Directed by
| Andrew Elias | ||
Writing Credits (in alphabetical order)
| Andrew Elias | ... | (writer) |
Cast
| Annabella Rich | ... | Edith (as Anabella Rich) | |
| Andrew Elias | ... | Old Dice | |
| Michael Fausti | ... | Captain St. Clair | |
| Martin W. Payne | ... | The Devil | |
| Tessa Wood | ... | Pearl | |
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Kemal Yildirim | ... | Chalky |
| Alex Nathan-Woods | ... | Frank | |
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Terence Mountain | ... | Solomon |
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Thomas Lee Rutter | ... | The Compare |
| Raphael von Blumenthal | ... | Heinrich | |
| Peter Tilley | ... | Ginger | |
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Glyn Angell | ... | Henry (as Glyn Bentley-Angell) |
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Singh Lall | ... | The Curator |
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Ollie Graveson | ... | Littlewood the Cook (as Oli Graveson) |
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Tina Wallis | ... | Nurse |
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Harvey Pethers | ... | Matros |
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Ziggy Januszewski | ... | The Hunter |
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Roger Marshall | ... | Music Hall Pianist |
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Lily Wallis | ... | Girl (voice) |
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Sandra Mills | ... | Madame Francisca |
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Henry Wallis | ... | Parsley |
Produced by
| Andrew Elias | ... | producer |
| Ella Titchener | ... | executive producer |
| John Marsden Wallis | ... | executive producer |
| Tina Wallis | ... | producer |
Music by
| Reg Length | ||
Cinematography by
| Daniel Parkes | ||
Editing by
| Daniel Parkes | ||
Production Design by
| Tina Wallis | ||
Art Department
| Jamie Mason | ... | props |
| Alison Vermeeren | ... | poster design |
| Henry Wallis | ... | blacksmith |
Sound Department
| Roger Marshall | ... | sound recordist |
| Itsuka Yamasaki | ... | sound recordist |
Special Effects by
| Steffi Berghmans | ... | special effects artist |
Visual Effects by
| Daniel Parkes | ... | visual effects |
Camera and Electrical Department
| Roger Marshall | ... | assistant camera |
| Holly Sabin | ... | assistant camera |
Animation Department
| Alison Vermeeren | ... | animator |
Additional Crew
| Louise Nosbod | ... | fausti wrangler |
| Peter Tilley | ... | production assistant |
| Henry Wallis | ... | production assistant |
Thanks
| Christine Edzard | ... | special thanks |
| Danielle Mason | ... | special thanks |
| Jamie Mason | ... | special thanks |
| Olivier Stockman | ... | special thanks |
