Under the Open Sky (2020) User Reviews

Hard to fit

[Hombredelfuturo · 7/10 · 24 September 2021]

First; reading what the other 2 commentators say about to cut the last part of the film where they do not like the ending then checked what they like to watch...well; one is a Hollywood lover and the other just watch kind of TV movies. Both do not get what the story has to offer.

A real important factor that this film is showing, is that you really need good People in your Life (or at least in the crucial moments) to not.miss the right track.

Other great point is Who is the good person anyway? In this hypocrite Society where we live there is kind of a blur sometimes.

A third point is that you can think that you are the lowest of the rank position but you might serve as example or as a pillar for others.

No doubt that in several situations is hard to fit however, for many there are possibilities "around the corner"

Main roll has a driving force and good spirit not matter he was a Yakuza minor gangster or that he relies on violence to relief pressure (because is the only way he knows)

...and yes; the last part is right; actually is what Life is: Work hard and you can obtain or not good results.

-Camera work is ok; color shades work right with the story telling.

Absolutely worthy of the Best Actor award at the Chicago Film Festival

[JuguAbraham · 7/10 · 8 November 2020]

The range of emotions and body language exhibited by actor Koji Yakusha is amazing. Totally deserved the Silver Hugo at Chicago. His other best acting performance was for Kore-eda's "The Third Murder"--a similar role.

Works very well until last minutes

[mbrcf · 6/10 · 15 September 2020]

TIFF 2020 08

Under the Open Sky

This film is a story about an ex-con Yakuza member from Japan who after getting out of prison for about 13 years, tries and really struggles to find his place in the normal society. fir me personally, everything in this film worked perfectly until the last 10 minutes or so which was completely unnecessary in my opinion and left a sour taste in my mouth. the film is very handsome, it has some beautiful takes and a textured story. The lead actor Koji Yakusho gives a convincing and powerful performance. I think this can be a much better film with some tweaks and some changes in the editing department.

To live or die under an open sky

[wickedmikehampton · 6/10 · 2 June 2022]

Despite moments of unnecessary melodrama, director Miwa Nishikawa has made a fine movie about an aged, ex-Yakuza trying to find his way "under the open sky".

The plot of ex-prisoners attempting to reintegrate into our society (which doesn't care for them) has been repeatedly rehashed. Nevertheless, the main character, well performed by Yakusho Koji, kept me absorbed and ensured that I followed this movie with two more Nishikawa movies, 'Sway' and 'The Long Excuses'.

I recommend you spent your next free (and rainy day) with that triple viewing. In context, the theme is redemption.

An inconsistent step into the outside world

[politic1983 · 7/10 · 6 February 2023]

While a varied career, it's fair to say Koji Yakusho has a penchant for playing ex-convicts adapting to life in the outside world after an extended period behind bars for murder. Two of his more acclaimed roles saw him play the straight, but prone to outbursts, salaryman of Yamashita in Shohei Imamura's "The Eel" (1997); and the enigmatic manipulator Misumi in Kore-eda Hirokazu's "The Third Murder" (2017).

As Masao in Miwa Nishikawa's all-rounder "Under the Open Sky" he is a more outwardly aggressive former yakuza who has had various troubles on the inside, failing to control his anger. Having served thirteen years for the murder of an unruly customer at the hostess bar he managed, he moves to Tokyo to start his new life. But health problems, his ex-convict status and fits of rage see him struggle to hold down normal, everyday employment.

Having sent them his prison records, he is followed by struggling director Tsunoda (Taiga Nakano) to make a TV documentary about his rehabilitation into society. There are many barriers Masao has to overcome to get by, though perhaps the main one is holding his temper. But as a man of justice, he finds he has to walk the lines of what is lawful and unlawful and what is right and wrong.

Like with previous Nishikawa works, this is a considered piece about a man going through a difficult situation, though it is not without its flaws. With a somewhat mainstream appeal, the film can be a little unbalanced in its portrait of Masao. At times, he is a man with inner turmoil, struggling to come to terms with his difficult upbringing, handled sensitively in flashback. Suppressing these outbursts gives him a darker side.

But at times his bouts of aggression and outright violence are more comedic and bumbling, and so we're not fully sure what to make of Masao as a lovable rogue, or a more sinister threat to wider society.

His threat to society is a wider social comment featured throughout. Gatekeepers at the various institutions with which he needs to apply and register outline the difficulties he will face as an ex-convict. His driver's license has now expired, but he cannot raise the funds/benefits to take the test again. Jobs will ignore him, apart from those where skills are minimal, so society's misfits will be taken in.

What is more of a struggle, however, is individuals' responses to him. While society prohibits him, the people he becomes close to all form a quick bond with him. They are all a little too happy to help him - a man who has often been aggressive, if not violent, towards them - and so go against the idea of ex-convicts struggling to find a place in society. In many ways, Masao adapts quite well. Those situations where he doesn't are more played for laughs.

Obviously, Yakusho is charming in the lead role, showing an ability to wear a variety of faces. The violence is hard-hitting, the laughs are welcome, with the more sinister elements to Masao giving it some edge. Making the move back into society is an administrative affair, with many details considered.

But in trying to satisfy all these points it can lapse into a mainstream comedy where a small community pulls together in one direction for the greater good. The ending comes with emotion more forced than fully earned. Masao is a complex character, but, as with Yamashita and Misumi before him, the more sinister elements are more engaging.

Politic1983.home.blog.

Weak story, blunt segments that increase in melodrama.

[KingOfHungary · 3/10 · 20 September 2020]

I would rate it 3.5 and I rounded down. The main actor is great in his role, but the story is not only basic, nearly every scene is less a flowing part of the story, and more a blunt storytelling block. This in part is the reason why the forced melodrama doesn't work, and you don't feel any emotions in the dramatic scenes, because it's so blandly and sparsely built up. It's unfortunate that the scenes end up as building blocks to the ridiculously overdone finale. If they remade it with a competent writer/director, this would be a great film, because the cast/scenery/cinematography/music is fine, it's that the story is both not good, and to compound it, the way that is told is also not good.