Directed by
| Joe O'Brien | ||
Writing Credits (in alphabetical order)
| Joe O'Brien | ||
Cast
Produced by
| James Carleton | ... | executive producer |
| Phillip Glasser | ... | producer |
| P. Dirk Higdon | ... | co-producer |
| Jesse Larson | ... | associate producer |
| Paul C. Rogers | ... | executive producer |
| Rob Tritton | ... | producer |
| Marsha Vass | ... | associate producer |
| Laura Suzanne Ward | ... | associate producer |
| Catherine Zappa | ... | co-producer |
Music by
| Adam Davidson | ||
Cinematography by
| Stephen Campbell | ||
Editing by
| James Carleton | ||
Casting By
| Shari Rhodes | ||
Production Design by
| Shawn McFall | ||
Set Decoration by
| Elaine Kooser | ||
Costume Design by
| Beverly Safier | ||
Makeup Department
| Fred Lackey III | ... | key hair stylist |
| Susie Mendez Pfister | ... | key makeup artist |
| Christine Wostak | ... | assistant makeup artist |
Second Unit Director or Assistant Director
| Dorie Maddocks | ... | second assistant director (as Dorie Palmer Maddocks) |
| Stephen Maddocks | ... | first assistant director |
| Mary Anne Olinsky | ... | second second assistant director |
Art Department
| Stanford Gilbert | ... | property master |
Sound Department
| Carl Carden | ... | sound mixer |
| Alex Ginzo | ... | boom operator |
| Rick Morris | ... | sound editor |
Special Effects by
| Jeremy S. Brock | ... | special effects coordinator |
| Thomas Pilgram III | ... | special effects foreman (as Thomas Pilgrim III) |
Stunts
| Jennifer Badger | ... | stunt coordinator |
| John Copeman | ... | stunt double |
| David Brian Martin | ... | stunt safety |
Camera and Electrical Department
| Joseph Boylan | ... | 2nd AC |
| David S. Campbell | ... | camera operator / steadicam operator |
| Ian Campbell | ... | camera pa |
| Erik Curtis | ... | additional first assistant camera |
| Ryan Patrick Dean | ... | digital loader: RED Camera |
| Larry Gianneschi IV | ... | first assistant camera: "a" camera |
| J. Steven Latham | ... | first assistant camera |
| Joe Mast | ... | dolly grip |
| John Oliveri | ... | first assistant camera: "b" camera |
| Patrick Redmond | ... | super technocrane operator |
| Danny Vanzura | ... | "b" camera: second assistant |
Costume and Wardrobe Department
| Jose-Armando Pompa | ... | set costumer |
| Candace Rice | ... | wardrobe supervisor |
Editorial Department
| James Koon | ... | on-line conform |
| John Petersen | ... | colorist |
Location Management
| Nathan McMahan | ... | location manager |
Music Department
| Dennis Davidson | ... | music arranger |
Script and Continuity Department
| Wendy Delouche | ... | script supervisor |
Transportation Department
| Marti Wells | ... | transportation coordinator |
Additional Crew
| Aasem Alhajhussein | ... | production assistant |
| Tyler Billingsley | ... | e.p.k. shooter/editor |
| Aubrie Campbell Canfield | ... | assistant to director (as Aubrie Campbell) |
| Stanford Gilbert | ... | weapons master |
| Gary B. Gross | ... | technical advisor: police |
| Michael McKinney | ... | production assistant |
| Frank O'Neill | ... | production assistant |
| Candice Phillips | ... | stand in and double |
| Lee Pierce | ... | office production assistant |
| Chris Ranung | ... | key craft service |
| Tim Register | ... | e.p.k. director |
| Rik Swartzwelder | ... | creative consultant |
| William L Whitacre | ... | legal counsel (as William L. Whitacre) |
| Andy Winton | ... | stand-in For Judd Nelson |
