Keep track of when films are coming out in the territory.
Cinemas in the UK and Ireland are set to reopen this spring, following months of closures due to the Covid-19 pandemic.
Screen is listing the release dates for films in the territory in the calendar below. For distributors who wish to add/amend a date on the calendar, please get in touch with Screen here.
Indoor cinemas in England and Scotland will be allowed to reopen from May 17; with dates yet to be confirmed for Wales, Northern Ireland and Ireland.
Screen is also tracking reopening dates of cinemas in...
Cinemas in the UK and Ireland are set to reopen this spring, following months of closures due to the Covid-19 pandemic.
Screen is listing the release dates for films in the territory in the calendar below. For distributors who wish to add/amend a date on the calendar, please get in touch with Screen here.
Indoor cinemas in England and Scotland will be allowed to reopen from May 17; with dates yet to be confirmed for Wales, Northern Ireland and Ireland.
Screen is also tracking reopening dates of cinemas in...
- 8/10/2021
- by Ben Dalton
- ScreenDaily
The UK-Ireland top five remains the same for the second week in a row.
RankFilm (Distributor)Three-day gross (Aug 6-8)Total gross to dateWeek 1 The Suicide Squad (Warner Bros) £2.27m £7.98m 2 2 Jungle Cruise (Disney) £1.96m £6.16m 2 3 Space Jam: A New Legacy (Warner Bros) £1.07m £8.97m 3 4 The Croods 2: A New Age (Universal) £866,792 £5.9m 4 5 Black Widow (Disney) £537,676 £17.49m 5
Gbp to Usd conversion rate: 1.39
The Suicide Squad topped the UK and Ireland box office for a second consecutive weekend, whilst Stillwater starring Matt Damon was the highest new opener in seventh.
Warner Bros’ The Suicide Squad took £2.27m on its second session,...
RankFilm (Distributor)Three-day gross (Aug 6-8)Total gross to dateWeek 1 The Suicide Squad (Warner Bros) £2.27m £7.98m 2 2 Jungle Cruise (Disney) £1.96m £6.16m 2 3 Space Jam: A New Legacy (Warner Bros) £1.07m £8.97m 3 4 The Croods 2: A New Age (Universal) £866,792 £5.9m 4 5 Black Widow (Disney) £537,676 £17.49m 5
Gbp to Usd conversion rate: 1.39
The Suicide Squad topped the UK and Ireland box office for a second consecutive weekend, whilst Stillwater starring Matt Damon was the highest new opener in seventh.
Warner Bros’ The Suicide Squad took £2.27m on its second session,...
- 8/9/2021
- by Mona Tabbara
- ScreenDaily
A man is standing still, facing the camera. He wears a construction hat and a neon safety vest over a bulletproof one. It is nighttime, he’s shrouded in darkness. He closes his eyes as the camera slowly pans out, as if to better tune into his surroundings. The din around him suggests a natural scene, crickets drowning out all else. Only gradually do we begin to hear the sounds of machinery. As Justino (stoic newcomer Regis Myrupu) is lulled into sleep, a radio call brings him back into himself. It’s then we see he’s been standing in front of a shipping container, one of the many he’s tasked with patrolling during his shifts as a security guard at the Manaus cargo port.
This poignant opening moment sets up the tensions between nature and modernity, labor and rest, that structure Maya Da-Rin’s captivating debut fiction feature,...
This poignant opening moment sets up the tensions between nature and modernity, labor and rest, that structure Maya Da-Rin’s captivating debut fiction feature,...
- 3/26/2021
- by Manuel Betancourt
- Variety Film + TV
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and past round-ups here.
Another Round (Thomas Vinterberg)
Superlatives are fatuous, but Mads Mikkelsen’s final dance in Another Round was possibly one of the finest scenes of the year. It is here that Thomas Vinterberg tips his hand: in turns devastating and rambunctious, his latest neither glorifies nor condemns the magic––and sorrows––of day-drinking, but conjures a surprisingly sober study of a midlife crisis, climaxing in this moment of blissful catharsis. As a character-defining moment, it’s up there with Denis Lavant’s pirouettes at the end of Claire Denis’ Beau Travail. – Leonardo G.
Where to Stream: Hulu
Audrey (Helena Coan)
Despite her status as one of the most iconic movie stars in history,...
Another Round (Thomas Vinterberg)
Superlatives are fatuous, but Mads Mikkelsen’s final dance in Another Round was possibly one of the finest scenes of the year. It is here that Thomas Vinterberg tips his hand: in turns devastating and rambunctious, his latest neither glorifies nor condemns the magic––and sorrows––of day-drinking, but conjures a surprisingly sober study of a midlife crisis, climaxing in this moment of blissful catharsis. As a character-defining moment, it’s up there with Denis Lavant’s pirouettes at the end of Claire Denis’ Beau Travail. – Leonardo G.
Where to Stream: Hulu
Audrey (Helena Coan)
Despite her status as one of the most iconic movie stars in history,...
- 3/19/2021
- by Jordan Raup
- The Film Stage
Having first covered The Fever back in when it premiered at Locarno in 2019––where director Maya Da-Rin picked up the Fipresci Prize and Regis Myrupu won Best Actor––the acclaimed drama is finally getting a proper U.S. release this month on March 19, courtesy of KimStim. Ahead of the Virtual Cinema debut, we’re pleased to exclusively premiere the trailer for the mesmerizing portrait of the subtle yet profound details of the confrontation between indigenous ways of life and the pressures of Western urbanization set in Manaus, an industrial city surrounded by the Amazon rainforest.
Leonardo Goi said in his review, “The Fever, director-cum-visual artist Da-Rin’s first full-length feature project, puts a human face to a statistic that hardly captures the genocide Brazil is suffering. This is not just a wonderfully crafted, superb exercise in filmmaking, a multilayered tale that seesaws between social realism and magic. It is a call to action,...
Leonardo Goi said in his review, “The Fever, director-cum-visual artist Da-Rin’s first full-length feature project, puts a human face to a statistic that hardly captures the genocide Brazil is suffering. This is not just a wonderfully crafted, superb exercise in filmmaking, a multilayered tale that seesaws between social realism and magic. It is a call to action,...
- 3/2/2021
- by Jordan Raup
- The Film Stage
For film festivals and markets, all is chaos. Some say the show will go on, or at least some of the show; others are pivoting to a virtual experience, or postponing, or wait-and-seeing, or canceling altogether. Some are open only to industry members, while others offer free and paid programming for the general public. Some are restricted only to residents of specific countries. And all is subject to change.
It’s a lot to track, and we’ll keep doing just that in the weeks and months ahead. Here’s a list of film festivals and markets that have offered some indication about their plans; those not on the list are not necessarily canceled. Many continue to accept submissions, but are mum on how they plan to move forward. The list will be updated as event organizers release information on their plans.
November
Sheffield Doc/Fest and Marketplace
Sheffield, UK...
It’s a lot to track, and we’ll keep doing just that in the weeks and months ahead. Here’s a list of film festivals and markets that have offered some indication about their plans; those not on the list are not necessarily canceled. Many continue to accept submissions, but are mum on how they plan to move forward. The list will be updated as event organizers release information on their plans.
November
Sheffield Doc/Fest and Marketplace
Sheffield, UK...
- 11/30/2020
- by Chris Lindahl
- Indiewire
Brooklyn-based distributor KimStim has acquired North American rights to Brazilian director Maya Da-Rin’s feature debut “The Fever” (“A Febre”), which world premiered in competition at Locarno and played at Toronto in 2019.
The film is represented in international markets by Pierre Menahem’s French sales banner Still Moving, who negotiated the deal on behalf of the producers with KimStim’s Mika Kimoto. “The Fever” will have its New York premiere at New Directors/New Films in December.
“The Fever” follows Justino, a 45-year-old member of the indigenous Desana people, who is a security guard at the Manaus harbor. As his daughter prepares to study medicine in Brasilia, Justino comes down with a mysterious fever. The movie’s key crew includes the veteran cinematographer Barbara Alvarez.
“The Fever” is set to open in theaters in 2021 in France where it will be distributed by Survivance, and in the U.K. with New Wave Films handling,...
The film is represented in international markets by Pierre Menahem’s French sales banner Still Moving, who negotiated the deal on behalf of the producers with KimStim’s Mika Kimoto. “The Fever” will have its New York premiere at New Directors/New Films in December.
“The Fever” follows Justino, a 45-year-old member of the indigenous Desana people, who is a security guard at the Manaus harbor. As his daughter prepares to study medicine in Brasilia, Justino comes down with a mysterious fever. The movie’s key crew includes the veteran cinematographer Barbara Alvarez.
“The Fever” is set to open in theaters in 2021 in France where it will be distributed by Survivance, and in the U.K. with New Wave Films handling,...
- 11/20/2020
- by Elsa Keslassy
- Variety Film + TV
Originally scheduled for 30 April, the Portuguese festival will have a physical edition from 25 August to 5 September. IndieLisboa, one of the first Portuguese festivals to postpone its 2020 edition, is now just around the corner. Though the festival has moved to the end of August (instead of the end of April), most of this year’s format will be quite similar to previous years. With an extensive programme (of competitive and non-competitive sections), the festival will open with Monia Chokri’s A Brother’s Love in Cinema São Jorge and will close with Felipe Bragança’s A Yellow Animal at Culturguest.Twelve films were selected for the International Feature Film Competition: Barzakh (Spain) by Alejandro Salgado, Red Moon Tide (Spain) by Lois Patiño, Babai (Russia/US) by Artem Aisaagaliev, The Fever (Brazil/France/Germany) by Maya Da-Rin, There Will Be No More Night (France) by Eléonore Weber, This Is My Desire (Nigeria/US) by Arie Esiri and.
Three of Argentina’s foremost auteurs – “Rojo’s” Benjamin Naishtat, “The Third Side of the River’s” Celina Murga, and “Two Shots Fired’s” Martin Rejtman – will present new movie projects at a 9th Europe-Latin America Co-Production Forum, the industry centerpiece at this year’s San Sebastian Film Festival.
They will be joined by up-and-coming directors such as “The Heiresses’” Marcelo Martinessi, “The Sharks’” Lucia Garibaldi and “The Future Perfect’s” Nele Wohlatz in a lineup that is long on strong and fairly established Argentine talent, has a clutch of new Colombian directors, and presses the urgent social-issue concerns that have come to characterize Latin American cinema.
Catapulted to fame when Martin Scorsese executive produced “The Third Side of the River,” Murga will present “The Smell of Freshly Cut Grass,” a high-concept gender drama starring “Paulina’s” Dolores Fonzi and co-written with partner and fellow film director Juan Villegas (“Las...
They will be joined by up-and-coming directors such as “The Heiresses’” Marcelo Martinessi, “The Sharks’” Lucia Garibaldi and “The Future Perfect’s” Nele Wohlatz in a lineup that is long on strong and fairly established Argentine talent, has a clutch of new Colombian directors, and presses the urgent social-issue concerns that have come to characterize Latin American cinema.
Catapulted to fame when Martin Scorsese executive produced “The Third Side of the River,” Murga will present “The Smell of Freshly Cut Grass,” a high-concept gender drama starring “Paulina’s” Dolores Fonzi and co-written with partner and fellow film director Juan Villegas (“Las...
- 8/13/2020
- by John Hopewell and Emiliano De Pablos
- Variety Film + TV
Rio De Janeiro — The 21st Rio Intl. Film Fest opens Monday Dec. 9t with the screening of Greta Gerwig’s “Little Women” in the Odeon landmark theater. The smaller than usual edition, which was almost cancelled due to the lack of municipal backing, reflects the crisis of Brazil’s film sector, involved in a battle with the administration of President Jair Bolsonaro.
The once largest film fest in Latin America will feature this year about 100 international features, down from some 350 in the last fully sponsored edition in 2016. The recession that hit Brazil in 2015 and mainly politics explain the downsizing. Rio’s mayor Marcelo Crivella, a “bishop” of the fundamentalist Universal Church of God’s Kingdom elected in 2016, withdrew City Hall’s long-standing sponsorship for the fest in the 2017 edition.
Federal government shifted from left to cut-spending right, and government bank Bndes cut the fest sponsorship as of the 2018 edition, while...
The once largest film fest in Latin America will feature this year about 100 international features, down from some 350 in the last fully sponsored edition in 2016. The recession that hit Brazil in 2015 and mainly politics explain the downsizing. Rio’s mayor Marcelo Crivella, a “bishop” of the fundamentalist Universal Church of God’s Kingdom elected in 2016, withdrew City Hall’s long-standing sponsorship for the fest in the 2017 edition.
Federal government shifted from left to cut-spending right, and government bank Bndes cut the fest sponsorship as of the 2018 edition, while...
- 12/7/2019
- by Marcelo Cajueiro
- Variety Film + TV
TorinoFilmLab’s Mercedes Fernandez Alonso and Violeta Bava talk about the new structure.
Around 100 international first- and second-time filmmakers are gathering to pitch their projects to some 200 distributors, sales agents and festival representatives at this weeend’s showcase of TorinoFilmLab (Tfl) on November 21-23 at the Turin Film Festival in Italy. It is the culmination of a year of expansion and reorganisation at the prestigious year-round project and talent development initiative.
Artistic director Matthieu Darras stepped down in January to be replaced by two curators in newly created roles: Bosnian producer Amra Baksic Camo and Berlinale World Cinema Fund project...
Around 100 international first- and second-time filmmakers are gathering to pitch their projects to some 200 distributors, sales agents and festival representatives at this weeend’s showcase of TorinoFilmLab (Tfl) on November 21-23 at the Turin Film Festival in Italy. It is the culmination of a year of expansion and reorganisation at the prestigious year-round project and talent development initiative.
Artistic director Matthieu Darras stepped down in January to be replaced by two curators in newly created roles: Bosnian producer Amra Baksic Camo and Berlinale World Cinema Fund project...
- 11/22/2019
- by 1100976¦Gabriele Niola¦0¦
- ScreenDaily
New sounds stages were the talk of the festival.
Oliver Laxe’s Fire Will Come picked up two top prizes at the 60th Thessaloniki Film Festival (Oct 31-Nov 10) on Sunday, winning the Golden Alexander worth €15,000 for best film and a best actor award for Amador Arias.
Scroll down for full list of winners
The Spanish film, which won the Un Certain Regard Jury Prize at Cannes, centres on a convicted arsonist (Arias) who returns to his family home in rural Galicia. Pyramide International handles world sales.
Maya Da-Rin’s The Fever won the Silver Alexander special jury award, worth €8,000. The drama,...
Oliver Laxe’s Fire Will Come picked up two top prizes at the 60th Thessaloniki Film Festival (Oct 31-Nov 10) on Sunday, winning the Golden Alexander worth €15,000 for best film and a best actor award for Amador Arias.
Scroll down for full list of winners
The Spanish film, which won the Un Certain Regard Jury Prize at Cannes, centres on a convicted arsonist (Arias) who returns to his family home in rural Galicia. Pyramide International handles world sales.
Maya Da-Rin’s The Fever won the Silver Alexander special jury award, worth €8,000. The drama,...
- 11/11/2019
- by 307¦Alexis Grivas¦39¦
- ScreenDaily
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