong’s “Oasis” than initially meets the eye. The opening hour of the movie appears to be a rather bland and generic take on a melodrama with an unlikely match, between an ex-con Hong Jong-du (Sol Kyung-du) and Han Gong-du (Moon So-ri), who suffers from cerebral palsy. Fortunately, the romantic plot is later nuanced by a more layered focus on social issues and tensions within the families of both of the main characters.
We meet Jong-du a mere couple of hours after his release from a prison. He did time for killing a man in a hit-and-run, but shows lack of remorse for the deed. His comeback isn’t welcome by the family. A sister-in-law admits to him bluntly: “with you out of the way I felt good about life”. With no money in his pocket, lack of...
We meet Jong-du a mere couple of hours after his release from a prison. He did time for killing a man in a hit-and-run, but shows lack of remorse for the deed. His comeback isn’t welcome by the family. A sister-in-law admits to him bluntly: “with you out of the way I felt good about life”. With no money in his pocket, lack of...
- 4/20/2021
- by Olek Młyński
- AsianMoviePulse
This year, the motion picture academy achieved its five-year goal of doubling the number of women among its membership. In all, 819 film professionals were invited to become part of the organization that hands out the Oscars. Compare this intake to the totals of the previous five years: 842 in 2019; a record 928 in 2018; 774 in 2017; 683 in 2016; 322 in 2015; and 271 in 2014.
While Academy Awards nominees are automatically eligible for consideration, the rest of the candidates must go through a fairly cumbersome process. A candidate must meet certain branch specific requirements before even being eligible.
For example, actors must “have a minimum of three theatrical feature film credits, in all of which the roles played were scripted roles, one of which was released in the past five years, and all of which are of a caliber that reflect the high standards of the Academy.” For writers, directors and producers they need have just two of these credits.
While Academy Awards nominees are automatically eligible for consideration, the rest of the candidates must go through a fairly cumbersome process. A candidate must meet certain branch specific requirements before even being eligible.
For example, actors must “have a minimum of three theatrical feature film credits, in all of which the roles played were scripted roles, one of which was released in the past five years, and all of which are of a caliber that reflect the high standards of the Academy.” For writers, directors and producers they need have just two of these credits.
- 7/1/2020
- by Paul Sheehan
- Gold Derby
The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 819 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures.
The 2020 class is 45% women, 36% underrepresented ethnic/racial communities, and 49% international from 68 countries. There are 75 Oscar® nominees, including 15 winners, and five recipients of Scientific and Technical Awards. Those who accept the invitations will be the only additions to the Academy’s membership in 2020.
“The Academy is delighted to welcome these distinguished fellow travelers in the motion picture arts and sciences. We have always embraced extraordinary talent that reflects the rich variety of our global film community, and never more so than now,” said Academy President David Rubin.
In 2016, the Academy set specific inclusion goals as part of its A2020 initiative to double the number of women and underrepresented ethnic/racial communities by 2020. Through dedicated and intentional work by the Board of...
The 2020 class is 45% women, 36% underrepresented ethnic/racial communities, and 49% international from 68 countries. There are 75 Oscar® nominees, including 15 winners, and five recipients of Scientific and Technical Awards. Those who accept the invitations will be the only additions to the Academy’s membership in 2020.
“The Academy is delighted to welcome these distinguished fellow travelers in the motion picture arts and sciences. We have always embraced extraordinary talent that reflects the rich variety of our global film community, and never more so than now,” said Academy President David Rubin.
In 2016, the Academy set specific inclusion goals as part of its A2020 initiative to double the number of women and underrepresented ethnic/racial communities by 2020. Through dedicated and intentional work by the Board of...
- 7/1/2020
- by Michelle Hannett
- WeAreMovieGeeks.com
Awkwafina, Kaitlyn Dever, Cynthia Erivo, Beanie Feldstein, Brian Tyree Henry, Niecy Nash, Florence Pugh, Lakeith Stanfield, Olivia Wilde and John David Washington are among the 819 film professionals who have been invited to join the Academy of Motion Picture Arts and Sciences, the Academy announced on Tuesday.
Additional invitations went to directors Ari Aster, Mati Diop, Robert Eggers, Ladj Ly and Lulu Wang; to documentary filmmakers David France and Jeff Reichert; to executives Jennifer Salke and Teddy Schwarzman; to musicians and composers Larry Mullen Jr., Max Richter, Arturo Sandoval and Bernie Taupin; to producers Ryan Murphy and Rosalie Swedlin; and to writers Lucy Alibar, Jez Butterworth and John-Henry Butterworth.
A dozen different people from the Best Picture winner “Parasite” were invited to join: actors Choi Woo-Shik, Jang Hye-Jin, Jo Yeo-Jeong. Lee Jung-Eun and Park So-Dam, costume designer Choi Seyeon, editor Yang Jinmo, composer Jung Jae-Il, producer Kwak Sin-Ae, production designer Lee Ha Jun,...
Additional invitations went to directors Ari Aster, Mati Diop, Robert Eggers, Ladj Ly and Lulu Wang; to documentary filmmakers David France and Jeff Reichert; to executives Jennifer Salke and Teddy Schwarzman; to musicians and composers Larry Mullen Jr., Max Richter, Arturo Sandoval and Bernie Taupin; to producers Ryan Murphy and Rosalie Swedlin; and to writers Lucy Alibar, Jez Butterworth and John-Henry Butterworth.
A dozen different people from the Best Picture winner “Parasite” were invited to join: actors Choi Woo-Shik, Jang Hye-Jin, Jo Yeo-Jeong. Lee Jung-Eun and Park So-Dam, costume designer Choi Seyeon, editor Yang Jinmo, composer Jung Jae-Il, producer Kwak Sin-Ae, production designer Lee Ha Jun,...
- 6/30/2020
- by Steve Pond
- The Wrap
The Academy of Motion Picture Arts and Sciences has invited 819 artists and executives to join the organization in 2020.
In doing so, the Academy continues its work on diversifying its ranks. If all 819 invitees accept their invitations, 45% of the new members will be women and 36% are from underrepresented ethnic/racial communities. International make-up is 49% from 68 countries.
“The Academy is delighted to welcome these distinguished fellow travelers in the motion picture arts and sciences. We have always embraced extraordinary talent that reflects the rich variety of our global film community, and never more so than now,” said Academy president David Rubin said in a statement.
In 2016, as part of its A2020 initiative, the Academy promised to at least double the number of women and underrepresented ethnic/racial communities by this year. “Through dedicated and intentional work by the Board of Governors and members on the branch executive committees, the Academy has surpassed both these goals,...
In doing so, the Academy continues its work on diversifying its ranks. If all 819 invitees accept their invitations, 45% of the new members will be women and 36% are from underrepresented ethnic/racial communities. International make-up is 49% from 68 countries.
“The Academy is delighted to welcome these distinguished fellow travelers in the motion picture arts and sciences. We have always embraced extraordinary talent that reflects the rich variety of our global film community, and never more so than now,” said Academy president David Rubin said in a statement.
In 2016, as part of its A2020 initiative, the Academy promised to at least double the number of women and underrepresented ethnic/racial communities by this year. “Through dedicated and intentional work by the Board of Governors and members on the branch executive committees, the Academy has surpassed both these goals,...
- 6/30/2020
- by Marc Malkin
- Variety Film + TV
Rising Alabama Mc Chika unveiled a hard-hitting new track, “Industry Games,” set to appear on her upcoming Ep by the same name.
Produced by Sean Momberger, Lido and Ye Ali, “Industry Games” boasts a clattering mix of drums and bass, balanced by a melody of synth pings that echo with a queasy edge. Chika rides this beat with aplomb, unraveling two verses of exceptionally hard bars before deftly switching into a dramatic sing-song as she rebuffs anyone trying to bounce her from her perch: “I can hear the snakes, they hissing,...
Produced by Sean Momberger, Lido and Ye Ali, “Industry Games” boasts a clattering mix of drums and bass, balanced by a melody of synth pings that echo with a queasy edge. Chika rides this beat with aplomb, unraveling two verses of exceptionally hard bars before deftly switching into a dramatic sing-song as she rebuffs anyone trying to bounce her from her perch: “I can hear the snakes, they hissing,...
- 2/18/2020
- by Jon Blistein
- Rollingstone.com
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbel Ferrara's SiberiaThe Berlin Film Festival Competition lineup has finally been unveiled, revealing a roster of heavy hitters that includes Ilya Khrzhanovsky's controversial installation project Dau, Abel Ferrara's long-delayed Siberia, Hong Sang-soo's latest The Woman Who Ran, and the anticipated return of Christian Petzold, Rithy Panh, Tsai Ming-liang, Sally Potter, and Philippe Garrel. Actor, writer, and director Terry Jones, best known for his involvement in the Monty Python comedy group and for directing the 1983 Monty Python's The Meaning of Life, has died. Recommended VIEWINGGrasshopper Films has released a trailer for Pedro Costa's bold Vitalina Varela, about a woman who arrives in Lisbon from Cape Verde to attend her estranged husband's funeral. Upon its premiere at 2019's Locarno Film Festival, editor Daniel Kasman described it as "a film of fierce determination and paramount resonance.
- 1/29/2020
- MUBI
Key festival programmers quit last month over the succession issue.
South Korea’s Jeonju International Film Festival (Jiff) organizing committee and its chairman Kim Seung-su have appointed producer Lee Joondong the new festival director today (December 11).
Lee’s appointment will last for three editions starting with next year’s event, which runs April 30-May 9.
The country’s film industry was shaken last month when executive programmer Kim Young-jin, who had previously been the successor apparent to former festival director Lee Choong-jik, walked out with his two other core programming colleagues Lee Sangyong and Jang Byungwon over the issue of who would take the director role.
South Korea’s Jeonju International Film Festival (Jiff) organizing committee and its chairman Kim Seung-su have appointed producer Lee Joondong the new festival director today (December 11).
Lee’s appointment will last for three editions starting with next year’s event, which runs April 30-May 9.
The country’s film industry was shaken last month when executive programmer Kim Young-jin, who had previously been the successor apparent to former festival director Lee Choong-jik, walked out with his two other core programming colleagues Lee Sangyong and Jang Byungwon over the issue of who would take the director role.
- 12/11/2019
- by 134¦Jean Noh¦516¦
- ScreenDaily
The 2014 sinking of the Mv Sewol ferry is arguably the most tragic event in recent South Korean history, which resulted in 304 deaths, most of which were high school students. Director Lee Jong-eon uses the tragedy as the backdrop to tell the story of a family coping with the loss of the elder son in his debut film “Birthday”.
Synopsis
Jung-Il and Soon-Nam are a married couple. Their elder son died tragically. Jung-Il feels guilt that he was not there with his family when his son died. Soon-Nam misses her son dearly and supports her family by working at grocery store. The film explores the family dynamic as they cope with the grief and learn to embrace each other
Director Lee Jong-eon brings to the film his experience as an assistant director on Lee Chang-dong’s “Poetry” and a script supervisor on “Secret Sunshine”. The film brings back stars Sol Kyung-gu...
Synopsis
Jung-Il and Soon-Nam are a married couple. Their elder son died tragically. Jung-Il feels guilt that he was not there with his family when his son died. Soon-Nam misses her son dearly and supports her family by working at grocery store. The film explores the family dynamic as they cope with the grief and learn to embrace each other
Director Lee Jong-eon brings to the film his experience as an assistant director on Lee Chang-dong’s “Poetry” and a script supervisor on “Secret Sunshine”. The film brings back stars Sol Kyung-gu...
- 3/7/2019
- by Rhythm Zaveri
- AsianMoviePulse
With a scant CV of a mere six feature films over 21 years, director Lee Chang-dong has carved out an immutable place in cinematic history for his brash, beautiful, raw, often disturbing explorations of the human condition. Director Lee attended the Museum of Modern Art’s retrospective of his work, “Cinema of Trauma: The Films of Lee Chang-dong,” and was kind enough to sit for an exclusive chat with The Lady Miz Diva about the politics of rage, the mysteries of existence, and his hopes for young filmmakers in the streaming age. In the first of two parts, director Lee discusses his latest film, Burning. The Lady Miz Diva: I understand in the eight years between Poetry and Burning, you wrote several...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 2/14/2019
- Screen Anarchy
Nadine Labaki takes director prize for Capharnaüm.
The jury of the 12th Asia Pacific Screen Awards has awarded the best film prize to Hirokazu Kore-eda’s Shoplifters (Manbiki Kazoku), continuing the Palme d’Or winner’s dream run.
Full list of winners below
The film, which depicts a makeshift family living on the fringes of Japanese society, won the highest honour at the region’s film awards, which took place in Brisbane, Australia, tonight.
The best director prize went to Nadine Labaki for Capharnaüm (Lebanon).
Shoplifters’ win marks the first time that a Japanese film has won the best feature...
The jury of the 12th Asia Pacific Screen Awards has awarded the best film prize to Hirokazu Kore-eda’s Shoplifters (Manbiki Kazoku), continuing the Palme d’Or winner’s dream run.
Full list of winners below
The film, which depicts a makeshift family living on the fringes of Japanese society, won the highest honour at the region’s film awards, which took place in Brisbane, Australia, tonight.
The best director prize went to Nadine Labaki for Capharnaüm (Lebanon).
Shoplifters’ win marks the first time that a Japanese film has won the best feature...
- 11/29/2018
- by Fiona Williams
- ScreenDaily
Master filmmaker Lee Chang-dong’s ‘Burning’, his first as director since 2010’s ‘Poetry’ is a riveting stunner. ‘Burning’ is the winner of the Fipresci Prize at the 2018 Cannes Film Festival, and South Korea’s Official Oscar® entry for Best Foreign Language Film.
Lee expertly adapts international bestselling author Haruki Murakami’s short story “Barn Burning” in a marvelously cinematic fashion, carefully crafting the tale of the fateful triangle portrayed by Korean star Yoo Ah-In, newcomer Jeo Jong-seo, and international breakout Steven Yeun.
When an alienated young man, Jongsu (Yoo), a frustrated and introverted writer struggling with his first novel, meets an old friend from his small hometown, his already difficult life is complicated by her. Haemi (Jeo), a spirited woman who offers a romantic possibility, asks him to look after her cat while she’s on a trip to Africa. It becomes more complicated when she returns with Ben (Yeun...
Lee expertly adapts international bestselling author Haruki Murakami’s short story “Barn Burning” in a marvelously cinematic fashion, carefully crafting the tale of the fateful triangle portrayed by Korean star Yoo Ah-In, newcomer Jeo Jong-seo, and international breakout Steven Yeun.
When an alienated young man, Jongsu (Yoo), a frustrated and introverted writer struggling with his first novel, meets an old friend from his small hometown, his already difficult life is complicated by her. Haemi (Jeo), a spirited woman who offers a romantic possibility, asks him to look after her cat while she’s on a trip to Africa. It becomes more complicated when she returns with Ben (Yeun...
- 11/27/2018
- by Sydney Levine
- Sydney's Buzz
A Touch of Class: Chang-dong Returns with Masterful Class Clash
Puns concerns its slow build will be sincerely intended in forthcoming deliberations on South Korean Lee Chang-dong’s first feature in eight years, Burning, a two-and-a-half-hour masterpiece modeled after a short story by Japanese author Haruki Murakami. Outfitted to deal with contemporary class issues in South Korea, as exemplified via a troubled romantic triangle, echoes of the original 1939 William Faulkner short story “Barn Burning” are also clearly evident. A simmering potboiler, Chang-dong, who revels in complex character driven narratives, as evidenced by previous efforts such as 2007’s phenomenal Secret Sunshine and 2010’s Poetry (both which depend exclusively on female driven perspectives), fashions his first significant masculine protagonist in this woebegone study on class issues, loneliness, and the moral bankruptcy of society’s wealthy elite.…...
Puns concerns its slow build will be sincerely intended in forthcoming deliberations on South Korean Lee Chang-dong’s first feature in eight years, Burning, a two-and-a-half-hour masterpiece modeled after a short story by Japanese author Haruki Murakami. Outfitted to deal with contemporary class issues in South Korea, as exemplified via a troubled romantic triangle, echoes of the original 1939 William Faulkner short story “Barn Burning” are also clearly evident. A simmering potboiler, Chang-dong, who revels in complex character driven narratives, as evidenced by previous efforts such as 2007’s phenomenal Secret Sunshine and 2010’s Poetry (both which depend exclusively on female driven perspectives), fashions his first significant masculine protagonist in this woebegone study on class issues, loneliness, and the moral bankruptcy of society’s wealthy elite.…...
- 10/27/2018
- by Nicholas Bell
- IONCINEMA.com
Eight years after his phenomenal drama Poetry, Lee Chang-dong made a long-awaited return to the Cannes competition with his sixth film Burning, an adaptation of Haruki Murakami's short story 'Barn Burning'. Dense with symbolism, this tour de force burrows towards the ineffable as it gradually builds palpable tension through a mystery that begins to consume its lead character. Yoo Ah-in and Steven Yeun both deliver career-best work while newcomer Jeon Jong-seo is a marvel as the girl who finds herself caught between them. Jong-soo (Yoo Ah-in) toils at day jobs as he dreams of writing his first novel. Just as he moves back to his family's farmhouse in Paju, after his father gets in trouble with the law, he meets Hae-mi (Jeon Jong-seo) by chance,...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 10/25/2018
- Screen Anarchy
In Lee Chang-dong’s latest masterwork Burning, mystery is everything. The two-and-a-half hour epic lives and breathes the tiniest ambiguities of every waking moment, refusing to come to anything resembling true clarity, but in its way offering as clear a depiction of the stresses and concerns of modern life. The film, Lee’s first as director since 2010’s Poetry, is based on the short story “Barn Burning,” by Haruki Murakami, and tells the story of Jong-su (Yoo Ah-in), a young man living without much means close to the border with North Korea. On a visit to Seoul he bumps into a childhood […]...
- 10/25/2018
- by Corey Atad
- Filmmaker Magazine-Director Interviews
In Lee Chang-dong’s latest masterwork Burning, mystery is everything. The two-and-a-half hour epic lives and breathes the tiniest ambiguities of every waking moment, refusing to come to anything resembling true clarity, but in its way offering as clear a depiction of the stresses and concerns of modern life. The film, Lee’s first as director since 2010’s Poetry, is based on the short story “Barn Burning,” by Haruki Murakami, and tells the story of Jong-su (Yoo Ah-in), a young man living without much means close to the border with North Korea. On a visit to Seoul he bumps into a childhood […]...
- 10/25/2018
- by Corey Atad
- Filmmaker Magazine - Blog
A year had passed since Steven Yeun left “The Walking Dead,” the AMC show that put him on the map, and he had yet to figure out his next moves. He landed a supporting role in “Okja,” Bong Joon-ho’s wacky sci-fi adventure, and followed the English-language ensemble to Cannes. Someone asked him if he wanted to work with other Korean directors. Yeun, who was born in Seoul but raised in Michigan, hesitated.
“You just say things to answer questions, never thinking of any of it will come true,” said Yeun, over a year later. So he mentioned Lee Chang-dong, the monumental Korean filmmaker whose work Yeun discovered early in his career.
The interview got passed around, first to screenwriter Oh Jungmi, and then to Lee. The pair were co-writing “Burning,” a vivid, lyrical adaptation of a Haruki Murakami short story. The movie, which premiered at Cannes, revolves around introverted...
“You just say things to answer questions, never thinking of any of it will come true,” said Yeun, over a year later. So he mentioned Lee Chang-dong, the monumental Korean filmmaker whose work Yeun discovered early in his career.
The interview got passed around, first to screenwriter Oh Jungmi, and then to Lee. The pair were co-writing “Burning,” a vivid, lyrical adaptation of a Haruki Murakami short story. The movie, which premiered at Cannes, revolves around introverted...
- 10/24/2018
- by Eric Kohn
- Indiewire
“Burning” is so beautifully shot that it commands and rewards your attention the full length of its languid two-and-a-half hour running time. And thank God for that, because the film gives that attention a solid workout all the way until the film’s startling final moments.
Always shifting gears the moment you think you’ve figured everything out, Korean director Lee Chang-dong’s slow burn tale of alienation and obsession is something like an art-house equivalent of fine wine: It can seem disappointingly closed off at first, but the more time you give it to breathe, the longer you can turn it over and let it air out in your mind, the greater the rewards will be.
As such, the film has been granted a real gift with its Wednesday evening premiere in competition at the Cannes Film Festival. Jury members will have three more days to ruminate and reflect...
Always shifting gears the moment you think you’ve figured everything out, Korean director Lee Chang-dong’s slow burn tale of alienation and obsession is something like an art-house equivalent of fine wine: It can seem disappointingly closed off at first, but the more time you give it to breathe, the longer you can turn it over and let it air out in your mind, the greater the rewards will be.
As such, the film has been granted a real gift with its Wednesday evening premiere in competition at the Cannes Film Festival. Jury members will have three more days to ruminate and reflect...
- 10/24/2018
- by Ben Croll
- The Wrap
When “Burning” showed at the Cannes Film Festival back in spring, everyone assumed it would win Palme d’Or, it was that well beloved. A psychological thriller focusing on relationships and emotions in poetic and captivating ways, many critics were amazed when the South Korean film did not claim the crown. Now, with Oscar season coming up, “Burning” might have a chance for a little more gold.
Directed by Lee Chang-dong, “Burning” is South Korea’s Official Oscar Entry for Best Foreign Language Film.
Continue reading ‘Burning’ Trailer: Lee Chang-Dong’s Cannes Critical Darling Is A Mesmerizing Thriller at The Playlist.
Directed by Lee Chang-dong, “Burning” is South Korea’s Official Oscar Entry for Best Foreign Language Film.
Continue reading ‘Burning’ Trailer: Lee Chang-Dong’s Cannes Critical Darling Is A Mesmerizing Thriller at The Playlist.
- 9/26/2018
- by Margaret Kennedy
- The Playlist
Feature marks South Korean auteur Lee’s first film in eight years since Poetry.
Well Go USA has picked up North American rights to Lee Chang-dong’s acclaimed Cannes selection Burning.
The film earned the Fipresci Prize in Cannes and marks Lee’s first film in eight years after Poetry. It is produced by Pinehouse Film, Nhk and Now Film Co.
Japanese broadcaster Nhk invited Lee to adapt a short story by Murakami and he chose Barn Burning, about an alienated young man whose world is turned inside-out by the arrival of a spirited woman and her male trip companion.
Well Go USA has picked up North American rights to Lee Chang-dong’s acclaimed Cannes selection Burning.
The film earned the Fipresci Prize in Cannes and marks Lee’s first film in eight years after Poetry. It is produced by Pinehouse Film, Nhk and Now Film Co.
Japanese broadcaster Nhk invited Lee to adapt a short story by Murakami and he chose Barn Burning, about an alienated young man whose world is turned inside-out by the arrival of a spirited woman and her male trip companion.
- 6/28/2018
- by Jeremy Kay
- ScreenDaily
The Cannes Film Festival wrapped its 71st edition on Saturday with the Palme d’Or ceremony, awarding the top prize to Japanese director Hirokazu Kore-eda’s “Shoplifters.” Other movies recognized by Cate Blanchett’s jury included Spike Lee’s “BlacKkKlansman” (Grand Prix) and Pawel Pawlikowski’s “Cold War” (Best Director). While these movies were all well-received by the media covering the festival, one major film in competition went home empty-handed — and now, it has topped IndieWire’s critics survey of the best films of the festival.
“Burning,” Korean director Lee Chang-dong’s first feature in eight years, took first place for best film in IndieWire’s annual poll. The drama, an adaptation of Haruki Murakami’s short story “Barn Burning,” focuses on the mysterious experiences of a working class man (Ah-in Yoo) who obsesses over a seductive woman (Jeon Jong Seo) while resenting the confidant man (Steven Yeung) she spends her time around.
“Burning,” Korean director Lee Chang-dong’s first feature in eight years, took first place for best film in IndieWire’s annual poll. The drama, an adaptation of Haruki Murakami’s short story “Barn Burning,” focuses on the mysterious experiences of a working class man (Ah-in Yoo) who obsesses over a seductive woman (Jeon Jong Seo) while resenting the confidant man (Steven Yeung) she spends her time around.
- 5/21/2018
- by Eric Kohn
- Indiewire
After nearly two weeks of viewing some of the best that cinema will have to offer this year, the 71st Cannes Film Festival has concluded. With Hirokazu Kore-eda’s Shoplifters taking the top jury prize of Palme d’Or (full list of winners here), we’ve set out to wrap up our experience with our favorite films from the festival, which extends to the sidebars. Check out our Giovanni Marchini Camia and Rory O’Connor’s favorites below, followed by the rest of their reviews. One can also return in the coming months as we learn of distribution news and more related to this year’s slate.
Ash is Purest White (Jia Zhangke)
It should go without saying that, regardless of genre, period, or just about any other contributing factor, any new release from Jia Zhangke is something with which to grapple. Last year, the New York Times ranked the...
Ash is Purest White (Jia Zhangke)
It should go without saying that, regardless of genre, period, or just about any other contributing factor, any new release from Jia Zhangke is something with which to grapple. Last year, the New York Times ranked the...
- 5/21/2018
- by The Film Stage
- The Film Stage
“Burning” has emerged as the most acclaimed films at Cannes, with IndieWire’s Eric Kohn calling the new film by Lee Chang-dong “an enthralling look at working-class frustrations” and giving it an A- in his review. Now a trailer has been released for the Korean auteur’s first movie since “Poetry” premiered at the festival eight years ago. Avail yourself of it below.
Here’s the synopsis: “Jongsu, a part-time worker, bumps into Haemi while delivering, who used to live in the same neighborhood. Haemi asks him to look after her cat while she’s on a trip to Africa. When Haemi comes back, she introduces Ben, a mysterious guy she met in Africa, to Jongsu. One day, Ben visits Jongsu’s with Haemi and confesses his own secret hobby.”
Steven Yeun, Yoo Ah-in, and Jeon Jong-seo star in the film, an adaptation of Haruki Murakami’s short story “Barn Burning.
Here’s the synopsis: “Jongsu, a part-time worker, bumps into Haemi while delivering, who used to live in the same neighborhood. Haemi asks him to look after her cat while she’s on a trip to Africa. When Haemi comes back, she introduces Ben, a mysterious guy she met in Africa, to Jongsu. One day, Ben visits Jongsu’s with Haemi and confesses his own secret hobby.”
Steven Yeun, Yoo Ah-in, and Jeon Jong-seo star in the film, an adaptation of Haruki Murakami’s short story “Barn Burning.
- 5/18/2018
- by Michael Nordine
- Indiewire
“Burning” is a film we’ve been anticipating for a while now. It’s been almost a decade since filmmaker Lee Chang-dong released his brilliant film, “Poetry,” which won the screenplay award when it competed in official competition at the 2010 Cannes Film Festival. Now, 8 years later, the director is back at Cannes with his latest film, and we have a new trailer, as well as a couple clips.
- 5/18/2018
- by Charles Barfield
- The Playlist
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.