12th edition of online festival showcases 30 French-language features and shorts on 70 VoD services.
David Dufresne’s documentary The Monopoly Of Violence has clinched the Grand Prix and the international press jury award at the 12th edition of Unifrance’s online festival MyFrenchFilmFestival.
The hard-hitting work, exploring police violence during the yellow vest protests, is produced Le Bureau and sold internationally by The Bureau Sales.
Running from January 14 to February 22, the festival is showcasing 30 French-language features and shorts on 70 VoD services worldwide. Past editions have registered in excess of 12 million views.
The international jury composed of Mexican-us music engineer Michelle Couttolenc and directors Joachim Lafosse,...
David Dufresne’s documentary The Monopoly Of Violence has clinched the Grand Prix and the international press jury award at the 12th edition of Unifrance’s online festival MyFrenchFilmFestival.
The hard-hitting work, exploring police violence during the yellow vest protests, is produced Le Bureau and sold internationally by The Bureau Sales.
Running from January 14 to February 22, the festival is showcasing 30 French-language features and shorts on 70 VoD services worldwide. Past editions have registered in excess of 12 million views.
The international jury composed of Mexican-us music engineer Michelle Couttolenc and directors Joachim Lafosse,...
- 2/11/2022
- by Melanie Goodfellow
- ScreenDaily
Next month’s Mubi lineup for the U.S. has been unveiled and a number of our recent festival favorites that were awaiting distribution will be coming to the service, including Mr. Bachmann and His Class, Ballad of a White Cow, Madalena, Taste, The Monopoly of Violence, and For Lucio.
One of last year’s great films, Hong Sangsoo’s The Woman Who Ran, will also be arriving, alongside Abel Ferrara’s Ms. 45, the Safdies’ Heaven Knows What, Sarah Polley’s Take This Waltz, and Leo McCarey’s Love Affair, with the latter two pairing for a Valentine’s Day double feature.
Check out the lineup below and get 30 days free here.
February 1 | The Monopoly of Violence | David Dufresne | From France with Love
February 2 | Looking for Venera | Norika Sefa | Festival Focus: Rotterdam
February 3 | Madalena | Madiano Marcheti | Festival Focus: Rotterdam
February 4 | Honey Cigar | Kamir Aïnouz | From France with Love
February 5 | …and...
One of last year’s great films, Hong Sangsoo’s The Woman Who Ran, will also be arriving, alongside Abel Ferrara’s Ms. 45, the Safdies’ Heaven Knows What, Sarah Polley’s Take This Waltz, and Leo McCarey’s Love Affair, with the latter two pairing for a Valentine’s Day double feature.
Check out the lineup below and get 30 days free here.
February 1 | The Monopoly of Violence | David Dufresne | From France with Love
February 2 | Looking for Venera | Norika Sefa | Festival Focus: Rotterdam
February 3 | Madalena | Madiano Marcheti | Festival Focus: Rotterdam
February 4 | Honey Cigar | Kamir Aïnouz | From France with Love
February 5 | …and...
- 1/20/2022
- by Jordan Raup
- The Film Stage
Caroline Vignal’s “My Donkey, My Lover and I,” Chloé Mazlo’s “Skies of Lebanon” and Aurel’s “Josep” are among the nine French features that will play in the U.S. as part of the 7th edition of the Young French Cinema Program. Seven shorts have also been selected.
The initiative, which is organized by the French Embassy in the U.S. and the promotion org UniFrance, aims at showcasing films and shorts from rising French filmmakers, which have played at major film festivals, including Cannes, Venice, Rome, NYFF and Annecy. Six out of the nine films were part of Cannes 2020’s Official Selection.
“My Donkey, My Lover and I,” sold by Playtime, was a box office hit in France where it sold more than 700,000 admissions before the shutdown of theaters in October. The comedy follows “Call My Agent!” star Laure Calamy as she embarks on a road trip...
The initiative, which is organized by the French Embassy in the U.S. and the promotion org UniFrance, aims at showcasing films and shorts from rising French filmmakers, which have played at major film festivals, including Cannes, Venice, Rome, NYFF and Annecy. Six out of the nine films were part of Cannes 2020’s Official Selection.
“My Donkey, My Lover and I,” sold by Playtime, was a box office hit in France where it sold more than 700,000 admissions before the shutdown of theaters in October. The comedy follows “Call My Agent!” star Laure Calamy as she embarks on a road trip...
- 1/26/2021
- by Elsa Keslassy
- Variety Film + TV
Camélia Jordan and Vincent Macaigne in Emmanuel Mouret’s award-winning Love Affair(s) Photo: Moby Dick Films Voters in France’s Lumière awards, comprising international journalists based in France, which are regarded as a pertinent precursor to the Césars (the Oscar equivalent), have selected Emmanuel Mouret’s Love Affair(s)/Les Choses qu’on dit, les choses qu’on fait as the best film of the year.
Mouret continues his exploration of the trials and tribulations of the heart, soul and passion in a series of inter-linked tales featuring such acting talent as Vincent Macaigne, Camélia Jordana, Emilie Duquenne, Guillaume Gouix and Niels Schneider.
Emmanuel Mouret, director of best film in Lumière Awards Photo: UniFrance The best director gong went to Maïwenn for her fifth feature DNA in which she also stars alongside Fanny Ardant and Louis Garrel in family melodrama revolving around cultural identity and roots.
Stéphane Demoustier was...
Mouret continues his exploration of the trials and tribulations of the heart, soul and passion in a series of inter-linked tales featuring such acting talent as Vincent Macaigne, Camélia Jordana, Emilie Duquenne, Guillaume Gouix and Niels Schneider.
Emmanuel Mouret, director of best film in Lumière Awards Photo: UniFrance The best director gong went to Maïwenn for her fifth feature DNA in which she also stars alongside Fanny Ardant and Louis Garrel in family melodrama revolving around cultural identity and roots.
Stéphane Demoustier was...
- 1/21/2021
- by Richard Mowe
- eyeforfilm.co.uk
Emmanuel Mouret’s “Love Affairs” won best film at the 26th Lumieres Awards, which are prizes given by France-based members of the foreign press. The film weaves together a series of romantic tales with an ensemble cast including Camelia Jordana and Niels Schneider.
This year, the ceremony became a televised event. The show was broadcast on Canal Plus and hosted by French journalists Laurie Cholewa and Laurent Weil with the participation of several voting journalists. The Lumieres event traditionally kicks off France’s awards season.
Filippo Meneghetti’s romance “Two of Us,” which represents France in the international feature film race at the Oscars, won two prizes, including best first film, and best actress for the duo Martine Chevallier and Barbara Sukowa. The feature debut follows Nina and Madeleine, two pensioners who have hidden their deep and passionate love for many decades and see their bond put to the test...
This year, the ceremony became a televised event. The show was broadcast on Canal Plus and hosted by French journalists Laurie Cholewa and Laurent Weil with the participation of several voting journalists. The Lumieres event traditionally kicks off France’s awards season.
Filippo Meneghetti’s romance “Two of Us,” which represents France in the international feature film race at the Oscars, won two prizes, including best first film, and best actress for the duo Martine Chevallier and Barbara Sukowa. The feature debut follows Nina and Madeleine, two pensioners who have hidden their deep and passionate love for many decades and see their bond put to the test...
- 1/19/2021
- by Elsa Keslassy
- Variety Film + TV
Time (dir. Garrett Bradley)Top Picksdoug DIBBERN1. Time (Garrett Bradley)2. Days (Tsai Ming-liang)3. Gunda (Viktor Kossakovsky)4. The Woman Who Ran (Hong Sang-Soo)5. The Disciple (Chaitanya Tamhane)6. The Salt of Tears (Philippe Garrel)7. Red, White and Blue (Steve McQueen)8. The Calming (Song Fang)9. Night of Kings (Philippe Lacôte)10. Malmkrog (Cristi Puiu)Daniel KASMAN1. Figure Minus Fact (Mary Helena Clark)2. Her Socialist Smile (John Gianvito)3. Untitled Sequence Of Gaps (Vika Kirchenbauer)4. Labor of Love (Sylvia Schedelbauer)5. Beginning (Dea Kulumbegashvili)6. The Disciple (Chaitanya Tamhane)7. Red, White and Blue (Steve McQueen)8. Isabella (Matías Piñeiro)9. The Calming (Song Fang)10. Humongous! (Aya Kawazoe)Michael SICINSKI1. Figure Minus Fact (Mary Helena Clark)2. Lovers Rock (Steve McQueen)3. Her Socialist Smile (John Gianvito)4. The Inheritance (Ephraim Asili)5. Apiyemiyeki? (Ana Vaz)6. The Human Voice (Pedro Almodóvar)7. Time (Garrett Bradley)8. Isabella (Matías Piñeiro)9. The Last City (Heinz Emigholz)10. Trust Study #1 (Shobun Baile)Correpondences#1 Daniel Kasman introduces the 2020 festival and reviews Lovers...
- 10/14/2020
- MUBI
This was the original release weekend for ‘Wonder Woman 1984’ before its Covid-induced delay.
France, Wednesday, September 30
French comedy My Cousin by Jan Kounen was the biggest release of the week in France on just under 700 prints for Pathé. Vincent Lindon stars as the uptight chief of a family business empire on a mission to get his wayward cousin, who owns half its shares, to sign off on a mega-deal.
Cannes 2020 label feature animation Josep was the second widest launch on 200 prints for Sophie Dulac Distribution. This was followed by Israeli-French drama The End Of Love by Keren Ben Rafael...
France, Wednesday, September 30
French comedy My Cousin by Jan Kounen was the biggest release of the week in France on just under 700 prints for Pathé. Vincent Lindon stars as the uptight chief of a family business empire on a mission to get his wayward cousin, who owns half its shares, to sign off on a mega-deal.
Cannes 2020 label feature animation Josep was the second widest launch on 200 prints for Sophie Dulac Distribution. This was followed by Israeli-French drama The End Of Love by Keren Ben Rafael...
- 10/2/2020
- by Ben Dalton¬Martin Blaney¬Gabriele Niola¬Melanie Goodfellow
- ScreenDaily
“Scenes filmed in 13 French cities between November 2018 and February 2020. During that period we counted 2 deaths, 5 hands amputated, and 27 eyes lost during law enforcement operations.” That sobering text appears before the end credits of The Monopoly of Violence, a fascinating, conversation-starting documentary from French filmmaker David Dufresne. “Conversation” is an appropriate word here, as Monopoly is centered on two elements: shocking, smartphone-shot videos capturing police brutality against demonstrators and one-on-one conversations between sociologists, lawyers, police union officials, and demonstrators, among others.
The resulting film is an exhausting experience, but resonant. Perhaps such a document should be exhausting. Dufresne’s project both observes and comments upon the gilet jaunes (“yellow vest”) protest movement. This period of large-scale demonstrations drew worldwide coverage, yet many in the United States may have forgotten this ongoing news story from less than two years ago. The U.S., after all, has police violence issues of its own at this very moment,...
The resulting film is an exhausting experience, but resonant. Perhaps such a document should be exhausting. Dufresne’s project both observes and comments upon the gilet jaunes (“yellow vest”) protest movement. This period of large-scale demonstrations drew worldwide coverage, yet many in the United States may have forgotten this ongoing news story from less than two years ago. The U.S., after all, has police violence issues of its own at this very moment,...
- 9/22/2020
- by Christopher Schobert
- The Film Stage
The Notebook is covering the NYFF with an on-going correspondence between critic Doug Dibbern and editor Daniel Kasman.Above: The Monopoly of Violence.Hey, Danny,Great to hear from you. It’s comforting to learn that your own feelings about this year’s festival mirror my own. Like you, I always love the months of September and October because the festival and its press screenings represent, to me, the traditional highpoint for a sense of a cinephile community here in the city: I always feel a rush standing in those long, snaking lines outside the Walter Reade, seeing old friends and acquaintances, waving to each other across that vast auditorium, recognizing the faces of nerds I barely know, and always dumbstruck by the hundreds of faces of other critics and journalists and industry professionals whose faces I’ve never seen before.One thing about those annual reunions I feel most...
- 9/22/2020
- MUBI
As the New York Film Festival readies to roll out its 58th edition tomorrow (and running through October 11), IndieWire is pleased to share an exclusive look at the many festival-sponsored Talks which will roll out during this year’s event. HBO serves as the presenting sponsor of Talks, which supplement NYFF’s screenings with a series of free and live panel discussions and in-depth conversations with a wide range of guests.
As announced by festival brass earlier this summer, this year’s NYFF is going to operate differently than it has in previous incarnations. The event will combine a brand-new virtual presence with carefully designed outdoor screenings, including two drive-ins. The Talks are taking a new shape, too, and while they are not available as in-person events, as they have been in years past, the festival is hoping to turn them into “an essential live, online meeting place for audiences,...
As announced by festival brass earlier this summer, this year’s NYFF is going to operate differently than it has in previous incarnations. The event will combine a brand-new virtual presence with carefully designed outdoor screenings, including two drive-ins. The Talks are taking a new shape, too, and while they are not available as in-person events, as they have been in years past, the festival is hoping to turn them into “an essential live, online meeting place for audiences,...
- 9/16/2020
- by Kate Erbland
- Indiewire
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.