The Power of the Dog (2021)
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- R
- 2h 6min
- Drama, Western
- 01 Dec 2021 (USA)
- Movie
- Won 1 Oscar. Another 281 wins & 317 nominations.
- See more »
Photos and Videos
Cast verified as complete
Benedict Cumberbatch | ... |
Phil Burbank
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Geneviève Lemon | ... |
Mrs Lewis
(as Genevieve Lemon)
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Jesse Plemons | ... |
George Burbank
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Kodi Smit-McPhee | ... |
Peter Gordon
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Kenneth Radley | ... |
Barkeep
(as Ken Radley)
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Kirsten Dunst | ... |
Rose Gordon
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Sean Keenan | ... |
Sven
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George Mason | ... |
Cricket
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Ramontay McConnell | ... |
Theo
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David Denis | ... |
Angelo
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Cohen Holloway | ... |
Bobby
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Max Mata | ... |
Juan
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Josh Owen | ... |
Lee
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Alistair Sewell | ... |
Jock
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Eddie Campbell | ... |
Stan
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Alice Englert | ... |
Buster
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Bryony Skillington | ... |
Queenie
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Jacque Drew | ... |
Jeanie
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Yvette Parsons | ... |
Hettie
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Aislinn Furlong | ... |
Evie
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Daniel Cleary | ... |
Jeanie's Friend
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Richard Falkner | ... |
Pianola Man
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Tatum Warren-Ngata | ... |
Libby
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Yvette Reid | ... |
Clementine
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Alice May Connolly | ... |
Pearl
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Stephen Lovatt | ... |
Doctor
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Stephen Bain | ... |
Mr Weltz the Undertaker
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Ella Hope-Higginson | ... |
Consuela
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Piimio Mei | ... |
Sue Ella
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Edith Poor | ... |
Tanya
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Vadim Ledogorov | ... |
Older Man
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Thomasin McKenzie | ... |
Lola
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Julie Forsyth | ... |
Mrs Mueller
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Peter Carroll | ... |
Old Gent
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Frances Conroy | ... |
Old Lady
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Alison Bruce | ... |
The Governor's Wife
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Keith Carradine | ... |
The Governor
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Karl Willetts | ... |
Bill
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David T. Lim | ... |
Cook
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Adam Beach | ... |
Edward Nappo
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Maeson Stone Skuggedal | ... |
Edward Nappo's Son
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Ian Harcourt | ... |
Undertaker Assistant
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Directed by
Jane Campion |
Written by
Jane Campion | ... | (written by) |
Thomas Savage | ... | (based on the novel by) |
Produced by
Jane Campion | ... | producer (produced by) |
Iain Canning | ... | producer (produced by) |
Roger Frappier | ... | producer (produced by) |
Rose Garnett | ... | executive producer |
Simon Gillis | ... | executive producer |
Phil Jones | ... | associate producer |
Tanya Seghatchian | ... | producer (produced by) |
Libby Sharpe | ... | co-producer |
Emile Sherman | ... | producer (produced by) |
Chloe Smith | ... | co-producer / line producer |
John Woodward | ... | executive producer |
Music by
Jonny Greenwood | ... | (original music by) |
Cinematography by
Ari Wegner | ... | director of photography |
Editing by
Peter Sciberras |
Editorial Department
Trish Cahill | ... | digital intermediate colorist |
John Erasmus | ... | assistant editor |
Eloise Flanagan | ... | post-production coordinator |
Jasper Fox | ... | digital intermediate assist |
James Gardner | ... | colorist: dailies |
Cara Harvey | ... | digital intermediate Assistant Editor |
Gemila Iezzi | ... | post producer |
John Kerron | ... | on-line editor |
Paul Lear | ... | epk colorist |
Stephen McHardy | ... | visual effects editor |
Tim Morton | ... | on-line editor |
Courtney North | ... | editorial attachment |
Joel Plunkett | ... | on-line editor |
Keilah Rafel Motta Pirotelli | ... | post producer |
Kasra Rassoulzadegan | ... | first assistant editor |
Shaun Richards | ... | post production manager |
Casting By
Nikki Barrett | ||
Tina Cleary | ||
Carmen Cuba | ... | (US casting consultant) |
Nina Gold |
Production Design by
Grant Major |
Art Direction by
Matt Austin | ... | onset art director |
Nick Connor | ||
George Hamilton | ||
Mark Robins | ... | supervising art director |
Set Decoration by
Eliza Meldrum | ... | (Lead Set Decorating Buyer) |
Costume Design by
Kirsty Cameron |
Makeup Department
Niki Adlington | ... | assistant makeup artist |
Sarah Bernard | ... | hair and makeup artist |
Deirdre Cowley | ... | makeup department head |
Amanda Finlay | ... | hair & make up artist |
Laura King | ... | Additional Hair & Makeup Artist |
Isa Lilai | ... | additional makeup assistant |
Kelly Mitchell | ... | key makeup artist |
Claire Rutledge | ... | makeup and hair artist |
Kristy Staky | ... | wig maker |
Noriko Watanabe | ... | hair designer / makeup designer |
Production Management
Nod Anderson | ... | unit manager |
Colleen Clarke | ... | post-production supervisor |
Steven Eddy | ... | production executive: Netflix |
Moira Grant | ... | unit production manager |
Perri Silver | ... | post production executive: Netflix |
Karl Stieglbauer | ... | unit manager |
Second Unit Director or Assistant Director
Renata Blaich | ... | second assistant director |
Matt Johnston | ... | second second assistant director |
Phil Jones | ... | first assistant director |
Louise Spraggon | ... | additional assistant director |
Art Department
Nick Barry | ... | scenic lead hand |
Liam Beck | ... | concept artist |
Danny Caldwell | ... | props |
Sarah Cathie | ... | set designer |
Georgia Chalmers-Jones | ... | Barding Assistant |
Phil Clark | ... | visual researcher |
Rachael Cooper | ... | art department manager |
Sarah Dunn | ... | graphic designer |
Genelle Eaglen | ... | scenic artist |
W. Therese Eberhard | ... | set dec painter |
Gareth Edwards | ... | assistant set decorator |
Michelle Freeman | ... | set dresser |
Charlotte Jane Frost | ... | standby set dresser |
Jonny Gilks | ... | greens |
Emma Gravatt | ... | construction runner (creditOnly) |
Corry Greig | ... | plaster foreman |
Matthew Handscomb | ... | greens foreman |
Wade Hannett | ... | head scenic |
Lewis Hewett | ... | brush hand |
Lizzy Jane Klein | ... | researcher: set decoration |
Daniel Koene | ... | set designer |
Bianca Kofoed | ... | junior set designer |
Elise Kowitz | ... | standby props |
Lacey Malice | ... | scenic finisher |
Peter Malone | ... | scenic artist |
Marjorie Marshall | ... | head scenic |
Rachael McMahon | ... | set dec coordinator |
Ethan Montgomery-Williams | ... | scenic leadhand |
Jenny Morgan | ... | set decoration manager |
Kate Muir | ... | scenic artist |
Lucy Muir | ... | paint lead hand |
Lia Neilson | ... | construction coordinator |
Phred Palmer | ... | property master |
Jemimah Peacocke | ... | brush hand |
Amber Richards | ... | set decorating buyer |
Frances Roberts | ... | assistant construction coordinator |
Tony Rush | ... | scenic artist |
Sam Senior | ... | brush hand |
Tim Shortt-Smith | ... | set dresser |
Lauren Stewart | ... | scenic painter |
Alvis Tapsell | ... | paint artist (creditOnly) |
Harry Turbott | ... | painter |
Polly Walker | ... | concept artist |
Ben Whale | ... | set dresser |
Stephanie Williams | ... | brush hand |
Florrie Wilson | ... | assistant buyer (as Florence Wilson-Reilly) / set dec buyer (as Florence Wilson-Reilly) |
Yvonne Yip | ... | assistant art director |
Sound Department
Mick Boraso | ... | sound editor |
Steve Burgess | ... | foley mixer |
Glenn Butler | ... | re-recording engineer |
Richard Flynn | ... | production sound mixer |
Alex Francis | ... | foley recordist |
Owen Grieve | ... | adr recordist |
Leah Katz | ... | dialogue supervisor |
Dan Larkin | ... | adr recordist |
Lisa Leota | ... | sound assistant |
Robert Mackenzie | ... | re-recording mixer / supervising sound editor |
Jessy McNamara | ... | sound assistant (as Jessica McNamara) |
Jessica Meier | ... | assistant sound editor |
Simon Riley | ... | adr mixer |
Mario Vaccaro | ... | foley artist |
Sandy Wakefield | ... | boom operator |
Tara Webb | ... | sound effects editor/re-recording mixer |
Dave Whitehead | ... | sound designer |
Special Effects by
Casey Belsham | ... | special effects technician |
Tanya Bidois | ... | special effects office coordinator |
Brendon Durey | ... | special effects supervisor |
Richard Schuler | ... | on-set key special effects |
Visual Effects by
Jayce Attewell | ... | visual effects production manager |
Clement Bouchet | ... | visual effects assistant |
Mathieu Bourguignon | ... | visual effects editor: Alt.vfx |
Flavia Dias Riley | ... | visual effects producer: Alt.vfx |
Harry Gale | ... | visual effects editor: Alt.vfx |
Chris Gardner | ... | fx td |
Jason Hawkins | ... | visual effects supervisor (as Jay Hawkins) |
Andrew Hellen | ... | head of visual effects |
Alison Ingram | ... | visual effects producer |
Alroy Jovi | ... | visual effects artist |
Mitchell Kehn | ... | compositor |
Rui Li | ... | visual effects artist |
Leath Mattner | ... | visual effects artist |
Mark A. Millar | ... | visual effects executive producer: Alt.vfx |
Eloise Miscamble | ... | visual effects production coordinator |
Bryn Morrow | ... | visual effects supervisor: Alt.vfx |
Phil Outen | ... | senior compositor: Alt.vfx |
Christophe Pacaud | ... | digital compositor |
Murray Smallwood | ... | compositing supervisor |
Takeshi Takada | ... | visual effects executive producer: Alt.vfx |
Randy Vellacott | ... | digital compositor: Alt.vfx |
Corey-Jay Walker | ... | visual effects assistant editor |
Adam Wong | ... | lighting artist: Alt. Vfx |
Stunts
Mark Harris | ... | stunt coordinator |
Lizzie Lam | ... | head horse/animal dept coordinator |
Matthew Stirling | ... | assistant stunt coordinator |
Camera and Electrical Department
Grant Adams | ... | camera operator: "a" camera / director of photography: splinter unit / steadicam operator |
Finn Bowman | ... | lighting assistant |
Nick Burridge | ... | video assist operator |
Tom Cooney | ... | generator operator |
Jimmy Crayford-Bollinger | ... | second assistant camera: "b" camera (as Jimmy Bollinger) |
Jesse Davidson | ... | video assist assistant |
Nicola Dove | ... | gallery stills |
Benaiah Dunn | ... | grip assistant |
Bailey Era | ... | camera intern (as Bailey Mitchinson) |
Nick Flyvbjerg | ... | grip |
Daniel Foeldes | ... | first assistant camera: "a" camera |
James Gardner | ... | digital imaging technician |
Kirsty Griffin | ... | still photographer |
Simon Jones | ... | dolly grip |
Gilly Lawrence | ... | rigging gaffer |
Manahakaora Lawrence | ... | lighting assistant |
Thad Lawrence | ... | gaffer |
Warwick Millar | ... | senior lighting technician |
Nicholas Riini | ... | best boy electric |
Ben Rowsell | ... | first assistant camera: "a" camera |
Ben Ruffell | ... | drone operator |
Lee Scott | ... | lighting assistant |
Sam Strain | ... | key grip |
Chris Thomson | ... | best boy grip |
Henry West | ... | first assistant camera: "b" camera |
Merlin Wilford | ... | best boy electric |
Nick Willoughby | ... | second assistant camera: "a" camera |
Daniel Foeldes | ... | additional camera operator (uncredited) |
Nick Willoughby | ... | additional camera operator (uncredited) |
Animation Department
Kerrie Louise Moss | ... | animator |
Chris Rentoul | ... | head of animation |
John Trudgian | ... | animator |
Casting Department
Claudia Allison | ... | casting assistant |
Anita Corcoran | ... | casting coordinator |
Carmen Cuba | ... | US casting consultant |
Nina Gold | ... | casting associate: UK |
Linda McFetridge | ... | casting associate: New Zealand |
Julie-Anne Mueller | ... | Assistant to K Smit-McPhee |
Kyla Robinson | ... | casting assistant |
Rebecca Rowe | ... | Extras Casting Director |
Michelle Savill | ... | casting assistant |
Martin Ware | ... | casting assistant: UK |
Costume and Wardrobe Department
Alice Baker | ... | costume supervisor |
Sabrina Brookfield | ... | sewing machinist |
Miranda Brown | ... | key textiles |
Stacey Brummer | ... | Costume Dresser: Cast |
Daniel Calvert | ... | key art finisher |
Nina Cooley | ... | workroom assistant |
Amy Craven | ... | milliner |
Austin Delaney-Girlestone | ... | costume/background assistant |
Helen Fuller | ... | key costume props |
Lucy Holloway | ... | workroom assistant |
Kate Mason | ... | crowd costumer |
Will Parsons | ... | background standby |
Aimee Reed | ... | additional costumer |
Sheree Roud | ... | sewing machinist |
Laura Schneemann | ... | costume standby |
Rosalind Sinel | ... | sewing machinist |
Rachel Strong | ... | costumer: stitcher |
Julia Thompson | ... | costume buyer |
Joan Wilson | ... | costumer |
Location Management
Ryan Bergmans | ... | location transport |
P. Rusty Kilpatrick | ... | location transport |
Lisa Marshall | ... | location assistant |
Toby Mills | ... | assistant location manager |
Sally Sherratt | ... | location scout manager |
Henry Youngman | ... | location assistant |
Maddy Maxwell | ... | location assistant (uncredited) |
Gamel Kate O'Brien | ... | location assistant (uncredited) |
Karla Spika | ... | location assistant (uncredited) |
Philip Turner | ... | location scout (uncredited) |
Music Department
Richard Bayliss | ... | musician: french horn |
Nich Cunningham | ... | banjo recordist |
Carys Evans | ... | musician: french horn |
Andrew Kotatko | ... | music supervisor |
Jackey Mishra | ... | music / musical director |
Graeme Stewart | ... | music editor / score engineer / score mixer / score producer |
Eloisa-Fleur Thom | ... | musician: violin |
Rose Grayson | ... | playback singer (uncredited) |
Script and Continuity Department
Kathleen Thomas | ... | script supervisor |
Transportation Department
Nicola Bailey | ... | transportation coordinator |
Eleanor Lefever | ... | set dec (uncredited) |
Brad McLeod | ... | swing driver (uncredited) |
Additional Crew
Geraldine Atlee | ... | head of legal and business affairs: BBC |
Mei Ling Au | ... | assistant production coordinator |
Daniel Bachner | ... | production counsel |
Matt Boughton | ... | assistant: Iain Canning |
Victoria Boult | ... | production assistant |
Ian Bricke | ... | Studio Executive |
Katherine Bridle | ... | head of film development: See-Saw Films |
Harriet Burdon | ... | production runner |
Monica Chan | ... | assistant: Kirsten Dunst (as Monica Cheuk Kwan Chan) |
Scott Chiplin | ... | assistant: Benedict Cumberbatch |
Zoe Sua Cho | ... | producers assistant: USA (as Zoe Cho) |
Davina Colquhoun | ... | production legals |
Shelagh Conley | ... | consulting producer |
Emily Cook | ... | production coordinator: See-Saw Films |
Nick Devcich | ... | safety officer |
Clement Dunn | ... | production legals |
Deborah Eastwood | ... | post production accountant |
Joy Ellison | ... | dialect coach |
Linda Fenwick | ... | production coordinator |
Nicola Freedman | ... | Assistant: See-Saw Films |
Kim Godby | ... | production staff: Background Wrangler/Driver |
Ashleigh Habedank | ... | production secretary |
Rebecca Hardman | ... | head of legal & business affairs: See-Saw Films |
Chris Hearn | ... | production executive: see-saw films |
Pam Hislop | ... | production coordinator |
Sam Joly | ... | head of marketing and publicity: See-Saw Films |
Stephanie Kung | ... | accountant: See-Saw Films |
Cindy Laraway | ... | clearance administrator |
Romani Lawson | ... | cast driver: cowhands |
Peter Long | ... | title design |
Toni Mager | ... | director assistant |
Tom Marriott | ... | development executive: BrightStar |
Andrew Marshall | ... | producer's assistant |
Sharlene McDonald | ... | insurance broker |
Steven McKinnon | ... | financial controller |
Jim McLarty | ... | dialect coach: New Zealand |
Rachael McMahon | ... | clearance coordinator |
André Mengele | ... | dog trainer |
Georgie Morgan | ... | assistant production coordinator |
Ngametua Paitai | ... | production runner |
Griz Pomirska | ... | director assistant (as Grizyna Pomirska) |
Jean-Louis Rodrigue | ... | movement coach |
Barry Sechos | ... | corporate director: See-Saw Films |
Olivia Shanks | ... | production coordinator |
Joe Sisto | ... | production counsel |
Adrian Stent | ... | horse master |
Claire Van Beek | ... | director assistant |
Karla Wallace | ... | production coordinator |
Layla Zhang | ... | financial controller: See-Saw Films |
Jarl Devine | ... | Transport Coordinator (uncredited) |
Thanks
Sean Berney | ... | acknowledgement |
Will Brewster | ... | acknowledgement |
Eddie Campbell | ... | dedicatee (as Eddie Campbell - Stan) |
Anna Campion | ... | acknowledgement |
Judith Campion | ... | acknowledgement |
Caroline Derpienski | ... | special thanks |
Steven Eddy | ... | the producers wish to thank |
Alice Englert | ... | acknowledgement |
Sue Falconer | ... | thanks: Bonspeil Station - Poolburn |
Bill Fiala | ... | acknowledgement |
Jack Fisk | ... | acknowledgement |
Sydner Gardiner | ... | thanks: Walls Road Studio |
Kim Gillingham | ... | thanks to |
Liz Gutierrez | ... | acknowledgement |
Bryan Haas | ... | special thanks |
Bryan Hass | ... | acknowledgement |
Calvin Hochstrat | ... | acknowledgement |
Kathy Hochstrat | ... | acknowledgement |
Mark Huddleston | ... | thanks |
Pauline Huddleston | ... | thanks: Matakanui Store |
Caroline Hutchison | ... | acknowledgement |
Paula Jalfon | ... | acknowledgement |
Ivana Lombardi | ... | acknowledgement |
Toni Mager | ... | acknowledgement |
Alastair McKnight | ... | thanks: Braeside Station Oturehua |
Graeme McKnight | ... | thanks: Braeside Station - Oturehua |
Peter Meyer | ... | acknowledgement |
Kelvin Middleton | ... | thanks |
Philippa Mossman | ... | thanks |
Emily Murray | ... | thanks: Glenmore Station - Lake Tekapo |
Will Murray | ... | thanks: Glenmore Station - Lake Tekapo |
Rusty Nevill | ... | thanks: Bonspeil Station - Poolburn |
Lisa Nishimura | ... | acknowledgement |
Callum Patterson | ... | thanks: Ida Valley Station - Poolburn |
Michelle Pearce | ... | developed with the assistance of: Michelle Pearce |
Philippa Pope | ... | thanks: Braeside Station Oturehua |
Annie Proulx | ... | acknowledgement |
Ben Purvis | ... | thanks: Cluden Station - Lindis Valley |
Kate Richter | ... | acknowledgement |
Randy Rieman | ... | acknowledgement |
Stephen L. Saltzman | ... | acknowledgement (as Stephen Saltzman) |
Leanne Saunders | ... | acknowledgement |
Annabelle Sheehan | ... | thanks |
Caroline Sherman | ... | acknowledgement |
Patrick R. Siembieda | ... | acknowledgement (as Patrick Siembieda) |
Chloe Smith | ... | acknowledgement |
Grahame Sydney | ... | acknowledgement |
Ben Townley-Canning | ... | acknowledgement |
Sarah Umbach | ... | thanks |
Henry Van Ash | ... | acknowledgement |
Alan Weltzien | ... | acknowledgement |
Allison Whitmer | ... | acknowledgement: Montana Film Commission |
Production Companies
- New Zealand Film Commission (in association with)
- Cross City Films (in association with)
- BBC Film (in association with)
- See-Saw Films (production)
- Bad Girl Creek (production)
- Max Films International (production)
- Brightstar (in association with)
Distributors
- Angel Films (2021) (Denmark) (theatrical)
- NOS Audiovisuais (2022) (Portugal) (theatrical)
- O2 Play (2021) (Brazil) (theatrical) (as O2 Play)
- Odeon (2021) (Greece) (theatrical)
- Pimienta Films (2021) (Mexico) (theatrical)
- Netflix (2021) (Brazil) (video) (VOD)
- Netflix (2021) (Netherlands) (tv) (limited)
- Netflix (2021) (World-wide) (video) (VOD)
Special Effects
Other Companies
- Crombie Lockwood (insurance broker)
- Department of Post (post-production facilities)
- Lakeshore Records (soundtrack)
- Lifeguard & Safety (safety services)
- Setkeeper (pre-production software)
- Setkeeper (production office software)
- UniFi Completion Bonds ANZ Pty (completion guarantor)
- UniFi Completion Guarantors (completion guaranty)
Storyline
Plot Summary |
Severe, pale-eyed, handsome, Phil Burbank is brutally beguiling. All of Phil's romance, power and fragility is trapped in the past and in the land: He can castrate a bull calf with two swift slashes of his knife; he swims naked in the river, smearing his body with mud. He is a cowboy as raw as his hides. The year is 1925. The Burbank brothers are wealthy ranchers in Montana. At the Red Mill restaurant on their way to market, the brothers meet Rose, the widowed proprietress, and her impressionable son Peter. Phil behaves so cruelly he drives them both to tears, revelling in their hurt and rousing his fellow cowhands to laughter - all except his brother George, who comforts Rose then returns to marry her. As Phil swings between fury and cunning, his taunting of Rose takes an eerie form - he hovers at the edges of her vision, whistling a tune she can no longer play. His mockery of her son is more overt, amplified by the cheering of Phil's cowhand disciples. Then Phil appears to take the boy under his wing. Is this latest gesture a softening that leaves Phil exposed, or a plot twisting further into menace? Written by Netflix |
Plot Keywords | |
Taglines | What it means to be a man. See more » |
Genres | |
Parents Guide | View content advisory » |
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Box Office
Budget | $35,000,000 (estimated) |
Did You Know?
Trivia | Kirsten Dunst worked very hard to learn the piano piece she plays on-screen. She had originally mastered two musical pieces, but one was cut from the final release, much to her chagrin. See more » |
Goofs | Peter uses a hula hoop to burn off some of his anger. The modern hula hoop, however, was introduced in 1958. While Native Americans use hoops in traditional dances these are used in very different ways to the modern hula hoop. See more » |
Movie Connections | Edited into Faster than your First Time Reviews 2 - Best and Worst of TIFF 2021 (2021). See more » |
Soundtracks | Katy Did See more » |
Quotes |
[first lines]
Peter Gordon: When my father passed, I wanted nothing more than my mother's happiness. For what kind of man would I be if I did not help my mother? If I did not save her? See more » |