Directed by
| Mariana Barassi | ||
Cast
| Clara Lago | ... | Miky | |
| Ernesto Alterio | ... | Antonio | |
 |
Quique Fernández | ... | Vargas |
Produced by
| Isabel Delclaux | ... | executive producer |
| Vanessa Ragone | ... | co-producer / executive producer |
| Fernando Sokolowicz | ... | co-producer / executive producer |
| Julieta Yadronik | ... | coordinating producer |
Music by
| Paula Olaz | ||
Cinematography by
| David F. Mayo | ... | (as David Fernández) |
Editing by
| Clara Martínez Malagelada | ||
Makeup Department
| Kenyar Padilla | ... | hair stylist |
| Antonia Pérez | ... | makeup department head |
Production Management
| Miguel Iturralde | ... | unit production manager |
Art Department
| Eva Garcia-Tapia Pradoux | ... | props |
| Cristina Mayoral | ... | props |
| Oriel Pérez | ... | props |
Sound Department
| Kevin Colman Bertoni | ... | foley editor |
| Juan Luis Cordero | ... | sound effects editor |
| Fernando Cornaglia | ... | Foley Recorder |
| David de la Cruz | ... | boom operator |
| Joshua Durán | ... | boom operator |
| Martín García Blaya | ... | dialogue editor |
| Martín Grignaschi | ... | sound supervisor |
| David Mantecón | ... | sound designer |
| Lucas Meyer | ... | m&e re-recording mixer / re-recording mixer / trailer re-recording mixer |
| Martín Touron | ... | sound |
| Javier Valdés | ... | facilities manager |
Visual Effects by
| Oihane Abrisqueta Diaz | ... | visual effects editor |
| Francisco Arias | ... | digital compositor |
| Helmuth Barnert | ... | visual effects supervisor |
| Jorge Buitrago | ... | visual effects artist |
| Moisés Cambra | ... | visual effects supervisor on set |
| Ramón Daza | ... | digital compositor |
| Raquel De La Haza | ... | visual effects editor |
| Víctor Del Olmo | ... | digital compositor |
| Carmen García Sánchez | ... | assistant visual effects supervisor |
| Alejandro Gigan Lopez | ... | visual effects coordinator |
| Miguel González Familiar | ... | visual effects producer |
| Asís Gómez | ... | digital compositor |
| Eduardo Jiménez Abad | ... | visual effects producer |
| Juliana Lasunción | ... | digital compositor |
| Pablo Morán | ... | digital compositor |
| Víctor Palacios López | ... | digital compositor |
Camera and Electrical Department
| Sergio Andrés | ... | first assistant camera |
| Mariana Bomba | ... | camera operator |
| Borja Canibe | ... | second assistant camera |
| Marcelo Clemares | ... | grip |
| David F. Mayo | ... | camera operator (as David Fernández) |
| Gonzalo Fernández de la Vega | ... | gaffer |
| Alberto García Marqués | ... | camera trainee (as Alberto García) |
| Brian Mendez | ... | video assist |
| Niete | ... | still photographer |
| Josu Trocaola | ... | digital imaging technician |
Casting Department
| Héctor P. Adeva | ... | extras casting |
Editorial Department
| Alberto J. Baixauli | ... | assistant editor |
| Mariana Bomba | ... | post-production coordinator |
| Victoria Fini | ... | DCP Engineering |
| Alejandro Gigan Lopez | ... | post-production assistant |
Location Management
| Miguel Iturralde | ... | location manager |
Music Department
| F.A.M.E.'S. Project | ... | orchestra and studio contractor |
| John C. Leavitt | ... | orchestration by |
Script and Continuity Department
| María Fernández Rúa-Figueroa | ... | script supervisor (as Maria Fernandez Rua-Figueroa) |
Additional Crew
| Sydney Borjas | ... | Scenic Rights: Book to Film Agency |
| Carmen Planes | ... | marketing |
| Edurne Pérez | ... | production staff |
