Back to the Wharf (2020) Poster

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7/10
Interesting Crime/Drama with Romance and a bit of Neo-Noir
Reviews_of_the_Dead18 January 2023
Warning: Spoilers
This is a movie that I heard about thanks to Justin Cook when he sent over the screener. I investigated this a bit, found out it wasn't horror, but it still sounded interesting. I figured I'd still give it a review to support independent/foreign cinema

Synopsis: an escaped convict for negligent homicide returns to his hometown after 15 years, only to be haunted by his past and gets mixed up in a scheme involving the daughter of his victim.

Now for this movie, we start with a kid getting bullied at an arcade. His name is Song Hao. He is protected by another teen by the name of Li Tang. Hao heads home, but before he does, he visits a teacher or an administrator from his school. He informs Hao that despite being one of the smartest in his class, he is going to lose his preference scholarship for another student. The reason is that the administrator thinks that he will still get in, he just must pass the essay. The other student doesn't have the same chance so they're trying to get more into this prestigious school.

Hao is depressed and goes home where his father is hard on him. The father is Song Jianhui (Yanhui Wang). Jianhui is upset that his son doesn't tell him where he's been. He's also upset when he learns about his son losing his scholarship. He makes a call to the administrator to learn that the place was given to Hao's friend of Tang. Hao heads out into the monsoon as does his father.

This changes everything. Hao goes to the wrong house and upsets the man who lives there. He is drunk and attacks Hao, thinking he is a burglar. Hao accidentally stabs him. Jianhui arrives and after his son has fled. He knows that his son did it from what he's told by the man. To protect Hao, Jianhui finishes the job. The problem is that Tang saw both leaving the house.

The movie then shifts into the future. With what happened, Hao gave up his dream and left. Hao is now played by Zhang Yu. He comes home and we see that the relationship is strained with his father. They get along well enough though. A classmate of his, Pan Xiaoshuang (Jia Song), has a crush on him. She wants him to ask her out. Hao also runs into his old friend, Tang who is now played by Hong-Chi Lee. Song seeks out the daughter of the man he killed who is now living in foster care. Truths are revealed and decisions must be made, all stemming from that fateful day.

That is where I'll leave my recap and introduction to the characters. Where I want to start is that this feels like a different take on a Neo-Noir. I'm sure this feeling comes from the fact that this is has a mystery of sorts. It goes beyond that though with how this one decision and event has shaped the lives of so many people. I should say that is more of a drama.

I would also say this is more of a character study of our lead. Hao was on track to go to a good college. Jianhui was making an honest living. Tang might not be in the position that he is now. That day changed the course of their lives. Then there is also the teenage girl that Hao feels responsible for. Seeing how everyone interacts was interesting. It feels a lot like the butterfly effect without time travel. We see what happens and the outcomes on everyone.

Now I don't know if this would work though without good acting. I love how indifferent to everything Zhang is. It feels like he is punishing himself and can't be happy because of it. Wang shows that despite how hard on his son he is, he does love him. He's made sacrifices as well. Lee is interesting. When he was a teen, there was a bully that feared him. As an adult, Tang is a gangster of sorts. He also has leverage over Jianhui. He is more of a minor role, but also the villain. I'd even say that the regret of what Hao did and his father covering it up is more of the main villain. One's own guilt. To finish out what I was going over, Song and the rest of the cast rounded this out for what was needed.

All that is left to go into would be with the filmmaking. I think this is shot well. They do a great job with the heavy rains to make it feel dreary. I wouldn't go as far to say that the aesthetic is drab throughout, but it also isn't bright and colorful. That helps to show the depression to me for Hao. I'd also say that the soundtrack was fine and fit for what was needed without necessarily standing out.

In conclusion, I enjoyed my time with this movie. We get a different type of drama here that has elements of a Neo-Noir. We see how one event can change the lives of so many. The performances help to drive that home. I think this is a well-made movie, giving special credit to the cinematography for sure. This was something I probably would have never seen if the screener hadn't been sent over and I enjoyed my time with it. If I have a gripe, it does run a bit long. With a bit of trimming, it would run tighter.

My Rating: 7 out of 10.
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8/10
Powerful noirish drama from mainland China
alain-kapel56 March 2021
After seeing Li Xiaofeng's Ash and being highly impressed by what it had to offer, I was anxious to watch Back to the Wharf, Li's latest attempt at modern noir. Well, I'm happy to say that my expectations were met, even surpassed in some respects.

The film begins with Song Hao, a promising high school student, being cheated out of direct admission to college that was practically guaranteed due to his status as a top-of-the-class pupil. He finds out that it was instead given to his schoolmate and friend Li Tang, who also happens to be the son of a local mayor. A tragic event ensues and Song is forced to escape his hometown, only returning 15 years later after the death of his mom. What happens next constitutes the film's main plot and is for the viewer to discover.

First and foremost, this is a slow-burn blend of drama and noir not unlike Ash in the way it handles certain elements. Both films are moody, ambiguous and focus on morally conflicted protagonists trying to come to terms with past mistakes. However they're different beasts in terms of storytelling and plot structure. Whereas Ash was a mystery thriller presented as an abstract puzzle, Back to the Wharf is relatively straightforward and more accessible for mainstream audiences. I was very surprised by how fast time zipped by while I was watching it! Not very common for a film that can't be called fast paced in any way, but I guess that's just more testament to its quality. It's certainly well written and performed along with being truly remarkable in its technical aspects.

Oh yes, now this is a great looking film. Seaside vistas and rain-slicked streets are name of the game here. Fluid camerawork and vivid colors often make it a feast for the eyes. In my review of Ash I mentioned it being quite beautiful to look at and it's nice that Wharf keeps up with those high standards. The splendid jazzy soundtrack follows suit, even if it can be overbearing in a few instances.

To keep things short, do yourself a favor if you love modern noir and watch this. It's moody, bleak stuff that joins the ever-growing group of quality genre cinema from mainland China.
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