Directed by
| Marité Ugas | ||
Writing Credits (in alphabetical order)
| Mariana Rondón | ||
| Marité Ugas | ||
Cast
| Beto Benites | |||
 |
Baldomero Cáceres | ... | Aldo |
|
|
Miguel Davalos | ... | El sucesor |
Produced by
| Paula Cosenza | ... | co-producer |
| Dag Hoel | ... | co-producer |
| Mariana Rondón | ... | producer |
| Carla Salinas | ... | field producer |
| Rafael Sampaio | ... | co-producer |
Music by
| Pauchi Sasaki | ... | (original music by) |
Production Management
| Eliana Illescas | ... | production manager |
Second Unit Director or Assistant Director
| Javier Mateos | ... | first assistant director |
| Atilio Quesada Oré | ... | second assistant director (as Atilio Quesada) |
Sound Department
| Sérgio Abdalla | ... | re-recording mixer |
| José E. Caldararo | ... | foley artist (as José Caldararo) |
| Rosa María Oliart | ... | adr |
| Omar Pareja | ... | sound mixer |
| Daniel Turini | ... | supervising re-recording mixer |
Visual Effects by
| Daniel Cuya | ... | digital compositor |
| Martin Ramirez | ... | digital compositor |
Camera and Electrical Department
| Natalia Grande | ... | second assistant camera |
| Charlotte Maurie | ... | digital imaging technician |
| Roberto Mesta | ... | gaffer |
| Iván Miranda Moya | ... | first assistant camera |
| John Márquez | ... | camera operator |
| Edgardo Febres Navarro | ... | lighting technician |
| Augusto Soriano | ... | lighting technician |
Editorial Department
| Camila Pereira | ... | DCP Mastering |
Location Management
| Paúl Córdova | ... | location manager (uncredited) |
Script and Continuity Department
| Analía Laos | ... | script supervisor |
Additional Crew
| Samarah Kojima | ... | Quality Control |
| Tarsila Varallo | ... | production assistant: intern |
