Scene 1 of the northern Film Festival. Quite coincidentally, I was off stage on the day when "auspicious" won the best short film award in Taiwan. I was off stage for the first time in the archive last year. Today, when "auspicious luck" returned to the archive, I was still off stage. I felt that I had imperceptibly accompanied the film half the way. In fact, I have been thinking about what is real and what is fictional. These questions have been answered in the "Ruyi" paragraph, but more question marks will appear. This is a very strange film viewing experience. From the content level, it truly shows the ethical dilemma of northeast rural areas and even countless Chinese families. From the form, it sets up a mirror relationship worth thinking for the audience through the lens. In recent years, many young creators have tried this form, but Dapeng is undoubtedly the most mature. Still adhere to a point of view, Dapeng's future can be expected.
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