Exclusive: After seeing his first narrative feature The Inspection garner rave reviews in 2022, director Elegance Bratton is getting back behind the camera for By Any Means, a true-life crime thriller starring Oscar nominees Mark Wahlberg (The Fighter) and Sterling K. Brown (American Fiction) for Hammerstone Studios, Thunder Road, Freedom Principle, and North.Five.Six.
Based on the Black List script CI34 from Sascha Penn and Theodore Witcher, By Any Means is being introduced to buyers at the upcoming AFM by Michael Rothstein and Samuel Hall’s North.Five.Six., which is handling international sales. Witcher completed multiple revisions of the script, with Bratton also taking part in the process.
Pic is based on the incredible true story of the notorious mafia hitman who was hired by Hoover’s FBI off-the-books and partnered with a young Black special agent to hunt down those responsible for the murders of civil rights leaders in 1966 Mississippi.
Based on the Black List script CI34 from Sascha Penn and Theodore Witcher, By Any Means is being introduced to buyers at the upcoming AFM by Michael Rothstein and Samuel Hall’s North.Five.Six., which is handling international sales. Witcher completed multiple revisions of the script, with Bratton also taking part in the process.
Pic is based on the incredible true story of the notorious mafia hitman who was hired by Hoover’s FBI off-the-books and partnered with a young Black special agent to hunt down those responsible for the murders of civil rights leaders in 1966 Mississippi.
- 10/30/2024
- by Matt Grobar
- Deadline Film + TV
Exclusive: Veteran producer Tucker Tooley is partnering with Big3, the 3-on-3 basketball league founded by show biz multi-hyphenate Ice Cube and longtime entertainment executive Jeff Kwatinetz, for a docuseries chronicling its rise to prominence over the last seven years.
Not yet titled, the series will tell the unflinchingly truthful story of the first new sports league to succeed since the UFC. Each episode will delve into the challenges and controversies of the past seven seasons, as well as the eclectic personalities, pinnacles, and heartbreaks on the court as teams vie for the 2025 championship title. Additionally, the series will examine the ongoing off-the-court entrepreneurial challenges of bringing a new sport and league to market.
News of the Big3 series comes following the recent conclusion of the league’s seventh season — its most-viewed season on record. Fully financed, the project will be produced by Tooley under his Tooley Entertainment banner. No word...
Not yet titled, the series will tell the unflinchingly truthful story of the first new sports league to succeed since the UFC. Each episode will delve into the challenges and controversies of the past seven seasons, as well as the eclectic personalities, pinnacles, and heartbreaks on the court as teams vie for the 2025 championship title. Additionally, the series will examine the ongoing off-the-court entrepreneurial challenges of bringing a new sport and league to market.
News of the Big3 series comes following the recent conclusion of the league’s seventh season — its most-viewed season on record. Fully financed, the project will be produced by Tooley under his Tooley Entertainment banner. No word...
- 10/22/2024
- by Matt Grobar
- Deadline Film + TV
It's been a busy year for M. Night Shyamalan. This summer, he dropped the wildly entertaining (and wildly silly) concert-set serial killer thriller "Trap," starring Josh Hartnett and Shyamalan's daughter, Saleka. The "Sixth Sense" director has several other projects in the works, but he's also been branching out as a producer, producing Ishana Shyamalan's "The Watchers" earlier this year and "Caddo Lake," co-directed by Logan George and Celine Held, this month. It's the latter film that's been climbing the streaming charts this week, with the latest viewership data from FlixPatrol listing it as the most-watched movie on HBO, home to the streaming site Max.
According to the data site, "Caddo Lake" is the most popular movie on HBO today, outpacing Gary Dauberman's long-anticipated "Salem's Lot" remake and some 2024 theatrical releases, including Will Smith and Martin Lawrence's "Bad Boys: Ride Or Die," Mark Wahlberg's inspirational stray dog flick "Arthur The King,...
According to the data site, "Caddo Lake" is the most popular movie on HBO today, outpacing Gary Dauberman's long-anticipated "Salem's Lot" remake and some 2024 theatrical releases, including Will Smith and Martin Lawrence's "Bad Boys: Ride Or Die," Mark Wahlberg's inspirational stray dog flick "Arthur The King,...
- 10/14/2024
- by Valerie Ettenhofer
- Slash Film
White Bird: A Wonder Story (2024) has finally arrived in theaters after a two-year wait for the adaptation of the graphic novle by R.J. Palacio. This year has seen several big book adaptations dominate the box office from Dune: Part Two to It Ends With Us.
Several other well known books have transformed for the big screen this year, including comics like The Teenage Mutant Ninja Turtles, childhood stories like Harold and the Purple Crayon and more.
Read on for a list of this year’s book to movie adaptations:
White Bird – Oct 4 – Theaters
White Bird: A Wonder Story, Gillian Anderson, 2022. © Lionsgate /Courtesy Everett Collection
Based on the book by Wonder author R. J. Palacio, White Bird: A Wonder Story (2024) has finally hit theaters after shifts over two years since the film was first advertised. The film stars Helen Mirren, Gillian Anderson, Bryce Gheisar and more. The film follows a young...
Several other well known books have transformed for the big screen this year, including comics like The Teenage Mutant Ninja Turtles, childhood stories like Harold and the Purple Crayon and more.
Read on for a list of this year’s book to movie adaptations:
White Bird – Oct 4 – Theaters
White Bird: A Wonder Story, Gillian Anderson, 2022. © Lionsgate /Courtesy Everett Collection
Based on the book by Wonder author R. J. Palacio, White Bird: A Wonder Story (2024) has finally hit theaters after shifts over two years since the film was first advertised. The film stars Helen Mirren, Gillian Anderson, Bryce Gheisar and more. The film follows a young...
- 10/9/2024
- by Dessi Gomez
- Deadline Film + TV
Imaginary. Borderlands. The Crow. Megalopolis. 2024 has been a colossally bad year for Lionsgate Films. Whether it’s critical ratings or box office take, there’s not a lot to be optimistic about if you’re a fan or shareholder. This is too bad as Lionsgate has always been the studio I’ve always rooted for. As distributors of the Saw, John Wick, and Rambo they’ve always had an edge to them, giving smaller films a chance to reach larger audiences. And franchises like Twilight (purchased from Summit), Divergent, and Hunger Games showed their ability to make/acquire broadly appealing films. Then they’ve even gotten into the Oscar space with releases like La La Land, Knives Out, and Sicario. But it’s getting to the point where I groan every time the Lionsgate logo comes up as it’s no longer a sign of quality or fun.
It’s...
It’s...
- 10/5/2024
- by Tyler Nichols
- JoBlo.com
Starz has announced the movie and TV titles that will be available on the service in September. The Starz September 2024 schedule includes the premiere of Three Women, a limited series based on the New York Times bestselling book that explores female desire through the compellingly raw and honest stories of three women on a crash course to radically change their lives.
Part Two of the final season of Power Book II: Ghost will also premiere. On the film front, The Ministry of Ungentlemanly Warfare, Imaginary, Arthur the King, Knock at the Cabin, The Strangers: Chapter 1, Training Day, Ant-Man, and several other notable titles will join the Starz app this month.
Three Women Starz Highlights
Power Book II: Ghost Season 4 Part 2
The second half of the fourth and final season of “Power Book II: Ghost” premieres on Friday, September 6, at midnight Et on the Starz app. On linear, it will air on Starz at 8:00 p.
Part Two of the final season of Power Book II: Ghost will also premiere. On the film front, The Ministry of Ungentlemanly Warfare, Imaginary, Arthur the King, Knock at the Cabin, The Strangers: Chapter 1, Training Day, Ant-Man, and several other notable titles will join the Starz app this month.
Three Women Starz Highlights
Power Book II: Ghost Season 4 Part 2
The second half of the fourth and final season of “Power Book II: Ghost” premieres on Friday, September 6, at midnight Et on the Starz app. On linear, it will air on Starz at 8:00 p.
- 8/21/2024
- by Mirko Parlevliet
- Vital Thrills
Netflix is back with a new star-studded action movie — this time led by Mark Wahlberg and Halle Berry — with “The Union.” Wahlberg stars as Mike, a Jersey construction worker who finds his average life turned upside down when his high school sweetheart Roxanne (Berry) shows up and he gets tangled up in a continent-skipping international intelligence adventure.
But Berry and Wahlberg aren’t the only familiar faces in the Netflix romp. Here’s a handy guide to “The Union” cast and the characters they play.
Halle Berry in “The Union” (Laura Radford/Netflix)
Halle Berry as Roxanne Hall — Oscar-winning actress Halle Berry stars as The Union operative Roxanne Hall, an ass-kicking, world-traveling adventurer who never misses her shot. Berry is best known for her superhero roles, playing Storm in the “X-Men” films and Catwoman in “Catwoman,” as well as her Best Actress-winning performance in “Monster’s Ball.” Her well-known titles also include “John Wick 3,...
But Berry and Wahlberg aren’t the only familiar faces in the Netflix romp. Here’s a handy guide to “The Union” cast and the characters they play.
Halle Berry in “The Union” (Laura Radford/Netflix)
Halle Berry as Roxanne Hall — Oscar-winning actress Halle Berry stars as The Union operative Roxanne Hall, an ass-kicking, world-traveling adventurer who never misses her shot. Berry is best known for her superhero roles, playing Storm in the “X-Men” films and Catwoman in “Catwoman,” as well as her Best Actress-winning performance in “Monster’s Ball.” Her well-known titles also include “John Wick 3,...
- 8/16/2024
- by Haleigh Foutch
- The Wrap
Things have been looking up at the box office as of late, with movies like "Inside Out 2," "Deadpool & Wolverine," and even Neon's indie horror hit "Longlegs" lifting us out of a pretty dreadful situation. Unfortunately, the rising tide doesn't always lift all boats. Sony's "Harold and the Purple Crayon" hit theaters this past weekend, instantly becoming one of the biggest misfires of the year thus far. The only saving grace is that we're talking about a mid-budget movie and not one with a full-on blockbuster budget. Even so, things are looking rough with no reason to believe they're going to get much better.
Director Carlos Saldanha's "Harold and the Purple Crayon" opened to just $6 million domestically while playing on more than 3,300 screens. It placed at number six on the charts, placing behind "Inside Out 2" ($6.7 million), which was on its eighth weekend in theaters. This...
Director Carlos Saldanha's "Harold and the Purple Crayon" opened to just $6 million domestically while playing on more than 3,300 screens. It placed at number six on the charts, placing behind "Inside Out 2" ($6.7 million), which was on its eighth weekend in theaters. This...
- 8/5/2024
- by Ryan Scott
- Slash Film
Mark Wahlberg has done a plethora of roles over the years. From horror to comedy movies to patriotic action films, Wahlberg has done it all. However, Wahlberg feels that this was by far the weirdest thing he had ever done.
Tom Holland and Mark Wahlberg in Uncharted. Credits: Ctmg, Inc
Working alongside acclaimed director Michael Bay, the duo had a great time filming some of the Transformers movies. However, in 2013, the duo collaborated again on an iconic film titled Pain & Gain.
Mark Wahlberg Went Through a Lot of Pain for Pain & Gain
Dwayne Johnson, Anthony Mackie, and, Mark Wahlberg joined forces in 2013 to star in Michael Bay’s iconic film Pain & Gain. The film revolves around three friends who kidnap a wealthy businessman in hopes of extorting money.
Mark Wahlberg in Max Payne | 20th Century Studios
It’s a different thing that their idiocracy makes the kidnapping 10 times...
Tom Holland and Mark Wahlberg in Uncharted. Credits: Ctmg, Inc
Working alongside acclaimed director Michael Bay, the duo had a great time filming some of the Transformers movies. However, in 2013, the duo collaborated again on an iconic film titled Pain & Gain.
Mark Wahlberg Went Through a Lot of Pain for Pain & Gain
Dwayne Johnson, Anthony Mackie, and, Mark Wahlberg joined forces in 2013 to star in Michael Bay’s iconic film Pain & Gain. The film revolves around three friends who kidnap a wealthy businessman in hopes of extorting money.
Mark Wahlberg in Max Payne | 20th Century Studios
It’s a different thing that their idiocracy makes the kidnapping 10 times...
- 8/2/2024
- by Visarg Acharya
- FandomWire
Besides being one of the most dedicated actors in the industry, Mark Wahlberg also finds the space to be a full-time dad to his four children. He once accompanied his youngest, Grace, to a school dance and confronted a DJ for playing inappropriate songs. Wahlberg also remains a loving husband to Rhea Durham, whose birthday was celebrated by the family earlier this month.
Mark Wahlberg and Rhea Durham with their kids | @byrheawahlberg/Ig
Wahlberg and Durham started dating in 2001 and tied the knot in August 2009. They had their children Ella Rae, 20, Michael, 18, and Brenda, 15 before they got married and Grace, 13, in 2010. The Family Plan actor is open about his personal life, sharing great words about his wife and stories with his children.
Mark Wahlberg Confronted A DJ Who Played Inappropriate Songs At His Daughter’s School Dance Mark Wahlberg in The Family Plan | Apple Studios
When Mark Wahlberg appeared on...
Mark Wahlberg and Rhea Durham with their kids | @byrheawahlberg/Ig
Wahlberg and Durham started dating in 2001 and tied the knot in August 2009. They had their children Ella Rae, 20, Michael, 18, and Brenda, 15 before they got married and Grace, 13, in 2010. The Family Plan actor is open about his personal life, sharing great words about his wife and stories with his children.
Mark Wahlberg Confronted A DJ Who Played Inappropriate Songs At His Daughter’s School Dance Mark Wahlberg in The Family Plan | Apple Studios
When Mark Wahlberg appeared on...
- 8/1/2024
- by Hashim Asraff
- FandomWire
Guy Ritchie’s The Ministry of Ungentlemanly Warfare had a short run in theaters in the United States. It only grossed about $26 million, and never played theaters outside of the U.S. In fact, the film, which is now on 4K Blu-ray in the States never got any kind of release at all internationally. What gives?
It all has to do with how the film was financed, with Prime Video having a deal for international rights across Europe, Latin America, Anz, Canada, South Africa, India, and pan-Asian PayTV. The film is now finally set for a Prime Video release, with it premiering on July 25th, more than three months after the movie played U.S theaters. Prime Video Canada and its international subsidiaries made the unheralded announcement on Twitter (X).
Reckless, unpopular, a little unhinged… sounds like the perfect team for the job. The Ministry of Ungentlemanly Warfare premieres July 25 on Prime Video.
It all has to do with how the film was financed, with Prime Video having a deal for international rights across Europe, Latin America, Anz, Canada, South Africa, India, and pan-Asian PayTV. The film is now finally set for a Prime Video release, with it premiering on July 25th, more than three months after the movie played U.S theaters. Prime Video Canada and its international subsidiaries made the unheralded announcement on Twitter (X).
Reckless, unpopular, a little unhinged… sounds like the perfect team for the job. The Ministry of Ungentlemanly Warfare premieres July 25 on Prime Video.
- 6/28/2024
- by Steve Seigh
- JoBlo.com
Lionsgate has just released the first official trailer for Flight Risk, an upcoming action-thriller from 2x Oscar-winning director Mel Gibson (Braveheart; Apocalypto; Hacksaw Ridge) that stars 2x Academy Award-nominee Mark Wahlberg (The Fighter; The Departed; Ted) in the lead role as a pilot that may not be who he seems...
The synopsis reads, "In this high-stakes suspense thriller, Mark Wahlberg plays a pilot transporting an Air Marshal (Michelle Dockery) accompanying a fugitive (Topher Grace) to trial. As they cross the Alaskan wilderness, tensions soar and trust is tested, as not everyone on board is who they seem."
While the plot is fairly straightforward, it promises a wealth of thrills this coming October, which is shaping up to be quite a busy month on the release calendar with the debuts of Joker: Folie à Deux (October 4), White Bird (October 4), Terrifier 3 (October 11), Piece by Piece (October 11), We Live in Time (October...
The synopsis reads, "In this high-stakes suspense thriller, Mark Wahlberg plays a pilot transporting an Air Marshal (Michelle Dockery) accompanying a fugitive (Topher Grace) to trial. As they cross the Alaskan wilderness, tensions soar and trust is tested, as not everyone on board is who they seem."
While the plot is fairly straightforward, it promises a wealth of thrills this coming October, which is shaping up to be quite a busy month on the release calendar with the debuts of Joker: Folie à Deux (October 4), White Bird (October 4), Terrifier 3 (October 11), Piece by Piece (October 11), We Live in Time (October...
- 6/27/2024
- ComicBookMovie.com
Mel Gibson, the veteran director and actor, is returning with an iconic film called Flight Risk with Mark Wahlberg in the lead role, and fans are surely intrigued.
Mark Wahlberg in The Family Plan | Apple Studios
From starring in the Transformers franchise for quite a while to portraying dad roles in comedy films, Wahlberg has indeed come a long way, but this time, things could be very different!
Mark Wahlberg And Mel Gibson Join Hands For Flight Risk
Getting scratches on the neck comes as an occupational hazard for Mark Wahlberg’s character in the upcoming movie, but things aren’t what they seem to be.
Mel Gibson and Mark Wahlberg in Father Stu | Sony Pictures Releasing
The trailer starts with a U.S. marshall getting chained in an airplane with Wahlberg portraying the role of the pilot. However, Michelle Dockerey’s character notices what appears to be a bullet...
Mark Wahlberg in The Family Plan | Apple Studios
From starring in the Transformers franchise for quite a while to portraying dad roles in comedy films, Wahlberg has indeed come a long way, but this time, things could be very different!
Mark Wahlberg And Mel Gibson Join Hands For Flight Risk
Getting scratches on the neck comes as an occupational hazard for Mark Wahlberg’s character in the upcoming movie, but things aren’t what they seem to be.
Mel Gibson and Mark Wahlberg in Father Stu | Sony Pictures Releasing
The trailer starts with a U.S. marshall getting chained in an airplane with Wahlberg portraying the role of the pilot. However, Michelle Dockerey’s character notices what appears to be a bullet...
- 6/27/2024
- by Visarg Acharya
- FandomWire
In the first trailer for Mel Gibson’s Flight Risk, Mark Wahlberg plays a hitman who will go to any length to secure his kill — the sky is, quite literally, the limit.
In the clip, Wahlberg’s character is piloting a small plane with two other passengers, FBI agent Madolyn Harris (Michelle Dockery) next to him and an informant named Winston (Topher Grace) behind him. The pilot-slash-hitman is calm, cool, and collected even while being questioned about mysterious marks of blood on his neck and shirt. He writes it off as an “occupational hazard,...
In the clip, Wahlberg’s character is piloting a small plane with two other passengers, FBI agent Madolyn Harris (Michelle Dockery) next to him and an informant named Winston (Topher Grace) behind him. The pilot-slash-hitman is calm, cool, and collected even while being questioned about mysterious marks of blood on his neck and shirt. He writes it off as an “occupational hazard,...
- 6/27/2024
- by Larisha Paul
- Rollingstone.com
Richard Linklater’s “Hit Man” is a certified hit for Netflix, and a rare one: It’s an original film that’s critically acclaimed as well as a popular success.
Meanwhile on PVOD, Warner Bros.’ “Godzilla x Kong: The New Empire” dominated “Godzilla Minus One” (Toho) not only in theaters (more than three times the gross) but also in home interest.
“Civil War” (A24) is #1 again at iTunes in its fourth week of availability (#2 at Fandango), a remarkably strong showing for a film with a strong but sub-$70 million domestic box office take.
“Hit Man” has led Netflix’s most-watched movie list for 10 days, the first film to do so since 2023 Netflix production “Leave the World Behind” starring Julia Roberts; it held the spot for 13 days last December. We await word on actual viewing minutes, which it recently touted for “Atlas” with Jennifer Lopez. Already, “Hit Man” has more days...
Meanwhile on PVOD, Warner Bros.’ “Godzilla x Kong: The New Empire” dominated “Godzilla Minus One” (Toho) not only in theaters (more than three times the gross) but also in home interest.
“Civil War” (A24) is #1 again at iTunes in its fourth week of availability (#2 at Fandango), a remarkably strong showing for a film with a strong but sub-$70 million domestic box office take.
“Hit Man” has led Netflix’s most-watched movie list for 10 days, the first film to do so since 2023 Netflix production “Leave the World Behind” starring Julia Roberts; it held the spot for 13 days last December. We await word on actual viewing minutes, which it recently touted for “Atlas” with Jennifer Lopez. Already, “Hit Man” has more days...
- 6/17/2024
- by Tom Brueggemann
- Indiewire
Something normal happened at Netflix. “Hit Man,” a well-reviewed film from a top director (Richard Linklater) and a hot star (Glen Powell) in an audience-friendly action title, debuted as #1 on the streamer’s top 10 movie list.
Something very weird happened at the same time. “Godzilla Minus One,” which had a long-delayed appearance in home formats, made it to #1 both at Netflix and on VOD ($5.99 rental) in its first week. By week two, it fell to #6 at Netflix, while dropping from the top spot at iTunes to #7.
Netflix acquired “Hit Man” for $20 million last year when it premiered at Venice and Toronto to great interest. Reviewed (82 Metacritic) at the level or ahead of most of the streamer’s late-year awards-bait films, the action comedy about a moonlighting professor working undercover for New Orleans police has been #1 for the last three days. Unlike most Netflix originals, does it have staying power?
We...
Something very weird happened at the same time. “Godzilla Minus One,” which had a long-delayed appearance in home formats, made it to #1 both at Netflix and on VOD ($5.99 rental) in its first week. By week two, it fell to #6 at Netflix, while dropping from the top spot at iTunes to #7.
Netflix acquired “Hit Man” for $20 million last year when it premiered at Venice and Toronto to great interest. Reviewed (82 Metacritic) at the level or ahead of most of the streamer’s late-year awards-bait films, the action comedy about a moonlighting professor working undercover for New Orleans police has been #1 for the last three days. Unlike most Netflix originals, does it have staying power?
We...
- 6/11/2024
- by Tom Brueggemann
- Indiewire
Daisy Ridley in Young Woman And The Sea Image: Disney Young Woman And The Sea debuted in theaters this past Friday, but you wouldn’t know it by looking at the weekend box office chart. That’s because Disney declined to report the film’s ticket sales (apparently a studio...
- 6/5/2024
- by Cindy White
- avclub.com
Daisy Ridley in Young Woman And The SeaPhoto: Disney
Young Woman And The Sea debuted in theaters this past Friday, but you wouldn’t know it by looking at the weekend box office chart. That’s because Disney declined to report the film’s ticket sales (apparently a studio can...
Young Woman And The Sea debuted in theaters this past Friday, but you wouldn’t know it by looking at the weekend box office chart. That’s because Disney declined to report the film’s ticket sales (apparently a studio can...
- 6/5/2024
- by Cindy White
- avclub.com
Mark Wahlberg has led one too many daunting projects that are spread across multiple genres, with video game-based action pieces being among them as well.
Like his 2008 action/crime from Irish director John Moore, Max Payne, for one to count, which may have received lukewarm reviews but was quite a successful piece when it comes to its box office scores, especially in the US.
Mark Wahlberg in Transformers. | Credit: Paramount Pictures.
Needless to say, Wahlberg performed epically in the movie; to the point where, perhaps, no one could play the character in live-action better. That said, even Moore thought through this very perspective before making the movie.
If anything, the filmmaker just may have even canceled his $80 million movie, perhaps, had the actor not signed on to star in it.
John Moore May Have Never Made Max Payne Without Mark Wahlberg
2008’s action/crime Max Payne and the titular video...
Like his 2008 action/crime from Irish director John Moore, Max Payne, for one to count, which may have received lukewarm reviews but was quite a successful piece when it comes to its box office scores, especially in the US.
Mark Wahlberg in Transformers. | Credit: Paramount Pictures.
Needless to say, Wahlberg performed epically in the movie; to the point where, perhaps, no one could play the character in live-action better. That said, even Moore thought through this very perspective before making the movie.
If anything, the filmmaker just may have even canceled his $80 million movie, perhaps, had the actor not signed on to star in it.
John Moore May Have Never Made Max Payne Without Mark Wahlberg
2008’s action/crime Max Payne and the titular video...
- 6/4/2024
- by Mahin Sultan
- FandomWire
For the first time ever, a film streaming on Netflix (free for subscribers) and available on VOD ($5.99 for 48 hours) is #1 on both charts.
Toho’s late-2023 sleeper success and eventual Oscar Visual Effects winner, “Godzilla Minus One” achieved that feat with a totally unexpected and previously unannounced release on Saturday.
The film, released in early December to an unexpected U.S./Canada gross of $56 million, normally would have hit PVOD for rental for $19.99 by late January, been reduced to $5.99 after a few weeks, then found a streaming home. But because of vaguely defined agreements with Legendary Entertainment, Toho’s partner in making Warner Bros.’ costlier Godzilla films, the March opening of “Godzilla x Kong: The New Empire” led to the early-February termination of theatrical dates for “Minus One.” That came despite the Toho film still doing business (and ahead of the Oscars). Then, Warner’s “Godzilla x Kong” could play without “Minus One” as competition.
Toho’s late-2023 sleeper success and eventual Oscar Visual Effects winner, “Godzilla Minus One” achieved that feat with a totally unexpected and previously unannounced release on Saturday.
The film, released in early December to an unexpected U.S./Canada gross of $56 million, normally would have hit PVOD for rental for $19.99 by late January, been reduced to $5.99 after a few weeks, then found a streaming home. But because of vaguely defined agreements with Legendary Entertainment, Toho’s partner in making Warner Bros.’ costlier Godzilla films, the March opening of “Godzilla x Kong: The New Empire” led to the early-February termination of theatrical dates for “Minus One.” That came despite the Toho film still doing business (and ahead of the Oscars). Then, Warner’s “Godzilla x Kong” could play without “Minus One” as competition.
- 6/3/2024
- by Tom Brueggemann
- Indiewire
Chinese director Guan Hu’s visually stunning new feature, Black Dog, starts off with a familiar premise: After spending a decade behind bars, an ex-con named Lang (Eddie Peng) returns to his tiny native city in Northwest China on the outskirts of the Gobi Desert. He tries to integrate into regular life, but certain demons from his past come back to haunt him.
If this sounds like any number of throwaway B-movies, or like the plot of the recent Sylvester Stallone series Tulsa King, be advised that Black Dog is not that kind of thing at all. First off, it’s unclear who, exactly, the title is referring to. Is it the film’s total outcast of a protagonist, who barely utters a full sentence to anyone — including his own father — as he attempts to settle into a place that doesn’t want him? Or is it the stray black greyhound he meets in town,...
If this sounds like any number of throwaway B-movies, or like the plot of the recent Sylvester Stallone series Tulsa King, be advised that Black Dog is not that kind of thing at all. First off, it’s unclear who, exactly, the title is referring to. Is it the film’s total outcast of a protagonist, who barely utters a full sentence to anyone — including his own father — as he attempts to settle into a place that doesn’t want him? Or is it the stray black greyhound he meets in town,...
- 5/28/2024
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
Nothing comes easy for “The Fall Guy” (Universal). Despite a home release 18 days after opening (typical for Universal) and outgrossing “Civil War” by $4 million despite playing for four weeks less, Alex Garland’s film shares top honors with the stuntman actioner this week on the VOD charts.
Both films, available for rental for 48 hours at $19.99, placed #1 on one chart apiece. “Civil War” leads at iTunes (ranking by transactions), while “Fall Guy” does at Fandango (calculated by revenue). One factor differentiating the two is that “Civil War” was released on Friday, while “Fall” debuted the previous Tuesday. That gave the latter an edge on Fandango, which has a weekly Monday-Sunday chart. It was #1 on iTunes on Wednesday through Friday, with “Civil War” #1 since.
“Fall” of course has been a disappointment in theaters. With a head of steam ahead of opening to excellent reviews, Ryan Gosling momentum, and a prime early May release date,...
Both films, available for rental for 48 hours at $19.99, placed #1 on one chart apiece. “Civil War” leads at iTunes (ranking by transactions), while “Fall Guy” does at Fandango (calculated by revenue). One factor differentiating the two is that “Civil War” was released on Friday, while “Fall” debuted the previous Tuesday. That gave the latter an edge on Fandango, which has a weekly Monday-Sunday chart. It was #1 on iTunes on Wednesday through Friday, with “Civil War” #1 since.
“Fall” of course has been a disappointment in theaters. With a head of steam ahead of opening to excellent reviews, Ryan Gosling momentum, and a prime early May release date,...
- 5/27/2024
- by Tom Brueggemann
- Indiewire
Exclusive: Chernin Entertainment has launched development on Tomato Can, a new boxing film scripted by Michael Brandt (3:10 to Yuma), from his and Jamie Foxx’s original idea.
Details as to the plot of the film are under wraps. Chernin Entertainment will produce alongside Foxxhole Productions’ Foxx and Datari Turner.
A veteran screenwriter, director, and producer, Brandt is well known for scripting 3:10 to Yuma, the Academy Award-nominated Western actioner from director James Mangold, which starred Russell Crowe, Christian Bale and Ben Foster. The co-writer and executive producer of Lionsgate’s recent Mark Wahlberg pic Arthur the King, Brandt also previously co-wrote the tentpoles Wanted and 2 Fast 2 Furious. In television, he’s best known for creating NBC’s Chicago Fire, as well as writing and exec producing each of the Chicago franchise’s other three hit series, with credits on over 650 episodes.
Most recently, Foxxhole Productions has worked...
Details as to the plot of the film are under wraps. Chernin Entertainment will produce alongside Foxxhole Productions’ Foxx and Datari Turner.
A veteran screenwriter, director, and producer, Brandt is well known for scripting 3:10 to Yuma, the Academy Award-nominated Western actioner from director James Mangold, which starred Russell Crowe, Christian Bale and Ben Foster. The co-writer and executive producer of Lionsgate’s recent Mark Wahlberg pic Arthur the King, Brandt also previously co-wrote the tentpoles Wanted and 2 Fast 2 Furious. In television, he’s best known for creating NBC’s Chicago Fire, as well as writing and exec producing each of the Chicago franchise’s other three hit series, with credits on over 650 episodes.
Most recently, Foxxhole Productions has worked...
- 5/20/2024
- by Matt Grobar
- Deadline Film + TV
Jerry Seinfeld’s highly touted (and largely panned) feature directorial debut, “Unfrosted,” spent four days leading Netflix’s top 10 movie chart before another Netflix original, “Mother of the Bride” starring Brooke Shields, took the slot before the thematically appropriate weekend holiday.
“Unfrosted” led for just four days, with “Shrek” from 2001 leading midweek before the debut of “Bride.” The Dreamworks animated classic is still in second place, while Seinfeld’s Pop-Tarts comedy dropped to fourth.
“Bride” comes from director Mark Waters. Perhaps best known for his “Freaky Friday” remake and the original “Mean Girls,” Waters went on to direct “The Spiderwick Chronicles,” “Vampire Academy,” and “Bad Santa 2.” In the new rom-com, Shields is a mom who realizes the father of her future son-in-law broke her heart decades ago.
“Bride” and “Unfrosted” are the sole Netflix originals on its weekly list of the top 10 domestic movies. Reflecting the start of summer’s school vacations,...
“Unfrosted” led for just four days, with “Shrek” from 2001 leading midweek before the debut of “Bride.” The Dreamworks animated classic is still in second place, while Seinfeld’s Pop-Tarts comedy dropped to fourth.
“Bride” comes from director Mark Waters. Perhaps best known for his “Freaky Friday” remake and the original “Mean Girls,” Waters went on to direct “The Spiderwick Chronicles,” “Vampire Academy,” and “Bad Santa 2.” In the new rom-com, Shields is a mom who realizes the father of her future son-in-law broke her heart decades ago.
“Bride” and “Unfrosted” are the sole Netflix originals on its weekly list of the top 10 domestic movies. Reflecting the start of summer’s school vacations,...
- 5/13/2024
- by Tom Brueggemann
- Indiewire
Theaters are in a slump longer than they should be. The last five weekends averaged about $70 million total, while in 2019, the same five weekends with lower ticket prices averaged $190 million. That means success in VOD revenue is all that more important for studios. Even so, on the two top 10 lists from iTunes (ranking by transactions) and Fandango (by revenue), half the slots are taken by companies other than the usual top five.
Results overall reflect the cutback in releases due to last year’s strikes, some longer windows for bigger-grossing studio releases, and, in most cases, a weaker response to other films that made little theatrical impact. All that made it easy for “Dune: Part Two” (Warner Bros.), by far the year’s biggest hit, to repeat as #1 on both charts for the third week. And that’s with a higher price than usual.
Jerry Seinfeld’s feature directorial debut “Unfrosted,...
Results overall reflect the cutback in releases due to last year’s strikes, some longer windows for bigger-grossing studio releases, and, in most cases, a weaker response to other films that made little theatrical impact. All that made it easy for “Dune: Part Two” (Warner Bros.), by far the year’s biggest hit, to repeat as #1 on both charts for the third week. And that’s with a higher price than usual.
Jerry Seinfeld’s feature directorial debut “Unfrosted,...
- 5/6/2024
- by Tom Brueggemann
- Indiewire
Home viewing charts inspire deja vu: “Anyone but You,” a hit as a PVOD release, just debuted at Netflix. It knocked out Netflix’s expensive “Rebel Moon — Part Two: The Scargiver” from first place after two weeks, falling to #6.
Similarly, “Dune: Part Two” returned for its second week as #1 at both iTunes (ranking by transactions) and Fandango (which calculates by revenue).
The “Dune” sequel fended off challenges by two recent theatrical releases. Dev Patel’s “Monkey Man” (Universal), once intended as a Netflix original, is #2 at iTunes, third at Fandango. The family-oriented “Arthur the King” (Lionsgate) took second at Fandango, but only #6 at iTunes. Both initially are available to rent for 48 hours for $19.99.
Two new home-play debuts also made top 10 lists. “Cash Out” (Saban) is #9 at iTunes, renting at $6.99; starring John Travolta, the critically reviled title may be getting as much attention for its little-known director Ives. That’s...
Similarly, “Dune: Part Two” returned for its second week as #1 at both iTunes (ranking by transactions) and Fandango (which calculates by revenue).
The “Dune” sequel fended off challenges by two recent theatrical releases. Dev Patel’s “Monkey Man” (Universal), once intended as a Netflix original, is #2 at iTunes, third at Fandango. The family-oriented “Arthur the King” (Lionsgate) took second at Fandango, but only #6 at iTunes. Both initially are available to rent for 48 hours for $19.99.
Two new home-play debuts also made top 10 lists. “Cash Out” (Saban) is #9 at iTunes, renting at $6.99; starring John Travolta, the critically reviled title may be getting as much attention for its little-known director Ives. That’s...
- 4/29/2024
- by Tom Brueggemann
- Indiewire
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“Lead the way, King,” Mark Wahlberg’s character Michael Light tells his adopted stray in the heartwarming trailer for Arthur the King.
Based on the novel by Mikael Lindnord, the Simon Cellan Jones-directed Arthur the King introduces us to Wahlberg’s Light, a professional endurance athlete who finds an unexpected-and-extremely-cute teammate for a race that crosses 435 miles. We won’t give any spoilers away here, but go...
“Lead the way, King,” Mark Wahlberg’s character Michael Light tells his adopted stray in the heartwarming trailer for Arthur the King.
Based on the novel by Mikael Lindnord, the Simon Cellan Jones-directed Arthur the King introduces us to Wahlberg’s Light, a professional endurance athlete who finds an unexpected-and-extremely-cute teammate for a race that crosses 435 miles. We won’t give any spoilers away here, but go...
- 4/26/2024
- by RS Editors
- Rollingstone.com
April began with showers, plus a tiny regional earthquake on the East Coast, but that didn’t keep anyone away from theaters, even if it was a slower weekend than much of March. Read on for the weekend box office report.
There was little surprise that Warner Bros.’ “Godzilla x Kong: The New Empire” would win its second weekend at #1. Despite dropping 60% from its fantastic opening weekend, it still was able to take first place with an estimated $31.7 million to bring its total to $135 million after crossing the $100 million mark in its first week. It also passed the $361 million mark globally, with another $59.3 million grossed overseas this weekend.
The weekend offered two new wide releases in Dev Patel‘s directorial debut, the action-thriller “Monkey Man,” and 20th Century’s horror prequel “The First Omen,” the former released into 3,029 theaters vs. “The First Omen’s” 3,375 theaters. “Monkey Man” came into the...
There was little surprise that Warner Bros.’ “Godzilla x Kong: The New Empire” would win its second weekend at #1. Despite dropping 60% from its fantastic opening weekend, it still was able to take first place with an estimated $31.7 million to bring its total to $135 million after crossing the $100 million mark in its first week. It also passed the $361 million mark globally, with another $59.3 million grossed overseas this weekend.
The weekend offered two new wide releases in Dev Patel‘s directorial debut, the action-thriller “Monkey Man,” and 20th Century’s horror prequel “The First Omen,” the former released into 3,029 theaters vs. “The First Omen’s” 3,375 theaters. “Monkey Man” came into the...
- 4/7/2024
- by Edward Douglas
- Gold Derby
Godzilla X Kong: The New Empire easily took the top spot this weekend at the box office, posting a much stronger-than-expected $31.7 million second weekend. We predicted about $25 million, so this is a significantly more extensive haul than expected for the MonsterVerse sequel, with it falling about 60% in week 2. That’s decent for a tentpole blockbuster like this. Everyone assumed the movie would be front-loaded, but that doesn’t seem to be the case, with it now on its way to at least a $200 million domestic haul – maybe more.
However, Godzilla and Kong’s good fortune at the multiplex spelled doom for two new genre titles – Monkey Man and The First Omen, both of which were gunning for some of that movie’s audience. Of the two, Monkey Man’s $10.1 million haul isn’t half bad if you consider that Universal picked it up for only about $10 million after Netflix opted to dump it.
However, Godzilla and Kong’s good fortune at the multiplex spelled doom for two new genre titles – Monkey Man and The First Omen, both of which were gunning for some of that movie’s audience. Of the two, Monkey Man’s $10.1 million haul isn’t half bad if you consider that Universal picked it up for only about $10 million after Netflix opted to dump it.
- 4/7/2024
- by Chris Bumbray
- JoBlo.com
Once again, a new film has debuted atop the box-office weekend as Godzilla x Kong: The New Empire easily defeated second-place Ghostbusters: Frozen Empire by a margin of $64.3 million.
In its first weekend of release, the Warner Bros.’ product, Godzilla x Kong: The New Empire, brought in $80.0 million, handily claiming the number one spot of this weekend’s top ten. In a distant second place was last weekend’s top film, Ghostbusters: Frozen Empire with $15.7 million in its second weekend of release. This gives the Sony Pictures Releasing film an overall total of $73.4 million. Also dropping a spot this weekend was Dune: Part Two which landed in third place with $11.1 million over the last three days. This gives the Warner Bros. film a five-week tally of $252.4 million. Finishing in fourth place was Kung Fu Panda 4 which brought in $10.2 million over the weekend despite losing a spot in the top ten since last weekend.
In its first weekend of release, the Warner Bros.’ product, Godzilla x Kong: The New Empire, brought in $80.0 million, handily claiming the number one spot of this weekend’s top ten. In a distant second place was last weekend’s top film, Ghostbusters: Frozen Empire with $15.7 million in its second weekend of release. This gives the Sony Pictures Releasing film an overall total of $73.4 million. Also dropping a spot this weekend was Dune: Part Two which landed in third place with $11.1 million over the last three days. This gives the Warner Bros. film a five-week tally of $252.4 million. Finishing in fourth place was Kung Fu Panda 4 which brought in $10.2 million over the weekend despite losing a spot in the top ten since last weekend.
- 4/1/2024
- by Mike Tyrkus
- CinemaNerdz
With “Dune: Part Two” (Warner Bros.), March came in like a lion. With “Godzilla x Kong: The New Empire” (also Warner Bros.), March is going out, well, as a lion. Leave the lamb for Easter dinner.
With an estimated $80 million (actual totals may be higher), Legendary Entertainment’s second big franchise sequel this month falls just shy of the $82 million debut for “Dune 2.” Warner Bros. now looks near certain to have three $200 million and over films since December — the only distributor to achieve that since July.
This could be the best weekend of the year so far, with a tentative estimate of $136.4 million. That includes four films over $10 million, the first time that’s happened this year. All told, this boosted the 2024 year to date; we’re now down by only six percent.
With “Godzilla x Kong,” “Dune: Part Two,” “Kung Fu Panda 4” (Universal) and “Ghostbusters: Frozen Empire” (Sony) all opening over $40 million,...
With an estimated $80 million (actual totals may be higher), Legendary Entertainment’s second big franchise sequel this month falls just shy of the $82 million debut for “Dune 2.” Warner Bros. now looks near certain to have three $200 million and over films since December — the only distributor to achieve that since July.
This could be the best weekend of the year so far, with a tentative estimate of $136.4 million. That includes four films over $10 million, the first time that’s happened this year. All told, this boosted the 2024 year to date; we’re now down by only six percent.
With “Godzilla x Kong,” “Dune: Part Two,” “Kung Fu Panda 4” (Universal) and “Ghostbusters: Frozen Empire” (Sony) all opening over $40 million,...
- 3/31/2024
- by Tom Brueggemann
- Indiewire
Easter continues its tradition as a great holiday weekend for a big studio movie release, proven by the sequel “Godzilla x Kong: The New Empire,” which far exceeded all expectations. Read on for the weekend box office report.
Almost three years after Warner Bros. released director Adam Wingard‘s “Godzilla vs. Kong” at the height of the pandemic with a simultaneous HBO Max streaming release, the franchise was able to return to traditional theatrical by releasing “Godzilla x Kong: The New Empire” into 3,861 theaters on Friday. Starring Rebecca Hall, Brian Tyree Henry and Kaylee Hottle from the previous movie, joined by Dan Stevens, Wingard’s sequel received mixed-to-negative reviews, but after making $10 million in Thursday previews “Godzilla x Kong” brought in $37 million on Good Friday, which is just slightly less than the $38.4 million opening day for “Godzilla” back in 2014.
Business kept up through the weekend for $80 million estimated from Warner Bros.
Almost three years after Warner Bros. released director Adam Wingard‘s “Godzilla vs. Kong” at the height of the pandemic with a simultaneous HBO Max streaming release, the franchise was able to return to traditional theatrical by releasing “Godzilla x Kong: The New Empire” into 3,861 theaters on Friday. Starring Rebecca Hall, Brian Tyree Henry and Kaylee Hottle from the previous movie, joined by Dan Stevens, Wingard’s sequel received mixed-to-negative reviews, but after making $10 million in Thursday previews “Godzilla x Kong” brought in $37 million on Good Friday, which is just slightly less than the $38.4 million opening day for “Godzilla” back in 2014.
Business kept up through the weekend for $80 million estimated from Warner Bros.
- 3/31/2024
- by Edward Douglas
- Gold Derby
Easter Weekend proved to be absolutely gigantic for WB and Legendary’s MonsterVerse, with the fifth film in the franchise (which we ranked here), Godzilla x Kong: The New Empire, grossing a massive $80 million domestically. While it was no doubt propelled by the holiday weekend (tomorrow’s grosses should be huge), it can’t be denied that the movie opened way beyond even the most optimistic expectations. Industry estimates (ours included) expected the film to open in the $50 million-ish range, but despite mixed reviews, the movie grossed about $30 million more than anyone expected.
While this is only the second largest MonsterVerse opening weekend (Godzilla made $93 million in 2014), this is considered a massive win for Warner Bros. To compare things, the last MonsterVerse movie, Godzilla Vs Kong, only opened to $30 million. Granted, that was at the height of the pandemic, and the movie was on the day and date on HBO Max,...
While this is only the second largest MonsterVerse opening weekend (Godzilla made $93 million in 2014), this is considered a massive win for Warner Bros. To compare things, the last MonsterVerse movie, Godzilla Vs Kong, only opened to $30 million. Granted, that was at the height of the pandemic, and the movie was on the day and date on HBO Max,...
- 3/31/2024
- by Chris Bumbray
- JoBlo.com
As one of the biggest stars in Hollywood, Mark Wahlberg’s career is full of films that showcase his stardom and how he can be a big name drawing people to watch his films. The actor’s career is filled with notable roles in films such as Lone Survivor, Boogie Nights, The Departed, Ted, and many more. Throughout his career, Wahlberg has done films with legendary directors, making him an A-tier actor, and a bankable one.
Mark Wahlberg in The Fighter
Well, that’s what everyone used to think, that the actor is a major name in the film industry, who would attract huge numbers at the box office. However, that is not the case anymore because Marky Mark’s latest film shows how he is becoming an irrelevant name in the film industry. His only way to avoid anonymity is by working alongside his Father Stu co-star, Mel Gibson,...
Mark Wahlberg in The Fighter
Well, that’s what everyone used to think, that the actor is a major name in the film industry, who would attract huge numbers at the box office. However, that is not the case anymore because Marky Mark’s latest film shows how he is becoming an irrelevant name in the film industry. His only way to avoid anonymity is by working alongside his Father Stu co-star, Mel Gibson,...
- 3/31/2024
- by Tushar Auddy
- FandomWire
Sony had the big win at the box office over the weekend, with "Ghostbusters: Frozen Empire" taking the top spot on the charts, but additional context puts some qualifiers around that movie's win, since a $45 million opening weekend haul is a mixed bag for a film with a $100 million budget. While ghosts were being busted, though, two smaller horror movies had downright incredible weekends for their respective distributors. Neon's "Immaculate" and IFC's "Late Night with the Devil," bolstered by very strong buzz, had record-setting debuts for both labels. Put simply, horror stays winning.
Director Michael Mohan's "Immaculate" led the way with a $5.3 million debut, good enough to land at number four on the charts just above Mark Wahlberg's "Arthur the King" ($4.3 million). That represents the biggest opening weekend ever for a film released by Neon. Granted, the company behind movies like "Parasite" and "Ferrari" often opens...
Director Michael Mohan's "Immaculate" led the way with a $5.3 million debut, good enough to land at number four on the charts just above Mark Wahlberg's "Arthur the King" ($4.3 million). That represents the biggest opening weekend ever for a film released by Neon. Granted, the company behind movies like "Parasite" and "Ferrari" often opens...
- 3/25/2024
- by Ryan Scott
- Slash Film
Ghostbusters: Frozen Empire Box Office (North America): Weekend Collections Get The Film At The Top Spot( Photo Credit – YouTube )
Paul Rudd and Bill Murray’s Ghostbusters: Frozen Empire is not scared off Kung Fu Panda 4 and Dune 2 to take the top position, beating them. It is the fifth film in the franchise and has earned an impressive number in the North American box office. Sydney Sweeney, who experienced an unexpected success with Anyone But You, had her horror flick Immaculate released in the theatres and has grabbed one of the top 5 positions in the domestic box office.
Paul, Finn Wolfhard, Mckenna Grace, and Carrie Coon joined the franchise with 2021’s Afterlife. The cast reunites with the Og Ghostbusters cast in this movie, including Bill Murray, Dan Aykroyd, Ernie Hudson, and Annie Potts. It has a 6.6 rating on IMDb and a 43% score on Rotten Tomatoes’ Tomatometer.
Paul Rudd and Bill Murray’s Ghostbusters: Frozen Empire is not scared off Kung Fu Panda 4 and Dune 2 to take the top position, beating them. It is the fifth film in the franchise and has earned an impressive number in the North American box office. Sydney Sweeney, who experienced an unexpected success with Anyone But You, had her horror flick Immaculate released in the theatres and has grabbed one of the top 5 positions in the domestic box office.
Paul, Finn Wolfhard, Mckenna Grace, and Carrie Coon joined the franchise with 2021’s Afterlife. The cast reunites with the Og Ghostbusters cast in this movie, including Bill Murray, Dan Aykroyd, Ernie Hudson, and Annie Potts. It has a 6.6 rating on IMDb and a 43% score on Rotten Tomatoes’ Tomatometer.
- 3/25/2024
- by Esita Mallik
- KoiMoi
Funny, this sure doesn’t look like a sequel problem: “Ghostbusters: Frozen Empire” (Sony) took #1 with an on-target $45 million weekend. Although that number was below recent openings for “Dune: Part Two” (Warner Bros.) and “Kung Fu Panda 4” (Universal), all exceeded the openings of their immediate franchise predecessors.
“Frozen Empire” achieved this without the advantages of “Dune” and “Kung Fu Panda” (hunger for a fresh family title) — and with potential pitfalls like weak reviews and a so-so B+ Cinemascore (down from A- for “Afterlife” in 2021).
It suggests a positive result for the $100 million-budgeted fantasy comedy, a good sign in a year when most of the biggest new films will be similarly unoriginal. The three sequels grossed $80 million of the $105 million weekend.
Though this weekend was off by about 11 percent from last year, three out of four weeks month totaled over of $100 million. Expect the same next weekend with the debut...
“Frozen Empire” achieved this without the advantages of “Dune” and “Kung Fu Panda” (hunger for a fresh family title) — and with potential pitfalls like weak reviews and a so-so B+ Cinemascore (down from A- for “Afterlife” in 2021).
It suggests a positive result for the $100 million-budgeted fantasy comedy, a good sign in a year when most of the biggest new films will be similarly unoriginal. The three sequels grossed $80 million of the $105 million weekend.
Though this weekend was off by about 11 percent from last year, three out of four weeks month totaled over of $100 million. Expect the same next weekend with the debut...
- 3/24/2024
- by Tom Brueggemann
- Indiewire
After posting Friday numbers that had the industry thinking that Ghostbusters: Frozen Empire would fall short of Afterlife’s $44 million opening, the sequel rallied to a so-so $45.2 million 3-day opening. While that’s certainly good news as far as bragging rights go (and above the $40 million we had it pegged at), for a movie that cost upwards of $100 million to make (and God knows how much more to market), this opening can’t be considered more than a middling success. When you consider inflation and the fact that Afterlife opened during the pandemic, it can’t be denied that the Frozen Empire audience has shrunk. The B CinemaScore cited by Deadline is problematic, as it doesn’t bode well for the film having much in the way of legs, especially with Godzilla x Kong: The New Empire opening next (Easter) weekend. Hopefully, the holiday will help it grow its audience a bit,...
- 3/24/2024
- by Chris Bumbray
- JoBlo.com
“Ghostbusters: Frozen Empire” ruled over the domestic box office and arrived on the higher end of expectations.
The latest installment in Sony’s supernatural comedy series has collected $45.2 million in its debut in 4,345 North American theaters. Earlier in the weekend, “Frozen Empire” looked like it would top out with $42 million but estimates were revised up after a bigger-than-expected Sunday. At the international box office, the film ignited to a tepid $16.4 million from 25 markets for a global start of $61 million.
Still, those domestic ticket sales are just barely ahead of its 2021 predecessor, “Ghostbusters: Afterlife,” which earned $44 million to start while the box office was deep in pandemic recovery mode. It’s a sign that the 30-year-old franchise hasn’t expanded its constituency beyond the original (and aging) core fans of the business of busting ghosts.
Plus, “Frozen Empire” carries a bigger budget than the last one, costing $100 million to produce and many millions more to market.
The latest installment in Sony’s supernatural comedy series has collected $45.2 million in its debut in 4,345 North American theaters. Earlier in the weekend, “Frozen Empire” looked like it would top out with $42 million but estimates were revised up after a bigger-than-expected Sunday. At the international box office, the film ignited to a tepid $16.4 million from 25 markets for a global start of $61 million.
Still, those domestic ticket sales are just barely ahead of its 2021 predecessor, “Ghostbusters: Afterlife,” which earned $44 million to start while the box office was deep in pandemic recovery mode. It’s a sign that the 30-year-old franchise hasn’t expanded its constituency beyond the original (and aging) core fans of the business of busting ghosts.
Plus, “Frozen Empire” carries a bigger budget than the last one, costing $100 million to produce and many millions more to market.
- 3/24/2024
- by Rebecca Rubin
- Variety Film + TV
Sony’s Ghostbusters: Frozen Empire had no trouble winning a relatively quiet weekend at the box office: Stronger-than-expected Saturday turnout rescued the movie from opening behind the franchise’s last installment.
Sunday estimates show Frozen Empire launching with $45.2 million in North America thanks to multi-generational turnout and families. In 2021, the pandemic-challenged Ghostbusters: Afterlife debuted to $44 million. The new movie will need to have decent legs, considering it cost more to make — $100 million, versus $75 million for Afterlife. And there’s still concern that the film hasn’t broadened out to any notable degree in terms of new fans.
Overseas, the Sony tentpole started off with $16.4 million from 25 markets — it has a staggered rollout for competitive reasons — for a global start of $61.6 million. In like-for-like markets, Sony says it is pacing 15 percent ahead of Afterlife. The U.K. leads with $5.3 million, followed quickly by Mexico with $5.2 million.
On Saturday, rival studios showed...
Sunday estimates show Frozen Empire launching with $45.2 million in North America thanks to multi-generational turnout and families. In 2021, the pandemic-challenged Ghostbusters: Afterlife debuted to $44 million. The new movie will need to have decent legs, considering it cost more to make — $100 million, versus $75 million for Afterlife. And there’s still concern that the film hasn’t broadened out to any notable degree in terms of new fans.
Overseas, the Sony tentpole started off with $16.4 million from 25 markets — it has a staggered rollout for competitive reasons — for a global start of $61.6 million. In like-for-like markets, Sony says it is pacing 15 percent ahead of Afterlife. The U.K. leads with $5.3 million, followed quickly by Mexico with $5.2 million.
On Saturday, rival studios showed...
- 3/24/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
‘Ghostbusters: Frozen Empire’ Propels Franchise Past $1B As Sequel Opens To $45M+ – Sunday Am Update
Sunday Am: No snowstorm or sour reviews stood in Ghostbusters: Frozen Empire‘s path this weekend, as the Gil Kenan-directed, Jason Reitman-produced sequel minted a $45.2M opening after a nice spike on Saturday from families.
Yesterday came in at $16.8M, 5% ahead of Friday/previews’ $16M. If the numbers hold up, that’s the second-best start ever for a Ghostbusters’ movie after the 2016 female ensemble of Kirsten Wiig, Melissa McCarthy, Leslie Jones and Kate McKinnon.
The domestic opening of the fifth movie takes the entire Ghostbusters franchise, per Sony, past $1 billion. I understand studio reports had the franchise through four films at $985M, a result that’s higher than Box Office Mojo. Mojo’s numbers on overseas are off on the first 1984 film.
Foreign for Frozen Empire was $16.4M from 7,500+ screens in 25 markets, bringing the global start here to $61.6M on the $100M production.
The opening is solid news,...
Yesterday came in at $16.8M, 5% ahead of Friday/previews’ $16M. If the numbers hold up, that’s the second-best start ever for a Ghostbusters’ movie after the 2016 female ensemble of Kirsten Wiig, Melissa McCarthy, Leslie Jones and Kate McKinnon.
The domestic opening of the fifth movie takes the entire Ghostbusters franchise, per Sony, past $1 billion. I understand studio reports had the franchise through four films at $985M, a result that’s higher than Box Office Mojo. Mojo’s numbers on overseas are off on the first 1984 film.
Foreign for Frozen Empire was $16.4M from 7,500+ screens in 25 markets, bringing the global start here to $61.6M on the $100M production.
The opening is solid news,...
- 3/24/2024
- by Anthony D'Alessandro
- Deadline Film + TV
In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus claims that the story of asserts that redemption and family at the heart of Arthur the King easily makes it one of the best family films of the year.
Check out the full CinemaNerdz review of Arthur the King here!
Subscribe to CinemaNerdz: The Podcast here!
The post Podcast Ep. 66: “Arthur the King” first appeared on CinemaNerdz.
Check out the full CinemaNerdz review of Arthur the King here!
Subscribe to CinemaNerdz: The Podcast here!
The post Podcast Ep. 66: “Arthur the King” first appeared on CinemaNerdz.
- 3/24/2024
- by Editor
- CinemaNerdz
“Ghostbusters: Frozen Empire” kicked off with $16 million in North American ticket sales across Friday and preview screenings in 4,345 theaters. That nearly matches the $16.6 million that its predecessor “Ghostbusters: Afterlife” earned on its opening day in November 2021. Sony’s sci-fi comedy sequel will easily top domestic charts, though its work isn’t done yet considering its $100 million production budget.
That’s an uptick in the price tag from “Afterlife,” which cost $75 million before marketing and distribution. That franchise revival nearly tripled its $44 million domestic opening weekend, playing well through the Thanksgiving holiday to finish with $129 million and $204 million worldwide. Similarly, “Frozen Empire” could boost its fortunes with Easter at the end of the month.
Reviews have been leaning more lukewarm compared to the so-so received “Afterlife.” Early moviegoers are also a little cooler on the franchise now, with audience survey firm Cinema Score turning in a B+ grade. (“Afterlife” scored an A-.
That’s an uptick in the price tag from “Afterlife,” which cost $75 million before marketing and distribution. That franchise revival nearly tripled its $44 million domestic opening weekend, playing well through the Thanksgiving holiday to finish with $129 million and $204 million worldwide. Similarly, “Frozen Empire” could boost its fortunes with Easter at the end of the month.
Reviews have been leaning more lukewarm compared to the so-so received “Afterlife.” Early moviegoers are also a little cooler on the franchise now, with audience survey firm Cinema Score turning in a B+ grade. (“Afterlife” scored an A-.
- 3/23/2024
- by J. Kim Murphy
- Variety Film + TV
Mark Wahlberg’s recent based-on-a-true-story movie Arthur the King has been gaining massive fan approval as of late. The film was adapted from the real-life events of Swedish athlete Mikael Lindnord, as he shared in his 2016 memoir Arthur: The Dog Who Crossed the Jungle to Find a Home. However, the movie’s box office numbers as of this writing aren’t all too great.
Arthur the King (2024)
The reason behind such a downfall with its current-standing revenue isn’t like the film wasn’t worthy of having tremendous box office numbers, no. In fact, if anything, the real canine story was a masterpiece whose true potential was greatly undermined at global box offices, and the recent revelations about the real story only further prove this point.
Mark Wahlberg’s Arthur the King Deserves a Much Better Box Office Treatment
A story based on the real-life events that happened with Swedish...
Arthur the King (2024)
The reason behind such a downfall with its current-standing revenue isn’t like the film wasn’t worthy of having tremendous box office numbers, no. In fact, if anything, the real canine story was a masterpiece whose true potential was greatly undermined at global box offices, and the recent revelations about the real story only further prove this point.
Mark Wahlberg’s Arthur the King Deserves a Much Better Box Office Treatment
A story based on the real-life events that happened with Swedish...
- 3/22/2024
- by Mahin Sultan
- FandomWire
While filming the new Amazon crime thriller Play Dirty in Sydney, Australia, Mark Wahlberg is experiencing the glitz and glam of a big-budget film. However, despite the luxury of his Australian stay, he finds himself yearning for the comfort of his loved ones back home.
Mark Wahlberg as Victor Sullivan in Uncharted
His temporary residence is a staggering $100 million mansion boasting every amenity imaginable, from a private deep-water jetty to a state-of-the-art home cinema.
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Yet, despite the breathtaking harbor views and undeniable comfort, the A-lister has recently revealed there’s one aspect of his Australian sojourn that even such an opulent property can’t provide: Family!
Mark Wahlberg Grapples with Homesickness Despite Luxurious Lifestyle
Mark Wahlberg as Sergeant Dignam in The Departed
Mark Wahlberg is currently staying in a big mansion in Sydney’s fanciest neighborhood.
Mark Wahlberg as Victor Sullivan in Uncharted
His temporary residence is a staggering $100 million mansion boasting every amenity imaginable, from a private deep-water jetty to a state-of-the-art home cinema.
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Yet, despite the breathtaking harbor views and undeniable comfort, the A-lister has recently revealed there’s one aspect of his Australian sojourn that even such an opulent property can’t provide: Family!
Mark Wahlberg Grapples with Homesickness Despite Luxurious Lifestyle
Mark Wahlberg as Sergeant Dignam in The Departed
Mark Wahlberg is currently staying in a big mansion in Sydney’s fanciest neighborhood.
- 3/21/2024
- by Shreya Jha
- FandomWire
Mark Wahlberg as Michael in Arthur The King. Photo Credit: Carlos Rodriguez. Copyright © 2024 Lionsgate Arthur the King, the new movie starring Mark Wahlberg, is based on a real-life story about a man who befriends (and eventually adopts) a dog while participating in an adventure race. The fact that there was a real Arthur made a deep impression on Wahlberg, who talked about how he found the film to be incredibly inspiring and touching. (Click on the media bar below to hear Mark Wahlberg) https://www.hollywoodoutbreak.com/wp-content/uploads/2024/03/Mark_Wahlberg_Arthur_the_King_Inpsired_.mp3 Arthur the King is now playing in theaters.
The post ‘Arthur’s’ Real-Life Roots Inspired Mark Wahlberg appeared first on Hollywood Outbreak.
The post ‘Arthur’s’ Real-Life Roots Inspired Mark Wahlberg appeared first on Hollywood Outbreak.
- 3/21/2024
- by Hollywood Outbreak
- HollywoodOutbreak.com
When the March box office seems to be tailing off after a weaker weekend, who you gonna call? Read on for Gold Derby’s box office preview to find out.
For the third weekend this month, we have the potential for a movie to open with more than $40 million after literally months without one. That new movie is Sony’s “Ghostbusters: Frozen Empire,” the sequel to the Jason Reitman-directed “Ghostbusters: Afterlife,” which helped revive the franchise in 2021 with what is now lovingly referred to as a “requel,” i.e. a combo of a reboot and a sequel.
“Frozen Empire” brings back the newest Ghostbusters, played by Paul Rudd, Carrie Coon, Finn Wolfhard and Mckenzie Grace, and other characters from “Ghostbusters: Afterlife,” as well as the OGs (Original Ghostbusters): Dan Ackroyd, Bill Murray, Ernie Hudson and even Annie Potts. New characters for the movie — which returns the Ghostbusters to...
For the third weekend this month, we have the potential for a movie to open with more than $40 million after literally months without one. That new movie is Sony’s “Ghostbusters: Frozen Empire,” the sequel to the Jason Reitman-directed “Ghostbusters: Afterlife,” which helped revive the franchise in 2021 with what is now lovingly referred to as a “requel,” i.e. a combo of a reboot and a sequel.
“Frozen Empire” brings back the newest Ghostbusters, played by Paul Rudd, Carrie Coon, Finn Wolfhard and Mckenzie Grace, and other characters from “Ghostbusters: Afterlife,” as well as the OGs (Original Ghostbusters): Dan Ackroyd, Bill Murray, Ernie Hudson and even Annie Potts. New characters for the movie — which returns the Ghostbusters to...
- 3/20/2024
- by Edward Douglas
- Gold Derby
Worldwide box office March 15-17 Rank Film (distributor) 3-day (world) Cume (world) 3-day (int’l) Cume (int’l) Territories 1. Dune: Part Two (Warner Bros)
$80.3m $495m $51.2m $289.4m 74 2. Kung Fu Panda 4 (Universal)
$69.9m $176.5m $39.7m $68.8m 57 3. The Pig, The Snake And The Pigeon (various)
$10.9m $73.9m $10.9m $73.9m 1 4. Imaginary (Lionsgate)
$9.6m $27.4m $4m $8.3m 47 5. Exhuma (various)
$7.8m $66.3m $7.8m $66.2m 8 6. Arthur The King (various)
$7.6m $7.6m $59,000 $59,000 4 7. Remember Me (various)
$6.5m $7.2m $6.5m $7.2m 1 8. Bob Marley: One Love (Paramount)
$5.2m $169.2m $2.9m $75.8m 52 9. I Miss You (various)
$4.7m $23.4m $4.7m $23.4m 1 10. One Life (various)
$3.6m $35.1m $1.9m $33.4m 17
Credit: Comscore. All figures are estimates.
$80.3m $495m $51.2m $289.4m 74 2. Kung Fu Panda 4 (Universal)
$69.9m $176.5m $39.7m $68.8m 57 3. The Pig, The Snake And The Pigeon (various)
$10.9m $73.9m $10.9m $73.9m 1 4. Imaginary (Lionsgate)
$9.6m $27.4m $4m $8.3m 47 5. Exhuma (various)
$7.8m $66.3m $7.8m $66.2m 8 6. Arthur The King (various)
$7.6m $7.6m $59,000 $59,000 4 7. Remember Me (various)
$6.5m $7.2m $6.5m $7.2m 1 8. Bob Marley: One Love (Paramount)
$5.2m $169.2m $2.9m $75.8m 52 9. I Miss You (various)
$4.7m $23.4m $4.7m $23.4m 1 10. One Life (various)
$3.6m $35.1m $1.9m $33.4m 17
Credit: Comscore. All figures are estimates.
- 3/18/2024
- ScreenDaily
Simon Cellan Jones-directed Arthur the King was born as a promising flick to do well on the big screen, and Lionsgate had all the reasons to believe in it. But the road to tackle the competitors was not smooth as the move was scrapped badly.
Mark Wahlberg in Arthur the King (2024)
In hindsight, there is not one single reason for the bumpy road to the Mark Wahlberg-led movie. Dog movies that have done quite well in the past include Channing Tatum’s movie, Dog. But what led to the downfall of Arthur the King? What went wrong? One mistake from Lionsgate may have pushed the movie to the edge of box-office doom.
The Lionsgate Move That Proved To Be Fatal For Mark Wahlberg’s Arthur the King
Mark Wahlberg as Michael Light in Arthur the King
Mark Wahlberg’s Arthur the King has all it takes to hit the...
Mark Wahlberg in Arthur the King (2024)
In hindsight, there is not one single reason for the bumpy road to the Mark Wahlberg-led movie. Dog movies that have done quite well in the past include Channing Tatum’s movie, Dog. But what led to the downfall of Arthur the King? What went wrong? One mistake from Lionsgate may have pushed the movie to the edge of box-office doom.
The Lionsgate Move That Proved To Be Fatal For Mark Wahlberg’s Arthur the King
Mark Wahlberg as Michael Light in Arthur the King
Mark Wahlberg’s Arthur the King has all it takes to hit the...
- 3/18/2024
- by Lachit Roy
- FandomWire
For a second consecutive weekend, Kung Fu Panda 4 held onto the number one spot of the box-office weekend, albeit by only $0.9 million.
In its second weekend of release, Kung Fu Panda 4 brought in $30.0 million to stay on top of the top ten. This gives the Universal Pictures product an overall total of $107.7 million. Meanwhile, still relegated to the second spot of the top ten, Dune: Part Two finished just behind that with $29.1 million over the weekend for Warner Brothers. This brings the film’s three-week tally to $205.3 million. Debuting in third place with $7.5 million was the family film Arthur the King starring Mark Wahlberg. The offering from Lionsgate Films took the place of another Lionsgate film as Imaginary was pushed down to fourth where it added $5.6 million, raising its two-week total to $19.1 million. Also falling a spot was Angel Studios’ Cabrini which landed in fifth place this weekend...
In its second weekend of release, Kung Fu Panda 4 brought in $30.0 million to stay on top of the top ten. This gives the Universal Pictures product an overall total of $107.7 million. Meanwhile, still relegated to the second spot of the top ten, Dune: Part Two finished just behind that with $29.1 million over the weekend for Warner Brothers. This brings the film’s three-week tally to $205.3 million. Debuting in third place with $7.5 million was the family film Arthur the King starring Mark Wahlberg. The offering from Lionsgate Films took the place of another Lionsgate film as Imaginary was pushed down to fourth where it added $5.6 million, raising its two-week total to $19.1 million. Also falling a spot was Angel Studios’ Cabrini which landed in fifth place this weekend...
- 3/18/2024
- by Mike Tyrkus
- CinemaNerdz
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