Journey to Mecca

I saw this film and was blown away by the technical shortcomings, more specifically, how out of focus this entire film is. I'm not a regular Imax viewer, and this may be a very common problem, but it seemed as if virtually none of the film was in focus. I'd say less than 20-30% of footage had a clear focal point, and that was typically less than 10-20% of the total screen. The only exceptions were scenes involving CGI maps.

The topic was interesting, my knowledge of the hajj was limited prior to seeing this, and the film created the 14th century cities with style, but technical issues impacted my enjoyment of this film. It's a shame too, there are so many seemingly beautiful desert landscapes in this movie.

Journey to Mecca tells the story of a young lawyer from Morroco - Ibn Battuta who traveled from Morocco to Mecca and later to China about 700 years ago. He traveled more than 4,000 kilometers over desert by himself, dealing with bandits, wars, and the Sahara on the way.

The images in this HUGE Imax film of the Sahara, Mecca and Arab culture are stunning and memorable. I have to say it was one of the first IMAX film where I really felt moved (along with Shackleton's Antarctic Adventure). The explanation of the Haj are clear and informing.

This was apparently a very hard movie to film. They had to get approval by the King of Saudi to shoot it. Also none of the crew were allowed to view the Kabba so they had to hire and train a local crew specially for the task.

The result is a stunning experience of a movie. Excellent story, excellent movie… Highly recommended

Journey to Mecca is really two IMAX films in one. It starts and ends with a documentary approach to modern Mecca and in between is tied with the story of Ibn Battuta, an adventurer from the 14th Century. Obviously, in the length of an IMAX, anyone expecting the Arabian Nights covering 40 years of his life in 40 minutes is going to be disappointed. Instead, the film concentrates on his 'Journey to Mecca', a story of shipwrecks and banditry. I thought it was a smart way to go, spicing up what is at heart, a most serious movie, with sword fights while never letting go of the religious quest that is at the heart of the Hajj. Most impressive of all are the shots of the modern pilgrims. Any one who's jaw doesn't drop at the sight of millions of men and women dressed all in white, covering a mountain top, doesn't know the true meaning of the word 'epic'.

This was a great movie and for me, it was a wonderful first experience with an IMAX film. The only disappointing thing about it was the short length of the film. The imagery was stunning, especially the aerial shots of Mecca. The story was great and even more impressive when you think about how much knowledge you gain from such a short film. The characters were believable and sincere. The shooting style was unique. It took me a moment to realize the story changed gears when showing present day Mecca.

All in all, I highly recommend. If nothing else, go watch it so more movies like this will be made.

I think I understand Artemis' frustration insofar as very little exists in cinema on Ibn Battutah, one of the world's most influential travelers, unequaled among great explorers in my mind since the 14th Century. A 3 hour Hollywood epic would certainly do his Rihla ("travels") justice but I have to say by focusing on IB's departure from home on his first pilgrimage to Mecca this Imax film blew me away with its stunning imagery and music as well as its open spiritual approach to the Hajj.

The aerial shots of pilgrims meandering across various deserts were enough to blow my mind. And as a non-Muslim, to witness the rituals inside the Great Mosque was an unforgettable and touching experience. Perhaps a devout Muslim would be more technical in his/her appreciation of the film.

I saw the film at a festival in Paris (where it won Public Prize) and noticed how moved the Muslim audience was, which made up about half of the audience when I attended. I highly recommend this film. Imax films can be spectacular visually but predictable in subject matter, rarely extending beyond animal or sport topics. This one delivers the spectacle you would expect and applies it to a moving dramatic line that enlightened and moved me.