Alexander Rodnyansky, the producer of Oscar nominated films “Leviathan” and “Loveless,” has boarded the next project from Kazakh director Adilkhan Yerzhanov (pictured), whose film “Goliath” has its world premiere at Venice Film Festival on Thursday in the Horizons Extra section.
The new project, “Nosorog,” tells a contemporary story of Tamara, a distraught woman on a desperate search for her missing son in a small town consumed by violent riots. To help get her son back, she hires a shady detective, Brayuk, with unexpected consequences.
Rodnyansky joins producers Aliya Mendygozhina and Olga Khlasheva on the project, which is a co-production between the State Center of Support of the National Cinema of Kazakhstan and Kazakh film company Golden Man Media.
Rodnyansky said: “My strategy has always been to work with the best directors from any country and I am very excited to be a part of a new film of Adilkhan Yerzhanov,...
The new project, “Nosorog,” tells a contemporary story of Tamara, a distraught woman on a desperate search for her missing son in a small town consumed by violent riots. To help get her son back, she hires a shady detective, Brayuk, with unexpected consequences.
Rodnyansky joins producers Aliya Mendygozhina and Olga Khlasheva on the project, which is a co-production between the State Center of Support of the National Cinema of Kazakhstan and Kazakh film company Golden Man Media.
Rodnyansky said: “My strategy has always been to work with the best directors from any country and I am very excited to be a part of a new film of Adilkhan Yerzhanov,...
- 9/8/2022
- by Leo Barraclough
- Variety Film + TV
Every year since its creation in 1956, the Academy of Motion Picture Arts and Sciences (AMPAS) invites the film industries of various countries to submit their best film for the Academy Award for Best International Feature Film. The award is presented annually by the Academy to a feature-length motion picture produced outside the United States that contains primarily non-English dialogue and that was released theatrically in their respective countries between 1 January 2021 and 31 December 2021. The shortlist of fifteen finalists is scheduled to be announced on 21 December 2021. The final five nominees are scheduled to be announced on 8 February 2022.
Here are the Asian Submissions for Best International Feature Film. There are some excellent movies in this bunch and we have seen and reviewed already some of them.
Armenia
“Should the Wind Drop” by Nora Martirosyan
Azerbaijan
“The Island Within” by Ru Hasanov
Bangladesh
“Rehana” by Abdullah Mohammad Saad
Bhutan
“Lunana: A Yak in the Classroom...
Here are the Asian Submissions for Best International Feature Film. There are some excellent movies in this bunch and we have seen and reviewed already some of them.
Armenia
“Should the Wind Drop” by Nora Martirosyan
Azerbaijan
“The Island Within” by Ru Hasanov
Bangladesh
“Rehana” by Abdullah Mohammad Saad
Bhutan
“Lunana: A Yak in the Classroom...
- 11/28/2021
- by Adriana Rosati
- AsianMoviePulse
In the past 20 months, we have all learned what an expression “herd immunity” means, for reasons well known. The Covid-19 pandemic has come even to the most remote places of the world, like the village of Karatas in Southern Kazakhstan which serves as the location and the source of inspiration (usually in the form of a metaphor for a hotbed of corruption) for most of the work by Kazakh filmmaker Adilkhan Yerzhanov. Oddly, this not Yerzhanov’s first “epidemic rodeo”, as some could remember “The Plague in Karatas Village” (2016), but “Herd Immunity” still comes at the right time. Like Yerzhanov’s previous film, “Ulbolsyn”, “Herd Immunity” premiered at Black Nights Film Festival where we had the chance to see it.
Our unlikely hero is Selkeu (Yerzhanov’s regular Daniyar Alshinov), one of the two Karatas sheriffs, the other being an ex-police officer Zhamzhysh (Nurbek Mukushev). Selkeu is from somewhere abroad...
Our unlikely hero is Selkeu (Yerzhanov’s regular Daniyar Alshinov), one of the two Karatas sheriffs, the other being an ex-police officer Zhamzhysh (Nurbek Mukushev). Selkeu is from somewhere abroad...
- 11/27/2021
- by Marko Stojiljković
- AsianMoviePulse
Keep track of all the submissions for best international feature at the 2022 Academy Awards
Entries for the 2022 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
The 94th Academy Awards will take place on March 27, 2022 at the Dolby Theatre in Los Angeles. This is the first time since 2018 that the ceremony will take place in March, having moved to avoid conflicting with the Winter Olympics.
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly non-English dialogue...
Entries for the 2022 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
The 94th Academy Awards will take place on March 27, 2022 at the Dolby Theatre in Los Angeles. This is the first time since 2018 that the ceremony will take place in March, having moved to avoid conflicting with the Winter Olympics.
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly non-English dialogue...
- 11/11/2021
- by Ben Dalton¬Mona Tabbara
- ScreenDaily
The 25th edition of Tallinn Black Nights Film Festival is about to kick off, and between 12-28 of November the audience will have the oportunity to watch a great number of films from Asia, strewn across festival’s various program sections, including all competition segments. We went through the complete program and counted no more or less than 69 films from the broader Asian region.
Quite surprising is the amount of competition titles in the main selection, with three world premieres, four international. Lu ZHang’s “Yanagawa” will have its European premiere at PÖFF.
Yerzhanov returns to Tallinn a year after he presented two films at the festival, the main competition title “Ulbolsyn” about a woman who comes to a Kazhak village to “steer trouble”, and the oddball comedy “Yellow Cat” screened in the Current Waves program. Kirill Sokolov is also back two years after the premiere of his critically acclaimed...
Quite surprising is the amount of competition titles in the main selection, with three world premieres, four international. Lu ZHang’s “Yanagawa” will have its European premiere at PÖFF.
Yerzhanov returns to Tallinn a year after he presented two films at the festival, the main competition title “Ulbolsyn” about a woman who comes to a Kazhak village to “steer trouble”, and the oddball comedy “Yellow Cat” screened in the Current Waves program. Kirill Sokolov is also back two years after the premiere of his critically acclaimed...
- 11/10/2021
- by Marina D. Richter
- AsianMoviePulse
The Academy (Afaa) revealed the nominees for the 15th Asian Film Awards today. Thirty-six films from eight Asian regions will compete for 16 awards. China’s One Second, South Korea’s The Book of Fish, India’s The Disciple, and two Japanese films, Wheel of Fortune and Fantasy and Wife of a Spy, compete for this year’s “Best Film Award.”
Three Hong Kong films were nominated for this year’s Afa, including Drifting, directed by Jun Li, nominated for Best Supporting Actor and Actress. Limbo, directed by Cheang Pou-soi, was nominated for Best Actor, Best Cinematography, Best Production Design and Best sound; Adam Wong’s The Way We Keep Dancing was nominated for Best Original Music.
The Afaa is honoured that legendary South Korean filmmaker Lee Chang-dong will be this year’s Jury President. Lee was the lifetime award recipient at the 13th Asian Film Awards.He won the “Best...
Three Hong Kong films were nominated for this year’s Afa, including Drifting, directed by Jun Li, nominated for Best Supporting Actor and Actress. Limbo, directed by Cheang Pou-soi, was nominated for Best Actor, Best Cinematography, Best Production Design and Best sound; Adam Wong’s The Way We Keep Dancing was nominated for Best Original Music.
The Afaa is honoured that legendary South Korean filmmaker Lee Chang-dong will be this year’s Jury President. Lee was the lifetime award recipient at the 13th Asian Film Awards.He won the “Best...
- 9/9/2021
- by Adriana Rosati
- AsianMoviePulse
China’s “One Second,” South Korea’s “The Book of Fish,” India’s “The Disciple,” and two Japanese films, “Wheel of Fortune and Fantasy” and “Wife of a Spy” will compete for this year’s best film prize at the Asian Film Awards
The awards again will be held again in conjunction with the Busan International Film Festival. The ceremony, on Oct. 8, 2021, will operate in a hybrid form combining on-site attendance in Busan and online participation.
In 2020, the 14th Asian Film Awards moved to Busan for the first time and was held online due to Covid-19 restrictions. In previous years, the ceremony was held in Hong Kong and Macau.
Those nominated for best director included Zhang Yimou (for “One Second”), Lee Joon-ik (for “The Book of Fish”), Hamaguchi Ryusuke (for “Wheel of Fortune and Fantasy”), Kurosawa Kiyoshi (for “Wife of a Spy”) and Kazakhstan’s Adilkhan Yerzhanov (for “Yellow Cat”).
Mainland Chinese thriller “Cliff Walkers,...
The awards again will be held again in conjunction with the Busan International Film Festival. The ceremony, on Oct. 8, 2021, will operate in a hybrid form combining on-site attendance in Busan and online participation.
In 2020, the 14th Asian Film Awards moved to Busan for the first time and was held online due to Covid-19 restrictions. In previous years, the ceremony was held in Hong Kong and Macau.
Those nominated for best director included Zhang Yimou (for “One Second”), Lee Joon-ik (for “The Book of Fish”), Hamaguchi Ryusuke (for “Wheel of Fortune and Fantasy”), Kurosawa Kiyoshi (for “Wife of a Spy”) and Kazakhstan’s Adilkhan Yerzhanov (for “Yellow Cat”).
Mainland Chinese thriller “Cliff Walkers,...
- 9/9/2021
- by Patrick Frater
- Variety Film + TV
“It has given us a renewed hope in cinema.”
Hot on the heels of the Venice film festival, the San Sebastián Film Festival has safely pulled off (fingers crossed) the second major film event held during a global coronavirus pandemic. International film stars (most based in Europe) including Johnny Depp, Matt Dillon and Viggo Mortensen made the journey to the Basque town and enjoyed the festival and industry activities in a socially distanced way.
Seating arrangements in theatres involved alternate empty seats and a strict pre-booking system. Disinfectant gel dispensers were at the entrance and exit of all venues and...
Hot on the heels of the Venice film festival, the San Sebastián Film Festival has safely pulled off (fingers crossed) the second major film event held during a global coronavirus pandemic. International film stars (most based in Europe) including Johnny Depp, Matt Dillon and Viggo Mortensen made the journey to the Basque town and enjoyed the festival and industry activities in a socially distanced way.
Seating arrangements in theatres involved alternate empty seats and a strict pre-booking system. Disinfectant gel dispensers were at the entrance and exit of all venues and...
- 9/26/2020
- by Elisabet Cabeza
- ScreenDaily
“It has given us a renewed hope in cinema.”
Hot on the heels of the Venice film festival, the San Sebastián Film Festival has safely pulled off (fingers crossed) the second major film event held during a global coronavirus pandemic. International film stars (most based in Europe) including Johnny Depp, Matt Dillon and Viggo Mortensen made the journey to the Basque town and enjoyed the festival and industry activities in a socially distanced way.
Seating arrangements in theatres involved alternate empty seats and a strict pre-booking system. Disinfectant gel dispensers were at the entrance and exit of all venues and...
Hot on the heels of the Venice film festival, the San Sebastián Film Festival has safely pulled off (fingers crossed) the second major film event held during a global coronavirus pandemic. International film stars (most based in Europe) including Johnny Depp, Matt Dillon and Viggo Mortensen made the journey to the Basque town and enjoyed the festival and industry activities in a socially distanced way.
Seating arrangements in theatres involved alternate empty seats and a strict pre-booking system. Disinfectant gel dispensers were at the entrance and exit of all venues and...
- 9/26/2020
- by Elisabet Cabeza
- ScreenDaily
Under a lowering sky, in front of a makeshift movie screen hastily erected on a Kazakh hillside, a loose-limbed, unkempt young man performs a shambolically graceful version of Gene Kelly’s “Singin’ in the Rain” for an audience of one rapt viewer. This scene is Adhilkan Yerzhanov’s “Yellow Cat” in miniature: a film that apes its influences with such infectious, idiosyncratic enthusiasm that it ends up entirely its own, lovely little thing. The fabulously distinctive Kazakh filmmaker’s most accessible and purely enjoyable film to date is steeped in offbeat cinephilia, ultimately operating as a cock-eyed tribute to Terrence Malick’s “Badlands,” an outlaw-lovers-on-the-run tale that meshes sly genre acumen with sharp social satire to deliver a droll and delightful riff on an age-old story: lovable misfits pursuing untenable dreams in a world hardwired against dreamers.
A lonesome figure traipses across the featureless Kazakh steppe. Even from this distance,...
A lonesome figure traipses across the featureless Kazakh steppe. Even from this distance,...
- 9/18/2020
- by Jessica Kiang
- Variety Film + TV
The 25th edition of the Busan International Film Festival will shrink by a third and be presented in a hybrid in-person and offline format, due to the challenges posed by the coronavirus.
Running with newly announced dates of Oct. 21-30, the festival will present foreign titles as both opening and closing films.
It will open with “Septet: The Story of Hong Kong,” an omnibus film by filmmakers from Hong Kong: Sammo Hung, Ann Hui, Patrick Tam, Yuen Wo Ping, Johnnie To, Ringo Lam, and Hark Tsui, which was previously official selection of the Cannes Film Festival. The festival will close with animated Japanese film “Josee, the Tiger and the Fish,” directed by Tamaru Kotaro.
The reduced format means that most events involving human contact have been canceled. These include the opening and closing ceremonies, red carpet, receptions, and parties. On-stage greetings, the ‘Open Talk’ fan meetings and other guest meetings...
Running with newly announced dates of Oct. 21-30, the festival will present foreign titles as both opening and closing films.
It will open with “Septet: The Story of Hong Kong,” an omnibus film by filmmakers from Hong Kong: Sammo Hung, Ann Hui, Patrick Tam, Yuen Wo Ping, Johnnie To, Ringo Lam, and Hark Tsui, which was previously official selection of the Cannes Film Festival. The festival will close with animated Japanese film “Josee, the Tiger and the Fish,” directed by Tamaru Kotaro.
The reduced format means that most events involving human contact have been canceled. These include the opening and closing ceremonies, red carpet, receptions, and parties. On-stage greetings, the ‘Open Talk’ fan meetings and other guest meetings...
- 9/14/2020
- by Patrick Frater
- Variety Film + TV
While the coronavirus pandemic has canceled major festivals such as Cannes and Telluride, the 2020 Venice Film Festival is moving ahead as planned and will be the world’s first major film festival since Sundance and Berlin at the start of the year. Venice 2020’s main selection will be split into three sections: Venezia 77 (aka the main competition), Out of Competition, and Horizons. The titles selected for the main competition will compete for the Golden Lion, which was awarded last year to Todd Phillips’ “Joker.”
As previously announced, Daniele Luchetti’s drama “Lacci” will open the 77th Venice Film Festival on September 2. The movie is the first Italian title to open Venice in 11 years. The last Italian opener was Giuseppe Tornatore’s “Baarìa” at the 2009 festival. “Lacci” is included in this year’s Out of Competition section. Chloe Zhao’s “The Rider” follow-up “Nomadland” was also confirmed for a world premiere...
As previously announced, Daniele Luchetti’s drama “Lacci” will open the 77th Venice Film Festival on September 2. The movie is the first Italian title to open Venice in 11 years. The last Italian opener was Giuseppe Tornatore’s “Baarìa” at the 2009 festival. “Lacci” is included in this year’s Out of Competition section. Chloe Zhao’s “The Rider” follow-up “Nomadland” was also confirmed for a world premiere...
- 7/28/2020
- by Zack Sharf
- Indiewire
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