I actually spoke with the author of Loveboat, Taipei, Abigail Wen, when she was promoting the book years ago. To me, she was living the practical Asian's dream. She worked to become a highly paid lawyer but was able to pursue her writing on the side to great success. All of the upside of a creative outlet without the risk of being a starving artist. In a sense, that was my problem with Love in Taipei. It lacked the tension of risk and felt like a series of events happening to the protagonist, Ever, rather than a cohesive and compelling story.
I knew going in not to expect Everything, Everywhere, All At Once. This is a YA movie based on a YA novel. The screenwriters changed several details and story arcs from the source material. The movie cuts most of the side characters, but both the book and the movie focus on Ever's interactions with Rick, Xavier, and Sophie. I don't think the movie successfully establishes the stakes Ever faces. When the events start to unfold in Taipei, it's difficult to really care. The movie centers on Ever having to choose between two paths: medical school or dance program, Rick or Xavier, etc. I didn't feel like it really mattered which path was taken. The struggle was missing. I don't think the movie does a good job of making us root for Ever. She essentially already has everything: a clear path to medical school, an audition with a dance company, an instant best friend in Sophie, attention from the academic celebrity (Rick), attention from the rich but artistic boy (Xavier). There's a love triangle (actually more like a square) with almost zero drama. There is also something to be said for having some flash. This might have been due to the limitations of the actress, but one can't help thinking "Hmm...probably should just go to med school" when we see her dancing. If the movie showed amazing dance numbers, the audience could feel the pull between two worlds. We're kind of meant to assume she's great at dance but never shown it.
It's been a long time since my last trip to Taiwan, but I didn't feel any pangs of nostalgia when the characters explored the different parts of Taipei. I think it was a missed opportunity to showcase the experience of being in the city.
This is not uncommon with male Asian actors, but my first thought when I saw Rick was "why is this 35 year old man with these college students?" It turns out, he's actually 33, but you get my point.
With most good movies, there are breathtaking highs and devastating lows, and one connects with the emotions of the main character. Love in Taipei felt more like a flatline.
I knew going in not to expect Everything, Everywhere, All At Once. This is a YA movie based on a YA novel. The screenwriters changed several details and story arcs from the source material. The movie cuts most of the side characters, but both the book and the movie focus on Ever's interactions with Rick, Xavier, and Sophie. I don't think the movie successfully establishes the stakes Ever faces. When the events start to unfold in Taipei, it's difficult to really care. The movie centers on Ever having to choose between two paths: medical school or dance program, Rick or Xavier, etc. I didn't feel like it really mattered which path was taken. The struggle was missing. I don't think the movie does a good job of making us root for Ever. She essentially already has everything: a clear path to medical school, an audition with a dance company, an instant best friend in Sophie, attention from the academic celebrity (Rick), attention from the rich but artistic boy (Xavier). There's a love triangle (actually more like a square) with almost zero drama. There is also something to be said for having some flash. This might have been due to the limitations of the actress, but one can't help thinking "Hmm...probably should just go to med school" when we see her dancing. If the movie showed amazing dance numbers, the audience could feel the pull between two worlds. We're kind of meant to assume she's great at dance but never shown it.
It's been a long time since my last trip to Taiwan, but I didn't feel any pangs of nostalgia when the characters explored the different parts of Taipei. I think it was a missed opportunity to showcase the experience of being in the city.
This is not uncommon with male Asian actors, but my first thought when I saw Rick was "why is this 35 year old man with these college students?" It turns out, he's actually 33, but you get my point.
With most good movies, there are breathtaking highs and devastating lows, and one connects with the emotions of the main character. Love in Taipei felt more like a flatline.
